Notes from New York: Rotting Meat

Artist Jen Liu’s solo exhibition 'Pound of Flesh' at Silverlens New York explores the dehumanizing nature of digital labor through visceral imagery of raw meat. The show features paintings where human consciousness is replaced by butcher-shop cuts and an animated video based on Liu’s research into microworkers—individuals who perform repetitive, low-paid tasks to train AI models. By juxtaposing the biological reality of the body with the clinical extraction of data, Liu highlights the physical and psychological toll of the 'Agentic Age.'

Review: Getting lost in the art is the best part of LACMA’s new revisionist fever dream of a museum

The Los Angeles County Museum of Art (LACMA) has opened its new David Geffen Galleries, a radical reinvention of the museum experience. The installation, conceived by director Michael Govan and architect Peter Zumthor, abandons traditional chronological and departmental silos, instead creating a continuous, curving flow of art from across time, place, and medium. Visitors are encouraged to wander and get lost, forging their own connections between works.

François Ozon’s 'The Stranger': A Film Between Surface Aesthetics and Political Reinterpretation

“Lo straniero” di François Ozon. Un film tra estetica delle superfici e rilettura politica

Director François Ozon has adapted Albert Camus’s existentialist masterpiece 'The Stranger' into a new feature film, premiering at the 82nd Venice Film Festival. Shot in stark black and white by cinematographer Manuel Dacosse, the film departs from the 1967 Luchino Visconti adaptation by leaning into a cold, clinical aesthetic inspired by Michelangelo Antonioni. The narrative follows Meursault, an emotionally detached clerk in colonial Algiers, whose impassive reaction to his mother's death and the subsequent senseless murder of an Arab man leads to his legal and moral condemnation.

Super Mario Galaxy is the first true video game film

Super Mario Galaxy è il primo vero film videoludico

The article analyzes the 2023 animated film 'Super Mario Galaxy – Il film,' arguing it represents a significant evolution in video game adaptations. The film, a sequel to 'Super Mario Bros. – Il film,' abandons traditional narrative concerns and instead structures itself like a video game, constantly introducing new characters, power-ups, and scenarios directly from the Super Mario game series, as if the protagonists are moving through game levels.

Art exhibit review: Fowler’s ‘Mountain Spirits’ highlights indigenous culture in the Philippines

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