Simon Fraser University to open The Marianne and Edward Gibson Art Museum

Simon Fraser University in Burnaby, British Columbia, will open The Marianne and Edward Gibson Art Museum (The Gibson) on September 20, 2025. The 12,100-square-foot facility, designed by Siamak Hariri of Hariri Pontarini Architects with Iredale Architecture, is the university's first purpose-built gallery. It will consolidate SFU Galleries and house the SFU Art Collection of over 5,800 works. The inaugural exhibition, "Edge Effects," features 12 new or rarely seen works by Canadian artists, including 10 commissions, with artists such as Liz Magor, Lorna Brown, and Jin-me Yoon, alongside Cindy Mochizuki's "Arboreal Time."

New Canadian art museum seeks to connect disparate disciplines and a university campus

Simon Fraser University (SFU) near Vancouver will open the Marianne and Edward Gibson Art Museum on September 20, its first purpose-built art museum. The inaugural exhibition, "Edge Effects," features 15 artists including Sameer Farooq, Liz Magor, Cindy Mochizuki, and Debra Sparrow, and reflects the interdisciplinary ethos of the original SFU campus designed by Arthur Erickson and Geoffrey Massey. The 12,000-square-foot building by Hariri Pontarini Architects and Iredale Architecture includes a research laboratory, art studio, courtyard, and salon, and will be admission-free.

LMU Student Art Featured in Design Museum of Chicago Exhibition

Nine studio arts students from Loyola Marymount University (LMU) have their poster designs featured in the Design Museum of Chicago's 2025 "Great Ideas of Humanity" exhibition. The students—Alfonzo Dave, Nicole Dressel, Olivia Giganti, John Leary, Jestene Passolt, Leila Walker, Dezia Washington, Lucien Weber, and Eddie Young—created the works as part of Professor Garland Kirkpatrick's Typography II course. The museum selected all nine student designs for the professional exhibition, where they are displayed alongside their professor's work, rather than in the museum's student showcase.

Science inspired art on display at White City

Eight artworks created live during the Great Exhibition Road Festival, as part of the annual science-art project Paint Lab, will go on display at Imperial College London's White City campus from July 16 to September 18. The large-scale paintings were produced by local London artists collaborating with Imperial scientists, drawing inspiration from research topics such as space weather prediction, plant self-preservation, early Parkinson's detection, and human connection during cancer treatment. The festival, organized by Imperial in partnership with the Science Museum, Natural History Museum, and V&A, attracted 55,000 visitors.

Never Before Seen Art From King Charles’s Royal Tours Debuts at Buckingham Palace

A new exhibition titled "The King's Tour Artists" has opened in the Buckingham Palace Ballroom, showcasing over 70 works from King Charles III's private collection. The artworks, created by 43 different artists during 70 royal tours to 95 countries and regions since 1985, are displayed together for the first time. The exhibition was viewed by the King and Queen during a reception marking 40 years of the King's initiative to bring artists on official tours. Highlights include a 1985 watercolor from Italy and 2007 portraits of Charles and Camilla by James Hart Dyke from a visit to the Gulf States. The show runs from July 10 to September 10, 2025, as part of the Palace's summer opening.

King Charles Shares Art from His Personal Collection for an Inside Look at Royal Tours

King Charles and Queen Camilla held a reception on July 9, 2025, to celebrate a new exhibition at Buckingham Palace featuring 72 artworks from the monarch's personal collection. The works, created by artists who accompanied Charles on foreign tours over the past 40 years, include paintings, sketches, and even an iPad image. The exhibition, titled "The King’s Tour Artists," opens to the public from July 10 to September 28 and marks the summer opening of the palace. Charles began inviting artists on tours in 1985, and since then, 43 artists have joined him on 70 tours to 95 countries, with the King acquiring at least one piece from each artist.

Column | I road-tripped the Midwest’s best art museums. It was anything but an escape.

Art critic Sebastian Smee embarked on a summer road trip to visit seven major art museums across five Midwestern cities over five days. The column reflects on how the rapid succession of artworks and ideas from these institutions—ranging from the Art Institute of Chicago to the Cleveland Museum of Art—creates oblique connections and correspondences, both among the works themselves and between art and the outside world. Smee describes the experience as anything but an escape, as the art continually mirrors real-world events and emotions.

As an Emily Kam Kngwarray survey opens at Tate Modern this week, contemporary Indigenous artists are finally taking centre stage in the UK

Tate Modern opens its first major exhibition of Indigenous Australian artist Emily Kam Kngwarray (c. 1914–96), featuring over 70 works including early batiks and vast late-career paintings. The show, adapted from a presentation at the National Gallery of Australia, is co-curated by Hetti Perkins and Kelli Cole, who emphasize presenting Kngwarray's work within its Anmatyerr cultural context rather than through a Western abstraction lens. Concurrently, London's Camden Art Centre hosts an exhibition of Duane Linklater and his family, and a Manchester show features Santiago Yahuarcani, signaling a broader UK focus on contemporary Indigenous artists.

Tate chair floats selling Turbine Hall naming rights for ‘a minimum of £50m’

Tate chair of trustees Roland Rudd has suggested that naming rights for the Turbine Hall at Tate Modern could cost a minimum of £50 million. The proposal, reported by The Telegraph, is tied to the institution's new Tate Future Fund, launched last week with a goal of reaching £150 million by 2030. Rudd stated that endowing curators, directors, or naming the iconic space are all potential options for donors, though a Tate spokesperson emphasized the comments were hypothetical and the fundraising campaign is just beginning.

Photos reveal Peter Zumthor's LACMA museum ahead of opening

Photographer Iwan Baan has released images of the completed David Geffen Galleries, the long-awaited Los Angeles County Museum of Art (LACMA) expansion designed by Swiss architect Peter Zumthor. The undulating, glass-and-concrete building stretches along Wilshire Boulevard, elevated 30 feet above street level, and is set to open fully in April 2026. Major construction finished at the end of 2024, with some lower-level spaces already open. The single-level design eliminates traditional hierarchies, placing all artworks on the same plane, and the building aims for LEED Gold certification with low-carbon concrete and natural ventilation.

LACMA Opens the Doors to Its New Building

The Los Angeles County Museum of Art (LACMA) has opened its new building, designed by architect Peter Zumthor, marking a major milestone in the museum's long-awaited expansion and renovation. The new structure replaces four outdated buildings and aims to modernize the campus while improving visitor experience and exhibition space.

UK city council launches £100,000 appeal to buy rediscovered Turner painting

Bristol City Council has launched a one-week public fundraising campaign to raise £100,000 toward purchasing a newly attributed J.M.W. Turner oil painting, *The Rising Squall, Hot Wells, from St Vincent’s Rock, Bristol*, which is consigned to auction at Sotheby’s London on 2 July with an estimate of up to £300,000. The painting, made in 1792 when Turner was 17, was previously sold at Dreweatts Donnington Priory for £524.80 as a work by a follower of Julius Caesar Ibbetson. If acquired, the work would go on display at Bristol Museum and Art Gallery this summer and will also be included in the upcoming *Turner and Constable* exhibition at Tate Britain.

The Denver Art Museum presents Southwest Impressions: Prints from the Barbara J. Thompson Collection

The Denver Art Museum has announced the upcoming exhibition "Southwest Impressions: Prints from the Barbara J. Thompson Collection," opening June 29, 2025, and running through June 14, 2026. The show features works on paper by artists who lived or traveled in the American Southwest between the late 1800s and mid-1900s, drawn from a collection of over 100 prints gifted to the museum's Petrie Institute of Western American Art in 2024 by Barbara J. Thompson in honor of her grandfather, printmaker C. A. Seward. The exhibition will be presented in two rotations of about fifty prints each, covering intaglio, block printing, lithography, and serigraphy, with interpretive videos and a digital publication.

‘We are all part of this intergalactic universe’: Saya Woolfalk’s solo show immerses viewers in her “Empathic Universe”

Saya Woolfalk's solo exhibition "Empathic Universe" at the Museum of Arts and Design (Mad) in New York presents two decades of her visionary world-building practice. The show unfolds in five chapters, featuring sculptures made from textiles, videos, performances, and immersive digital installations that trace the evolution of fictional plant-and-human hybrid races. Woolfalk discusses the origins of her project, which began after her return from Brazil with works like "Winter Garden: Hybrid Love Objects" (2005) at MoMA PS1, and how the Empathic Universe came into focus during her time in the Whitney Independent Study Program around 2006, drawing on mythology, anthropology, technology, and feminist theory.

US participation in 2026 Venice Biennale in limbo amid Trump's arts defunding

The United States' participation in the 2026 Venice Biennale is in jeopardy due to the Trump administration's campaign to defund the arts. According to a Vanity Fair report by Nate Freeman, the US government's preparation is behind schedule, with the typical 18-month planning timeline now reduced to just 12 months before the opening. The National Endowment for the Arts (NEA) faces funding cuts, staff reductions, and a vacant position for coordinating biennale affairs, while the application process has been altered to emphasize "American values" and remove references to diversity, equity, and inclusion.

The Big Review | Caravaggio 2025 at Palazzo Barberini, Rome ★★★

The article reviews the "Caravaggio 2025" exhibition at Palazzo Barberini in Rome, which brings together 24 paintings by the Baroque master Michelangelo Merisi da Caravaggio. Curated by Francesca Cappelletti, Maria Cristina Terzaghi, and Thomas Clement Salomon, the show is accompanied by a heavy marketing campaign tied to the Catholic Church's Jubilee year. The review notes that while any gathering of Caravaggio's works guarantees a beautiful experience, the exhibition's title and scope remain unclear, and the curatorial approach—divided into four thematic sections—feels disjointed. Highlights include the reunion of three paintings from Cardinal Francesco Maria del Monte's collection and the public display of the recently identified portrait of Maffeo Barberini.

Immediately after the Second World War, how did six exhibitions attempt to make sense of the atrocities?

Berlin's Deutsches Historisches Museum has opened an exhibition titled "On Displaying Violence: First Exhibitions on the Nazi Occupation in Europe, 1945-48," which revisits six post-World War II exhibitions that attempted to process the atrocities of the war. These shows took place in venues ranging from the Grand Palais in Paris to a Czech villa formerly occupied by a Nazi official, and included displays such as the UK's Daily Express "The Horror Camps" (1945), the French traveling show "Hitlerian Crimes" (1945), "Warsaw Accuses" (1945) at the National Museum in Warsaw, and "Our Path to Freedom" (1947) at the Bergen-Belsen concentration camp. The Berlin exhibition uses original objects, film footage, photographs, and recordings to recreate the experience of these early post-war shows.

Weaving a history: Worcester Art Museum exhibits tapestries 'From the Vault'

The Worcester Art Museum is opening a new exhibition, "From the Vault: Collecting Tapestries at the Worcester Art Museum," on May 3, 2025, running through July 27. The show features nearly 30 works, including 12 large-scale tapestries and 18 fragments, many unseen for decades. The centerpiece is the museum's iconic 16th-century "The Last Judgment" tapestry, restored after 35 years in storage. Other highlights include a contemporary piece by Diedrick Brackens, a Flemish tapestry depicting Emperor Titus, and works by Jean Lurçat.

King Charles to Reveal Inside Glimpse of His Life in Unique Exhibition of Art from Overseas Tours

King Charles III will open a unique exhibition at Buckingham Palace from July 10 to September 28, showcasing 70 artworks by 42 artists who accompanied him on overseas royal tours. The tradition began in 1985 when the then Prince of Wales invited British artist John Ward to document a visit to Italy, and has continued unbroken ever since. Featured artists include Fraser Scarfe, who captured Charles's recent Rome visit on an iPad, Richard Foster, who painted the King and Queen Camilla in the Galápagos in 2009, and Susannah Fiennes, who documented the 1997 Hong Kong handover. The exhibition was conceived by the Earl of Rosslyn, who also edited the companion book 'The Art of Royal Travel: Journeys with The King'.

Art Abounds on Campuses Outside of New York City

Academic museums at Princeton, Yale, Cornell, and Skidmore have organized several standout exhibitions worth visiting beyond TEFAF New York. These shows highlight the rich programming happening on campuses outside the city, offering diverse artistic perspectives and scholarly depth.

A New Museum in California Aims to Draw Children to Science

KidSTREAM, a new $7 million children's museum, has launched in Camarillo, California, transforming a former library site into an interactive educational hub. Founded by Kristie Akl, a former teacher, the museum focuses on hands-on learning across science, technology, engineering, arts, and mathematics (STEAM) to engage young learners through play.

An English Countryside Home That Became Lovelier the More It Fell Apart

The article profiles the unique aesthetic and historical significance of Kettle's Yard, a house in Cambridge, England, created by Jim Ede. Ede, a former Tate curator, transformed a series of dilapidated cottages into a living work of art and a haven for modern artists in the mid-20th century. He filled the space with a carefully arranged collection of modern art, natural objects, and furniture, embracing the building's worn, imperfect character rather than restoring it to pristine condition.

design the winter show antiques preview

New York's art, design, and philanthropic leaders gathered at the Park Avenue Armory for the Winter Show's Opening Night Preview, marking the fair's 72nd edition and honoring Caroline Kennedy. The event featured 75 international exhibitors, with co-hosts including Executive Director Helen Allen, East Side House Settlement Executive Director Daniel Diaz, Honorary Co-Chair Wendy Goodman, and designers Noz Nozawa, Ben Pentreath, Jane Keltner de Valle, Giancarlo Valle, Michael Bargo, and CULTURED Editor-in-Chief Sarah Harrelson. Attendees included fashion designer Cynthia Rowley, interior designers Reed and Delphine Krakoff, and architect Peter Marino, among others.

EAT/ART Space to inhabit ETSU's Tipton-Ashe Galleries

EAT/ART Space, a collaborative project merging food and visual art, will take over ETSU's Tipton-Ashe Galleries. The initiative transforms the gallery into an interactive environment where visitors can engage with art through culinary experiences, blurring the lines between gallery viewing and dining.

Mexico City: El Desagüe by Luis Ortega Govela

Francis Alÿs’s 1997 performance piece, *Paradox of Praxis I*, serves as a starting point for an exploration of Mexico City’s violent hydrological transformation. By pushing a block of ice through the streets until it evaporates, Alÿs retraces the vanished canals of Tenochtitlán, the Aztec capital that was systematically drained by Spanish colonizers to establish a terrestrial, European-style urban grid.

Two New Italian Paintings for the Bemberg Collection in Toulouse

Deux nouveaux tableaux italiens pour la Collection Bemberg à Toulouse

The Collection Bemberg in Toulouse has acquired two new Italian paintings, including a still life by Bernardo Strozzi (1581-1644) purchased at the Maastricht art fair from Galerie Canesso. The work, a vibrant depiction of peonies and fruit, was previously sold at Sotheby's London in July 2013 and first published in 1985. The acquisition continues the museum's decade-long strategy of enriching its holdings with major works sourced from the art market, guided by its scientific council.

Jemima Wyman

Jemima Wyman's retrospective "Deep Surface" surveys three decades of her work exploring DIY aesthetics of concealment, protest iconography, and political solidarity. Born in Sydney and based in Los Angeles since 2004, Wyman is known for collages of masked protesters, activist signage, and street rally residues, as seen in works like *Aggregate Icon (RBW)* (2016) and *Mass Monument (Y & B)* (2018). The exhibition highlights her early inspiration from Fluxus, Minimalism, and Yayoi Kusama, as well as the influence of Brisbane's late-1990s art scenes and postcolonial Indigenous Australian art debates. Wyman, who has Indigenous (Palawa) heritage, uses camouflage and disguise to blur boundaries between visibility and concealment, figure and ground.

Sold-out auctions suggest Hong Kong’s art market is back. But is it?

Hong Kong’s art market showed signs of a significant rebound during the March art week with two rare "white glove" auctions, where every lot was sold. Christie’s led the momentum with a 100 percent sell-through rate totaling HK$655.8 million, followed by Sotheby’s, which achieved HK$548.4 million and set a record for the most valuable work by a female artist sold at auction in Asia with Joan Mitchell’s La Grande Vallée VII.

UK artist resale right at 20: how successful has the pioneering scheme been?

The UK's Artist Resale Right (ARR), a law entitling visual artists to royalties from secondary market sales of their work, marks its 20th anniversary. Initially met with fierce opposition from auction houses and dealers who feared it would drive high-value sales offshore, the scheme is now largely accepted by the UK art trade, though concerns about administrative burdens compared to markets like New York and Hong Kong remain.

SLEEK ART SPACE PRESENTS: Michel Comte

SLEEK Art Space in Berlin is presenting 'Nostalgia of the Image,' a solo exhibition of photographer Michel Comte's work from the 1980s to the present. The show features iconic portraits of cultural figures like Miles Davis, Naomi Campbell, and Gary Oldman, alongside his more recent contemplative and environmentally-focused projects.