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Art Blooms Across South Korea in September, Despite an Uneasy Market

South Korea's Ministry of Culture, Sports and Tourism is promoting a month-long Korea Art Festival in September 2025, featuring scores of events including design, craft, and calligraphy biennials across the country. The centerpiece is the concurrent staging of Frieze Seoul (fourth edition, over 120 exhibitors) and Kiaf (24th edition, some 175 galleries) at the Coex convention center in Gangnam, with a single ticket granting access to both fairs. International galleries have been opening local outposts in Seoul, and a Centre Pompidou branch is planned, as the city builds its reputation as an art capital.

Sarasota Art Museum stages an Art Deco extravaganza

The Sarasota Art Museum (SAM) on the Ringling College of Art and Design campus has opened "Art Deco: The Golden Age of Illustration," an exhibition of 100 large posters from the Crouse family collection. Curated by Rangsook Yoon, the show celebrates the 100th anniversary of Art Deco, tracing its origins from the Belle Epoque through the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, and features works by artists such as Alphonse Mucha, Henri de Toulouse-Lautrec, and Théophile-Alexandre Steinlen. The Crouses, who previously lent works to The Guggenheim and the Victoria and Albert Museum, displayed part of their collection at New York's Poster House in 2023-2024.

Chicago Art Exhibitions to See: September 2025

The article lists five major art exhibitions opening in Chicago in September 2025, including a retrospective of Elizabeth Catlett at the Art Institute of Chicago, a summer residency show by Industry of the Ordinary at SoNa, a collaborative exhibition by Mayumi Lake and Bob Faust at the Elmhurst Art Museum, a Helen Frankenthaler print exhibition at the Block Museum, and the third annual Chicago Exhibition Weekend featuring over seventy galleries and public spaces.

National Museum of Asian Art Presents “Korean Treasures: Collected, Cherished, Shared”

The Smithsonian's National Museum of Asian Art will present "Korean Treasures: Collected, Cherished, Shared" from November 8, 2025 to February 1, 2026, marking the first U.S. exhibition of masterpieces from the Lee Kun-Hee Collection. Featuring over 200 works including a dozen Korean National Treasures, the exhibition spans 1,500 years of Korean art—from ancient Buddhist sculptures and ceramics to Joseon dynasty furnishings and 20th-century modern paintings. The collection, donated to the Republic of Korea in 2021 by the family of the late Samsung Chairman Lee Kun-Hee, comprises more than 23,000 works accumulated over 70 years. The exhibition is co-organized by the Art Institute of Chicago, the National Museum of Korea, and the National Museum of Modern and Contemporary Art, Korea, with additional loans from the Leeum Museum of Art shown exclusively in Washington, D.C.

Guggenheim Fellows Featured in Stockton’s Art Gallery

Stockton University’s Art Gallery in Galloway, New Jersey, will present a fall exhibition titled “Diverse Perspectives in Photography: Four Black Guggenheim Fellows in the Philadelphia Region,” running from September 4 to November 8. The show features works by four African American photographers who are Guggenheim Fellows: Donald E. Camp (1995), Ron Tarver (2021), William E. Williams (2003), and Wendel A. White (2003). The exhibition opens with a free reception and panel discussion moderated by Julie L. McGee, associate professor at the University of Delaware, and includes a lecture by Laura Auricchio, vice president of the John Simon Guggenheim Memorial Foundation, on the fellowship’s 100th anniversary.

A brush with… Jane and Louise Wilson—podcast

Jane and Louise Wilson, identical twin artists born in Newcastle-upon-Tyne in 1967, are featured in a podcast interview where they discuss their collaborative practice since the late 1980s. Working primarily in video installation, photography, and sound, they explore duality and selfhood through loaded sites like abandoned military bases and borderlands. The podcast covers their early inspirations, including John Martin and Cindy Sherman, and the influence of filmmakers such as Rainer Werner Fassbinder, Jean Cocteau, and Stanley Kubrick. Their current exhibitions include 'Performance of Entrapment' at London Mithraeum Bloomberg SPACE (until 10 January 2026) and 'Dendrophiles' at Leadenhall Building as part of Sculpture in the City, London (until spring 2026).

The Rooftop Gallery Next Door

Adam Zhu, an artist, skateboarder, and photographer, has transformed a 9-by-15-foot former storage shed on his Chinatown rooftop into Market Gallery, a tiny exhibition space. The opening of Tucker van der Wyden's "Savage Love" drew about 200 visitors who walked through Zhu's one-bedroom apartment to reach the show. Zhu, who moved into the apartment in 2015, renovated the shed with contractor Andrew Kass, adding concrete walls and folding glass doors. The gallery has hosted seven shows, featuring emerging and established artists, and has become a platform for art in an unconventional setting.

‘Everyone's suffering right now’: New York and Los Angeles gallery Clearing will close

Clearing, the influential New York and Los Angeles gallery that launched the careers of many prominent artists, will close both locations. Founder Oliver Babin announced the closure on August 7, citing crushing overhead costs—rent, shipping, and art fair expenses—that outpaced declining revenue. The gallery opened in 2011 in Bushwick, later moved to the Bowery in Manhattan in 2023, and expanded to Brussels and Los Angeles. Babin described the decision as inevitable, noting that the gallery had been kept alive by hope but now faces no viable path forward. The closure follows a wave of US gallery shutdowns this summer, including Kasmin, Venus Over Manhattan, and Tim Blum’s spaces.

Influencer, politician, museum director: what Eike Schmidt did next

Eike Schmidt, the German-born museum director who led Florence's Uffizi Galleries from 2015, has taken on a series of high-profile and controversial roles. After restructuring the Uffizi and nearly leaving for Vienna's Kunsthistorisches Museum in 2019, he stayed on, then moved to Naples' Museo di Capodimonte in 2024. Months later, he ran for mayor of Florence as a centre-right independent backed by far-right parties, losing in a run-off. Now settled at Capodimonte, he reflects on his unpredictable career with no regrets.

Time for a survey? New programme provides museums with advice on long-term sustainability

Verge, a human-resources and recruiting agency, has launched a new membership program offering museums and art organizations a proprietary employee survey called the Workplace Advancement Instrument (WAI). The survey assesses organizational health across areas like communication, compensation, retention, and psychological safety. Members receive results, access to workshops, and an annual benchmarking report, with early adopters including the Dia Art Foundation, Corita Art Center, Helen Frankenthaler Foundation, and Denniston Hill. The program costs $5,000 per year and grew out of Verge's recruitment work, which found that many arts workers of color were leaving jobs due to unsupportive workplace cultures.

‘Slowing the process down’: how a bohemian Somerset art gallery is forging its own path

Close gallery, founded in 2009 by curator and art advisor Freeny Yianni in the grounds of her 17th-century home near Hatch Beauchamp, Somerset, is expanding its operations. Yianni, who previously worked at Lisson Gallery and helped Grenville Davey win the Turner Prize, recently hired sales director Richard Scarry, formerly of Coates and Scarry in Bristol. The gallery's current exhibition features previously unseen works by British abstract artist Jane Harris (1956–2022), shown both in Somerset and at a new London project space in Marylebone. Upcoming plans include presenting a monumental sculpture by Simon Hitchens at Frieze Sculpture in Regent's Park.

It's hard for green-themed art shows to garner credibility—the Helsinki Biennial deserves more than most

The Helsinki Biennial's third edition, titled "Shelter: Below and beyond, becoming and belonging," opens on Vallisaari Island, featuring 37 artists and collectives. Co-curated by Blanca de la Torre and Kati Kivinen, the biennial deliberately shifts focus away from humans, centering instead on flora, fauna, and the natural environment under the slogan "Non-humans first!" The event continues its founding commitment to carbon neutrality by 2030, employing measures like a carbon footprint calculator, promotion of slow travel, and rejection of artificial lighting to protect local bat populations.

Fancy a date at the Tate? London galleries are staying open later to fuel surging Gen Z interest

Tate Modern will resume regular late-night openings until 9pm every Friday and Saturday starting September 26, responding to a surge in younger visitors. The decision follows a record-breaking 25th birthday weekend in May, where 70% of the 76,000 attendees were under 35. The gallery has also run monthly Tate Late events since 2016, and the new extended hours aim to make the museum more accessible for working people and cash-strapped Gen Zers, offering free cultural date nights. Other London institutions like the National Gallery, V&A, and British Museum have similarly reinstated late hours post-pandemic.

Roaring: Art, Fashion, and the Automobile in France, 1918–1939

The Saint Louis Art Museum is presenting "Roaring: Art, Fashion, and the Automobile in France, 1918–1939," a major exhibition on view from April 12 to July 27, 2025. Curated by Genevieve Cortinovis, the show brings together automobiles, haute couture, painting, sculpture, photography, film, and decorative arts to explore the intertwined evolution of fashion and car design in early 20th-century France. Highlights include a 1917 painting by Henri Matisse depicting the view from his Renault, juxtapositions of Alfa Romeo and Citroën logos with works by Piet Mondrian and Charles Loupot, and a c. 1927 dress by Suzanne Talbot inspired by Tutankhamun's funerary mask. The exhibition draws heavily from local and midwestern collections, including the Missouri Historical Society.

The new era of fashion’s art exhibitions

LACMA's upcoming David Geffen Galleries, opening in 2026, will feature over 130 costumes and textiles in its inaugural installations—more than any other time since the museum opened in 1965. The museum also plans exhibitions such as 'Fashioning Chinese Women: Empire to Modernity' (with mannequins by Jason Wu) and 'Fashioning Fashion' (1900–2025). Other major fashion exhibitions include 'Virgil Abloh: The Codes' at Paris's Grand Palais, 'Westwood Kawakubo' at the National Gallery of Victoria, and 'Schiaparelli: Fashion Becomes Art' at London's V&A. The article notes that fashion exhibitions are increasingly popular and profitable for museums, citing the Met's Costume Institute and its record-breaking Met Gala fundraising.

Waddington Custot to open in Paris ahead of Art Basel Paris

Waddington Custot has announced it will open a new gallery at 36 rue de Seine in Paris, occupying the historic space formerly home to Lansberg Gallery in the 6th arrondissement. The gallery is set to open in October 2025, ahead of Art Basel Paris, and will be managed by Isaure de Roquefeuil and Antoine Clavé. The inaugural exhibition will focus on the Nabis painters, followed by a group show of modern and contemporary artists. The 200-square-meter space is located in the Saint-Germain-des-Prés district. (Note: The opening has since been rescheduled to early 2026.)

“Feeling Color” at The Modern Art Museum of Fort Worth

The article reviews "Feeling Color: Aubrey Williams and Frank Bowling" at the Modern Art Museum of Fort Worth, an exhibition that pairs works by two artists from Guyana who worked in London in the late 20th century. Both explore abstraction, materials, and sociopolitical themes, with Bowling's color field paintings and Williams' geometric, Pre-Columbian-inspired works displayed in alternating galleries. The reviewer describes the show as dense and vibrant, noting the sensory experience of the paintings and the subtle dialogue between the artists.

Meyer Riegger and Jocelyn Wolff Open Joint Seoul Gallery Ahead of Frieze

Berlin's Meyer Riegger and Parisian Galerie Jocelyn Wolff will open a joint gallery in Seoul's Hannam-dong district on 2 September 2025, marking their first permanent Asian outpost. The new space, named Meyer Riegger Wolff and led by director Gaia Musi, will represent artists from both galleries including Clemens von Wedemeyer, Miriam Cahn, and Marcel Duchamp. The inaugural exhibition, "Heute Nacht geträumt (Dreamed Last Night)" (2 September–7 November 2025), will explore drawing across four centuries in a salon-style format.

‘Research powerhouse’: Abu Dhabi's Zayed National Museum confirms 2025 opening

Abu Dhabi's Zayed National Museum, designed by Foster + Partners on Saadiyat Island, will open in December 2025. The museum will feature star exhibits including the world's oldest natural pearl (the 8,000-year-old Abu Dhabi Pearl) and an 1,100-year-old Blue Qur'an. Centered on the life of Sheikh Zayed bin Sultan Al Nahyan, the first president of the UAE, its galleries explore his values such as religious tolerance and trace the country's history from ancient times to the present. The museum aims to become a research powerhouse, supported by a dedicated research fund and collaborations with institutions like the British Museum.

LACMA shares images of Zumthor-designed David Geffen Galleries building

LACMA has released new images of the David Geffen Galleries, the centerpiece of its campus transformation designed by architect Peter Zumthor. The building, which is currently under construction, will house the museum's permanent collection and is part of a larger overhaul of the Los Angeles County Museum of Art's campus.

Uffizi director to ‘limit’ selfies after posing visitor damages 18th-century painting

The director of the Uffizi Galleries in Florence announced plans to restrict selfies after a tourist damaged an 18th-century portrait while posing for a photograph. The visitor was mimicking the pose of Ferdinando de' Medici in a 1712 painting by Anton Domenico Gabbiani when he stumbled backward, tore the canvas, and left a hole near the prince's boot. The painting has been removed for repair, and the tourist will be prosecuted. The incident follows a similar event at Palazzo Maffei in Verona, where a visitor damaged a crystal-studded sculpture by Nicola Bolla.

Amid geopolitical tensions, Pakistani and Indian art worlds unite in London exhibitions

Amid ongoing geopolitical tensions between India and Pakistan, multiple art exhibitions in London are fostering cross-border cultural exchange. The Barbican is showing Pakistani artist Huma Bhabha alongside Swiss sculptor Alberto Giacometti, curated by Shanay Jhaveri. At SOAS, a South Asian group show organized by Pakistani artist Salima Hashmi and Indian curator Manmeet K. Walia features over 25 artists, including a collaborative textile work by Maheen Kazim and Purvai Rai. Two Indian galleries in central London have also exhibited Pakistani artists, though gallerists requested anonymity due to safety concerns in India.

In pictures: the best of the Liste art fair in Basel

Liste Art Fair Basel is celebrating its 30th anniversary, showcasing works by artists under 40 from international galleries. Highlights include Nahum B. Zenil's self-portrait exploring LGBT and Indigenous identity, Magdalena Petroni's taxidermy rat sculptures, Al Freeman's internet-age art comparisons, Inuuteq Storch's Greenlandic love story, Javier Barrios's orchid revenge narrative, and Jonathan Sanchez Noa's Afro-Cuban spiritual installation.

Ahead of new fair in 2026, Qatar takes centre stage at Art Basel

Qatar is making a major push at Art Basel this week, highlighted by the announcement of Art Basel Qatar, a new fair launching in February 2026. Models of upcoming cultural venues, including the Herzog & de Meuron-designed Lusail Museum, are on display in the Collectors Lounge, while Qatar Airways has announced a global partnership with Art Basel. Sheikha Al-Mayassa bint Hamad bin Khalifa Al Thani made a rare public appearance, speaking on a panel about the country's cultural ambitions and the role of art in addressing post-colonial identity and conflict.

Basel's new satellite fair rides the wave of interest in contemporary African art

A new satellite art fair called Africa Basel has launched in Basel, Switzerland, founded by artist Benjamin Füglister and Photo Basel director Sven Eisenhut-Hug. The fair brings together 18 galleries, half from Africa, in a 14th-century building that once housed Dieter Roth's studio. Participants include non-commercial organizations like Ghana's Nubuke Foundation and Zambia's Modzi Arts, with prices ranging from SFr3,000 to SFr150,000. The fair aims to provide a platform for galleries specializing in contemporary African art and its diaspora to enter the global scene.

New CAM Exhibition Shows Food’s Role in French Art

The Cincinnati Art Museum has opened a new exhibition titled "Farm to Table: Food and Identity in the Age of Impressionism," organized by the American Federation of Arts and the Chrysler Museum of Art. Featuring works by Claude Monet, Vincent van Gogh, Paul Gauguin, and others, the show explores the role of food in French art and society from the 1870s onward, juxtaposing scenes of peasant labor with depictions of upper-class abundance. Curator Andrew Eschelbacher highlights how food was central to French identity during a period marked by war, famine, and social upheaval, with Impressionist brushstrokes often veiling deeper sociopolitical realities.

Art Basel gets go-going at Hauser & Wirth’s stand

At Art Basel's Unlimited section, Hauser & Wirth is presenting Felix Gonzalez-Torres's 1991 performance work "Untitled" (Go-Go Dancing Platform), in which a local go-go dancer performs a silent disco atop a small lit stage for five minutes at unspecified times. The piece, created shortly after the deaths of the artist's partner and father, explores themes of renewal, rebirth, and masculinity, according to Hauser & Wirth partner Cristopher Canizares.

The Denver Art Museum celebrates A Century of Art in Latin America

The Denver Art Museum (DAM) has announced its upcoming Fox Gallery exhibition, *A Century of Art in Latin America*, opening June 15, 2025, and running through June 15, 2027. The exhibition will be held in the Latin American Art galleries on level four of the museum’s Martin Building and is included in general admission, which is free for visitors 18 and under and for museum members. Featuring works exclusively from the John and Sandy Fox Collection, the show includes sculptures, paintings, textiles, prints, and mixed media pieces spanning the 20th and 21st centuries, offering a broad survey of artistic movements across the region.

Gaza comes to an art gallery near you

The article reports on a growing trend of art galleries in Western countries hosting exhibitions that focus on the ongoing conflict and humanitarian crisis in Gaza. These shows feature works by Palestinian artists, as well as international artists responding to the situation, aiming to bring visual representation of the war to audiences far from the region.

Which galleries are returning to Frieze London and Frieze Masters 2025—and which are not?

Frieze London and Frieze Masters have announced their 2025 exhibitor lists, with nearly 290 galleries set to participate in Regent's Park from October 15 to 19. Frieze London's 22nd edition will feature over 160 exhibitors, including blue-chip names like Gagosian, Pace, Goodman, and Sprüth Magers, alongside London staples The Approach and Corvi-Mora. Notable absentees from last year include Tanja Wagner, Magician Space, and Lia Rumma, while newcomers such as Carbon 12, Anat Ebgi, and Simões de Assis join the main section. The Focus section for emerging galleries debuts eight first-time participants, and a curated section organized by Jareh Das will highlight artists from Brazil, Africa, and their diasporas. Across the park, Frieze Masters, under new director Emanuela Tarizzo, will host around 120 galleries, with first-timers including Champ Lacombe and Vito Schnabel Gallery, and the Studio section curated by Sheena Wagstaff.