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After 550 years, a fabric found in a Norwich bishop’s tomb is recreated

Fragments of silk from a ceremonial robe buried with Norwich Bishop Walter Lyhert in 1472 have been recreated after 550 years. The tiny pieces were discovered in 1899 during building works at Norwich Cathedral and have been on long-term loan to Norwich Castle. A project led by assistant curator Agata Gomolka used high-resolution photography, chemical fiber analysis, and dye testing by scientists at the British Museum and KIK-IRPA in Brussels to reconstruct the red and purple fabric. The recreated silk is now on display at Norwich Castle, and Norwich Cathedral plans to make ceremonial copes from it for use in services.

Jerrell Gibbs Finds Healing With New Exhibition, ‘No Solace In The Shade’ - Essence

Jerrell Gibbs presents his first solo museum exhibition, 'No Solace in the Shade,' at the Brandywine Museum of Art, featuring over 30 large canvases that depict intimate scenes of Black life drawn from family photo albums. The show, on view through March 1, 2026, includes works such as 'The Electric Slide' (2024) and 'Boys Planting' (2021), and is accompanied by his debut monograph. Gibbs, a Baltimore-born artist and father of two, describes the exhibition as a culmination of years of personal and artistic growth, rooted in his graduate studies at MICA and a deep exploration of his family history.

Frances Thrasher’s Solo Exhibition ‘The Uncanny Valley’ Under Heaven4theYoung

Multidisciplinary artist Frances Thrasher, working under the name Heaven4theYoung, will present her second solo exhibition, 'The Uncanny Valley,' at ACE/FRANCISCO Gallery opening October 16. The show features new works in ceramics, oil, and watercolor, following her sold-out 2022 debut. Thrasher's painting 'Withered' was recently on view at the Lyndon House Arts Center's 50th Juried Exhibition, and her piece 'Teenage Lobotomy' served as album cover art for Patterson Hood's solo release. At 20, she has also earned a Badge of Honor from the Berlin Music Video Awards for a stop-motion film she made for Hood's song 'The Pool House.'

Storied media arts centre launches emergency fundraising appeal to avoid closure

Vivo Media Arts Centre, a storied media arts centre in Vancouver, has launched an emergency fundraising appeal to avoid closure after five decades of operation. The centre faces a 30% rent increase imposed by the city of Vancouver, which consumes all of its operating revenue from the city, leaving nothing for staff or programming. It has raised nearly C$9,500 of the C$50,000 needed by the end of the year to sustain operations through early 2026.

Work of late Wilmington artist sees surge of national attention with 2 touring exhibits

The work of late Wilmington artist Minnie Evans is featured in two separate national exhibitions. One show, "The Visionary Art of Minnie Evans," is currently at the Boston Museum of Fine Art after opening at The Gund museum at Kenyon College, while a larger exhibition, "The Lost World: The Art of Minnie Evans," will open at Atlanta's High Museum of Art in November 2025 before traveling to New York's Whitney Museum in summer 2026. Evans, a self-taught artist who worked at Wilmington's Airlie Gardens and died in 1987, gained initial recognition in the 1960s after being discovered by photographer and art historian Nina Howell Starr, but had not been the subject of a major national gallery show since the 1990s.

New Bell Gallery exhibition ‘ojo|-|ólǫ́’ honors Diné mythology, culture

Artist Eric-Paul Riege presents 'ojo|-|ólǫ́,' a new exhibition at Brown University's David Winton Bell Gallery that combines fiber sculpture and performance art to explore Diné (Navajo) mythology and culture. The show, curated by Nina Bozicnik and Thea Quiray Tagle, runs through December 7 and features pieces borrowed from Brown's Haffenreffer Museum of Anthropology, which Riege felt were 'buried alive' and needed to be activated. Riege encourages visitors to touch the works and incorporates dance performances, including a recent opening where he carried a humanlike figure named Hólǫ́ through the gallery.

New York museum celebrates boundary-pushing artist behind Central Park’s Bethesda Fountain

The Heckscher Museum of Art in Huntington, New York, has opened "Carving Out History," the first-ever exhibition dedicated solely to 19th-century sculptor Emma Stebbins, creator of Central Park's iconic Bethesda Fountain. Curator Karli Wurzelbacher spent over five years assembling 14 marble sculptures from around the world, including pieces from Oregon, Rome, and Belfast, after a descendant of the artist contacted the museum in 2021. The exhibition is accompanied by a 256-page book and aims to establish Stebbins among the canon of great Neo-Classical sculptors.

Ovartaci at auction: The Art Brut master behind surreal figures and smoking phantoms

On September 23, Bruun Rasmussen will auction ten works by Ovartaci, the Danish Art Brut master born Louis Marcussen. Ovartaci, who lived at the psychiatric hospital in Risskov for 56 years, created surreal figures, abstract female forms, and distinctive 'smoking phantoms'—handcrafted cigarette holders turned into magical beings. His breakthrough came in 1979 with the Louisiana Museum of Modern Art's 'Outsider' exhibition, and he has since been shown at the Venice Biennale and the CoBrA Museum of Modern Art. The online auction is already open for bidding, with a preview in Aarhus.

Rooted in Place: Humboldt Alumni and Staff Shine at de Young’s New Indigenous Art Exhibition

Cal Poly Humboldt alumni and staff are prominently featured in "Rooted in Place: California Native Art," a new exhibition at the de Young Museum in San Francisco that highlights Northern California’s Indigenous artists. The show includes works by the late Karuk painter Brian D. Tripp, Hupa artist and gallery director Brittany Britton, and other contributors such as Robert Benson, George Blake, Lena R. Bommelyn, and Shoshoni Gensaw-Hostler. Britton's beaded chair and Gensaw-Hostler's dentalium-shell cape are among the pieces displayed in the newly reinstalled Arts of Indigenous America galleries, which focus on the Hupa, Karuk, Tolowa, Wiyot, and Yurok peoples.

LUMA’s Richard Hunt exhibition offers an inspiring message for young artists

Loyola University Museum of Art (LUMA) opened "Freedom in Form: Richard Hunt" on July 11, 2025, running through November 15, 2025. Originally planned as a celebration of the renowned Chicago sculptor's career while he was still alive, the exhibition became a posthumous tribute after Hunt died on December 16, 2023, at age 88. The show originated at the Abraham Lincoln Presidential Library and Museum (ALPLM) in Springfield, suggested by Illinois First Lady MK Pritzker, and was later brought to LUMA in Hunt's hometown. It features sculptures, maquettes, tools, his personal workbench, and over 250 books from his library of 5,000 volumes, highlighting his seven-decade career and his role as an adjunct faculty member at Loyola University Chicago.

Sotheby’s Has Set a Debut Date for Its Landmark Breuer Building Headquarters

Sotheby's has announced that its new headquarters in the iconic Breuer Building at 945 Madison Avenue will open on November 8. Originally designed by Marcel Breuer for the Whitney Museum of American Art in 1966, the building later housed the Met Breuer and the Frick Collection during its renovation. Sotheby's purchased the Brutalist landmark from the Whitney two years ago and has renovated it with Pritzker Prize-winning architects Herzog & de Meuron and PBDW Architects, adding auction rooms and state-of-the-art gallery spaces while preserving original features like bluestone floors and concrete walls. The opening will coincide with a major modern and contemporary art exhibition, followed by fall marquee sales the week of November 17.

'Through the Veil' exhibition at Sarasota Art Museum an immersive labyrinth of mixed media hanging assemblages

Nassau-born, Atlanta-based artist Lillian Blades presents 'Through the Veil,' her first solo museum exhibition, at the Sarasota Art Museum. The show features suspended mixed-media assemblages called 'veils,' made from Plexiglas, wood, family photographs, and found objects, stitched together with a metallic knotting technique. Inspired by her mother, who was a quilter and died in childbirth, Blades creates immersive, tapestry-like works that envelop viewers and cast intricate shadows on the museum's walls and floors. The exhibition also includes earlier wall assemblages encrusted with three-dimensional materials like antique mirrors and empty picture frames.

Chicken buckets, baked beans, liters of coke: the final meals of death row inmates

Artist Julie Green spent 22 years painting the last meals of 1,000 death row inmates on ceramic plates, resulting in the exhibition "The Last Supper" at the Boise Art Museum. The cobalt-blue images on second-hand white plates include specific requests like tacos, doughnuts, fried chicken, and lobster, drawn from newspaper accounts of executions. The exhibition features plates from across the U.S., including two from Idaho, and was inspired by Green's reading of a 1999 newspaper article about a condemned man's final meal.

Column: New Richard Hunt exhibit takes the measure of the artist and the man

A new exhibition titled "Freedom in Form: Richard Hunt" is on view at the Loyola University Museum of Art (LUMA) in Chicago through November 15. The show features over 160 works, including intimate sculptures and maquettes, offering a personal look at the late sculptor Richard Hunt, who died in December 2023. It originated at the Abraham Lincoln Presidential Library in Springfield, inspired by Illinois first lady MK Pritzker. The exhibition highlights Hunt's early life, his self-taught welding skills, and his pivotal experience attending Emmett Till's funeral in 1955, which shaped his commitment to civil rights and social justice through art.

Exhibition Tour—Arts of Oceania | Michael C. Rockefeller Wing

Maia Nuku, Evelyn A. J. Hall and John A. Friede Curator for Oceanic Art, along with Max Hollein, Marina Kellen French Director and CEO of the Metropolitan Museum of Art, and special guests Michael Mel and Arapata Hakiwai, lead an exhibition tour celebrating the renovation and reopening of the Arts of Oceania galleries in the Michael C. Rockefeller Wing. The tour highlights exceptional works from Oceania, including carved bisj poles from the Asmat region, towering slit drums from Vanuatu, and contemporary pieces by Aboriginal artist Noŋgirrŋa Marawili, as well as insights from artists from Mariwai village, Papua New Guinea, on the reconfiguration of panels from the Kwoma ceremonial ceiling.

Noah Davis, a Painter Gone Too Soon, Takes a Seat in Posterity

Noah Davis, a painter who died at age 32 in 2015, is the subject of a posthumous retrospective at the Museum of Contemporary Art, Los Angeles, and a concurrent exhibition at the Underground Museum, the institution he co-founded with his wife, artist Karon Davis. The article traces his brief but influential career, highlighting his figurative paintings that blend everyday Black life with surrealist and spiritual undertones, and his role as a community builder in the Los Angeles art scene.

Richard Hunt’s life is on exhibit in Chicago — and it’s a walk through Civil Rights history

A new exhibition titled “Freedom in Form: Richard Hunt” opens at the Loyola University Museum of Art in Chicago, exploring the 70-year career of the late sculptor Richard Hunt, who died in 2023 at age 88. The show includes his tools, workbench, personal books and photos, alongside key works such as “Hero’s Head” (1956), a welded bust created in response to the murder of Emmett Till, who was Hunt’s neighbor. The exhibition originated at the Abraham Lincoln Presidential Library Museum in Springfield and was conceived in 2019, with curator Ross Stanton Jordan and director Lance Tawzer aiming to present Hunt as a young artist deeply engaged with Civil Rights history.

King Charles Shares Art from His Personal Collection for an Inside Look at Royal Tours

King Charles and Queen Camilla held a reception on July 9, 2025, to celebrate a new exhibition at Buckingham Palace featuring 72 artworks from the monarch's personal collection. The works, created by artists who accompanied Charles on foreign tours over the past 40 years, include paintings, sketches, and even an iPad image. The exhibition, titled "The King’s Tour Artists," opens to the public from July 10 to September 28 and marks the summer opening of the palace. Charles began inviting artists on tours in 1985, and since then, 43 artists have joined him on 70 tours to 95 countries, with the King acquiring at least one piece from each artist.

Tate chair floats selling Turbine Hall naming rights for ‘a minimum of £50m’

Tate chair of trustees Roland Rudd has suggested that naming rights for the Turbine Hall at Tate Modern could cost a minimum of £50 million. The proposal, reported by The Telegraph, is tied to the institution's new Tate Future Fund, launched last week with a goal of reaching £150 million by 2030. Rudd stated that endowing curators, directors, or naming the iconic space are all potential options for donors, though a Tate spokesperson emphasized the comments were hypothetical and the fundraising campaign is just beginning.

The Metropolitan Museum of Art to Host “P.S. Art” Exhibition

The Metropolitan Museum of Art will host "P.S. Art 2025: Celebrating the Creative Spirit of NYC Kids" from June 10 through October 19, 2025, a juried exhibition featuring 138 artworks by prekindergarten through grade 12 students from New York City public schools. The works were selected from over 950 submissions by a panel including the late artist Tony Bechara and Met staff, spanning painting, mixed-media, and sculpture. A ceremony at The Met Fifth Avenue on June 10 will coincide with the Museum Mile Festival, and the Times Square Advertising Coalition will display 43 of the works on OUTFRONT's screen, The Cube, starting June 17.

'Hugh Hayden: American Vernacular' at the Frye Art Museum, Seattle, WA, United States

The Frye Art Museum in Seattle will present 'Hugh Hayden: American Vernacular' from June 28 to September 28, 2025, marking the artist's first solo museum exhibition on the West Coast. The show features Hayden's meticulously crafted wooden sculptures and multimedia installations that transform everyday objects—such as designer shoes carved from tree bark and basketball hoops woven from grain stalks—into darkly humorous commentaries on identity, desire, and belonging.

Whales and the stories they carry about climate change are the subject of new art and science exhibition at the IAS - UC Santa Cruz

The Institute of the Arts and Sciences (IAS) at UC Santa Cruz will present "Weather and the Whale," a major art and science exhibition running from May 29, 2025, to March 8, 2026. The show features immersive displays of original scientific research from the Friedlaender Lab, alongside newly commissioned contemporary artworks by ten artists and collectives, including Carolina Caycedo. The exhibition explores how climate change affects whales and marine mammals, using video, painting, photography, sculpture, and installations to communicate ecological threats such as environmental toxins and sea ice retreat.

Fire-damaged room at Castle Howard brought back to life by meticulous restoration

The Tapestry Drawing Room at Castle Howard, a historic stately home in Yorkshire, England, has been meticulously restored after being gutted by a fire in 1940. The room, originally adorned with early 18th-century tapestries woven by John Vanderbank and based on scenes by David Teniers, was reduced to a scorched shell. Nick Howard, whose family has lived in the house for three centuries, oversaw the restoration, which involved reinstalling the original tapestries—found rolled up in the attic—after conservation by Alison Stanton. The centerpiece, a painting by Marco Ricci titled *Judgment of Paris*, and a newly built fireplace based on archival photographs complete the revival.

Women’s Work: The art of Nancy Erickson (museum exhibition)

In 1973, three pioneering women artists—Lela Autio, Dana Boussard, and Nancy Erickson—proposed an exhibition of their soft sculpture at the University of Montana in Missoula, but were denied because their work was dismissed as "women's work." Undeterred, they staged their own exhibition in the empty Carnegie Library building in 1974, a year before the Missoula Art Museum (MAM) was founded. Now, MAM's special exhibition "Women's Work" celebrates the museum's 50th anniversary by showcasing the works of these three artists, including several pieces by Nancy Erickson (1935-2022) such as "Rainbow Flight" (1974), "Montana Selective Cut: Official Visit" (1974), and "Pattee Canyon Fire" (1977).

The Big Review | Caravaggio 2025 at Palazzo Barberini, Rome ★★★

The article reviews the "Caravaggio 2025" exhibition at Palazzo Barberini in Rome, which brings together 24 paintings by the Baroque master Michelangelo Merisi da Caravaggio. Curated by Francesca Cappelletti, Maria Cristina Terzaghi, and Thomas Clement Salomon, the show is accompanied by a heavy marketing campaign tied to the Catholic Church's Jubilee year. The review notes that while any gathering of Caravaggio's works guarantees a beautiful experience, the exhibition's title and scope remain unclear, and the curatorial approach—divided into four thematic sections—feels disjointed. Highlights include the reunion of three paintings from Cardinal Francesco Maria del Monte's collection and the public display of the recently identified portrait of Maffeo Barberini.

National Gallery spends £16m on altarpiece by unknown artist

The National Gallery in London has purchased a 500-year-old altarpiece, *The Virgin and Child with Saints Louis and Margaret and Two Angels*, for £16.4 million from an anonymous owner. The painting, created between 1500 and 1510, is of unknown authorship—experts cannot agree whether the artist was Netherlandish or French, with candidates including Jan Gossaert and Jean Hey. The oak panel was felled around 1483, and the work was first documented at the priory of Drongen in Ghent in 1602. It was sold through Sotheby’s with support from the American Friends of the National Gallery London and had been kept at the Lulworth Estate in Dorset, home of the Weld family.

Immediately after the Second World War, how did six exhibitions attempt to make sense of the atrocities?

Berlin's Deutsches Historisches Museum has opened an exhibition titled "On Displaying Violence: First Exhibitions on the Nazi Occupation in Europe, 1945-48," which revisits six post-World War II exhibitions that attempted to process the atrocities of the war. These shows took place in venues ranging from the Grand Palais in Paris to a Czech villa formerly occupied by a Nazi official, and included displays such as the UK's Daily Express "The Horror Camps" (1945), the French traveling show "Hitlerian Crimes" (1945), "Warsaw Accuses" (1945) at the National Museum in Warsaw, and "Our Path to Freedom" (1947) at the Bergen-Belsen concentration camp. The Berlin exhibition uses original objects, film footage, photographs, and recordings to recreate the experience of these early post-war shows.

Weaving a history: Worcester Art Museum exhibits tapestries 'From the Vault'

The Worcester Art Museum is opening a new exhibition, "From the Vault: Collecting Tapestries at the Worcester Art Museum," on May 3, 2025, running through July 27. The show features nearly 30 works, including 12 large-scale tapestries and 18 fragments, many unseen for decades. The centerpiece is the museum's iconic 16th-century "The Last Judgment" tapestry, restored after 35 years in storage. Other highlights include a contemporary piece by Diedrick Brackens, a Flemish tapestry depicting Emperor Titus, and works by Jean Lurçat.

Brazil’s Modernist Art Gets a Celebration in London

The Royal Academy of Arts in London is hosting "Brasil! Brasil! The Birth of Modernism," a major exhibition featuring over 130 works by 10 Brazilian modernist artists from the first half of the 20th century, plus landscape architect Roberto Burle Marx. Curated by Adrian Locke, who has Brazilian heritage, the show includes iconic pieces by Tarsila do Amaral, Candido Portinari, and Alfredo Volpi, alongside lesser-known artists like Afro-Brazilian painter Rubem Valentim. The exhibition revisits a historic 1944 show at the same institution, which was the first to present Brazilian modernist painting in the U.K.

King Charles to Reveal Inside Glimpse of His Life in Unique Exhibition of Art from Overseas Tours

King Charles III will open a unique exhibition at Buckingham Palace from July 10 to September 28, showcasing 70 artworks by 42 artists who accompanied him on overseas royal tours. The tradition began in 1985 when the then Prince of Wales invited British artist John Ward to document a visit to Italy, and has continued unbroken ever since. Featured artists include Fraser Scarfe, who captured Charles's recent Rome visit on an iPad, Richard Foster, who painted the King and Queen Camilla in the Galápagos in 2009, and Susannah Fiennes, who documented the 1997 Hong Kong handover. The exhibition was conceived by the Earl of Rosslyn, who also edited the companion book 'The Art of Royal Travel: Journeys with The King'.