The 16th edition of the Circulation(s) festival has launched at the Centquatre-Paris, showcasing the work of 26 emerging European photographers. Running from March 21 to May 17, 2026, the exhibition highlights contemporary projects that reflect the current intuitions, social commitments, and creative challenges facing the next generation of lens-based artists.
The Guardian’s weekly wildlife roundup showcases a diverse array of animal behavior captured by photographers globally. Highlights from this collection include an ostrich sprinting down a Thai highway after escaping a cafe, seals lounging on a surfboard in Ireland, and migratory birds returning to the thawing Songhua River in China.
Guardian photographer Sarah Lee has published a series of photographs capturing the arrival of spring in the UK. The images, taken as the clocks moved forward for British Summer Time, focus on natural details and scenes that signify the seasonal change.
USC Pacific Asia Museum (USC PAM) has announced "Mythical Creatures: The Stories We Carry," a major exhibition conceived by Los Angeles–based Korean American artist Dave Young Kim. Opening February 14, 2026, the 12-room immersive installation blends approximately 100 objects from the museum's collection—spanning 5,000 years of Asian and Pacific art—with new media technology and contemporary works by over 20 artists, including Dinh Q. Lê, Lily Honglei, Wendy Park, Momoko Schafer, Kyungmi Shin, Sanjay Vora, and Lauren YS. The exhibition uses mythology as a visual language to explore the immigrant experience, featuring environments like a shadowy night crossing, a recreated first apartment, and a gilded room with a gold Jin Chan frog. A limited public preview runs December 20, 2025–January 4, 2026.
The article highlights five must-see fall art exhibitions in Whatcom and Skagit counties in Washington state. Featured shows include Mary Ann Peters' solo exhibition "myself inside your story" at the Whatcom Museum, Barbara Sternberger's abstract painting survey "At the Core" at Western Gallery, Joy Olney's "Pure Joy" at Cordata Gallery, and Voxel Gallery's first anniversary celebration with its "World Famous" exhibition. The piece also notes a photo exhibition on broadcasting pioneer Elaine Horn curated by archivist Jeff Jewell at the Whatcom Museum's Old City Hall.
The Bauhaus artist László Moholy-Nagy proposes a radical departure from traditional filmmaking in his 1925 text, "Simultaneous or Poly-Cinema." He envisions a cinematic experience that moves beyond the static, rectangular screen, suggesting instead curved, spherical, or multi-planar surfaces that can accommodate multiple simultaneous projections. By utilizing rotating prisms and intersecting film strips, Moholy-Nagy describes a system where different narrative threads—such as the lives of multiple characters—can physically overlap and merge, creating a dynamic architectural arrangement of light and movement.
At Frieze New York and other concurrent exhibitions, Indigenous artists Sara Flores, Suzanne Kite, and Seba Calfuqueo are presenting works that challenge and expand traditional definitions of Indigenous art. Their pieces are on view in New York, Venice, and beyond, marking a significant moment for contemporary Indigenous voices in the global art scene.
Sam Jacob's essay in ArtReview uses the upcoming Baz Luhrmann film 'EPIC: Elvis Presley in Concert' (2026) as a springboard to explore the cultural and technical implications of digital restoration. The film, a spinoff from Luhrmann's 2022 Elvis biopic, draws on 59 hours of previously unseen footage from Elvis Presley's 1970 and 1972 Las Vegas performances, recovered from Warner's Kansas salt-mine archive. Using Peter Jackson's Park Road Post technology—including Machine Assisted Learning (MAL) for demixing audio and video—the damaged, fragmented material has been digitally scanned, reconstructed, and enhanced to 4k resolution with 12-channel sound, presented in IMAX cinemas.
Artist Faig Ahmed will represent Azerbaijan at the 61st Venice Biennale in 2026 with a project exploring the intersections of mystical poetry and quantum physics. Located in the Campo de la Tana, the pavilion aims to create a contemplative space where technology and ancient oral traditions facilitate a personal dialogue for the viewer. Ahmed’s presentation responds to the Biennale’s overarching theme, 'In Minor Keys,' by focusing on subtle, often overlooked phenomena.
India has announced its artist lineup for the 61st Venice Biennale, featuring Alwar Balasubramaniam, Sumakshi Singh, Ranjani Shettar, Asim Waqif, and Skarma Sonam Tashi. The national pavilion, located in the Arsenale, will showcase a diverse range of installations that explore themes of architectural memory, environmental sustainability, and the physical processes of nature. From Tashi’s recreations of Ladakhi homes using recycled materials to Singh’s spectral thread-based architectural fragments, the works collectively examine the fragility of heritage and the shifting relationship between humans and their environments.
Sara Flores will represent Peru at the 61st Venice Biennale in 2026 with an immersive exhibition titled 'From Other Worlds.' The presentation, curated with Issela Ccoyllo and Matteo Norzi, will feature large-scale kené paintings, ethereal sculptures, and a video work in the Arsenale, aiming to create portals to Shipibo-Konibo ancestral knowledge and Indigenous futures.
San Francisco's Vaillancourt Fountain, a Brutalist concrete structure at Embarcadero Plaza since 1971, caught fire on Wednesday morning as workers used blow torches to disassemble it. The fire ignited rubber tubing and debris inside the sculpture's cantilevered arms, producing smoke that forced the temporary evacuation of nearby paddle board courts. The fountain is being removed to make way for a $32.5 million redevelopment of the plaza and playground into a five-acre park.
The jury for the 2026 Venice Biennale announced it will not consider contributions from countries whose leaders are charged with crimes against humanity for the Golden and Silver Lion awards, effectively excluding Israel and Russia. The decision, framed as a commitment to human rights and aligned with curator Koyo Kouoh's vision, comes amid broader controversy over participating pavilions, including American artists declining to represent the US and the EU withdrawing a $2.3 million grant over Russia's involvement.
Major layoffs have hit Artnet and Artsy following their consolidation under the UK-based investment firm Beowolff Capital. The staff reductions occurred just one day after the merger announcement and include the departure of veteran Artnet News reporters Sarah Cascone and Eileen Kinsella, who both served the publication for over a decade. As part of the restructuring, Artnet will also shutter its German entity, while Andrew Russeth has been tapped to serve as interim editor.
In una mostra a Roma la natura partecipa alla creazione delle opere
Artist Pietro Pasolini presents his latest body of work, "Ossigrafie," in the solo exhibition "Il tempo inciso" at Galleria Valentina Bonomo in Rome. Moving away from his origins as a travel photojournalist, Pasolini has developed a sustainable, experimental technique that utilizes metal plates—specifically brass and copper—interacted with by natural elements like palm leaves, vines, water, and fire. These works require months to complete, as the artist allows the natural world to act as a co-creator, moving away from the environmentally harmful chemicals associated with traditional darkroom photography.
Chris Kraus's latest novel, *The Four Spent the Day Together*, reimagines the true crime genre by shifting focus from individual villains to systemic forces like addiction, poverty, and broken treatment systems. Set in Minnesota's Iron Range, the story follows autofictional avatar Catt Greene and her husband as they confront a lost day, a potentially violated girl, methamphetamine, and a gun, with confessions coming easily but answers remaining elusive. Kraus draws on her own childhood and a marriage unraveling amid alcoholism and cancel culture, using wordplay and chance to restore nuanced meaning to stories often reduced to predestined narratives.
Andrew Durbin reviews the national pavilions at the 2026 Venice Biennale, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The article critiques the lack of meaning in the American pavilion while praising the depth and emotional resonance of the British and German contributions.
Jason Price, an artist and entrepreneur, is launching a new initiative called 'Risk and Reward' aimed at helping artists develop business acumen. The program offers workshops and resources on financial literacy, contract negotiation, and marketing strategies tailored specifically for visual artists. Price draws on his own experience navigating the art market to provide practical guidance, with the first sessions scheduled to take place in New York and Los Angeles.
Sung Tieu, a Vietnamese-born German artist, is the subject of a critical feature in Frieze that examines her work's engagement with difficulty—both in terms of the complex political and historical themes she tackles and the challenging formal qualities of her installations. The article highlights her recent projects, including works shown at the Venice Biennale, which address issues of surveillance, migration, and Cold War legacies through meticulous research and unconventional materials.
The rise of the 'one-work exhibition' is transforming how audiences engage with art, shifting the focus from the rapid consumption of numerous objects to a singular, immersive spatial experience. By isolating a single masterpiece or installation, institutions are creating environments that demand 'slow looking' and provide a meditative counterpoint to the overwhelming speed of digital and contemporary visual culture.
The City of Santa Monica has officially opened the Santa Monica City Gallery, its first municipal art space, located within the Bergamot Station Arts Center. The gallery launched with the inaugural exhibition "Case Study: Adapt," which showcases architectural models designed by students and professional firms to address housing needs for families displaced by the 2025 California wildfires. The venue is designed to host a rotating schedule of exhibitions, artist residencies, and selections from the city’s permanent Art Bank collection.
第10回マックスマーラ・アート・プライズ・フォー・ウィメン
The 10th Max Mara Art Prize for Women has been awarded to Indonesian artist Dian Suci, marking the first time the prize has been held in Asia. Suci was selected from five finalists for her project "Crafting Spirit: Cultural Dialogues in Heritage and Practice," which examines the intersection of religious craftsmanship traditions and capitalist systems. The prize is organized in partnership with the Museum MACAN in Jakarta. Suci will undertake a six-month residency in Italy, followed by solo exhibitions in 2027 at both Museum MACAN and Collezione Maramotti in Reggio Emilia.
Art21, in partnership with the CHANEL Culture Fund, launched its new "IRL/url" documentary series with a celebratory event at New York's Roxy Cinema. The series profiles eight contemporary artists—including Neïl Beloufa, Jacky Connolly, and Sara Cwynar—who navigate the blended realms of physical and digital creation. Art21's executive director emphasized the urgency of capturing this moment, as artists grapple with rapid technological advances, particularly in AI.
Farm Projects in Hudson, New York, will host two concurrent exhibitions from May 2 through 18, 2026: "Susan Carr: Little Happiness" and "Nancy Berlin: Considering Change." Carr's exhibition features colorful wooden sculptures that treat color as structure, while Berlin's show explores climate change and shifting knowledge through layered paintings and works from her series "Flight Patterns" and "Constant Revisions." An opening reception is scheduled for May 9.
British artist Ian Berry, known for creating photorealistic works from recycled denim, is participating in the group exhibition "Textile Art Redefined" at the Saatchi Gallery in London. The show, curated by Helen Adams and inspired by her book "Fine Art Textiles," features 15 visionary textile artists from the U.K. and around the world, running through May 10. Berry's installation "Secret Garden" is made entirely from denim scraps, and he discusses the significance of showing in his hometown and alongside peers he admires.
The Vera Gallery is set to open in Georgetown Town Square in April 2025, replacing the long-standing Georgetown Antique Mall which closed in January after over three decades. Owner Gregory Sharp announced the gallery will feature thousands of original artworks by American artist Vera Neumann (1942-1993), along with modern, contemporary, and local art, custom framing services, boutique items, archived Neumann scarves, and new hand-rolled silk scarves. The space will also host art-focused events like live painting. Sharp co-owns the gallery with Christina Sharp.
Palestinian photojournalist Samar Abu Elouf has won the 2025 World Press Photo award for her image of Mahmoud Ajjour, a 9-year-old Gazan boy whose arms were mutilated by an Israeli airstrike. The photo, taken for the New York Times, was honored at a ceremony in Amsterdam. Abu Elouf, herself from Gaza and now living in Qatar, captured the boy in a shaft of sunlight that gives the image the quality of a classical bust. The award, now in its 70th year, drew nearly 60,000 entries from 4,000 photographers across 141 countries.
Artist, writer, and activist Avram Finkelstein, a founding member of ACT UP, Silence=Death, and Gran Fury, presents his first solo exhibition in New York City, titled “Something Terrible Has Happened (Corpus Fluxus)” at Smack Mellon. The show features large-scale drawings and digital prints on walls, ceilings, and wheeled metal structures that also serve as mobility aids for Finkelstein, who has thyroid cancer. Works such as "Golem (BRAF V600E mutation)" and "Black Golem (after Bergman)" explore themes of disability, pain, and the body in flux, using the Jewish folklore figure of the golem as a central metaphor. The exhibition transforms the gallery into an "experiential dancehall," emphasizing accessibility through movement and sensory engagement.
JOSÉ WOLFF: DÍAS HONDOS
José Wolff, a Guatemalan artist who grew up in the 1980s watching television with his family, has developed a unique visual language that oscillates between digital and traditional media. After studying at SCAD in Georgia and working in Miami and Los Angeles for channels like MTV Latino, NBC, and Locomotion, he created 3D animations, music videos, and TV interstitials. Now based back in Guatemala, Wolff continues to paint in oil while also producing digital installations, such as his 2026 multi-channel piece "Sin Novedad." His practice reflects a lifelong dialogue between the tangible and the intangible, influenced by artists like Laurie Anderson and Nam June Paik.
Photographer Zora Sicher releases her first monograph, *Geography*, published by Dashwood Books, which compiles her personal archive from 2011 to the present. The book features intimate images of friends, tattoos, and everyday life, including a closing photograph of her and Eden with matching ink from 2012. Sicher, who has worked with figures like Paloma Elsesser and brands like Marni, describes the project as a reflection on time, friendship, and the act of making, rather than technical perfection. The book coincides with a show at Dashwood Projects opening on October 3.