Artist Caroline Gueye presents 'WURUS', a new installation for the Senegal Pavilion at the 61st Venice Biennale. Curated by Massamba Mbaye, the work is a shifting field of brass and polymer bronze elements, using mirrors and light to create an environment where perception is contingent on the viewer's movement and position. The title invokes gold, opening onto histories of extraction, but the work deliberately resists singular meaning.
The 2026 Venice Biennale's main exhibition opens this week, curated by Koyo Kouoh—the first African woman to hold the role—who was announced in 2024 but passed away suddenly in 2025. The article highlights six artworks that define her curatorial vision, which connected the international art world to artists and institutions from Africa and the Global South.
Galerie Thomas Schulte in Berlin is presenting a two-person exhibition featuring works by Marieta Chirulescu and Fred Sandback. The show, titled "Phase," runs from February 28 to April 18, 2026, and includes 17 documented images of the installation.
LOS GRUPOS Y OTRAS REVUELTAS ARTÍSTICAS. REDES Y COLECTIVIDADES EN MÉXICO, 1976-1985
The Museo Universitario Arte Contemporáneo (MUAC) in Mexico City has launched a major exhibition titled "Los grupos y otras revueltas artísticas," which re-examines the surge of artist collectives in Mexico between 1976 and 1985. Drawing from the Arkheia Documentation Center, the show moves beyond a simple chronological survey to reconstruct emblematic works and document the radical shifts in artistic language that occurred during this era. It highlights key historical moments, such as the 1977 Paris Biennial and the formation of the Mexican Front of Cultural Workers' Groups, while exploring how these collectives navigated urban spaces and institutional boundaries.
Artist Nicholas Moegly creates illustrations and oil paintings depicting quiet American neighborhoods at twilight, where animals like deer and foxes wander through empty streets and yards. His work evokes a dreamy, timeless realism, drawing comparisons to photographer Todd Hido and illustrator Chris Van Allsburg.
From February 7 to June 7, 2026, MARTa Herford presents a dual exhibition dedicated to Lois Weinberger (1947–2020) and Katinka Bock (born 1976). The show explores poetic phenomena beyond human control, where materials react, spaces shift, and natural forces leave their traces both inside the museum and beyond.
Frida Escobedo, a Mexican architect who founded her Mexico City studio at age 23, is profiled as part of Cultured's 2026 CULT100 honorees. She became the youngest architect to win the Serpentine Pavilion commission and is set to debut her biggest project yet in 2030: the Metropolitan Museum of Art's new modern and contemporary wing. The article presents a Q&A format covering her influences, including architect Lebbeus Woods, her views on patience and imagination, and her reflections on career challenges such as protecting her time.
Olivia Walton, former TV journalist and current board chair of the Crystal Bridges Museum of American Art in Bentonville, Arkansas, discusses her leadership and vision in an interview for Cultured's 2026 CULT100 honorees. She took over from founder Alice Walton, her husband's aunt, in 2021 and has championed free admission and expanded access. The museum is set to open a major expansion in May, doubling its public space and celebrating its 15th anniversary alongside America's 250th birthday.
In 2026, a rare alignment of major biennial exhibitions will take place globally, including the Venice Biennale (opening May 9, curated by Koyo Kouoh), MoMA PS1's Greater New York, the Whitney Biennial, and the Bronx Museum's AIM Biennial, alongside events in Toronto, Pittsburgh, Gwangju, Sydney, Diriyah, and Busan. CULTURED interviewed curators from four of these shows—such as Marcela Guerrero and Drew Sawyer of the Whitney Biennial—to explore how these sprawling group exhibitions come together, revealing a trend toward smaller, internally organized shows with less declarative themes.
Alice Bucknell, a 32-year-old artist based in Los Angeles, is featured in CULTURED's 2025 Young Artists list. Bucknell creates video games and films that explore ecological and political themes, such as a recent work examining Los Angeles from the perspective of its rivers and non-human inhabitants to critique drought politics. They have held residencies at CERN and the New Museum's NEW INC, and founded New Mystics, a digital platform blending magic and technology. Upcoming projects include the game "Earth Engine" and its film component "Ground Truthing," which uses climate data to shape an evolving game world where Earth is the main player.
On May 8, 2026, a 24-hour strike organized by the Art Not Genocide Alliance (ANGA) and several Italian activist groups brought the 61st Venice Biennale to a standstill. Approximately 27 of the 100 national pavilions closed fully or partially in solidarity with protesters demanding Israel’s exclusion from the event, including those of Austria, Belgium, France, Great Britain, Japan, South Korea, and Ukraine. Over 3,500 people marched through Venice, with speakers including artist Gabrielle Goliath and curator Caroline Dumalin. The main exhibition, "In Minor Keys," curated by the late Koyo Kouoh, closed by late afternoon, and riot police were stationed outside the Arsenale. The Israeli pavilion, already shuttered during previews, remained closed.
Crews have begun filling in the excavation work at the future home of the Vancouver Art Gallery at West Georgia and Cambie, turning the site into a parking lot operated by Easy Park. The project, originally set to open in 2028, has been scaled back after costs rose from $400 million to $600 million, and $60 million had already been spent on planning and pre-construction. The gallery has appointed new architects—Chipewyan architect Alfred Waugh of Formline Architecture and Bruce Kuwabara of Toronto-based KPMB—to lead a redesigned, smaller-scale project, effectively starting from scratch.
On March 31, the research initiative Open Restitution Africa (ORA) launched the ORA Open Data Platform, a database providing information on the restitution of African artifacts and ancestral remains. Developed over six years by ORA’s all-woman, pan-African team, the site uses case histories and AI-powered tools to offer practical insights into the return process, available in French and English. It presents 25 case histories spanning 200 years, using data visualizations, essays, and interactive tools to help individuals and communities develop their own restitution strategies. ARTnews interviewed founders Chao Tayiana Maina and Molemo Moiloa about the project's origins and goals.
Art historian Cleo Nisse has published a new book, *Venetian Canvas and the Transformation of Painting*, examining how 16th-century Venetian painters such as Titian, Veronese, and Tintoretto pioneered the use of canvas as a painting support. Nisse reveals that canvas was not a uniform material—artists experimented with different weaves, including tabby and herringbone patterns, and even repurposed sailcloth and tablecloth-quality fabrics to achieve specific visual effects. The book argues that canvas was already familiar in the late Middle Ages for banners and alternatives to tapestry, and that Vittore Carpaccio was the first master of the medium, varying canvas types for expressive purposes in his *Legend of St Ursula* series.
British-Ethiopian artist Theo Eshetu is presenting a new installation, *The Garden of the Broken-Hearted* (2026), at the Venice Biennale. The work features a live olive tree mounted on a rotating dais, with a video of the tree projected onto itself, marking a shift from his decades-long practice of multi-screen video installations. Eshetu discusses the project's origins in conversations with the late Biennale curator Koyo Kouoh, framing the tree as a space for mourning, human consciousness, and elemental storytelling.
Global auction totals saw a significant rebound in 2025, rising 13.3 percent compared to the previous year after a prolonged period of decline. The latest Artnet Intelligence Report highlights this recovery while shifting focus toward the increasingly influential world of private auctions, where high-value masterpieces are traded in invitation-only, clandestine settings away from the public eye.
Artnet has implemented sweeping layoffs following its consolidation with Artsy under a single leadership team led by CEO Jeffrey Yin. The cuts have severely impacted Artnet News, resulting in the departure of veteran senior reporters Sarah Cascone and Eileen Kinsella, while Andrew Russeth has been named interim editor. Additionally, Artnet’s German entity is being wound down, affecting the Berlin-based team responsible for the platform's online sales operations.
A long-lost portrait of Abraham Lincoln by American realist Ernest Wells has reemerged after more than a century. The painting, which hung in President Theodore Roosevelt’s office throughout his term and served as a source of personal inspiration, was recently identified in the collection of the descendants of antique dealers Ann and Jack Rouchaud. The work’s provenance was confirmed via a letter from Roosevelt’s friend and Lincoln’s former bodyguard, Colonel William H. Crook, which remains affixed to the back of the canvas.
The 16-year tenure of Viktor Orbán has come to an end following a landslide victory for Péter Magyar’s Tisza Party in the 2026 Hungarian parliamentary election. The shift in power has sparked widespread celebration among Hungary’s progressive art community, which has long felt stifled by Orbán’s nationalist and socially conservative agenda. Figures from major Budapest galleries and the contemporary art scene report a profound sense of relief, signaling a potential departure from the "illiberal democracy" that dominated the country for nearly two decades.
The Social Practice CUNY (SPCUNY) initiative, a major program fostering the intersection of art and social justice across the City University of New York’s 25 campuses, will officially sunset in February 2027. Co-directed by artists Chloë Bass and Greg Sholette, the program will conclude following its final 2025–26 fellowship cohort. The decision to end the project stems from the directors' personal transitions, including Sholette’s upcoming retirement and Bass’s shift away from full-time teaching to focus on her studio practice.
The article profiles seven artists whose works have recently achieved significant auction results, often far exceeding their pre-sale estimates. Nathanaëlle Herbelin, Poppy Jones, Kathleen Ryan, Eva Helene Pade, Georg Wilson, and Ding Shilun are highlighted as contemporary artists with strong market momentum, while the poster artist A.M. Cassandre is noted for a historic sale.
Recent scientific and archival investigations have led to two significant new attributions to the Renaissance master Michelangelo Buonarroti. The first involves a painting titled 'Spirituali Pietà,' which was previously sold as an anonymous work but has now been linked to the artist through pigment analysis, X-ray fluorescence of monograms, and stylistic parallels to his known masterpieces. Simultaneously, researcher Valentina Salerno has identified a marble bust of Christ the Savior in Rome’s Basilica of St. Agnes Outside the Walls as a potential Michelangelo original, based on a decade of archival research.
The United States Holocaust Memorial Museum has acquired a rare original copy of Captain America Comics No. 1, donated by Riot Games co-founder Brandon Beck. Published in 1940 by Jewish creators Jack Kirby and Joe Simon, the issue is iconic for its cover art depicting Captain America punching Adolf Hitler. The acquisition also includes Captain America Comics No. 46, which features one of the earliest pop-culture depictions of a concentration camp liberation.
art market minute mar 2
Frieze Los Angeles has concluded with reports of strong sales, with some dealers noting higher transaction volumes than at Art Basel Miami Beach. This surge in activity was accompanied by a record number of satellite events, signaling a growing interest in alternative fair models and a localized boost for the Southern California art scene.
Major auction houses including Christie's, Sotheby's, and Phillips are experiencing a significant shift as luxury goods—such as cars, watches, handbags, and jewelry—see explosive growth while fine art sales decline. In 2025, fine art sales at the 'Big Three' fell by 35% to $7.04 billion, whereas luxury auction sales rose 18% to $1.84 billion. This trend is most visible at Sotheby’s, where luxury now accounts for a third of total revenue, driven by massive private sales and strategic expansions into sectors like collector cars.
Christie’s two-part auction of William I. Koch’s Western art collection realized $84.1 million with fees, more than tripling the previous record for a single-owner Western art collection and setting five new artist records. The sale, reported by the Observer and covered by ARTnews, stands out in a category that has struggled since the 2008 financial crisis, as collectors have shifted focus to postwar, contemporary, and ultra-contemporary work. Specialists attribute the success to structural changes in how American art is presented, growing cultural interest in the American West fueled by popular culture like Yellowstone, and the rare concentration of masterworks in the Koch collection.
Internet personality MacKenzie Thomas staged a four-hour durational performance titled "I Said What I Said" in New York, where she read aloud every post she made on X over the past year, interspersed with personal essays. The performance, which sold out both New York showings, will travel to Los Angeles at Heavy Manners. Thomas recounted intimate details of her life, including a breakup, her dog's death, health struggles, and family dynamics, while notably omitting her success as an influencer with half a million followers.
NFT Paris and its sister event RWA Paris have been canceled just one month before they were scheduled to take place at the Grande Halle de la Villette in Paris. Founder Alexandre Tsydenkov announced the cancellation on LinkedIn, citing the collapse of the crypto and NFT markets as making the events financially impossible despite drastic cost cuts. Both conferences had run for four years, showcasing digital art, NFT galleries, and AI-generated works, but had recently shifted toward broader tech and blockchain topics. All tickets will be refunded.
Two arts funding nonprofits, United States Artists (USA) and Artadia, have announced a multi-year partnership. The collaboration will revive Assembly, USA’s annual gathering of artists and fellows that launched in 2015 but paused during the pandemic, now expanded to include Artadia award winners. The first reimagined Assembly events are scheduled for 2026 and 2027, featuring workshops, panels, and networking for recent fellows and awardees from both organizations.
Christie’s London achieved £4.1 million ($5.2 million) in a sale of modern and contemporary Middle Eastern art on November 6, with a 93% sell-through rate by value and 85% by lot. The sale featured 21 works from the Dalloul Art Foundation (DAF), part of the collection built by Ramzi Dalloul and Saeda El Husseini Dalloul over 55 years. Standout lots included Saloua Raouda Choucair’s *Poem* (1966–68), which sold for £393,700 ($500,000)—tripling its estimate and setting a world auction record for a wood artwork—and Sliman Mansour’s *Untitled* (2014), which fetched £323,850 ($411,000) after intense bidding. Seven artist records were set, with 38% of buyers new to Christie’s and 21% millennials.