Artists who defy categorisation take pride of place at Independent 20th Century

The Independent 20th Century art fair opened to VIPs on September 4, featuring dealers who present deep dives into canonical and under-recognized artists. Notable stands include Galerie Lelong's survey of Elda Cerrato (1930-2023), an Italian-born artist who worked in South America, with works priced between $80,000 and $100,000; Rosenberg & Co's showcase of Gertrude Greene (1904-56), a Constructivist and Abstract Expressionist; and Forum Gallery's presentation of Gregory Gillespie (1936-2000), known for surreal, layered paintings. The fair's founder Elizabeth Dee notes that some stands take two to three years to organize, aiming to bring important exhibitions to New York that might not otherwise travel there.

Amid a wave of global crises, Ilya and Emilia Kabakov’s Ship of Tolerance sets sail again—with added potency

Ilya and Emilia Kabakov's participatory art project *Ship of Tolerance* (2005–present) has been reinstalled at Oakville Galleries on Lake Ontario, near Toronto, opening on 31 May as part of the exhibition *Between Heaven and Earth* (through 20 September). The project, which involves children from diverse backgrounds creating painted sails for a 60-foot wooden boat, has previously traveled to locations including Siwa, Egypt; the Venice Biennale; Sharjah; Brooklyn; Miami; Moscow; and London. Emilia Kabakov continues to lead the project after Ilya Kabakov's death in 2023, and the latest iteration arrives amid global crises including wars, migrant displacement, and US President Donald Trump's threats to annex Canada.

Notre-Dame: The Lie About Respecting Viollet-le-Duc's Light

Notre-Dame : le mensonge sur le respect de la lumière de Viollet-le-Duc

The article criticizes the planned replacement of the stained-glass windows in Notre-Dame Cathedral, designed by Claire Tabouret, arguing that the public establishment behind the project has made false claims about respecting the original light and colors of Eugène Viollet-le-Duc's 19th-century windows. The author compares the existing and proposed windows baie by baie, asserting that the new designs do not match the chromatic balance or light quality, and calls the official justification a lie. It also highlights two additional alleged falsehoods: that the law for Notre-Dame's restoration deliberately omitted the Venice Charter (when the culture minister said it was unnecessary because the charter was already binding), and that the National Commission for Heritage and Architecture had approved the window replacement (which the author claims is contradicted by the commission's own minutes and multiple members).

Notre-Dame : les travaux commencent, le combat se poursuit

Work has begun on replacing the stained-glass windows at Notre-Dame Cathedral in Paris, with scaffolding installed immediately after the work permit was posted. The project involves removing six ornamental windows created in 1864 by Alfred Gérente under Eugène Viollet-le-Duc and installing six new windows by artist Claire Tabouret and the master glassmakers Simon-Marq. The authorization, signed by the prefect, has sparked legal challenges from the heritage association Sites & Monuments, who argue the replacement is neither conservation nor restoration. The article details how the state's own authorization document inadvertently strengthens opponents' arguments by affirming that the entire cathedral, including Viollet-le-Duc's windows, is protected as a historic monument.

Notre-Dame Stained Glass: The Fight Continues!

Vitraux de Notre-Dame : le combat continue !

The French government has authorized the removal and replacement of the 19th-century stained-glass windows designed by Eugène Viollet-le-Duc in Notre-Dame Cathedral with new windows by contemporary artist Claire Tabouret. This decision, posted as a work permit on the cathedral, is being challenged in court by the heritage association Sites & Monuments, which argues the replacement is not a legitimate act of conservation or restoration.

A drawing by Toulouse-Lautrec for Albi

Un dessin de Toulouse-Lautrec pour Albi

The Musée Toulouse-Lautrec in Albi has acquired a rare drawing by Henri de Toulouse-Lautrec, depicting the intimate daily lives of women in a Parisian brothel. The work, created during the artist's frequent visits to the establishment on Rue des Moulins, captures a candid, non-judgmental moment of modern life, reflecting the artist's commitment to Baudelairian realism.

Print Quarterly Volume XLIII - Number 1 - March 2026

The March 2026 issue of the academic journal *Print Quarterly* has been published, featuring a collection of scholarly articles and reviews focused on the history of prints and printmaking. The contents include new research on artists ranging from Hans Burgkmair and Paul Gauguin to Hiroshige and Aubrey Beardsley, along with obituaries for notable scholars and reviews of recent publications and exhibitions.

fashion chanel coco game chess jewelry

Chanel has unveiled the Coco Game chess set, a one-of-a-kind luxury object that doubles as a high-jewelry timepiece, presented at the brand's watch and jewelry boutique on Place Vendôme. The set features 32 pieces crafted from ceramic and gold, adorned with over 9,000 diamonds totaling approximately 110 carats, with each queen concealing a detachable watch. The collection also includes 13 watch designs and is part of Chanel's Haute Horlogerie line for 2026, designed by Arnaud Chastaingt, director of the Chanel Watch Creation Studio.

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Toteme and CULTURED hosted a pre-Frieze week cocktail party at Toteme's Melrose Avenue flagship in West Hollywood. The intimate sunset gathering featured Ruinart champagne, Grey Goose martinis, and a curated collection of artworks by Swedish women artists, including pieces by Barbro Bäckström, Lisa Larson, and Alina Chaiderov. Guests included fashion tastemakers, arts patrons, interior designers, dealers, artists, and models, such as Christine Wuerfel-Stauss, Michelle Rubell, Yana Peel, Emma Webster, and Esther Kim Varet.

art collector amelie du chalard gallery interview

Amélie du Chalard, a bi-continental art collector and gallery owner, discusses her lifelong journey with art in an interview with CULTURED. Starting her collection at age 16 through family tradition, she founded her eponymous gallery in Paris in 2015 and later expanded to New York. Her collection and gallery blend design objects with fine art, embracing what she calls 'haptic minimalism'—a tactile, gentle aesthetic. She shares her sourcing process, including using the Drouot auction app and Artsy, and recounts tracking down a piece first seen in a 14th-century palace.

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Last Thursday, an intimate panel conversation took place at the sales gallery of the Jean-Georges Miami Tropic Residences in the Miami Design District, bringing together leaders from visual culture. Panelists included CULTURED Editor-at-Large Julia Halperin, designer Glenn Pushelberg, artist Marcel Dzama, and art advisor Jamie Stagnitta, who discussed how art, design, and culture shape contemporary living. Chef Jean-Georges Vongerichten surprised guests by arriving at the event.

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A launch party for CULTURED at Home, the magazine's inaugural design issue, was held at the Paris home of collector and private art dealer Jim Hedges. The event, guest-edited by Alexandra Cunningham Cameron, drew a cross-section of fashion, art, and design insiders, including Hermès’s Nadège Vanhee-Cybulski, artist Mickalene Thomas, and collectors Michelle and Jason Rubell. The party took place during Art Basel Paris and Design Miami, with guests viewing Hedges’s personal collection featuring works by Jack Pierson and Andy Warhol.

nile harris art boffo performance festival

The BOFFO Performance Festival took place July 12–13 on Fire Island Pines, featuring a day-to-night marathon of 10 site-specific performances across three locations: the beach, a James McLeod home, and a helipad. Titled "Dystopian Ecstasy," the 11.5-hour program included artists such as Nile Harris, Shannon Funchess, Jonathan González, Lysis, Byrell the Great, Jas Lin, Makadsi, River Moon, Symara Sarai, and WILDBLUR, curated by Sydney Fishman and Lucas Ondak. Harris, who also photographed the event, collaborated with Dyer Rhoads on an interactive performance that engaged audience members including photographer Wolfgang Tillmans and actor Hari Nef, exploring gay social dynamics and community-building through satire and participatory acts.

anna weyant tiffany and co hardwear

Tiffany & Co. celebrated its Hardwear Collection with an event at its Landmark flagship on Fifth Avenue, featuring painter Anna Weyant as the new face of the campaign alongside actors Greta Lee and Mikey Madison. The gathering included guests such as Phoebe Gates, Laura Harrier, Chase Sui Wonders, artists Chase Hall and Sasha Gordon, and chef Daniel Boulud, with music by Ruby Aldridge and Ruinart champagne.

Giant glacier painting disappears from Argentina’s presidential palace after new law passes loosening protections for these icy regions

Days before Argentina’s Congress approved an amendment to the glacier law that weakens protections for glacial regions to facilitate mining, President Javier Milei’s government removed a monumental painting of the Perito Moreno Glacier from the Casa Rosada presidential palace. The work, Helmut Ditsch’s photorealist *The Triumph of Nature* (2006), had been on loan and on display since 2012. The government cited “maintenance reasons” and “structural damage,” but the artist says he was not notified and has contacted lawyers. A portrait of Juan Domingo and Evita Perón was also removed the same day, with the same vague explanation.

Stonewall Monument Named Among Most Endangered Sites in the US

The Stonewall National Monument in Manhattan has been named one of the most endangered places in the US by the National Trust for Historic Preservation, marking the first time the site has appeared on the annual list. The designation comes amid the Trump administration's efforts to control LGBTQ+ history, including the National Park Service's removal of references to transgender individuals from the monument's official website and the removal of the rainbow pride flag from the site. Activists and the Gilbert Baker Foundation fought back, with the foundation filing a lawsuit that led to a settlement allowing the pride flag to be flown again, though the NPS has not restored the original website text.

‘Anger, curiosity and hope’: a planet of protest – in pictures

Matthew Connors' new photo book, *The Axe Will Survive the Master*, compiles 12 years of protest photography from Hong Kong, Cairo, New York, Kyiv, North Korea, and beyond. Published by MACK Books, the work weaves together images from the Occupy movement, the Egyptian revolution, Hong Kong's pro-democracy protests, the war in Ukraine, and other confrontations with authoritarian power, dissolving geographic boundaries into a single sequence drawn from an archive of 200,000 images.

From Eurovision to the Venice Biennale, culture contests are being overshadowed by politics

The Venice Biennale and Eurovision Song Contest are being overshadowed by political controversies rather than artistic merit. At the Venice Biennale, the Russian pavilion opened for press previews for the first time since the Ukraine invasion, a decision that may cost the festival €2m in EU funds. The Israeli pavilion will open despite protests from 200 artists and curators, while the South African pavilion will remain empty after its government blocked an artist's tribute to a Palestinian poet. The Iranian pavilion is also shut, and the awarding jury has resigned en masse, meaning no Golden or Silver Lion awards will be given for the first time in 40 years. Similarly, Eurovision's 70th anniversary is dominated by five countries boycotting over Israel's participation, with little focus on the music.

1,000-year-old archaeological site bulldozed during construction of Mexico-US border wall

On 24 April, a Department of Homeland Security contractor bulldozed a 1,000-year-old intaglio—a 280ft by 50ft etching in the desert sand—during construction of the US-Mexico border wall in Arizona's Cabeza Prieta National Wildlife Refuge. The site, sacred to local Indigenous communities including the Hia-Ced O’odham, was part of a UNESCO biosphere and contained over 3,000 petroglyphs. Despite warnings from tribal members and refuge staff, the contractor destroyed a 70ft stretch of the fish-shaped intaglio, which elders and archaeologists describe as an irreplaceable cultural and archaeological treasure.

Historic Monument Honors New York's First Arabic-Speaking Community

New York City unveiled its first commemorative public artwork under Mayor Zohran Mamdani's administration on April 30, honoring the historic "Little Syria" neighborhood in Manhattan's Financial District. The monument, titled "Al Qalam (The Pen): Poets in the Park," is a mosaic installation and sculpture by French-Moroccan artist Sara Ouhaddou, created over the past decade. It celebrates nine members of the enclave's literary community, including Lebanese-American poet Khalil Gibran, who co-founded the writers' association Pen Bond in 1920. The $1.6 million artwork sits in Elizabeth H. Berger Plaza, within the blocks where immigrants from Greater Syria settled in the late 19th century before being displaced by tunnel construction in the 1940s.

france national assembly vote bill looted artifacts

The French National Assembly has unanimously passed a landmark bill designed to streamline the restitution of cultural artifacts looted during the colonial era between 1815 and 1972. This legislative framework aims to replace the previous requirement for individual laws for every return, fulfilling a long-standing pledge by President Emmanuel Macron to restore African heritage. While the vote was unanimous, the debate was contentious, with critics arguing over the omission of the word "colonialism" to avoid far-right backlash regarding national "repentance."

European Commission Tells Venice Biennale to ‘Clear Its Name’ Regarding Russian Pavilion or Risk Losing $2.3 M. Grant for 2028

The European Commission has issued a 30-day ultimatum to the Venice Biennale, threatening to withdraw a €2 million ($2.3 million) grant for the 2028 edition unless the organization addresses concerns regarding the Russian Pavilion's inclusion in 2026. The Commission alleges that hosting a government-funded delegation violates EU sanctions and provides a cultural platform for Russian state interests amidst the ongoing war in Ukraine. The Biennale's president, Pietrangelo Buttafuoco, must respond by May 11, just two days after the exhibition's public opening.

Plan to build border wall along the Rio Grande in Texas threatens prehistoric rock art, locals warn

Plans to extend the US-Mexico border wall through Val Verde County, Texas, threaten to damage or destroy hundreds of prehistoric rock art murals in the Lower Pecos region. Archaeologists and local landowners warn that construction vibrations could destabilize the rock surfaces housing these ancient paintings, some of which are over 5,700 years old and span up to 100 feet in length.

A Holy Week procession, white pelicans and apricot blossoms: photos of the day – Tuesday

The Guardian's picture editors curated a selection of global photographs for Tuesday, March 31, 2026. The images include a Holy Week procession by the Trabajo y Luz brotherhood in Granada, Spain; white pelicans at Lake Çavuşçu in Turkey; apricot blossoms in Gilgit-Baltistan, Pakistan; and scenes from California, Lebanon, India, Israel, Ukraine, the West Bank, and France, capturing moments of nature, conflict, displacement, and commemoration.

‘Every child wants to find joy’: the scheme designing playground equipment for disaster zones

Photographer Alexander Meininger, inspired by his children and the war in Ukraine, has launched the charity Playrise. The organization designs and produces flatpack, modular playground equipment made from iroko hardwood for children living in refugee camps and disaster zones. Its first set will be sent to the Aysaita refugee camp in Ethiopia next month.

‘We are trying to preserve the memory of our people’: archaeologists create map tracking damage to Iran heritage sites

Iranian archaeologists Sepideh Maziar and Mehrnoush Soroush have launched an interactive online map to document and geolocate cultural heritage sites in Iran damaged by military strikes. The map, hosted by the University of Chicago's CAMEL Lab, currently lists 69 verified sites, including the historic Sa'dabad Palace complex in Tehran, and is updated as new information becomes available.

From car parks to piers: the 2026 Australian Urban Design awards celebrate utilitarian architecture

The 2026 Australian Urban Design Awards have been announced, celebrating projects that prioritize pragmatic, community-focused design over sculptural spectacle. Winners include the Campbelltown station commuter car park in Sydney, praised for its civic dignity and greenery; the St Kilda pier redevelopment in Melbourne, which balances engineering with tourism and penguin habitat protection; and Balam Balam Place in Brunswick, a cultural landscape honoring Indigenous history.

Statue Removed from Delaware During Black Lives Matter Protests to Be Reinstated in Washington D.C.

A statue of Caesar Rodney, a signer of the Declaration of Independence who enslaved over 200 people, is set to be reinstated in Washington D.C.'s Freedom Plaza. The National Park Service plans to place the statue as part of the nation's 250th birthday celebrations, six years after it was removed from Wilmington, Delaware, during Black Lives Matter protests.

Archaeologists Identify Lost Medieval Village in Polish Forest

Archaeologists from Poland's Relicta Foundation have located the lost medieval village of Stolzenberg in a dense forest near Sławoborze in northwestern Pomerania. The 15-acre site, identified through a combination of historical research, metal detecting, and advanced geophysical surveys, has yielded 1,500 surface anomalies and 400 artifacts, including coins and belt buckles from the 13th-14th centuries, confirming its medieval origins. Radiocarbon dating places the height of its activity in the 14th century.

lebanese ministry of culture urges unesco to grant enhanced protections to cultural property

Lebanon’s Ministry of Culture has formally petitioned UNESCO to secure enhanced protections for the nation’s cultural heritage sites as regional conflict intensifies. Culture Minister Ghassan Salamé urged the UN agency to intervene with belligerent parties to ensure the safety of irreplaceable landmarks, including the National Museum of Beirut and the Roman ruins of Baalbek. UNESCO confirmed it has shared the coordinates of these World Heritage sites with all involved parties to prevent accidental or intentional targeting during military operations.