The Martha Graham Dance Company, the oldest professional dance troupe in the United States, is celebrating its 100th anniversary with a worldwide centennial tour. The company is marking the milestone by performing Graham's classic works, like the 1946 ballet *Cave of the Heart*, alongside newer commissions that continue her innovative legacy.
Marc Brandenburg's solo exhibition '20th Century Debris' is on view at the Berlinische Galerie in Berlin until September 14, 2026. The show features approximately 150 works, including early drawings from the 1990s, recent pieces, video, photography, and tattoo editions, all exploring spectral cityscapes and the debris of contemporary life through a process of tonal reversal and inversion.
Sotheby's held its first sale at its new US headquarters in New York, where Gustav Klimt's "Portrait of Elisabeth Lederer" sold for $236.4 million, becoming the most valuable work of modern art ever sold at auction and the most expensive artwork ever sold by Sotheby's globally. The record-breaking 20-minute bidding war also saw strong results for works by Edvard Munch ($35.1 million) and a Klimt landscape ($86 million), while the evening's total reached $706 million. However, two top lots by Kerry James Marshall and Barkley L. Hendricks failed to sell, and Maurizio Cattelan's gold toilet "America" drew only a single bid from Ripley's Believe It or Not! for $12.1 million.
Nicole Saikalis Bay, an architect and patron, divides her time between Milan, London, Beirut, and Paris, where she has built a triple-pronged artist support network: the Saikalis Bay Foundation, a Milan exhibition space called Circolo, and the nonprofit WeAre Projects. Her collection began as a private impulse to live with art, focusing on modern Italian masters like Enrico Castellani and Fausto Melotti, and has expanded to contemporary artists such as William Kentridge, Nari Ward, and Tacita Dean. This month, Circolo presents work by ten rising artists of Lebanese heritage, reflecting her commitment to supporting artists from regions in need.
Nicole Eisenman's solo exhibition "STY" is on view at 52 Walker in New York through January 10, 2026. The show features recent paintings including "The Auction" (2025) and "Archangel (The Visitors)" (2024), which blend styles from realism to post-Cubist caricature. Curated by Ebony L. Haynes, the gallery is transformed into a single room lined with Homasote board, creating an intimate studio-like atmosphere that includes reference ephemera from Eisenman's Brooklyn studio, such as a printout of Martin Kippenberger's 1984 abstraction.
EJ Hill's new endurance performance, "Yearning for an Absolute" (2025), is on view at 52 Walker in Tribeca through September 13, 2025. For the duration of the exhibition, the 40-year-old Black queer artist kneels every day, all day, within a red velvet enclosure, referencing Catholic devotional practices, saintly mortifications, and his own history of durational works like "Excellentia, Mollitia, Victoria" (2018) at the Hammer Museum's "Made in LA" biennial. The installation also includes red leather kneelers for sale, framed kneeler pad paintings marked with the artist's indentations, and a neon rectangle reminiscent of Dan Flavin's church installation.
Cultured's guide to summer art activities in New York highlights five museum exhibitions, each paired with the gallery's air-conditioned temperature setting. Featured shows include Temitayo Ogunbiyi's first institutional solo at the Noguchi Museum, MoMA's "Woven Histories" exploring textile art, Saya Woolfalk's "Empathetic Universe" at the Museum of Arts and Design, Ben Shahn's "On Nonconformity" at the Jewish Museum, and "Vermeer's Love Letters" at the newly renovated Frick Collection.
Abstract painter James Hayward, known for his monochromatic oil and wax impasto works, died last week at age 82. A legendary figure in the LA art scene, Hayward was equally celebrated for his magnetic personality, ribald humor, and storytelling. He rose to prominence in 1977 when included in the group show "Less is More" at Sidney Janis Gallery in New York, and was admired by art-world giants such as Dave Hickey, Chris Burden, Nancy Rubins, Ed Moses, and Mike Kelley. Hayward also taught at colleges across the country, including a guest seminar at the University of Southern California, and was a longtime supporter of the LA contemporary art magazine Artillery.
Art students at Dartmouth College installed a provocative piece titled "Something Rotten" in the Black Family Visual Arts Center, consisting of 20 moldy beef sticks arranged into a smiley face over the dedication wall honoring billionaire financier Leon Black and his family. The work, created by students Erik Siegel, Angeles Juarez-Ruiz, and Roan Wade, was removed one week after the exhibition "Storage Room" opened on April 14. The piece references Black's documented friendship and business dealings with convicted sex offender Jeffrey Epstein, with the wall label quoting an Epstein email mentioning "jerky." The installation is part of a broader student and alumni campaign to remove Black's name from the arts center, which was funded by a $48 million gift from Black and his wife Debra.
Artist Steve DiBenedetto presents a new body of work in his solo exhibition, "Spiral Architect," at Derek Eller Gallery. The show features 17 paintings ranging from large-scale canvases to intimate works, all characterized by a restless movement between abstraction and figuration. DiBenedetto utilizes a process-heavy technique of adding, scraping, and reworking oil paint to create dense, visionary landscapes filled with octopi, cellular forms, and Rube Goldberg-esque machinery.
TODO ES COMÚN
The exhibition 'Todo es común' (Everything is Common) is on view until June 21, 2026, at the Sala Europa in Badajoz, Spain. Curated by Adonay Bermúdez, it brings together works by fifteen international artists to examine the agricultural landscape as a space where practices, memories, and political tensions intersect, moving beyond its purely material condition.
"Im Moment ist die Verunsicherung auf dem Kunstmarkt extrem"
Prominent Cologne gallerist Gisela Capitain is celebrating her 40th anniversary amid a period of significant market volatility. In recent interviews, she reflects on her career—defined by long-term artist relationships like that with Martin Kippenberger—while critiquing the current state of the art world. She notes that buyers have become increasingly hesitant and deliberate, describing the current level of uncertainty in the art market as extreme and calling for reforms to institutions like Art Cologne.
Les vernissages cette semaine dans les galeries parisiennes
This week's openings in Parisian galleries feature a wide range of exhibitions across the Marais, Saint-Germain-des-Prés, and other districts. Highlights include Galerie Alain Margaron's group show "Du modèle à l'autoportrait" exploring the body in works by André Derain, Jean Hélion, Fred Deux, and Zoran Mušič; Kim Myoung Nam's first solo show at Galerie UNIVER / Colette Colla, presenting perforated paper pieces; and Galerie Wagner's collective exhibition dedicated to Latin American artists Milton Becerra, Olga Luna, and Claudia Lavegas. Other notable shows include Louis Pion's ink-on-envelope series at Galerie Incognito Artclub, Léonore Chastagner's raw ceramics at Galerie Anne-Sarah Bénichou, and solo presentations by Quentin Gouevic and Jérôme Zonder at Galerie Nathalie Obadia.
San Francisco Museum of Modern Art (SFMOMA) has unveiled "Reimagined: The Fisher Collection at 10," a major reinstallation of approximately 250 works from 35 artists across four floors. The project was led by project assistant curator Ted Mann and chief education and public engagement officer Gamynne Guillotte, who collaborated to transform how the collection is presented. Changes include rotating galleries, such as the Agnes Martin room, to improve sightlines, and incorporating artists' voices, archival video, and interpretive tools to make abstract works more accessible. The reinstallation marks the tenth anniversary of the Fisher Collection's long-term loan to SFMOMA, originally arranged in 2009 and later extended to 100 years.
Andy Warhol's screenprint "Cow II.11A" (1971) is being offered for sale by Composition.Gallery, priced at $15,200. The work is a color screenprint on wallpaper, printed by Bill Miller's Wallpaper Studio, Inc., New York, and published by Factory Additions, New York, for a Warhol exhibition at the Whitney Museum of American Art from May 1 to June 13, 1971. It is part of a limited edition of 100, stamped by the artist's estate, and includes a certificate of authenticity.
Europe is set to host a series of major exhibitions in 2026 that bridge the cultural divide between the East and West. Key highlights include a massive Yayoi Kusama retrospective at the Stedelijk Museum in Amsterdam, a showcase of Thai royal haute couture and Pierre Balmain’s designs at the Musée des Arts Décoratifs in Paris, and an exploration of ancient Korean gold at the Musée Guimet. Additionally, the Victoria and Albert Museum in London will partner with Australia’s QAGOMA for a large-scale survey of contemporary art from Asia and the Pacific.
The Los Angeles County Museum of Art (LACMA) has unveiled the David Geffen Galleries, a $724 million concrete-and-glass structure designed by Pritzker Prize-winning architect Peter Zumthor. Spanning Wilshire Boulevard, the 110,000-square-foot horizontal gallery space floats 30 feet above ground and features a non-chronological layout intended to encourage wandering. The interior is characterized by pigment-infused concrete walls, floor-to-ceiling windows with specialized metal curtains by Reiko Sudō, and a lack of traditional white-cube galleries.
The Art Gallery of New South Wales (AGNSW) has solidified its status as a premier global cultural destination following the completion of its Sydney Modern Project. The institution now comprises two distinct architectural landmarks: the historic Naala Nura (South Building) and the contemporary Naala Badu (North Building), designed by Pritzker Prize-winning architects SANAA. These new Aboriginal names, meaning "seeing Country" and "seeing waters," reflect a deep institutional commitment to Indigenous engagement and the gallery's unique geographic position overlooking Sydney Harbour.
The National Gallery of Victoria (NGV) has secured its position as Australia’s most visited art museum, ranking 25th globally in The Art Newspaper’s 2025 attendance report. The institution welcomed over 3 million visitors across its two Melbourne locations, bolstered significantly by a record-breaking Yayoi Kusama retrospective that drew 570,537 attendees. This blockbuster exhibition became the most popular ticketed show in the gallery's history, attracting international celebrities and a high percentage of overseas tourists.
The Sarasota Art Museum is headlining a busy April art season in Southwest Florida with the opening of 'Something Borrowed, Something New.' This major exhibition features works by iconic modern and contemporary artists, including Louise Bourgeois, David Hockney, and Kara Walker, sourced from private collections across the region. The museum is also showcasing site-specific installations such as Molly Hatch’s 'Amalgam,' a 450-plate earthenware display, and Janet Echelman’s 'Radical Softness,' which explores the evolution of her monumental netted sculptures.
The Sarasota Art Museum is headlining a busy month for the Southwest Florida art scene, featuring 35 exhibitions across the region this April. Key highlights include the opening of "Something Borrowed, Something New," a diverse group show featuring artists like William Villalongo, alongside major closing exhibitions such as Molly Hatch’s site-specific plate installation "Amalgam" and Janet Echelman’s career retrospective "Radical Softness." Other notable displays include Jillian Mayer’s interactive "Slumpies," which explores the physical impact of digital device usage.
The Spring Arts Guide 2026 highlights several major exhibitions opening in the Washington D.C. area, ranging from local photography to expansive collection surveys. Alan Sislen’s 'AMBIGUITY' at Multiple Exposures Gallery explores architectural abstraction, while the National Museum of Women in the Arts hosts 'Making Their Mark,' a traveling exhibition of the Shah Garg Collection featuring luminaries like Howardena Pindell and Joan Semmel. Additionally, the National Museum of African Art presents 'Here: Pride and Belonging in African Art,' a landmark show centering queer voices within the African diaspora.
Sotheby’s kicked off the spring auction season in London with a Modern and Contemporary Evening Sale that generated £131 million ($177.4 million) including fees. The auction saw a high 98 percent sell-through rate, bolstered by the sale of four significant works from the collection of financier Joe Lewis. The top lot was Francis Bacon’s 1972 "Self-Portrait," which fetched £16.03 million, while a new auction record was established for Leon Kossoff.
Sotheby’s Modern and contemporary evening sale in London signaled a resilient recovery for the UK art market, totaling £131 million with fees and achieving a 98% sell-through rate. Despite geopolitical tensions and post-Brexit economic concerns, the auction room was notably crowded, driven by high-profile works from the collection of billionaire Joe Lewis. The evening's top lot was a 1972 Francis Bacon self-portrait, which sold for £16 million, while a major painting by Leon Kossoff shattered the artist's previous auction record.
The Art Gallery of Ontario (AGO) in Toronto has received a major gift of 474 artworks from the late collectors Carol and Morton Rapp, including prints, photographs, sculptures, and artist books by 203 artists. Highlights include 13 screenprints by Andy Warhol, eight works by Robert Rauschenberg, nine by Jasper Johns, and pieces by Roy Lichtenstein, Barnett Newman, Claes Oldenburg, Lee Bontecou, and David Hockney, as well as contemporary works by Kara Walker, William Kentridge, Yinka Shonibare, and Rachel Whiteread. The Rapps, who began collecting in the 1960s, had a long relationship with the AGO dating back to 1966.
Doris Lockhart, the US-born art collector who played a pivotal role in shaping the Saatchi collection and championing contemporary art in the UK, has died at age 88. Alongside her then-husband Charles Saatchi, she helped introduce postwar American artists like Andy Warhol, Jasper Johns, and Robert Rauschenberg to British audiences, and was instrumental in recognizing the Young British Artists (YBAs) of the 1990s, including Damien Hirst and Gary Hume. After their divorce in 1990, Lockhart continued collecting independently, backing emerging talents and expanding her interests to architectural models and drawings.
Jackson Pollock's painting *Number 7A, 1948* sold for a record $181.2 million at Christie’s in New York, becoming the fourth most expensive work ever sold at auction. The sale also saw record prices for works by Constantin Brâncuși, Mark Rothko, and Joan Miró, with Brâncuși's bronze head *Danaïde* fetching $107.6 million and Rothko's *No 15 (Two Greens and Red Stripe)* selling for $98.4 million.
San Francisco's Vaillancourt Fountain, a controversial concrete sculpture and centerpiece of Embarcadero Plaza since 1971, caught fire during its dismantling in early May 2025 after the city voted to potentially replace it with a grassy park. Designed by artist Armand Vaillancourt, the fountain was a landmark for the city's skateboarding scene in the 1980s and 1990s, but fell into disrepair and became a flashpoint in debates over modernist public art. The removal, costing $4 million for storage and assessment, was mourned by skateboarders and preservationists who saw it as a loss of cultural and architectural heritage.
An eBay seller listed a giclée print of Kees van Dongen's painting "Femme Fatale" (ca. 1905), claiming it once hung above Jeffrey Epstein's desk in his Upper East Side townhouse. The listing, titled "Documented by Federal Prosecutors," sought $50,000 and reached $25,000 in bidding before eBay removed it for violating its policies. The print had previously sold at Millea Bros. Auctioneers for $275. The New York Post first reported the listing, which referenced federal documentation of Epstein's art collection.
Sotheby’s has announced the sale of the personal art collection of Enrico Donati, often referred to as the 'last Surrealist.' The 45-lot collection, titled "A Night in May," features works amassed by Donati and his wife Adele, including a rare 1909 Cubist portrait by Pablo Picasso, 'Arlequin (Buste),' estimated at $40 million. The auction marks the first time these intimate pieces—many acquired through direct exchanges with friends like Marcel Duchamp and Yves Tanguy—have been offered since the artist's death in 2008 and his wife's passing last year.