Naples, Marco Island, Everglades CVB pays tribute to local Hispanic cultures in a year-long celebration

The Naples, Marco Island, Everglades Convention and Visitors Bureau (CVB) has launched ¡ARTE VIVA!, a yearlong celebration honoring the Hispanic cultures that make up nearly 30% of the region's population. The 2025-2026 season includes Día de los Muertos events at venues like the Marco Island Center for the Arts, Naples Botanical Garden, and Artis—Naples, featuring Calaveras sculptures by Ricardo Soltero, photography by Lizette Morales, and performances by Ballet Folklorica Jaliscience. Visual arts highlights include a Joan Miró exhibition at Naples Art Institute, a permanent collection show at The Baker Museum, and a public art installation by Michelle Tricca at Lipman Farms. Musical programming features Gulfshore Opera's Carmen, Latin Grammy nominee Leslie Cartaya, and Opera Naples Festival under Ramón Tebar.

Philadelphia’s Bankrupt UArts Sells off Library of Rare Art Books

Philadelphia’s bankrupt University of the Arts (UArts) sold off rare books and manuscripts from its library at a Freeman’s | Hindman auction on September 10, 2024. The 38 lots from UArts’ collection fetched $163,328, nearly 20% of the sale’s $806,519 total. Top lots included a deluxe first edition of Andre Level’s 1928 monograph on Pablo Picasso, signed by the artist, which sold for $35,200; a complete portfolio of Josef Albers’s 1965 *Die Oberflache*, which brought $21,760; and a limited edition of James Joyce’s *Ulysses* illustrated by Robert Motherwell, which sold for $16,640. UArts closed abruptly in June 2024, citing financial fragility and declining enrollments, and later filed for Chapter 7 bankruptcy, selling its real estate holdings for nearly $75 million.

Studio Sessions closing event; Oct. 1, 2025 in Space 204

Studio Sessions, a group exhibition featuring works from Vanderbilt Studio Arts and the Engine for Art, Democracy & Justice (EADJ) faculty and staff, concludes its run on September 30, 2025, in Space 204. A closing reception will be held on October 1, 2025, from 3pm to 5pm, offering a final chance to view the works, alongside a live performance by musician and composer Reza Filsoofi, a master of traditional Iranian music and instruments. The exhibition brought together 15 studio art faculty and several staff members, who typically work in their own studios and exhibit elsewhere.

The sixth Aichi Triennale seeks to encompass destruction and renewal

The sixth edition of the Aichi Triennale, Japan's largest recurring contemporary art exhibition, opens under the title "A Time Between Ashes and Roses," featuring around 60 artists from 22 countries across venues in Nagoya. Artistic director Hoor Al Qasimi, president of the Sharjah Art Foundation, has curated a program that addresses themes of destruction and renewal, drawing on a poem by Syrian poet Adonis written after the 1967 Six-Day War. The exhibition references both the ongoing conflict in Gaza and the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki, with participating artists including John Akomfrah, Simone Leigh, Wangechi Mutu, Michael Rakowitz, and Hiroshi Sugimoto.

‘From Gaza to the World’: A Devastating Art Show Arrives in Brooklyn

A devastating exhibition titled 'From Gaza to the World' has opened at Recess, a nonprofit art venue in Brooklyn, as the first North American pavilion of the Gaza Biennale. Organized by the Forbidden Museum of Jabal Al Risan and launched in 2024, the show features 25 Palestinian artists, many still in Gaza or displaced. Due to the ongoing Israel-Gaza War, most works are documentation—printouts, facsimiles, and video—rather than original objects. Highlights include Malaka Abu Owda's 'When the Body Became a Message' (2024), Firas Thabet's tapestry 'Gaznica' (2025) adapting Picasso's Guernica, and Emad Badwan's docudrama 'Live Broadcast' (2024). The exhibition bears witness to life under bombardment, famine, and displacement, with wall labels including heartbreaking artist quotes.

Christie’s Quietly Deletes Digital Art Department

Christie’s has quietly dissolved its dedicated digital art department, laying off two staff members including vice president Nicole Sales Giles, as part of a strategic shift to fold digital art sales into its broader 20th and 21st Century Art category. The move follows a two-year contraction in the art market and a dramatic decline in NFT trading volume from $2.97 billion in 2021 to $197 million in 2024, mirroring similar downsizing at Sotheby’s and the shuttering of platforms like Async Art and KnownOrigin.

This Is What Happens When an Art Auction Bidder Changes Their Mind

Auction houses are grappling with a rise in bidders attempting to back out of winning bids, often citing flimsy excuses like cats jumping on keyboards. Richard Wright, CEO of Rago/Wright, describes a 'cat button' on their website that locks the bid button to prevent accidental clicks, but some buyers still renege by blaming spouses or pets. The problem has worsened with online bidding, as remote participants may not grasp the binding nature of a winning bid. Houses like Freeman | Hindman and Eldred's require deposits and registration to mitigate risks, but defaults persist, with Wright estimating 1% of sales become problematic.

Euan Uglow monograph offers a fresh perspective through memoirs, papers and contributions

Andrew Lambirth's new book, *The Uglow Papers*, takes an unconventional approach to the monograph on British painter Euan Uglow (1932-2000). Instead of a traditional narrative, Lambirth compiles around 30 personal memoirs, papers, and contributions from friends, students, and colleagues—gathered through interviews, phone calls, emails, and letters. These firsthand accounts, paired with a concise introduction and a glossary of names, offer intimate recollections of Uglow's rigorous studio practice, his teaching methods, and his social life, including details about his Sunday night open houses and shared meals. The book also traces Uglow's artistic development from his studies at Camberwell School of Arts and Crafts and the Slade School of Fine Art, through his mentorship under William Coldstream, to his own distinctive geometric and emotionally charged works like *The Diagonal* (1971-77) and *Pyramid* (1993-96).

Collector’s eye: the art Kyongho Kim has bought and why

Kyongho Kim, a Seoul-based dentist and art collector, discusses his journey into collecting contemporary art, which began in 2019 when he bought his first painting to fill bare walls in his new home. He now owns around 250 works, including pieces by Hernan Bas, Genieve Figgis, Scott Kahn, and Jack Kabangu, and describes his philosophy as stewardship rather than ownership. The interview, published by The Art Newspaper, covers his first purchase (Byung-Rock Yoon's *Scent of Autumn*), his regret over missing a George Condo piece, and his love for art fairs like Frieze Seoul, where he acquired a work by Marina Perez Simão.

Chihuly glass art exhibition fuels SA economy with record visitor turnout

The "Chihuly in the Botanic Garden" exhibition at Adelaide Botanic Garden concluded after seven months, drawing 1.4 million visitors and generating $55.7 million in economic benefits for South Australia. The show featured Seattle-based artist Dale Chihuly's glass sculptures, including ticketed experiences like "In Full Colour: Dale Chihuly" and "Chihuly Nights," which attracted over 200,000 attendees. Key artworks, including the Glacier Ice and Lapis Chandelier and the Jet and Crimson Fiori, will remain as permanent fixtures thanks to donations from local philanthropists.

New York’s Market Gallery evolves from Chinatown apartment to Soho pop-up

Market Gallery, founded by Adam Zhu, has been hosting intimate solo shows from a storage shed on his Chinatown apartment balcony for the past eight months. On July 17, the gallery opened its first group exhibition, "Revolve," in a pop-up space at 51 Mercer Street in Soho, formerly home to Virgil Abloh's Em Pty Gallery. The show, organized by Zhu and his friends Jack Irv and Andrew Kass, features works by emerging and established artists including Lorenzo Amos, Amanda Ba, Maggie Lee, Rene Ricard, and Mike Kelley, and runs until August 10.

Cutting and Pasting: The Art of Collage on Display at Beverly Arts Center

The Beverly Arts Center in Chicago is hosting "RE-BOP! (Obstructions & Disruptions)," a group exhibition dedicated to the art of collage. Curated by Paloma Trecka and Todd Bartel, the show features nearly 60 artists from Ireland, Spain, the Netherlands, and across the U.S., including prominent local artist Tony Fitzpatrick, who originally conceived the exhibition. The works range from traditional cut-paper pieces to digital collages, with many exploring themes of improvisation, rhythm, and disruption. The exhibition was organized with help from the Beverly Arts Alliance and the participatory magazine Cut Me Up, which issued an open call that drew 150 submissions.

The art market bites back as estimates fail to score

Sotheby’s, Christie’s and Phillips raised a combined $1.27bn from their May 2025 marquee auctions of Modern and contemporary art in New York, an 8% decline from the same period last year, according to data from London-based auction analysts Pi-eX. The highest-priced lot, Alberto Giacometti’s 1955 bronze bust *Grande tête mince (Grande tête de Diego)*, estimated at $70m, failed to sell, while Andy Warhol’s *Big Electric Chair* (1967), valued at $30m, was withdrawn before Christie’s auction to avoid a similar fate. The downturn is attributed to geopolitical uncertainty under Donald Trump’s presidency, including tariffs announced on April 2, which have unsettled buyer confidence.

This NY Art Exhibit Is Inspired by Lana Del Rey

Curator Eden Deering has organized a group exhibition titled “Hope is a dangerous thing” at P·P·O·W Gallery in New York, inspired by the final track of Lana Del Rey’s 2019 album *Norman F-cking Rockwell!*. The show features artists Kyle Dunn, Raque Ford, Paul Kopkau, Diane Severin Nguyen, Kayode Ojo, Marianna Simnett, and Robin F. Williams, who were encouraged to channel their most exaggerated, ambitious, and passionate selves. On view until July 11, the exhibition blends camp humor with emotive paintings, installations, and videos, exploring themes of vulnerability, performance, and the tension between genuine emotion and theatrical self-invention.

Three thought-provoking art exhibitions open at Kochi’s Durbar Hall Art Gallery

Three art exhibitions opened simultaneously at Kochi’s Durbar Hall Art Gallery on June 27, 2025. The shows include 'The Whispering Walls' by C. Unnikrishnan, featuring kiln-baked soil blocks that explore indigenous folklore; 'Liminal Continuities' by Abhijith Udayan, an introspective look at sabbaticals; and 'Axiomatic Ipso Facto' by Sajeesh Pallikkara, which examines the intersection of dream and reality. The exhibitions were inaugurated by painter Riyas Komu and MLA P V Sreenijan.

“Defying Boundaries To Celebrate Creativity” — Highlights From Art Basel in Basel 2025

Samsung Electronics partnered with Art Basel in Basel 2025 as the official display partner, presenting a digital art experience called 'ArtCube' at the fair from June 19 to 22, 2025. The lounge featured Samsung Art TVs including The Frame Pro, MICRO LED, and Neo QLED 8K, displaying artworks from the Samsung Art Store collection. A talk session included RM of BTS and artist Basim Magdy, discussing digital technology's role in art. Samsung also launched a new collection of 38 highlighted pieces from the fair on its Art Store, allowing subscribers worldwide to view the works remotely.

In pictures: highlights from Art Basel's city-wide exhibition, Parcours

New York-based curator Stefanie Hessler has organized the second edition of Art Basel's Parcours exhibition, featuring 21 works installed across Basel in unconventional spaces such as hotels, shops, and private apartments. Highlights include Agnieszka Kurant's chemical gardens made from computer-manufacturing metals, Finnegan Shannon's accessible benches with rest-oriented texts, and Hylozoic/Desires' 80-meter fabric installation referencing a colonial-era customs line. The exhibition clusters along Clarastrasse and extends to the Münsterplatz in the Old Town.

Photo essay: Luca Fine Art opens in West Midtown

Luca Fine Art, a new gallery founded by Rodney Kazemi, opens this weekend in the Star Metals Building on Howell Mill Road in West Midtown, Atlanta. The 2,000-square-foot space debuts with works by eight international and local artists, including Russell Young, Juan Miguel Palacios, Nemo Jantzen, Stanley Casselman, Simon Berger, Yigal Ozeri, Seo Young Deok, Marco Grassi, and Peter Demetz. Kazemi, a career arts professional with 29 years of experience as an artist agent and dealer, aims to rotate exhibitions every six weeks with a mix of group and solo shows.

Rangeley gallery to host opening for artist Gabrielle Castle

The Rangeley Friends of the Arts will host an Artist Reception for painter Gabrielle Castle at the Lakeside Contemporary Art Gallery in Rangeley, Maine, on Friday, June 13, from 5:30 to 7 p.m. The reception celebrates Castle's portrait exhibition titled “At a Glance,” which will be on view through July 8. The gallery also currently features a collaborative show by Sonja Johnson and Timothy Straub called “AGOG, simply AGOG!” through June 10.

Tokyo’s latest Godzilla art exhibition is a roaring tribute to the 70-year-old icon

The Mori Arts Center Gallery in Tokyo is hosting 'Godzilla The Art Exhibition', running until June 29, to celebrate the 70th anniversary of the iconic monster. Featuring over 25 artists from Japan and abroad, including Tadanori Yokoo, Sachiko Kazama, Kikuji Kawada, and actor-artist Tadanobu Asano, the exhibition presents original works in sculpture, painting, photography, diorama, and performance. Designed by the creative team Cekai, the immersive environment simulates Godzilla's destruction with cracked walls and shattered floors, while thematic chapters explore the monster as a symbol of modern anxieties, historical trauma, and cultural evolution.

Austin’s SAGE Studio & Gallery features work of local creators, prepares for art fair

SAGE Studio & Gallery in East Austin supports artists with developmental and intellectual disabilities, providing studio space, community, and gallery representation. Founded in 2017 by Lucy Gross and Katie Stahl, the organization has paid over $200,000 in commissions to its artists, with some earning upwards of $30,000 annually. Artists like Molly Hale create works in fiber, paint, pastels, and other media, and SAGE has collaborated with brands such as Vans, Whataburger, and Austin FC. The studio is preparing for an upcoming art fair.

Christie’s Spring Marquee Week Totals $693 Million 123% Over Low Estimate - Christie's

Christie's Spring Marquee Week, held May 12–15, 2025 in New York, generated $693 million in total sales, exceeding the low estimate by 123% and surpassing the auction house's totals from both May and November 2024. The week featured six evening and day sales, led by the $272 million Leonard & Louise Riggio: Collected Works sale, with the top lot being Piet Mondrian's *Composition with Large Red Plane, Bluish Gray, Yellow, Black and Blue* (1922) selling for $47.6 million. Marlene Dumas' *Miss January* set a new auction record for a living female artist at $13.6 million, and additional records were set for Simone Leigh, Emma McIntyre, Louis Fratino, Dorothea Tanning, and Remedios Varo. The overall sell-through rate was 88% by lot, with strong bidding across all price bands.

Review | Johns Hopkins exhibit elevates the artists of its city

Kriston Capps reviews a Johns Hopkins exhibition that highlights Baltimore-based artists, focusing on Derrick Adams's 2019 series "Deconstruction Worker." The series features portraits with skewed geometric forms and rich fabrics, referencing Dada, cubism, and contemporary Black artists like Mickalene Thomas and Lorna Simpson. The review positions Adams as a leading figure in contemporary painting.

Four Galleries to Watch in Milan

Four Milanese galleries—eastcontemporary, MATTA, Martina Simeti, and zaza’—are gaining significant attention for their dynamic programming and role in shaping the city's contemporary art scene. These spaces are championing emerging and mid-career artists, often with a focus on conceptual and research-based practices, and are contributing to a shift in the city's artistic energy, particularly beyond its traditional commercial centers.

Un itinerario fotografico tra installazioni e progetti d’autore della Design Week 2026. La collaborazione tra Artribune e i computer di MSI

This article outlines a one-day itinerary through Milan's 2026 Fuorisalone design week, highlighting key installations and exhibitions. It begins at Torre Velasca, featuring Polish Modernism and Brazilian modernist Jorge Zalszupin, then moves to the University of Milan's cloisters for the Interni magazine exhibition themed 'Materiae,' with oversized sculptures and a yacht installation by Piero Lissoni for Sanlorenzo. Other stops include Palazzo Litta, where architect Lina Ghotmeh presents 'Metamorphosis in Motion,' and Galleria Rossana Orlandi, focusing on the theme of doors. The itinerary concludes at Alcova in the former Baggio Military Hospital, an abandoned space reactivated by curators Valentina Ciuffi and Joseph Grima.

Dismantling Orbán's 16-Year Grip on Hungary's Art World

Following the recent electoral defeat of Viktor Orbán’s Fidesz-KDNP coalition by the opposition party Tisza, the Hungarian art world faces a monumental task of institutional restoration. For 16 years, the regime’s 'System of National Cooperation' (NER) systematically co-opted cultural institutions, installing loyalists in leadership roles at major venues like the Kunsthalle and Ludwig Museum to promote an ethno-nationalist agenda. This period was marked by the exodus of independent curators, the occupation of museums by activists, and a fractured ecosystem where state funding was tied to political compliance.

Russia and Israel cannot win any prizes at the next Venice Art Biennale 2026. The jury takes a stand

Russia e Israele non potranno vincere nessun premio alla prossima Biennale Arte di Venezia 2026. La giuria prende posizione

The international jury for the 61st Venice Biennale, led by Solange Farkas, has unanimously declared it will not consider countries whose leaders are currently accused of crimes against humanity by the International Criminal Court. This means Russia and Israel are excluded from competing for the Golden Lion awards, including Best National Participation and Best Artist. The jury's statement, published on e-Flux Notes, emphasizes the Biennale's historical role as a platform connecting art with contemporary urgencies and acknowledges the complex relationship between artistic practice and state representation.

First-Ever Atrium Gallery Exhibition honors Texas Trailblazing Women at McKinney Cotton Mill

MillHouse Foundation, in partnership with Cotton Mill Partners, has launched the inaugural America 250: Texas Trailblazing Wonder Women Exhibition at the newly opened Atrium Gallery inside the McKinney Cotton Mill Arts and Design District in McKinney, Texas. Running from June 12 through August 26, the exhibition features 24 large-scale original works by Texas artists honoring influential Texas women such as Barbara Jordan, Lady Bird Johnson, Ann Richards, Simone Biles, Beyoncé, and Selena Quintanilla. All artworks are available for purchase, and a Meet the Artists Reception on June 27 will announce award recipients including the $5,000 Texas Trailblazer Award.

À Florence, une touriste poursuivie pour avoir endommagé la fontaine de Neptune

In Florence, Italy, a 28-year-old tourist is being prosecuted for damaging the historic Neptune Fountain during a bachelorette party on the night of April 18-19. She allegedly climbed the monument on Piazza della Signoria after a dare from friends to touch the statue's intimate parts, causing an estimated €5,000 in damages to the horses' legs and a decorative frieze. This follows a similar incident in September 2023, when a 22-year-old German tourist caused €5,000 in damage to the same fountain while posing for photos.

parties kidsuper dinner cultured nyfw

Colm Dillane, designer and artist behind KidSuper, co-hosted an intimate dinner with CULTURED magazine at his 10,000-square-foot Williamsburg studio during New York Fashion Week. Guests toured the brand's headquarters—featuring a recording studio and rooftop soccer field—before enjoying an Italian dinner prepared by Eric Madonna of Bar Madonna. Attendees included fashion tastemakers, gallerist Hannah Traore, curator Zoe Lukov, and musician Gashi, and each received a tote bag with the inaugural CULTURED at Home interiors issue and KidSuper's new book with Rizzoli, *The Misadventures of KidSuper*.