Government College Women University Faisalabad's Department of Art & Design is organizing a solo exhibition titled "Chain of Memories" featuring works by artist Dr. Tooba Najam. The exhibition will be held at the Punjab Council of Arts Faisalabad Division and inaugurated by Divisional Commissioner Musarrat Jabeen, with university Vice Chancellor Prof. Dr. Kanwal Ameen attending as a special guest.
Sonoma State University’s University Art Gallery is set to host the 2026 BFA Exhibition from April 23 through May 23. The showcase features the capstone projects of five graduating students—Ellie Bertling, Tess Hernandez, Maxine Grace Jones, Camila Nava Lopez, and Grace Peterson—spanning disciplines such as painting, printmaking, and photography.
The Carmen Durazo Cultural Arts Center, in partnership with the Calexico Recreation Department, has launched the "Creative Young Minds" exhibition. The showcase features diverse works including paintings, photography, ceramics, and mixed media from 51 student artists hailing from Calexico, El Centro, Imperial, Brawley, and Mexicali. The opening ceremony was attended by local dignitaries and the Mexican consul, highlighting the cross-border cultural participation of the region's youth.
The city of Plymouth is preparing for its annual Primavera festival, a three-day celebration of the arts scheduled for April 24-26 at the Plymouth Community Center. This year’s event features a juried exhibition of 64 selected artworks across various media, including painting, sculpture, and digital art, chosen from over 100 submissions. The festival will also include live artist demonstrations, youth art displays from local high schoolers, and performances by regional dance and music ensembles.
The Glacier Art Museum has launched its annual children’s art exhibition, titled “Artful Balance,” featuring over 300 works by elementary and middle school students from Northwest Montana. The collection explores the concept of balance as both a compositional technique and a thematic subject across various media. Pieces were selected through a collaborative process between local art teachers and the museum’s education department, highlighting the creative output of the region's youth.
Gisborne-based artist Melanie Tangaere Baldwin has unveiled her latest solo exhibition, Ā Mua, at the Tairāwhiti Museum. The showcase features a departure from her previous multi-disciplinary work, focusing heavily on sculptural hand-stitched textile art that depicts powerful female forms, alongside light boxes exploring the symbolism of fire.
Flathead Valley Community College is hosting a visiting artist event featuring Susan Fletcher at its student art gallery. The public event includes a show opening and a gallery talk where Fletcher will discuss her creative process and the natural inspirations behind her work.
The art exhibition ‘Like a Rising River: Stories of Women and Change’ recently opened in Nepal, showcasing the results of a collaborative project between Srijanalaya, UN Women Nepal, and the Government of Finland. The initiative sent 15 Nepali artists to four provinces—Sudurpaschim, Bagmati, Sarlahi, and Madhesh—to document the lived experiences, social struggles, and resilience of local women through various artistic mediums, including textiles, mixed-media animation, and storytelling.
The Chaffee Arts Center in Rutland, Vermont, is launching a new exhibition dedicated to the art of miniatures. Opening this Friday and running through May 22, the showcase is a collaborative effort featuring works from the Festival of Miniatures in Brattleboro, the Dollhouse and Toy Museum of Vermont, and approximately ten local artists, including watercolorist Lorraine Dewey.
Florida State University’s Department of Art is set to debut "A New Paradigm," an exhibition showcasing the thesis projects of eight graduating Bachelor of Fine Arts students. Opening April 17 at the Working Method Contemporary Gallery, the show features a diverse array of media including ceramics, digital fabrication, installation, and printmaking. The works collectively explore shifting societal frameworks and represent the culmination of the students' academic journeys.
Te Pātaka Toi Adam Art Gallery has announced its autumn exhibition, "Peal the Bells," featuring five projects that explore the human voice as a medium for collective action, lament, and political critique. The group show includes paintings, sonic installations, and moving image works by artists Noor Abed, Anoushka Akel, Qianye and Qianhe Lin, Maree Sheehan, and Mo H. Zareei. The exhibition investigates how speech and listening function in an era of digital chatter and bureaucratic evasion, highlighting the voice as a vital index of contemporary social dynamics.
The Sisters, Servants of the Immaculate Heart of Mary (IHM) Motherhouse Gallery in Monroe, Michigan, recently hosted an exhibition featuring artworks created by incarcerated individuals from correctional facilities across the state. Organized by the University of Michigan’s Prison Creative Arts Project (PCAP), the show displayed pieces made from unconventional materials like soap and graham crackers, ranging from spiritual reflections to bright, hopeful compositions. The exhibit was curated from donated works by artists who are unable to keep their pieces or sell them directly due to Department of Corrections regulations.
The Austin Arts, Culture, Music, and Entertainment (ACME) department has launched open calls for two major public art initiatives: the 2026–28 People’s Gallery at Austin City Hall and the 2026 Changing Exhibits Program at Austin-Bergstrom International Airport. Local artists and organizations from the Austin area are invited to submit 2-D and 3-D works for the City Hall exhibition, while the airport program seeks multi-disciplinary proposals under the theme "Vestiges of the Future." Applications are open until May 31, 2026, with no submission fees required.
The City of Austin’s Arts, Culture, Music and Entertainment (ACME) department has launched two open calls for local artists to exhibit their work in high-traffic public spaces. The 2026–28 People’s Gallery exhibition at Austin City Hall and the Changing Exhibits Program at Austin-Bergstrom International Airport are seeking submissions of 2-D and 3-D multi-disciplinary works. Applications are open to professional artists and organizations within the Austin metropolitan area through May 31, 2026.
The Franklin G. Burroughs-Simeon B. Chapin Art Museum is preparing to host the 26th Annual Horry-Georgetown County High Schools Juried Art Exhibition from April 19 to May 17. The showcase features a diverse range of media, including painting, sculpture, and ceramics, selected from hundreds of submissions across local high schools and homeschool programs. This year's competition will be judged by Ashlyn Pope, a contemporary artist and assistant professor at Coastal Carolina University.
A collection of 666 artworks by 135 Afro-Brazilian artists has been voluntarily repatriated to Brazil from Detroit, Michigan, marking the largest return of its kind in the nation's history. The works, which include sculptures, paintings, and ritual objects, were returned to the National Museum of Afro-Brazilian Culture (Muncab) in Salvador after being held in the United States for three decades.
The Allegheny Art Galleries opened a faculty art exhibition featuring works from three art department professors. Associate Professor Heather Brand presented three photographic series, including "Under Glass, Over Time," "Recursive Light," and "After Utopia," exploring themes of scale and contained worlds. Associate Professor Clare Kambhu displayed a series of oil paintings inspired by her time teaching in New York City public schools, focusing on imparting a human presence to impersonal educational spaces through her technique.
A new art exhibition space, TOOLSONG Gallery, has opened in downtown Muncie, Indiana, within the MadJax Maker Force creative hub. The gallery, located in a renovated former transformer shaft of a historic industrial building, launched with an inaugural exhibition titled "Untied: On Process, Drift, and Letting Go" by artist Kevin R. Klinger.
The Nora Eccles Harrison Museum of Art (NEHMA) is opening two new exhibitions, 'Meet the Fletchers' and 'Jim Mangan: The Crick,' on February 21. The first exhibition explores the artistic legacy of Calvin Fletcher, his wife Irene, and son Dale, highlighting their role in founding Utah State University's art department and establishing Logan as a center for modern art in Utah. The second exhibition features photographer Jim Mangan's portraits of a secluded community of young men in the American West, known as the Lost Boys, capturing their vulnerability and connection to the landscape.
Florida State University's Museum of Fine Arts and College of Fine Arts have unveiled their spring 2026 schedule of exhibitions and public programs. The lineup includes student and faculty exhibitions across multiple campus gallery spaces, a series of public workshops on topics like experimental cartography and basket weaving, and special events like an art crawl and family storytime sessions. Key exhibitions include "A Place Within," "Horizon: Speculative Worlds and Interdisciplinary Research," and the MFA thesis shows.
The CU Art Museum at the University of Colorado is opening a new exhibition titled 'Fairy Tales and the Power of Wonder: Imagining Worlds' on Thursday, February 5. The show explores how fairy tales function as world-building narratives and will be accompanied by a concurrent student-curated exhibition called '[Face] Value'. A public reception is scheduled for the opening day.
Emilia Galatis Projects, a Perth-based gallery focusing on Western Australian First Nations artists, will present the first Melbourne solo exhibition by Corban Clause Williams at Melbourne Art Fair 2026, running February 19-22. The show will debut 15 new paintings and design works extending Williams' Manyjilyjarra Country and culture into sculptural and textile forms, accompanied by a Martu Wangka artist talk with Anya Judith Samson. Williams, born in 1994 and based in Parnngurr Community, has gained rapid acclaim for canvases weaving ancestral knowledge with contemporary visual language, and was named an inaugural Creative WA Fellowship recipient in late 2025.
New Jersey City University (NJCU) Galleries will open "HOME HERE," a site-specific installation featuring 11 women artists from Jersey City, on February 5, 2026. Curated by NJCU alumna Lucy Rovetto, the exhibition runs through March 5 and explores themes of history and memory through overlapping, boundary-less works. Featured artists include Laia Cabrera, Nicole DeMaio, Isabelle Duverger, Jaz Graf, Katelyn Halpern, Jin Jung, Pat Lay, Tina Maneca, Cheryl R. Riley, and Jennifer Roberts, with a tribute to former NJCU art department chair Ward Mount.
The US National Park Service has removed an outdoor exhibit titled “Freedom and Slavery in the Making of a New Nation” at Independence National Historical Park in Philadelphia. The exhibit, which focused on nine people enslaved by George Washington and explored the paradox between slavery and freedom in the nation's founding, was dismantled following a directive from President Donald Trump to eliminate “corrosive ideology” from cultural heritage sites. The removal, captured on social media on January 22, aligns with a March 2025 executive order instructing the NPS to emphasize American achievements and avoid materials that “inappropriately disparage Americans.”
Pittsburg State University's Art Department will host a series of free exhibitions and receptions this spring at Porter Hall, featuring works by Virginia Derryberry, Marie Hines Cowan, and Richard Alpert, along with a faculty exhibition. Derryberry's "Private Domain" series blends mythological narratives with collage, Cowan's "Musing" presents immersive graphic-novel-style installations, and Alpert's "Primary Trances" showcases sculpture, film, and performance art.
The City of Slidell and the Slidell Commission on the Arts have announced a call for student artists for the Salad Days 2026 juried exhibition, open to K–12 students ages 5–19 who live in or attend school in St. Tammany Parish. Submissions are due by March 16, 2026, with awards including $50 prizes for first-place winners in four age groups. The juror is Joshua B. Wichterich, an award-winning artist, illustrator, and founder of Blue Wing Press, whose work has been featured in local publications and exhibitions.
The Eide/Dalrymple Gallery at Augustana University will host its annual 'Augustana High School Invitational' from January 15 to February 6, 2025, featuring over 110 artworks by students from 22 regional high schools. The exhibition includes a range of mediums such as ceramics, drawing, digital art, photography, mixed media, painting, printmaking, and sculpture, with a closing reception and awards ceremony on February 6. The show is juried by Augustana Art Department faculty, and junior and senior artists can participate in portfolio reviews for Pro Artis Scholarships worth up to $8,000.
Cecilia Giménez Zueco, the Spanish woman whose botched 2012 restoration of a 19th-century fresco of Jesus Christ became a global internet sensation, has died at age 94. The fresco, *Ecce Homo* by Elias Garcia Martinez, was housed in the Sanctuary of Mercy Church near Zaragoza. Giménez's amateur repainting, which made the figure's head resemble a hairy monkey, earned the nickname "Monkey Christ" and spawned viral memes, including a Twitter account. Initially distraught by the backlash, she later saw the town of Borja benefit from a surge in tourism.
Cecilia Giménez, the Spanish woman who accidentally became famous in 2012 for her botched restoration of a 19th-century fresco of Ecce Homo by Elías García Martínez, has died. The painting, housed in the Sanctuary of Mercy Church near Zaragoza, was severely deteriorated when Giménez, then 81, attempted to repaint it with the permission of the local priest. Her amateur restoration transformed the original into a viral internet meme dubbed "Monkey Christ," drawing global ridicule but also unexpected tourism to the quiet town of Borja.
An exhibition at Salt Beyoğlu titled 'We’ve Been at the Tapestry Studio Since the 90s' explores the art education practices of the Tapestry Studio, part of the Painting Department at Mimar Sinan Fine Arts University (MSGSÜ). The show presents a collage of collective productions, individual works, archival materials, and personal testimonies from artists who have passed through the studio, tracing its physical and conceptual evolution since its founding in the early 1990s. It highlights the studio's unique pedagogical approach, which combines tapestry weaving with contemporary art, collaborative learning, and open programs that challenge academic hierarchies and gendered norms.