filter_list Showing 3042 results for "IMI" close Clear
search
dashboard All 3042 museum exhibitions 1161article news 568trending_up market 351article local 234article culture 223article policy 219person people 108gavel restitution 76rate_review review 60candle obituary 32article event 6article events 1article satire 1article museums 1article gallery 1
date_range Range Today This Week This Month All
Subscribe

Superchief, Beloved LA Arts Hub, Fights to Stay Open

Superchief Gallery, a longtime hub for LA’s underground art and photography scene, is fighting to stay open amid mounting financial challenges. Founder Bill Dunleavy is exploring alternative revenue models like crowdfunding to save the space, which has operated since 2014 in downtown LA and later moved to a 10,000-square-foot warehouse in South LA. The gallery has faced setbacks including a fire in 2020 and declining art sales and corporate sponsorships, despite its popularity for anti-elitist, community-focused programming.

A Stunning New Italian Restaurant Inspired By Classic Paintings Has Opened In The National Gallery For Picturesque Dining

Acclaimed Italian chef Giorgio Locatelli and his wife Plaxy have opened a new restaurant called 'Locatelli' and an espresso bar named 'Bar Giorgio' in the National Gallery's refurbished Sainsbury Wing in London. The openings on May 10 mark the completion of a two-and-a-half-year Bicentenary renovation project of the wing. The menu and decor draw inspiration from the gallery's surroundings and the works of Caravaggio, featuring Italian classics and seasonal dishes. Bar Giorgio offers Italian coffee and maritozzi pastries, aiming to bring Italian coffee culture to gallery visitors.

Manhattan’s New Museum to collaborate with Fondazione Sandretto Re Rebaudengo on artist commissions

The New Museum in Manhattan is partnering with Fondazione Sandretto Re Rebaudengo, founded by Italian patron Patrizia Sandretto Re Rebaudengo, to launch the New Futures Production Fund. This initiative will support the production and exhibition of new works by international artists, with Italian-born Diego Marcon as the first commissioned artist. Marcon's new work will debut in a solo exhibition at the New Museum next year before traveling to the foundation in Turin. The collaboration coincides with the New Museum's expansion, a seven-story addition designed by Rem Koolhaas and OMA's Shohei Shigematsu, which will double its exhibition space.

Are These Lost Malevich Masterpieces—or $190 Million Fakes?

An exhibition at the National Museum of Contemporary Art in Bucharest (MNAC) features three purportedly long-lost paintings by Kazimir Malevich, valued between $160 million and $190 million. The works, loaned by Israeli businessman Yaniv Cohen, were allegedly stored under the mattress of his grandmother-in-law, Eva Levando, for decades. However, Ukrainian-American art historian Konstantin Akinsha has publicly questioned their authenticity, citing incomplete provenance and a lack of consensus from international experts. The museum has faced criticism for including the paintings without additional scholarly analysis in the show "Kazimir Malevich: Outliving History," curated by Mariana Dragu and sponsored by a dental clinic owned by Cohen.

New app aims to improve access to Los Angeles art scene

A new mobile app called ArtWrld, founded by Josh Goldblum (CEO of Bluecadet), has launched to improve access to the Los Angeles and New York art scenes. The app provides up-to-date listings of gallery shows, museum exhibitions, talks, and events, allowing users to search by date, view editors' picks, and save shows on Google Maps. It aims to be "the AllTrails for art," making great shows more accessible and providing context for newcomers. Other projects filling the gap in local art coverage include Shana Nys Dambrot's newsletter "13 Things LA" on Substack and the anonymous Instagram account Diva Corp USA, which offers artist-on-artist criticism.

‘We’ve faced immense new pressures’: Shanghai museum director on the challenges—and benefits—of going free entry

Shanghai’s Rockbund Art Museum (RAM) became one of the only private museums in China to offer free admission in May 2025, marking its 15th anniversary. The move initially required pre-booked timed entry via WeChat, but after city-wide guidance encouraged removing barriers, the museum eliminated the booking system, leading to long wait times and visitor complaints on social media. One visitor reported receiving an inappropriate response from the museum’s official account, prompting apologies from both the museum and its executive director and chief curator, X Zhu-Nowell. A hybrid system of day-ahead reservations and same-day walk-ins was later implemented.

A tome accompanying the Lahore Biennale is a celebration of authenticity

The second Lahore Biennale took place in early 2020 across Lahore, Pakistan, with installations at historic sites such as the Badshahi Mosque, Lahore Fort, Tollinton Market, and Bradlaugh Hall. Artists like Barbara Walker and the Pak Khawateen Painting Club presented works addressing colonial erasure, sexuality in an Islamic Republic, and water scarcity. Skira has published the "Lahore Biennale 02 Reader," edited by Sheikha Hoor al Qasimi and Iftikhar Dadi, which compiles essays and reflections from the biennial's academic forum, including contributions from the Ajam Media Collective and anthropologist Seema Golestaneh on Sufism and state power in Iran and Pakistan.

Amid crackdowns on dissent, Russia’s private museums are threatened

Russia's private art museums, once symbols of post-Soviet integration into Western elite culture, are now struggling to survive amid increasing state repression and the war in Ukraine. The Garage Museum of Contemporary Art, founded by Roman Abramovich and Dasha Zhukova, was raided by security services in 2024 and visited by right-wing activists demanding pro-war messaging; its founding director was replaced. Other institutions have closed entirely: the Institute of Russian Realist Art shut in 2019 after its founder Aleksei Ananyev fled embezzlement charges, and Art4.ru, Russia's first private contemporary art museum, closed in 2024 after a nationalist raid. The GES-2 House of Culture, financed by gas magnate Leonid Mikhelson, lost its visionary director shortly after opening and now operates under a lawyer.

Richard Hunt’s life is on exhibit in Chicago — and it’s a walk through Civil Rights history

A new exhibition titled “Freedom in Form: Richard Hunt” opens at the Loyola University Museum of Art in Chicago, exploring the 70-year career of the late sculptor Richard Hunt, who died in 2023 at age 88. The show includes his tools, workbench, personal books and photos, alongside key works such as “Hero’s Head” (1956), a welded bust created in response to the murder of Emmett Till, who was Hunt’s neighbor. The exhibition originated at the Abraham Lincoln Presidential Library Museum in Springfield and was conceived in 2019, with curator Ross Stanton Jordan and director Lance Tawzer aiming to present Hunt as a young artist deeply engaged with Civil Rights history.

Photo London, the UK’s leading photography fair, is relocating

Photo London, the UK's leading photography fair, is relocating from Somerset House to the newly renovated Olympia in west London starting with its 11th edition in May 2026. The move follows a decade at Somerset House and coincides with Olympia's £1.3bn redevelopment co-designed by Heatherwick Studio and SPPARC. Director Sophie Parker cited feedback from galleries and collectors requesting a more flexible, cohesive space, while co-founder Michael Benson called the relocation a 'thrillingly adventurous reimagining' of the fair's future.

LACMA’s US$720m David Geffen Galleries expansion to open in 2026

The Los Angeles County Museum of Art (LACMA) has announced that its long-awaited David Geffen Galleries expansion will open in April 2026, over two decades after the project was first announced in 2001. Designed by Swiss architect Peter Zumthor, the $720 million serpentine structure spans Wilshire Boulevard and replaces several older buildings, increasing gallery space from 130,000 to 220,000 square feet. The project faced numerous setbacks, including public criticism of the design, concerns over the nearby La Brea Tar Pits, the discovery of sabre-toothed tiger skulls during construction, pandemic delays, the departure of longtime donor The Ahmanson Foundation, and Zumthor's distancing from the project in 2023 due to cost compromises. A series of soft openings are planned for summer 2025 before the full public debut.

Frist Exhibition Dresses a Bloody History in Silk and Velvet

The Frist Art Museum's summer exhibition, "Venice and the Ottoman Empire," presents over 150 artifacts from Venice's civic museums, Fondazione Musei Civici di Venezia, and the University of Zadar's museum. Co-curated by Stefano Carboni and Trinita Kennedy, the show explores the complex relationship between the Ottoman Empire and the Republic of Venice, highlighting not only their centuries of brutal warfare but also their extensive trade networks and cultural exchange. Luxury textiles, including silk and velvet with Ottoman designs, feature prominently, alongside books, a qibla indicator, and military artifacts like a 17th-century Ottoman banner. The exhibition focuses on commerce and the elite who commissioned portraits, though it notably omits discussion of the slave trades and minimizes production processes.

Photos reveal Peter Zumthor's LACMA museum ahead of opening

Photographer Iwan Baan has released images of the completed David Geffen Galleries, the long-awaited Los Angeles County Museum of Art (LACMA) expansion designed by Swiss architect Peter Zumthor. The undulating, glass-and-concrete building stretches along Wilshire Boulevard, elevated 30 feet above street level, and is set to open fully in April 2026. Major construction finished at the end of 2024, with some lower-level spaces already open. The single-level design eliminates traditional hierarchies, placing all artworks on the same plane, and the building aims for LEED Gold certification with low-carbon concrete and natural ventilation.

A Testimony to Survival and Hope Amid Chaos and Destruction

Vian Sora's first solo museum exhibition in the United States, 'Outerworlds,' is on view at the Santa Barbara Museum of Art (SBMA) through September 7. The exhibition features vibrant, layered abstract paintings that the artist describes as deeply personal, including 'Forest Remains,' a 2023 SBMA acquisition that she considers a self-portrait about migration and assimilation. Sora, born in Baghdad and a survivor of the Iran–Iraq War, Gulf War, and the 2003 invasion, discussed her work in a conversation with SBMA Chief Curator James Glisson, explaining how a 2015 hysterectomy led to a dramatic shift in her style toward bold, colorful compositions. The show will travel to the Speed Art Museum in Louisville and the Asia Society Texas Center after its Santa Barbara run.

The legacy of the Baghdad Modern Art Group is explored in first major US show

The Hessel Museum of Art at Bard College in New York State has opened "All Manner of Experiments: Legacies of the Baghdad Modern Art Group," the first major US survey of the influential Iraqi collective. Organized by curators Nada Shabout, Tiffany Floyd, and Lauren Cornell, the exhibition brings together 64 works by 30 artists—including Dia al-Azzawi, Jewad Selim, and Mohammed Ghani Hikmat—spanning from 1951 to 2023. Many pieces have not been publicly displayed in decades, and the show draws from private collections and major Arab institutions such as the Barjeel Art Foundation, the Dalloul Art Foundation, the Ibrahimi Collection, and Qatar Museums. The exhibition also addresses the devastating loss of modern Iraqi art during the Iraq War, with an estimated 85% of 8,000 works from the Saddam Arts Centre looted or damaged.

Chinese museum visitors accuse artist Heman Chong of ‘cyber harassment’

A group of Chinese museum visitors has filed a formal complaint against Singapore-based artist Heman Chong, accusing him of cyber harassment. The visitors allege that Chong reposted their selfies from his exhibition "The Endless Summer" at UCCA Dune on his Instagram account with captions that mocked them for narcissism and appropriating his work. The complaint cites China's portrait rights law, which prohibits using recognizable images of individuals without consent, and also accuses Chong of gender-based targeting for only reposting images of women. The visitors demand a formal apology from Chong and joint action from UCCA Dune and the Aranya resort.

Boston artist John Wilson's work now the subject of Museum of Fine Arts exhibit celebrating humanity

The Museum of Fine Arts, Boston, has opened a new exhibition titled "Witnessing Humanity: The Art of John Wilson," featuring 110 works by the late Boston artist. Born in 1922 to immigrants from British Guyana, Wilson spent over six decades creating paintings, prints, drawings, sculptures, and illustrated books that center on portraits of himself, his family, and his friends. The exhibition, co-curated by Edward Saywell, highlights Wilson's lifelong commitment to reclaiming the dignity and humanity of Black Americans in art, a response to the caricatured and dehumanized representations he saw as a student.

The Met opens reimagined Arts of Oceania galleries showcasing works from the Pacific

New York's Metropolitan Museum of Art is reopening its Galleries of the Arts of Oceania to the public for the first time since 2021, following a major renovation that allowed curators to reimagine the presentation of art from the vast Pacific region. The galleries feature more than 600 artworks from Melanesia, Polynesia, Micronesia, Australia, and New Zealand, including the iconic Kwoma ceiling installation from Papua New Guinea, which has been reconfigured with input from the artists' descendants to accurately reflect clan groupings. The renovation is part of a broader $70 million overhaul of the Michael C. Rockefeller Wing, which also houses collections from the ancient Americas and Africa.

Women’s Work: The art of Nancy Erickson (museum exhibition)

In 1973, three pioneering women artists—Lela Autio, Dana Boussard, and Nancy Erickson—proposed an exhibition of their soft sculpture at the University of Montana in Missoula, but were denied because their work was dismissed as "women's work." Undeterred, they staged their own exhibition in the empty Carnegie Library building in 1974, a year before the Missoula Art Museum (MAM) was founded. Now, MAM's special exhibition "Women's Work" celebrates the museum's 50th anniversary by showcasing the works of these three artists, including several pieces by Nancy Erickson (1935-2022) such as "Rainbow Flight" (1974), "Montana Selective Cut: Official Visit" (1974), and "Pattee Canyon Fire" (1977).

From Africa to the Arctic Circle, this public artwork is stampeding into cities with a cry for climate action

A mobile public artwork called *The Herds* is traveling from the Congo Basin through Africa, Europe, and up to the Arctic Circle, featuring life-sized animal sculptures made from recyclable materials. The project began in April in Kinshasa and will pass through eighteen cities including Lagos, Marrakech, Madrid, London, and Copenhagen, culminating in Trondheim, Norway on July 30. Created by South Africa-based artists and led by artistic director Amir Nizar Zuabi, the herd grows as local species are added in each region, engaging communities through parades, performances, and workshops.

The Michael C. Rockefeller Wing

The Metropolitan Museum of Art's Michael C. Rockefeller Wing reopened in May 2025 after a multiyear renovation, presenting reimagined galleries for the arts of Africa, the ancient Americas, and Oceania. The 40,000-square-foot space, designed by Kulapat Yantrasast of WHY Architecture, now houses the three collections as independent entities, featuring digital features, commissioned films, new wall text, and objects on view for the first time—including major acquisitions of historic and contemporary works, a gallery for light-sensitive ancient Andean textiles, and contemporary commissions by Indigenous Pacific artists.

Daniel Johnston: I Think, I Draw, I Am

Daniel Johnston: I Think, I Draw, I Am is the largest New York solo exhibition of work by musician and artist Daniel Johnston (1961-2019). Curated by Lee Foster, co-owner of Electric Lady Studios and Curatorial Advisor for the Daniel Johnston Trust, the show features over 300 drawings that reveal the psychological depth and formal inventiveness of Johnston's comic-inspired art. Johnston first gained fame as a lo-fi musician in Austin, Texas, in the 1980s, and his graphic art reached a national audience when Kurt Cobain wore his Hi, How Are You? T-shirt at the 1992 MTV Music Awards.

‘It’s much more extreme’: US institutions and artists enter a new culture war

Since President Donald Trump took office, his administration has rapidly dismantled parts of the U.S. cultural infrastructure through executive orders and the Department of Government Efficiency (DOGE), led by Elon Musk. Key federal funding bodies—the National Endowment for the Humanities (NEH), the Institute of Museum and Library Services (IMLS), and the National Endowment for the Arts (NEA)—have faced staff cuts, grant cancellations, and threats of further reductions. Trump has also replaced leadership at the Kennedy Center and signaled similar moves against the Smithsonian Institution, while DOGE visited the National Gallery of Art to discuss its legal status. Arts organizations and advocates are scrambling to assess the damage and find alternative funding.

A New Museum in California Aims to Draw Children to Science

KidSTREAM, a new $7 million children's museum, has launched in Camarillo, California, transforming a former library site into an interactive educational hub. Founded by Kristie Akl, a former teacher, the museum focuses on hands-on learning across science, technology, engineering, arts, and mathematics (STEAM) to engage young learners through play.

After the Heists: Securing Museums Without Closing Them Off

Museums worldwide are grappling with the escalating need for heightened security measures following a series of high-profile thefts, including a recent bold robbery at the Louvre. Institutions are forced to re-evaluate their surveillance protocols and physical barriers to protect priceless cultural heritage from increasingly sophisticated criminal tactics.

‘Rethinking, Reimagining and Reinstalling’ the Metropolitan Museum of Art

The Metropolitan Museum of Art has unveiled a massive $1.5 billion renovation plan titled "Rethinking, Reimagining and Reinstalling," which aims to transform approximately 25 percent of its galleries and public spaces. This ambitious capital project includes the complete overhaul of the Oscar L. and Annette de la Renta Wing for modern and contemporary art, the renovation of the Michael C. Rockefeller Wing for the arts of Africa, Oceania, and the Americas, and significant updates to the European Paintings galleries.

M.F.A. Boston Celebrates 50 Years of Flowers and Art

The Museum of Fine Arts, Boston is celebrating the 50th anniversary of its signature "Art in Bloom" exhibition, a tradition that began in 1976. The event pairs floral arrangements created by professional designers and garden club members with specific artworks from the museum's permanent collection, transforming the galleries into a multisensory experience.

‘Life! Life! Life!’: Reviving a Globe-Trotting Sculptor of the Gilded Age

An exhibition at the Museo del Novecento in Milan is dedicated to reviving the legacy of sculptor Paolo Troubetzkoy. The show, titled "Paolo Troubetzkoy: The Sculptor of the Belle Époque," features over 100 works, including portraits of famous figures like Leo Tolstoy and George Bernard Shaw, aiming to reintroduce this once-celebrated artist to a contemporary audience.

Thomas Gentille, Artist Who Made Wearable Sculpture, Dies at 89

Thomas Gentille, an influential American artist and master jeweler, has died at the age of 89. His work, which he described as "wearable sculpture," blurred the lines between jewelry and contemporary art, favoring abstract, architectural forms in materials like eggshell, wood, and stone over traditional precious gems and metals.

Iran Will Not Participate in Venice Biennale, Organizers Say

Iran will not participate in the 61st Venice Biennale, which opens for previews this week, the Biennale Foundation announced on May 4. The decision comes two months after the United States and Israel launched strikes across Iran, and amid renewed tensions along the Strait of Hormuz. The Iranian pavilion was to be commissioned by Aydin Mehdizadeh Tehrani, director general of the visual arts office in the Iranian Ministry of Culture. Iran has had inconsistent attendance at the Biennale since 1958, with a long absence between the 1960s and 2003, but has participated semi-consistently over the last two decades, most recently in 2024.