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The Collective Takeover

A coalition of seven Zurich-based artist-run collectives, led by Peter Baracchi and his nomadic platform 6½, has taken over the former Museum Haus Konstruktiv building in Zurich's Selnau district. The project, titled "Oceans Flow Upwards," occupies 1,200 square meters across five floors and expands into over 2,000 square meters by activating the cellar, offices, storage, shop, café, and rooftop. Participating collectives include Hotel Tiger, Die Diele, Papillarya, MATERIAL, volumes, and zwischentext. Baracchi, who previously worked at Haus Konstruktiv as a technician and photographer, initiated the takeover after the museum relocated to Areal Löwenbräukunst, securing temporary cultural use from the City of Zurich in March. Rather than dividing the space into separate zones, the exhibition presents a single, integrated show where artists were invited by the collectives, not selected by open call.

New exhibition charts motherhood from the 15th century to today

The National Gallery of Victoria (NGV) has opened a new exhibition titled 'Mother,' curated almost entirely from its existing collection. The show traces the experience of motherhood from the 15th century to the present, beginning with a juxtaposition of Giovanni Toscani's Madonna and Child and a 1998 birth mat by Elizabeth Birritjama Ngalandjarri. Co-curators Sophie Gerhard and Katharina Prugger organized the exhibition around the 'life cycle' of a mother, covering themes from matrescence to loss. It features works by artists including Kate Just, Kyra Mancktelow, Destiny Deacon, and Hannah Brontë, with a strong emphasis on First Nations perspectives and fiber arts.

Currents of the 61st Biennale: Inside Venice’s Flow of Art and Power

The 61st Venice Biennale jury, composed of five curators—Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—resigned on April 30th amid internal tensions over decisions that conflicted with the late Koyo Kouoh's curatorial vision. The jury had previously stated it would refrain from considering countries whose leaders are charged with crimes against humanity by the International Criminal Court. Meanwhile, Filipino artist Jon Cuyson prepares to present his installation at the Philippine Pavilion, featuring works shipped 60 days before geopolitical conflict escalated, navigating unstable maritime routes. His project includes the film series "Sea of Love (Dagat ng Pag-ibig)" and a new fourth film, "Sea of Echoes," exploring themes of migration, queer experience, and ecological resilience through mussels as non-human protagonists.

Met Inaugurates ‘Costume Art’ for the Spring 2026 Exhibition

The Metropolitan Museum of Art will open 'Costume Art' in spring 2026, a major exhibition that positions fashion as a lens for examining the human body across cultures and history. Housed in a new 12,000-square-foot gallery adjacent to the Great Hall, the show pairs garments from The Costume Institute with ancient statues, artworks, and paintings, organized around thematic body types such as idealized, distorted, exposed, and reclaimed. The exhibition design by Peterson Rich Office uses sheer scrims and varied ceiling heights to create an immersive, interconnected experience.

Margot Robbie Returns to Met Gala 2026 in Stunning Gold Chanel Couture After 3-Year Break

Margot Robbie made a return to the Met Gala 2026 after a three-year absence, wearing a custom gold Chanel couture gown designed by new creative director Matthieu Blazy. The dress featured nearly 1,100 pieces of embroidery, required 761 hours of craftsmanship, and aligned with the evening's theme 'Fashion Is Art.' The event, held at the Metropolitan Museum of Art, also previewed the museum's spring 2026 exhibition 'Costume Art,' curated by Andrew Bolton.

PHOTOS: Celebrities interpret 2026 Met Gala theme ‘Fashion is Art’

On May 4, 2026, celebrities including Emma Chamberlain, Anna Wintour, Nicole Kidman, Kylie Jenner, and Janelle Monae attended the Met Gala at The Metropolitan Museum of Art in New York, celebrating the opening of the "Costume Art" exhibition. The event featured arrivals at the museum and departures from The Mark Hotel, with performances by Joshua Henry, and was captured by photographers Evan Agostini, Andy Kropa, and Jamie McCarthy.

Media Artist Transforms Climate, AI Data into Immersive Art

Media artist Kang Lee-Yeon delivered an immersive lecture at the TED 2026 main stage in Vancouver, using a 30-meter screen to visualize climate change and AI data. She then opened her solo exhibition 'Illumination' at Fondation Fiminco in Paris for the 140th anniversary of Korea-France relations, while also debuting works at Milan Design Week and the Loop Plus media art fair in Busan. Her projects include 'Passage of Water', created with Google and NASA, which translates satellite data into an immersive experience about Earth's freshwater crisis.

Met Gala 2026: Everything to Know About the Theme, Co-Chairs, Dress Code and More

The 2026 Met Gala will take place on May 4 at the Metropolitan Museum of Art in New York City, with the theme "Costume Art" and a dress code of "Fashion Is Art." The event honors the spring 2026 exhibition of the same name, which inaugurates the Costume Institute's first permanent galleries, the nearly 12,000-square-foot Condé M. Nast Galleries. Co-chairs include Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour. The red carpet livestream will be hosted by Ashley Graham, La La Anthony, Cara Delevingne, and Emma Chamberlain on Vogue's digital platforms.

Patchwork Lost – A Critique of the Princeton University Art Museum’s American Art Wing

The article critiques the newly opened American art wing at the Princeton University Art Museum, arguing that its curatorial approach prioritizes contemporary social justice narratives over historical accuracy and national pride. The author contends that the exhibition presents a fragmented, politicized view of American history, highlighting slavery and racial injustice while omitting or minimizing the contributions of Princeton alumni to the nation's founding, such as James Madison and John Witherspoon. Specific examples include the inclusion of a 2022 revisionist painting of the Signing of the Constitution and selective signage that emphasizes marginalized figures while ignoring male patriots.

First-of-its-kind MCA exhibition plays the beat of Caribbean activism

Carla Acevedo-Yates has curated "Dancing the Revolution: From Dancehall to Reggaetón," a major exhibition at the Museum of Contemporary Art Chicago, which will be her final show before departing for a role on the Documenta 16 team in Germany. The exhibition, which occupies the museum's entire fourth floor through September 20, features over 40 artists and explores the social and political histories of Caribbean music genres.

World-class contemporary art exhibition coming to four North Yorkshire venues

A major exhibition celebrating the 20th anniversary of the Aesthetica Art Prize will be presented across four venues in North Yorkshire, England. The show, featuring works by 50 leading contemporary artists, will be divided into four thematic parts and staged at Skipton Town Hall, the Mercer Art Gallery in Harrogate, Scarborough Art Gallery, and Scarborough’s Woodend Gallery from late April through September.

Major world -class exhibition launches in Skipton this weekend

The Aesthetica Art Prize is launching a major touring exhibition across four venues in North Yorkshire, starting in Skipton Town Hall this weekend. The exhibition, celebrating the prize's 20th anniversary, features works by 50 contemporary artists, including environmental artist Steve Messam, and is split into four thematic parts across different galleries until September.

Artist displays big ideas with Alpharetta exhibit

The Alpharetta Arts Center is hosting a solo exhibition of works by Cuban-born, Atlanta-based artist Alexi Torres through April 18. The showcase features a diverse range of media, including intricate oil paintings that mimic woven textures, bronze sculptures, and embroideries that explore themes of spiritual connection and human consciousness. Torres, who follows lunar cycles for his creative process, utilizes symbolic imagery such as a scarlet wicker Buddha and a Statue of Liberty rendered in baseball stitching to convey complex narratives.

Hastings College art professor has solo exhibition at Museum of Nebraska Art

Dr. Brian Corr, an associate professor at Hastings College and internationally recognized glass artist, is presenting his first solo museum exhibition at the Museum of Nebraska Art (MONA). Titled "Of Light and Shadow," the show serves as a 20-year retrospective of Corr’s career, featuring large-scale glass installations and sculptures that explore the interplay of light, shadow, and contemplative space. A highlight of the exhibition is the U.S. debut of "One," a significant architectural installation originally created in 2007.

Where the Sky Remembers: Ashish Kushwaha’s Solo Exhibition to Open at Palette Art Gallery

Artist Ashish Kushwaha is set to debut a solo exhibition titled 'Where the Sky Remembers' at Palette Art Gallery in New Delhi. Running from April 23 to May 23, 2026, the showcase features a collection of watercolours and acrylic paintings that depict expansive, dreamlike landscapes inspired by the artist's travels through the Himalayan regions. Kushwaha’s work emphasizes the grandeur of nature while minimizing human presence, using a vivid color palette to explore themes of environmental change and ecological memory.

Art professor Brian Corr debuts solo exhibition at the Museum of Nebraska Art

The Museum of Nebraska Art (MONA) is hosting "Of Light and Shadow," the first solo museum exhibition for internationally recognized glass artist and Hastings College professor Dr. Brian Corr. The survey spans two decades of Corr’s career, featuring large-scale sculptures and installations that utilize light and shadow as primary materials. A highlight of the show is the U.S. debut of "One," a significant architectural installation originally created for his master’s thesis in Australia.

A Conversation with Milwaukee Art Museum’s New Director

Kim Sajet has been appointed as the new director of the Milwaukee Art Museum, bringing an international perspective shaped by her birth in Nigeria, upbringing in Australia, and Dutch citizenship. In an introductory interview, Sajet discusses her extensive leadership background—having previously run two museums in Australia—and how her personal history, including her relationship with her disabled brother, influenced her path toward art history and museum studies.

Richard Hunt Legacy Foundation Releases First Posthumous Artist's CV

The Richard Hunt Legacy Foundation has released the first comprehensive posthumous CV for the pioneering American sculptor Richard Hunt. Drawing from digital archives and research, the document reveals a career far more expansive than previously recorded, documenting 193 solo exhibitions and over 350 group shows across seven decades. This release follows the 2022 acquisition of Hunt’s massive physical archive by the Getty Research Institute, which continues to process over 1,000 linear feet of historical material.

Must-See Museum Exhibits in New Orleans This April

New Orleans is highlighting its vibrant visual arts scene this April with two major museum exhibitions that offer deep dives into Southern identity and local art history. The Ogden Museum of Southern Art has launched "I Am the Face," a comprehensive survey of Southern photography and portraiture from the early 20th century to today. Meanwhile, the New Orleans Museum of Art (NOMA) is preparing to open a significant retrospective of Louisiana native Robert Gordy, marking the first major presentation of his multidisciplinary work at the institution in over forty years.

The Met’s blockbuster Raphael exhibition looks beyond the artist’s idealised Madonnas

The Metropolitan Museum of Art is preparing a major retrospective of the High Renaissance master Raphael, aiming to present a more complex portrait of the artist than his reputation for serene Madonnas suggests. The exhibition will showcase his technical versatility and intellectual depth through a vast array of paintings, drawings, and tapestries, highlighting his role as a polymath who reshaped the visual language of Western art.

Weekender: Student Art in Library; UC Arts Exhibition in Bay Area; Music; Square Dance

The UC Davis Library has unveiled new student-acquired artwork in its study rooms, aiming to transform traditionally drab academic spaces into vibrant environments through a student art competition. Additionally, the TANA community art center in Woodland is hosting the opening reception for the Sacramento Poderosas Mural Project, featuring a mural by Ruby Chacon and Isabel Martinez that honors the legacy of the Royal Chicano Air Force (RCAF) and Xicana/o/x activism.

Snuffboxes stolen in Paris daylight robbery to go on display at V&A

Five 18th-century gold snuffboxes recovered after a violent daylight robbery in Paris are set to go on public display at the Victoria and Albert Museum. The objects were stolen in November 2024 from the Musée Cognacq-Jay during a high-profile heist that targeted pieces from the Rosalinde & Arthur Gilbert Collection, the Louvre, and the UK Royal Collection. Following an extensive police investigation and delicate restoration work by Parisian goldsmiths to repair damage sustained during the theft, the items will headline the opening of the V&A’s newly revamped Gilbert Galleries.

Zimbabwean artist Option Nyahunzvi explores cultural values in a bold new exhibition

Zimbabwean artist Option Dzikamai Nyahunzvi has launched a major solo exhibition titled 'Zvatiri' (Who We Are) at the National Gallery of Zimbabwe. The show features a multidisciplinary approach, combining installations, live-art performances, and paintings created with a unique technique of layering and etching Fabriano paper onto canvas. The works heavily reference Shona identity, specifically the 'hunhu' (or ubuntu) belief system and the artist's own Mbizi (zebra) totem, aiming to reconnect contemporary audiences with ancestral wisdom.

Back to Assam: British Museum agrees to loan fragile tapestry showing Krishna’s life

The British Museum has reached an agreement with the state government of Assam to loan the Vrindavani Vastra, a 350-year-old sacred tapestry depicting the life of Krishna, for a six-month period starting in 2027. The loan is contingent upon the construction of a specialized new extension at the Assam State Museum in Guwahati to accommodate the textile's extreme fragility. This marks the first time the artifact, which features the earliest known Assamese inscriptions, will return to its place of origin since it was acquired by the British Museum following the 1904 Younghusband expedition to Tibet.

67 galleries will once again take over the Shed for Frieze New York

The Frieze New York art fair will return to the Shed in Manhattan for its sixth edition this May, featuring 67 galleries. This marks the first edition since the fair's parent company was acquired by Ari Emanuel's Mari. The event will coincide with several other New York art fairs and major spring auctions, creating a competitive landscape for collectors' attention as it follows closely on the heels of the 2026 Venice Biennale opening.

Artist whose recent award ‘saved my career’ has first major solo museum show at SAM

Samantha Yun Wall has opened her first major solo museum exhibition, "What We Leave Behind," at the Seattle Art Museum. The show features her large-scale, black-and-white drawings that explore identity, family, and Korean folklore through surreal, portal-like imagery.

Samantha Nye’s ‘Web of Love’ now open at Cuesta’s Miossi Gallery

Artist Samantha Nye's immersive video installation "Web of Love" has opened at the Harold J. Miossi Gallery at Cuesta College's San Luis Obispo campus. The four-screen work is a scene-by-scene remake of an old Scopitone film, featuring legendary Bay Area artists Annie Sprinkle and Beth Stephens, and is designed with a lounge area of heart-shaped hot tubs on red shag carpet.

Ackland Art Museum to Open Two Major Exhibitions Exploring Identity and Color

The Ackland Art Museum in Chapel Hill will open two new exhibitions on January 30, 2026. "Bill Bamberger: Boys Will Be Men" presents introspective portraits of male students from Durham School of the Arts, exploring masculinity through photography and audio interviews. "Color Concentrated: A Salon-Style Show from the Robertson Collection" reimagines modernist works from the museum's collection in a dense, single-wall installation inspired by 19th-century Parisian Salons.

Iranian galleries close amid protests and communications blackout

Iranian galleries have closed or altered their hours as nationwide protests, sparked by economic turmoil and a crashing currency, escalated into violent unrest. The protests began on 28 December among bazaar traders and spread to artists and gallerists, with many shutting their doors or canceling exhibitions, some under public pressure. A government-imposed internet and communications blackout on 8 January has severely limited information, though one gallerist speaking anonymously described the closures as a unified act of solidarity across society, not merely a response to safety concerns. The gallerist noted that the economy is in its worst condition, with basic necessities unaffordable and even bubble-wrap prices fluctuating wildly. Another gallery founder confirmed that all projects are on hold, and staging exhibitions risks public backlash. Instagram account Galleryinfo.ir faced online criticism for promoting exhibitions during the crisis, while Bavan Gallery reversed its initial stance of "resilience is an art form" and announced it would hold no exhibitions.

Holbein biography interrogates the artist's life and work from a different angle

Elizabeth Goldring’s new biography of Hans Holbein the Younger takes a documentary-focused approach, prioritizing archival evidence over visual analysis. The book examines Holbein’s life (1497/8–1543) through chronological chapters, using inventories, correspondence, and other records to correct long-held assumptions and propose new theories about his work. Goldring’s detective work includes identifying the green curtain in Holbein’s portrait of Sir Thomas More as a reference to the sitter’s role as chancellor of the Duchy of Lancaster, and suggesting that a lost painting of the More family was given to Erasmus as a gift.