yuko mohri wins calder prize 1234772341

Yuko Mohri, a Japanese sculptor known for her assemblages of fruit and found objects, has won the Calder Prize, awarded by the Calder Foundation with a $50,000 prize. Mohri, who represented Japan at the 2024 Venice Biennale, has seen her career accelerate with international museum shows, including a recent exhibition at Pirelli HangarBicocca in Milan, which will travel to Centro Botín. She also has upcoming shows at the Bass museum in Miami, the Barbican Centre in London, and her first US gallery exhibition at Tanya Bonakdar Gallery in New York. The prize includes a residency at Atelier Calder in Saché, France.

6 asian artists to watch history migration and politics 2676139

Artnet News's Talentspotter feature profiles six emerging Asian artists shaping contemporary art. The artists, including Chen Ronghui, Steph Huang, and Cole Lu, explore themes of urbanization, migration, identity, and consumer culture through photography, sculpture, and installation.

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Charisse Pearlina Weston, a rising artist known for transforming industrial materials like shattered glass and concrete into harmonious abstract works, is the subject of a profile highlighting her rapid ascent. Her first solo exhibition with Jack Shainman Gallery, titled "Mis-/Mé- (Squeeze)," opened in New York's Chelsea and runs through December 20, 2025. Weston, who gained attention with a solo presentation at Patron gallery during Frieze New York 2024, was awarded a Guggenheim Fellowship in April 2025 and has an installation at the Cecilia Alemani-curated SITE Santa Fe International. She will also have dual representation at Art Basel Miami Beach next month.

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Louise Fishman (1939–2021), a Queer Jewish abstract painter who deliberately distanced herself from the macho tradition of Abstract Expressionism, is the subject of a new exhibition at New York’s Van Doren Waxter. Titled “Louise Fishman: Always Stand Ajar,” the show features 10 late paintings from 2003 to 2013, all titled after verses by American poets Emily Dickinson and Wallace Stevens. The works, priced from $75,000 to $290,000, are part of an effort by Fishman’s widow, Ingrid Nyeboe, to cement the artist’s legacy as an unsung “Queer queen of abstraction.” The gallery began representing Fishman’s estate in 2024, and this is its first show dedicated to her.

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Artist Sarah Meyohas has unveiled her first public art installation, "Truth Arrives in Slanted Beams" (2025), for the 2025 edition of Desert X in California's Coachella Valley. The monumental curved structure uses no electricity; instead, precisely milled mirrored discs reflect sunlight onto a white wall to form legible patterns and messages through the optical phenomenon of caustics. The work was created in collaboration with the Swiss company Rayform, which specializes in calculating caustic light patterns, pushing their technology to its largest scale yet.

art shara hughes studio david kordansky

Brooklyn-based painter Shara Hughes is entering a major career phase with a series of high-profile exhibitions and commissions. In September 2025, her first New York solo show since 2019, “Weather Report,” opens at David Kordansky Gallery, featuring nine large-scale paintings. Two months later, a mid-career survey titled “Shara Hughes: Inside Outside” debuts at the Norton Museum of Art in West Palm Beach, including both paintings and ceramics. Next year, she will unveil a large-scale mosaic floor installation at JFK International Airport’s Terminal 6, alongside works by Charline von Heyl and Candida Alvarez. The article includes an interview with Hughes, who discusses her studio routine, creative process, and the emotional depth behind her psychedelic landscapes.

Lucy Sante on Collage: ‘You Have to Kill One Thing to Make Another.’

Visual historian and author Lucy Sante has opened two simultaneous exhibitions of her collage artwork in New York. The shows, at Karma gallery and the Center for Book Arts, feature work created from a vast personal archive of materials she has collected over decades, which she meticulously cuts and reassembles.

Michelle Blade Transforms Everyday California Scenes Into Luminous Reveries

Los Angeles-based painter Michelle Blade is presenting her first solo show with Night Gallery in Los Angeles, titled "It's About Time." The exhibition features a new body of work focused on still lifes and landscapes from around her home, captured at different hours of the day. Using acrylic and ink on cotton poplin with a wet-on-wet technique, Blade creates luminous, shimmering compositions that blend memory, perception, and projections of the future. The show follows her recent solo exhibition at the Powerlong Museum in Shanghai and her inclusion in the group show "Superbloom" at Night Gallery.

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British artist Gavin Turk is set to debut a new body of work at Ben Brown Fine Arts in London for his sixth solo exhibition with the gallery, titled "The Escapologist." The exhibition features a series of trompe l’oeil paintings depicting partially open doors set within frames, hung low to create a sculptural, illusionistic effect. Drawing on art historical references ranging from Gerhard Richter’s modernist doors to René Magritte’s surrealist metaphors, the works explore the door as a symbol of the threshold and the psychological tension between anticipation and absence.

takashi murakami interview perrotin los angeles 1234774560

Takashi Murakami’s latest exhibition at Perrotin Los Angeles, titled “Hark Back to Ukiyo-e: Tracing Superflat to Japonisme’s Genesis,” marks a significant return to his academic roots in Nihonga (traditional Japanese painting). The show features 24 compositions, including four monumental canvases that took over three years to complete, blending Edo-period woodblock aesthetics with 19th-century Impressionism and contemporary Pokémon imagery. The artist describes this body of work as a reflection on the non-linear nature of time and the physical manifestation of memory.

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Michael Werner and Gordon VeneKlasen, partners at Michael Werner Gallery for 35 years, are dissolving their partnership at the start of next year. Werner will continue operating Galerie Michael Werner in Berlin, while VeneKlasen will launch a new international gallery called VeneKlasen, taking over the current New York, London, and Los Angeles locations. The changes take effect in February, with VeneKlasen announcing his program early next year.

state department confirms alma allen 2026 us pavilion 1234763177

The US Department of State confirmed that Mexico-based artist Alma Allen will represent the United States at the 2026 Venice Biennale, opening next May. Jeffrey Uslip will serve as curator, and the commissioning institution is the American Arts Conservancy (AAC), with its executive director Jenni Parido as official commissioner. Allen, who has had only two museum solo shows in three decades, was approached directly by Uslip in October after the State Department had already approved him. The selection process broke from tradition: the National Endowment for the Arts was not involved due to time constraints and staffing transitions, and a prior proposal by artist Robert Lazzarini and curator John Ravenal fell through after negotiations with the University of South Florida’s Contemporary Art Museum collapsed. Allen’s pavilion, titled "Call Me the Breeze," will feature about 30 works exploring elevation and transformation, framed by the State Department as furthering the Trump Administration’s focus on American excellence.

jean paul engelen joins acquavella galleries 1234742601

Jean-Paul Engelen, currently president for the Americas and worldwide co-head of modern and contemporary art at Phillips auction house, will join Acquavella Galleries as a director starting July 1. Engelen spent a decade at Phillips, where he helped increase auction sales by 72 percent between 2015 and 2021, and previously worked at Christie’s for 16 years and at Qatar Museums.

On Curating Carnage

On Curating Carnage

The Berlin-based art journal *OnCurating* published a September 2025 issue titled "Let’s Talk About… Anti-Democratic, Anti-Queer, Misogynist, Antisemitic, Right-Wing Spaces and Their Counter-Movements." The article critiques this publication, arguing it uses the language of feminism, anti-racism, and anti-Semitism as a political tool to unconditionally support Israel and demonize the Palestinian cause, thereby aligning with German state policy and a specific strain of leftist thought known as Antideutsch.

2025 Art21 at the Movies

2025 Art21 at the Movies

On October 8 and 10, 2025, Art21 hosted its second 'Art21 at the Movies' event in New York. The two-day program featured film premieres, artist talks, and screenings at venues including the Metrograph and the Museum of Modern Art. It highlighted artists from the 'Art in the Twenty-First Century' series and included discussions with filmmakers and curators.

With new Costume Institute exhibition and galleries, the Met makes powerful statement about fashion's place in museums

The Metropolitan Museum of Art has opened a major new Costume Institute exhibition titled "Costume Art," which runs until January 10, 2027, in the newly designed Condé M. Nast Galleries by Peterson Rich Office. Curated by Andrew Bolton with Stephanie Kramer, Ayaka Iida, and Emily Mushaben, the show features nearly 400 objects from all 19 of the museum's collecting departments, organized around body typologies such as the "Classical Body" and "Aging Body." The exhibition marks a significant institutional commitment to fashion as a central curatorial concern, with the 12,000-square-foot space adjacent to the Great Hall.

Sea change: inside LACMA’s new curatorial strategy

The Los Angeles County Museum of Art (LACMA) is debuting a radical curatorial overhaul within its new David Geffen Galleries, moving away from traditional 19th-century departmental silos. Led by Director Michael Govan and a team of 45 curators, the museum is implementing a cross-disciplinary approach that organizes the collection around "oceanic nodes"—the Mediterranean, Atlantic, Indian, and Pacific. This strategy allows for the juxtaposition of disparate media and cultures, such as contemporary photography alongside ancient textiles, to highlight the historical circulation of ideas and people across bodies of water.

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The 2024 edition of TEFAF Maastricht has opened with a significant focus on rediscovered female Old Masters, highlighted by the third annual 'Map of Women Artists' which now features over 670 works. Major dealers like Lullo Pampoulides and Koetser Gallery are showcasing high-value pieces by Artemisia Gentileschi, Virginia da Vezzo, and Michaelina Wautier, drawing immediate attention from institutional leaders including Metropolitan Museum of Art director Max Hollein.

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Abstract Expressionist painter Mary Abbott has died at age 98 due to heart failure, as confirmed by McCormick Gallery in Chicago, which represented her for nearly 20 years. Known for her colorful canvases and sweeping brushstrokes, Abbott was praised by the New York Times in 2008 as one of the last great Abstract Expressionist painters of her generation. Despite her early modeling career on Vogue covers and her immersion in the downtown New York art scene alongside figures like Mark Rothko and Willem de Kooning, her work received little scholarly recognition until the 2016 Denver Art Museum exhibition "Women of Abstract Expressionism," which traveled to the Mint Museum and Palm Springs Art Museum.

LACMA’s David Geffen Galleries offers a seductive art-viewing experience

The article discusses the newly opened David Geffen Galleries at the Los Angeles County Museum of Art (LACMA), describing the viewing experience as seductive. The galleries are a major component of LACMA's ongoing transformation, designed by architect Peter Zumthor.

Yayoi Kusama Infinity Room Coming to Cincinnati Art Museum This Summer

The Cincinnati Art Museum has announced it will host Yayoi Kusama’s immersive installation, "All the Eternal Love I Have for the Pumpkins," from July 17 through October 18, 2026. On loan from the Dallas Museum of Art, the exhibition features one of the artist's signature Infinity Mirror Rooms filled with polka-dotted acrylic pumpkins, accompanied by twelve of her pumpkin paintings created between 1990 and 2004.

Gagosian to open new ground-floor space at 980 Madison Avenue with major Duchamp presentation

Gagosian is set to expand its footprint at 980 Madison Avenue by opening a new ground-floor gallery space on April 25, 2026. The inaugural exhibition features a landmark presentation of Marcel Duchamp’s iconic readymades, including "Fountain" and "Bicycle Wheel." This selection specifically highlights the 1964 editions produced with Arturo Schwarz, returning these works to the exact building where they made their American debut at the Cordier & Ekstrom Gallery over sixty years ago.

Michael Armitage in Venice, monumental and disturbing. What the exhibition at Palazzo Grassi looks like

Michael Armitage is the subject of a major solo retrospective at Palazzo Grassi in Venice, marking his largest exhibition in Europe to date. Organized by the Pinault Collection, the show features monumental paintings that blend African identity, local Kenyan chronicles, and mythological narratives. Armitage’s work is noted for its physical scale and its ability to transform the chaos of human affairs into a syncretic epic, utilizing traditional materials like Lubugo bark cloth to ground his contemporary subjects.

London art exhibitions to see in April

London’s cultural landscape sees a significant surge of activity this April with a diverse array of exhibitions spanning major institutions and commercial galleries. Key highlights include a recreation of Keith Haring’s 1980s subway chalk drawings at the Moco Museum, a retrospective of surrealist couturier Elsa Schiaparelli at the V&A, and a deep dive into the sculptural legacy of Guyanese-British artist Donald Locke at Camden Art Centre.

From Bottle Caps and Seals Has Come Colorful, Cascading Art

Renowned Ghanaian artist El Anatsui is currently experiencing a significant professional moment with concurrent exhibitions at White Cube in Hong Kong and Seoul, timed to coincide with Art Basel Hong Kong. The artist, known for his monumental sculptures crafted from discarded liquor-bottle caps and copper wire, recently saw his 2023 work "G6" sell for $995,000 at Sotheby’s London to benefit the Royal Academy of Arts. Now living back in Ghana after decades teaching in Nigeria, Anatsui continues to explore the fluidity of his medium, which mimics the organic processes of growth and decay.

8 Must-See Solo Gallery Shows in March

This month’s gallery circuit features a series of high-profile solo exhibitions across the United States, headlined by a museum-quality survey of Jasper Johns at Gagosian. The selection highlights diverse artistic approaches, from Johns’s seminal 1970s crosshatch paintings to Yuko Mohri’s kinetic installations at Tanya Bonakdar and Gabriel de la Mora’s material-focused conceptual works at Perrotin. Other notable shows include Christina Quarles’s new paintings at Hauser & Wirth, which explore themes of loss and resilience.

Six artists having a museum moment: Basquiat, Hockney, Bove, Brown, Wylie and Goldin

Six blue-chip artists are currently experiencing a significant wave of institutional recognition through major museum exhibitions across the globe. Cecily Brown is preparing for a homecoming solo show at London’s Serpentine South, while Jean-Michel Basquiat is the subject of a focused study on his works on paper at Denmark’s Louisiana Museum of Modern Art. Other featured artists include David Hockney, who recently opened a massive 400-work retrospective at the Fondation Louis Vuitton, alongside Carol Bove, Rose Wylie, and Nan Goldin.

‘The challenge will be to sustain it’: was the autumn art market boom more than just a blip?

The autumn art market saw a significant upturn, with strong sales at Frieze London, Art Basel Paris, and New York auctions, including a $236.4 million Klimt and a $2.2 billion auction week in New York—up 77% year-on-year. Emerging London galleries like Ginny on Frederick, Rose Easton, and A. Squire have reinvigorated Frieze London, while Paris benefits from luxury-house funding, with the Fondation Cartier and Fondation Louis Vuitton hosting major shows. However, concerns persist about sustainability, as geopolitical volatility and post-Brexit challenges continue to affect the market.

‘I’m not trying to impress anyone with what I buy’: how Catherine Walsh went from cosmetics queen to art collector

Catherine Walsh, a former cosmetics executive at Estée Lauder and Revlon who pioneered celebrity fragrances at Coty, recounts her journey from buying her first Harry Callahan photograph at age 22 to building a minimalist art collection. She commissioned architect John Pawson to design a house in Telluride, Colorado, after a lecture, and has since acquired works by Gerhard Richter, Donald Judd, Jenny Holzer, Josef Albers, and a 17th-century Dutch portrait, among others. Walsh now lives in a London apartment near the Victoria & Albert Museum, where she displays her carefully curated collection with minimal furniture.

Jenny Saville: ‘You are having a conversation with the paint, as well as with the sitter’

British artist Jenny Saville, known for her monumental paintings of the female form, is the subject of a major survey exhibition titled "The Anatomy of Painting" at the National Portrait Gallery in London, which opened in June. The show traces her practice from the 1990s to the present day, featuring portrait heads and figures that push the boundaries of portraiture. Saville, who broke the auction record for a living female artist in 2018 when her self-portrait "Propped" (1992) sold for £9.5m at Sotheby's, discusses her influences—including Lucian Freud, Francis Bacon, and Frank Auerbach—and her ongoing exploration of corporeality and painterliness in an interview with The Art Newspaper.