Exhibition | Carlos Garaicoa, 'Rituals and Liberty' at Goodman Gallery, New York, United States

Goodman Gallery presents Carlos Garaicoa's first solo exhibition at its New York viewing room, titled 'Rituals and Liberty.' The show features eight works, including five reliefs that blend painting and photography, and sculptural models incorporating 19th-century French engravings. The exhibition precedes Garaicoa's solo show at Museo La Tertulia in Cali, Colombia, in May. Garaicoa, a Cuban-born artist based in Madrid, explores urbanism and how architecture reflects and shapes society, continuing his long-standing interest in decoding urban infrastructures.

In an Age of Image Overload, AIPAD’s The Photography Show Reminds Us What a Photograph Can Do

The 2026 Photography Show, organized by AIPAD, opened to VIPs on April 22 at the Park Avenue Armory with record attendance and strong early sales. Featuring 80 domestic and international galleries, the fair showcased works ranging from early photographic experiments to contemporary digital and installation-based practices, with notable acquisitions by the Museum of the City of New York. AIPAD executive director Lydia Melamed Johnson reported a broad demographic of collectors, from established connoisseurs to first-time buyers.

Lies, Virtual Reality, and Conceptual Art—Spring/Summer 2026 Exhibitions at PHI

PHI in Montreal presents two spring/summer 2026 exhibitions: "Come See, Lies Lies" by Paola Pivi and "Other Worlds" by Jakob Kudsk Steensen. Pivi's show features surreal installations including wall-mounted shoes, suspended velvet mattresses, and a metal house with TV screens broadcasting false statements, blending fairy tale and satire. Steensen's exhibition comprises six major works from the past decade, using virtual reality, video games, and sound installations to explore ecological themes and digitized environments like Bora Bora and volcanic seabeds. Both exhibitions open April 23, 2026, and run through September 13, 2026.

Yoko Ono's First Museum Exhibition In SoCal Opens This May – Featuring An Outdoor Wish Tree Installation & John Lennon Collabs

Yoko Ono's first solo museum exhibition in Southern California, 'Yoko Ono: Music of the Mind,' opens at The Broad in Los Angeles on May 23, 2026. The exhibition, organized with Tate Modern, features interactive works from the 1950s onward, including the outdoor Wish Tree installation, text-based pieces from her book 'Grapefruit,' and collaborative anti-war works with John Lennon like 'Bed Peace.'

the buzz in bucharest sammy loren on rad and the refreshing romanian art scene

The article reports on the fourth edition of Romanian Art Dealers (RAD), an art fair in Bucharest that exclusively features Romanian galleries and artists. The author, Sammy Loren, travels from Los Angeles to experience the fair, which is co-founded by dealer Catinca Tabacaru and artist-dealer Daniela Pălimariu. The fair includes 31 booths, a Curatorial Summit with 35 international curators, and a central installation titled "Donate a Word" (2025) by Romanian artist Victoria Zidaru. The author attends events like the 10-year anniversary party for Sandwich Gallery and notes the intimate, family-like atmosphere of the local art scene.

Coveted Rothko From Robert Mnuchin’s Collection Nets $85.8 Million in New York

A major Mark Rothko painting, *Brown and Blacks in Reds* (1957), from the collection of the late financier and dealer Robert Mnuchin, sold for $85.8 million at Sotheby’s New York, becoming the second-highest price ever achieved for the artist at auction. The work, estimated at $70–100 million, was part of an 11-lot sale dedicated to Mnuchin’s collection, which also includes works by Willem de Kooning, Pablo Picasso, and Franz Kline. A phone bidder won the painting, with Helena Newman, chairman of Sotheby’s Europe, handling the bid.

Counterpublic comes to New York ahead of its next triennial, Coyote Time

Counterpublic, a St. Louis-based non-profit that reimagines public art, is bringing its mission to New York ahead of its third triennial, titled "Coyote Time." The organization will kick off New York art week with a party celebrating the triennial's curators and artists, including Stefanie Hessler, Jordan Carter, and Wanda Nanibush. It has partnered with Frieze New York to present a new commission and performance by Oglála Lakȟóta artist Kite at The Shed, offering a preview of the triennial. The third edition, "Coyote Time," runs from September 12 to December 12 across five main sites in St. Louis, featuring nearly 50 artists, duos, and collectives. The title derives from artist Alice Bucknell's video game-inspired commission about suspended moments, and the exhibition will explore themes of migration, identity, climate, and technology through ambitious new works and historical reinterpretations.

Numerous Venice Biennale Pavilions and Artists Go on Strike in Protest over Israel’s Participation

Thousands of protesters marched through Venice on the eve of the Venice Biennale's public opening, organized by Art Not Genocide Alliance (ANGA), to demand Israel's exclusion from the event. At least 18 national pavilions—including Austria, Belgium, France, Great Britain, and Ukraine—participated in a 24-hour strike, shutting down completely or partially. Protesters chanted slogans, waved Palestinian flags, and carried banners reading "no genocide pavilions," while ANGA released a statement with 236 signatories calling for Israel's removal, citing the humanitarian crisis in Gaza.

Remembering Georg Baselitz, Nicole Hollander, and Doris Fisher

Hyperallergic's weekly 'In Memoriam' column honors seven figures from the art world who recently passed away, including German Neo-Expressionist painter Georg Baselitz, feminist cartoonist Nicole Hollander, and arts patron Doris F. Fisher, co-founder of The Gap. Other notable figures remembered are photographer Stephanie Chernikowski, West Coast assemblage artist George Herms, Spanish artist and designer José María Cruz Novillo, and Bay Area muralist Dan Fontes. The article provides brief biographies and highlights of their contributions to visual art, photography, comics, and public art.

At 90, Printmaker Mohammad Omer Khalil Gets His Due

Mohammad Omer Khalil, the 90-year-old Sudanese-born printmaker based in New York, is the subject of a multi-city retrospective titled "Common Ground." The anchor exhibition runs through May 31 at the Blackburn Study Center in Manhattan, with satellite events at venues including Twelve Gates Arts in Philadelphia, the Arab American National Museum in Michigan, the New York Public Library, and Anthology Film Archives. Curated by Amina Ahmed and Jenna Hamed, the show spans Khalil's entire career, from his first etching made in Florence in 1964 to large-scale works inspired by Bob Dylan songs, poetry by Adonis, and films such as "The Chalk Garden."

If you show up in a swimsuit, you get free entry to the Cézanne exhibition. It happens in one of Switzerland's most serious institutions.

Se ti presenti in costume da bagno entri gratis alla mostra di Cézanne. Succede in una delle istituzioni più serie della Svizzera

The Fondation Beyeler in Basel, Switzerland, is hosting a major monographic exhibition dedicated to Paul Cézanne, running until May 25, 2026. Curated by Ulf Küster, the show brings together around 80 works focusing on the artist's late career, including portraits, landscapes, variations on Mont Sainte-Victoire, and bather scenes. On May 1, 2026, the museum held a "Bathers Day" promotion inspired by Cézanne's bathers and Maurizio Cattelan's playful approach, offering free entry to visitors who came in swimwear. The event attracted families and individuals, with some even swimming in the foundation's garden pond afterward.

The great Anselm Kiefer arrives in Valencia for an exhibition. There is a rare work for the first time in Europe

Il grande Anselm Kiefer arriva in mostra a Valencia. C’è un’opera rara per la prima volta in Europa

German artist Anselm Kiefer is coming to Valencia for the first time, inaugurating the temporary exhibition program at the CAHH – Centro de Arte Hortensia Herrero. The show, curated by Javier Molins, will run from April 29 to October 25 at the Palacio de Valeriola, featuring Kiefer's works in dialogue with the permanent collection. A highlight is "Danaë," a monumental painting over 13 meters wide that depicts the interior of Berlin's Tempelhof airport and references the myth of Danaë; this work has only been shown once before, in New York in 2022, and is now on view in Europe for the first time.

Alice Tippit’s Mischievous Erotics

Alice Tippit's solo exhibition "Rose Obsolete" at the DePaul Art Museum in Chicago features 23 small oil paintings, three murals, a neon sign, word drawings, and a series of 46 notepad drawings. The works toggle between multiple interpretations—snakes and smiles, blouses and pears, curtains and bodies—inviting viewers to see shifting forms like a psychological test. Tippit, born in 1975 near Kansas City and based in Chicago since 2006, paints each oil work in a single day without tape, achieving sharp edges and subtle layering that reward close looking.

The great Cézanne exhibition and collector Deodato Salafia on Artbox on Sky Arte

La grande mostra su Cézanne e il collezionista Deodato Salafia ad Artbox su Sky Arte

The latest episode of Artbox on Sky Arte features a deep dive into the major Paul Cézanne retrospective at the Fondation Beyeler in Basel, curated by Ulf Küster. The program explores the French painter's late-career obsession with the act of seeing and his use of color patches to redefine nature on canvas. Additionally, the episode highlights the exhibition "Virtue and Grace: Female Figures in Baroque Painting" at La Galleria Bper in Modena, featuring insights from curators Sabrina Bianchi and Lucia Peruzzi.

Harry Bertoia Gets His Moment

The city of Detroit is experiencing a significant Harry Bertoia revival, centered around the rediscovery and restoration of a massive 26-foot suspended sculpture. Originally commissioned in 1970 for a Michigan mall and long presumed lost or destroyed during building demolitions, the steel-wire and brass work was found languishing in a basement in 2017. Following an extensive restoration process, the monumental piece has been installed in General Motors' new global headquarters at the historic Hudson’s site, a feat that required complex engineering and a five-story opening in the building's facade.

Monopol gives away 5 × 2 tickets for Peter Hujar and Liz Deschenes at the Gropius Bau

Monopol verlost 5 × 2 Tickets für Peter Hujar und Liz Deschenes im Gropius Bau

Monopol magazine is giving away 5 × 2 tickets to the exhibition "Peter Hujar / Liz Deschenes: Persistence of Vision" at the Gropius Bau in Berlin. The show pairs Hujar's iconic black-and-white photographs of New York's downtown scene—featuring figures like Susan Sontag, Divine, and David Wojnarowicz—with Liz Deschenes' abstract, material-focused works on glass and photosensitive paper. To enter, readers must email their name with the subject line "Hujar" by May 30.

La quinquennale d’art contemporain

This issue of Le Journal des Arts (n°676, May 2, 2026) covers a range of contemporary art news in France and internationally. Headlines include a critical look at the Whitney Biennial's perceived neutrality, the increasing complexity of art taxation in 2025, an interview with Bourges mayor Yann Galut about scaling down the Bourges 2028 project, the unveiling of a contemporary gallery at Angers Cathedral, the abandonment of the Frigos artists' site in Paris, and a profile of auctioneer Hubert L'Huillier.

The Venice Biennale Reaches Full Capacity

La Biennale de Venise fait le plein

The Venice Biennale has reached full capacity, with all exhibition spaces and pavilions fully booked for the upcoming edition. The article reports on the overwhelming demand from participating countries and artists, highlighting the logistical challenges and the record number of national pavilions confirmed for the event.

Gagosian reconstitue une œuvre oubliée de Christo

Gagosian Gallery in London has reconstructed Christo's unrealized 1968 work "Air Package on a Ceiling" for the first time. The installation, measuring 16 by 10 meters, was originally conceived for the Institute of Contemporary Art in Philadelphia but never built due to technical constraints. The maquette and drawings were rediscovered in 2018 by studio manager Lorenza Giovanelli, hidden under a base in Christo's New York studio, and the full-scale work was realized in collaboration with the Christo and Jeanne-Claude Foundation.

Renowned Gallery Air de Paris Bankrupted, Closing This Week

Air de Paris, the Paris gallery known for its punk ethos and commitment to cutting-edge Conceptual art, will close this week after 36 years and more than 400 exhibitions, amid bankruptcy proceedings. Founded in Nice in 1990 by Florence Bonnefous and Edouard Merino, the gallery was named after Marcel Duchamp’s 50cc of Paris Air and became legendary for its inaugural show, “Les Ateliers du Paradise,” which featured artists living in the gallery and later influenced critic Nicolas Bourriaud’s theory of relational aesthetics. The gallery moved to Paris in 1994 and later to Romainville in 2019, showing artists such as Paul McCarthy, Raymond Pettibon, Liam Gillick, Pierre Huyghe, and Dorothy Iannone.

Georg Baselitz, grande figure de l’art allemand, est mort à l’âge de 88 ans : retour sur sa vie et son œuvre

Georg Baselitz, one of Germany's most significant post-war artists, has died at age 88. Born Hans-Georg Kern in 1938, he grew up in Nazi-era Saxony and later rejected his father's ideology, fleeing to West Berlin in 1957. Known for his provocative, expressionist works and signature upside-down paintings, Baselitz challenged artistic conventions with brutalist techniques—attacking wood with chainsaws and axes—and created scandalous pieces like "Die große Nacht im Eimer" (1962–1963), which was banned from exhibition. His career included major retrospectives at the Musée d'Art Moderne de la Ville de Paris (2011) and Centre Pompidou (2021), and commissions for the Reichstag.

The True Story of César's Forger Currently Featured in a Canal+ Documentary Series

L’histoire vraie du faussaire de César actuellement dans une série documentaire sur Canal+

The French documentary series on Canal+ explores the life of Éric Piedoie Le Tiec, a prolific art forger who flooded the market with thousands of fake works. Based in the French Riviera, Le Tiec specialized in creating pieces "in the style of" modern masters like Raoul Dufy and César Baldaccini. Following César's death in 1998, Le Tiec partnered with Jean-Charles Villa to mass-produce fake "compressions" using industrial car crushers, exploiting the artist's rising market value and lack of a definitive catalogue raisonné.

American Artist and Sonya Clark among Guggenheim Fellows 2026.

The John Simon Guggenheim Memorial Foundation has announced its 101st class of Guggenheim Fellows, awarding grants to 223 individuals across 55 disciplines. Among the 30 fine artists selected for the 2026 cohort are Brooklyn-based conceptual artist American Artist, textile artist and educator Sonya Clark, and interdisciplinary artist Allison Janae Hamilton. Each fellow receives a financial stipend designed to provide the creative and intellectual freedom necessary to pursue their work without restrictive conditions.

How Fatinha Ramos Channels ‘Visual Activism’ in Her Richly Layered Illustrations

Fatinha Ramos, a Portuguese artist and illustrator based in Antwerp, describes her work as 'visual activism,' creating richly layered illustrations that give voice to minorities and address social issues. She collaborates with major clients including The New York Times, The Washington Post, Tate, Scientific American, the Anne Frank Museum, and MoMA, which commissioned her to illustrate an essay about being compared to Frida Kahlo. Born with osteogenesis imperfecta (brittle bone disease), Ramos spent much of her childhood in hospitals, where drawing became an escape. After 12 years as an art director in advertising and publishing, she now focuses on her own practice, which challenges stereotypes around disability, climate crisis, sexism, and racism. She is currently working on a graphic novel and a series of anatomical glass sculptures based on brittle bone disease.

Robot dogs with Musk and Zuckerberg heads roam around Berlin gallery in Beeple's new exhibit

American artist Beeple (Mike Winkelmann) has installed an interactive piece titled "Regular Animals" at Berlin's Neue Nationalgalerie, featuring robot dogs with hyper-realistic silicone heads modeled after Elon Musk, Mark Zuckerberg, Jeff Bezos, Andy Warhol, Pablo Picasso, and Beeple himself. The dogs roam the gallery and "poo" printed AI-transformed images of their surroundings, with each dog's output reflecting the worldview of its human figure—for example, the Picasso dog produces Cubist-style images. The work, first shown at Art Basel Miami Beach 2025, includes QR codes on prints that grant access to free NFTs.

148 News Roundup: Career Moves, Infrastructure, Controversies, Public Domain

Curator and writer Reuben Keehan has been appointed artistic director of the forthcoming Kontempo – Center for Contemporary Art in Manila, a new institution developed by the Ayala Foundation. Keehan will relocate from Australia, ending his 15-year tenure as curator of contemporary art at Brisbane’s Queensland Art Gallery | Gallery of Modern Art. In other career moves, Manuel Rabaté has become CEO and director of New Delhi’s Kiran Nadar Museum of Art, bringing over 25 years of museum leadership including his previous role as inaugural director of Louvre Abu Dhabi. Additionally, the Kochi Biennale Foundation has named board member and Mumbai-based artist Jitish Kallat as president of the Kochi-Muziris Biennale, succeeding Bose Krishnamachari who resigned in January.

‘Blood can either be a connective tissue or something used for division’: Jordan Eagles on his show a Pioneer Works

Jordan Eagles presents "Bases Loaded," a solo exhibition at Brooklyn's Pioneer Works that explores his lifelong fandom of the New York Mets through works made with donated blood and medical waste. The show features three bodies of work: large-scale reproductions of New York Post covers about the team, cast-resin sculptures of home plate filled with blood and family artifacts, and T-shirts given to blood donors at the Mets ballpark that Eagles cropped and splashed with blood from HIV-positive gay men, arranged by color into orange and grey factions.

Artist Alleges Hair Dress in the Met’s ‘Costume Art’ Show Copies Her Design

London-based artist Anouska Samms has accused the Metropolitan Museum of Art's Costume Institute and curator Andrew Bolton of displaying a garment in the spring 2026 exhibition "Costume Art" that she claims is a counterfeit of her collaborative work. Samms says the piece, titled Corpus Nervina 0.0, was inspired by a 2023 hair dress she co-created with fashion designer Yoav Hadari for his label Psycheangelic. Despite a contract giving Samms sole ownership of the hair-based textile's intellectual property, the museum's wall label credits only Hadari and states Samms's textile was not used. Samms's lawyer, Jon Sharples, says the museum initially expressed interest in acquiring the original dress but later shifted to a remake after Hadari reported water damage, then stalled entirely before the exhibition opened.

Beware the technology rat trap: Cooper Jacoby’s standout contribution to New York’s Whitney Biennial

Cooper Jacoby's sculptures at the Whitney Biennial explore how AI corporations and other companies turn personal data into financial assets. His five works, displayed in a green-carpeted space he describes as "almost like a rat trap," include the 2026 piece *Estate (July 10, 2022)*—a folding screen with an intercom that uses AI trained on social media posts from deceased creatives to generate vocal outputs. Another series, *Mutual Life*, features eye-like sculptures with clock hands that spin based on the biological age of anonymous individuals in the artist's network. Jacoby's work highlights the lack of regulation around digital life and death, and the opaque nature of AI systems.

AI Helps UK Researchers Identify Unknown Subject in Hans Holbein Drawing as Anne Boleyn

Researchers Karen L. Davies and Hassan Ugail used artificial intelligence facial recognition to analyze two Hans Holbein drawings from the Royal Collection Trust. Their study, published in npj Heritage Science, suggests that a portrait previously labeled as Anne Boleyn actually depicts her mother, Elizabeth Howard, while a drawing cataloged as an unidentified woman is the true likeness of Anne Boleyn. The findings challenge long-held identifications based on 18th-century inscriptions and align more closely with contemporary descriptions of Boleyn as slender with dark hair.