Photoville and South Street Seaport Museum Present Photographer Jon McCormack’s “Elements of Wonder”

Photoville, co-founded by Laura Roumanos, Sam Barzilay, and Dave Shelley, partners with the South Street Seaport Museum to present Australian conservation and nature photographer Jon McCormack's outdoor exhibition "Elements of Wonder: When Nature Becomes Art" from April 22 to June 14, 2026, in New York City. The free, public show features a decade-long environmental photography project spanning five continents, drawn from McCormack's book "Patterns: Art of the Natural World," capturing natural patterns at scales from microscopic mineral formations to aerial landscapes.

Bohol artist Jjawzip debuts solo exhibit “April’s Fool” at Dajon Art Gallery Bohol

Boholano mixed-media artist Joseph “Jjawzip” Ingking has launched his debut physical solo exhibition, “April’s Fool,” at Dajon Art Studio & Gallery in Baclayon, Bohol. The showcase features a series of paired paintings and toy sculptures that explore the recurring character "Energy Kid," a figure shaped by the artist’s personal history. Utilizing vibrant colors and recycled materials, the works—such as “Fragile Freedom” and “Radiance Reimagined”—blend fantasy with social commentary on themes ranging from the fragility of peace to the vitality of creative discovery.

‘A force of nature’: Posthumous show at Lawrence gallery celebrates the feminist textile art of Becky Johnson

A posthumous exhibition at Off-Site Art Space in Lawrence, Kansas, celebrates the feminist textile art of Becky Johnson, who died in September 2025 at age 47 from bladder cancer. The show features her weavings and feltwork, including a floor loom programmed by Johnson where visitors can contribute to a communal weaving using scraps from her studio. Co-curated by Merry Sun, the exhibition spans two rooms and includes experimental pieces with materials like felt tucked into pockets, showcasing Johnson's prolific output from a brief year-and-a-half period in grad school.

Otvorena izložba "Slikarske minijature Slavana Vidovića“ u Galeriji umjetnina Split

The exhibition "Painting Miniatures by Slaven Vidović" opened on Saturday at the Split Art Gallery, presenting for the first time works from the previously unknown artistic oeuvre of Slaven Vidović, the son of painter Emanuel Vidović. Curated by Iris Slade, the show features eighty works on paper created during the 1920s, drawn from the legacy of Vidović's daughter Zjenja Čulić. Due to the fragility of the originals, high-quality prints are displayed instead. Vidović, a prominent physician and art collector, studied medicine in Prague from 1919 to 1926, where he developed a passion for capturing everyday life in working-class districts, night bars, and cafes, drawing on styles including Fauvism, Cubism, Dadaism, Expressionism, and Neorealism.

‘Endless scrolling induces permanent craving’: panGenerator highlights our unhealthy relationship with technology

An exhibition titled 'Elusive Sense: On the Fluid Boundaries of Perception' at London’s art’otel featured five contemporary Polish artists, including the collective panGenerator. Their interactive installation 'Infinity' (2020) invites viewers to kneel and endlessly scroll through nonsensical digital shapes on a screen, mimicking social media's infinite scroll. The work aims to make users feel uncomfortable and reflect on their daily digital habits, drawing parallels between trust in technology and religious belief. Another panGenerator piece, 'Hash to ash' (2017), lets visitors take a selfie that melts into ash, critiquing selfie culture and the fragility of digital photos.

‘Proof that life goes on’: meet some of the people working to rescue—and re-energise—Ukrainian culture

Ukrainian cultural institutions and artists are actively restoring and creating art despite ongoing Russian attacks targeting the country's cultural identity. The Nahirna 22 arts collective in Kyiv, which runs 30 artist studios, was hit by air strikes in August that killed at least 23 people, damaging studios and forcing relocations. Meanwhile, the Mykhailo Boychuk State Academy of Decorative Applied Arts and Design in Kyiv, named after a Modernist executed in 1937, was struck by a Russian missile in 2024. Contractors in July 2025 recovered surviving works from the academy's archives, including paintings, textiles, ceramics, and student pieces, with support from UNESCO, the Japanese government, and Ukraine's culture ministry. A new conservation training program and exhibitions like Body/Fragility demonstrate ongoing cultural resilience.

Casa Sanlorenzo in Venice opens its first exhibition with a focus on ocean pollution

Casa Sanlorenzo, a new cultural space in Venice established by yacht builder Sanlorenzo, has opened its inaugural exhibition titled "Breathtaking." The installation by Italian artist and photographer Fabrizio Ferri addresses ocean plastic and microplastic pollution, featuring large-scale portraits of celebrities including Sting, Helena Christensen, Willem Dafoe, Isabella Rossellini, Susan Sarandon, and Naomi Watts, all depicted covered in plastic and debris. At the center of the installation is a glass coffin filled with seawater, symbolizing the fragility of marine ecosystems. The exhibition was previously shown at the Museo di Storia Naturale in Milan, where it attracted over 40,000 visitors in four days.

The auction market breathes a sigh of relief – but not everywhere

Der Auktionsmarkt atmet auf – aber nicht überall

The article reports that the auction market is showing signs of fragile recovery in 2025, with Christie’s, Sotheby’s, and Phillips all posting mid-double-digit percentage increases at their London sales in March compared to the previous year. However, the article notes that the prior year was exceptionally weak, and underlying issues such as high debt levels, aggressive commission models, and unresolved succession questions continue to threaten the stability of the major auction houses.

Berlin's Next Crash Landing

Berlins nächste Bruchlandung

Berlin's culture senator, Sarah Wedl-Wilson, resigned on Friday after being pressured by Mayor Kai Wegner amid a funding scandal. She approved 13 project applications totaling €2.6 million intended for combating antisemitism, bypassing mandatory co-payment rules and ignoring objections from her state secretary. Leaked chat logs revealed that CDU parliamentarians Christian Goiny and faction leader Dirk Stettner pushed her to fast-track approvals, leading to violations of budget law. The state audit office had flagged irregularities, and Wegner withdrew his support, prompting her resignation.

Water Samples from Around the World Melt into Dima Rebus’ Dreamy Paintings

London-based artist Dima Rebus creates large-scale watercolor paintings using water samples collected from strangers around the world. In her series "Floaters," she freezes the crowdsourced water with pigments, then lets it melt across paper to form abstract color fields, later adding figures and aquatic landscapes. Each sample arrives with a letter, building an archive of rain, rivers, seas, oceans, and glaciers that serve as both material and human message.

MARGARET WHYTE TURNS FRAGILITY INTO LANGUAGE AT THE 2026 VENICE BIENNALE

The Uruguay Pavilion at the 2026 Venice Biennale presents "ANTIFRAGIL," a new installation by artist Margaret Whyte, curated by Patricia Bentancur. The work combines textiles with obsolete technological objects such as old machines, motorcycle helmets, and waste fragments, embodying the concept of antifragility developed by Nassim Taleb—systems that grow stronger through disorder and instability. Whyte's practice transforms fragility and vulnerability into poetic resistance, challenging traditional hierarchies between craft and contemporary art.

No, the closed Museum of Comics in Milan has not found a new home in Brianza

No, il Museo del Fumetto chiuso a Milano non ha trovato la nuova sede in Brianza

The Museum of Comics (Museo del Fumetto) in Milan, which suspended operations in June 2025 due to a €180,000 debt to the city, has not found a permanent new home despite online rumors. Instead, the Fondazione Franco Fossati, which runs the museum, has secured temporary storage for its archive in Desio (Monza-Brianza) for up to two years, using spaces granted free of charge by the local municipality. The archive—containing over 500,000 items including publications, original boards, and memorabilia—will be cataloged and preserved there, but the museum itself remains closed to the public.

Insects, Dresses, and Rebellion: Why 'The Law of Lidia Poët' is Different from All Other Costume Dramas

Insetti, abiti e ribellione: perché “La legge di Lidia Poët” è diversa da tutte le altre serie in costume

The third and final season of the Netflix series "The Law of Lidia Poët" concludes the story of Italy's first female lawyer in 1880s Turin. While the narrative follows her legal battles and social defiance, the production distinguishes itself through a rigorous and symbolic approach to costume design led by Stefano Ciammitti. Rather than modernizing the past, the series uses historical aesthetics—specifically gothic literature and naturalistic obsessions—to construct a visual language of rebellion.

RAQEL Solo Exhibition “Tea Time”

RAQEL's solo exhibition "Tea Time" is being presented by Japan Osaka Art Gallery TIME in Minoh, Osaka, from May 14 to May 18, 2025. The show features works that explore a gentle world between fantasy and reality, using motifs of tea, sweets, and young girls to evoke charm, fragility, and solitude.

Art Beat: Color Play exhibit is ‘must see’

Color Play, a new exhibition featuring hand-blown glass by Tyler Boles and mixed-media works by Sue Cranston, opened at Art’s House in River Falls on April 30 and runs through June 12. A Meet the Artist event is scheduled for May 6. Boles presents vibrant bowls, vases, and wine goblets, while Cranston’s work explores girlhood and memory through digital prints, vintage school chairs, and layered text, with prices ranging from $10 for digital prints to $750 for original pieces.

How the Brothers Behind Manhattan’s Aicon Art Gallery Found Themselves in Infinite Feuds

The New York Times reports on the ongoing legal and personal disputes between the brothers who co-founded Manhattan’s Aicon Art Gallery, which specializes in modern and contemporary South Asian art. The article details how sibling rivalry and disagreements over business decisions have led to a series of lawsuits and fractured relationships, threatening the gallery's stability and reputation.

Did the US Holocaust Memorial Museum self-censor to preempt Trump’s wrath?

The United States Holocaust Memorial Museum (USHMM) is facing allegations of preemptive self-censorship to avoid conflict with the Trump administration. Former employees report that the institution removed online educational resources linking Jim Crow laws to Nazi ideology, unlisted videos discussing American racism, and renamed or cancelled workshops focused on the "fragility of democracy." While a museum spokesperson denied these claims, internal emails suggest leadership was concerned about how certain terms might be interpreted in the current political climate.