Full extent of Stephen Friedman Gallery's £7.8m debt revealed in filings

Administrators' filings for Stephen Friedman Gallery reveal a total debt of £7.8 million following its closure in February. Three prominent artists—Alexandre Diop, Deborah Roberts, and Kehinde Wiley—are among the unsecured creditors owed a combined £795,000, expected to recover only eight to nine pence per pound. The largest secured creditor is Coutts & Company, owed £3.1 million, followed by Pentland Group with £1.4 million outstanding. The gallery also owes £505,113 to the Pollen Estate for its Cork Street lease, £550,000 to HMRC, and significant sums to shipping and storage firms, including Crozier (£256,470) and Gander & White (£86,772). Art fairs Frieze and Art Basel Qatar are owed £71,227 and £18,763 respectively.

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The United States government shutdown, which began on October 1 after Congress failed to reach a funding agreement, has forced the closure of numerous federally operated museums, historic sites, and national parks. While some outdoor monuments and parks remain accessible, many are understaffed and operating with limited services. In Washington, D.C., sites like the Library of Congress, National Archives Museum, and Washington Monument are closed, while Smithsonian-run institutions remain open only through October 11 using prior funds. In New York, the Statue of Liberty and Ellis Island remain open, but the lack of uniformity across agencies has created confusion for visitors.

Corals as Living Geology. In Conversation with Julian Charrière by Timothée Chaillou

Julian Charrière has created two new bodies of work, *Chorals* (2025) and *Veils* (2025), in collaboration with Maison Ruinart. The projects are inspired by the Lutetian Sea, which submerged the Champagne region 45 million years ago, and explore themes of deep time, climate change, and the interconnectedness of organic and mineral life. *Chorals* is a permanent sound installation in Ruinart's cellars in Reims, featuring amplified recordings of ocean reefs, while *Veils* comprises wall works and sculptures centered on corals and fading coral imagery. The works travel to art fairs as preludes to the permanent installation.

Feeling Nature According to Nicolas Poussin

Ressentir la nature d’après Nicolas Poussin

An exhibition titled "Le sentiment de la nature. L’art contemporain au miroir de Poussin" has opened at the NMNM – Villa Paloma in Monaco. Curated by Guillaume de Sardes, it places Nicolas Poussin's 1651 painting *L'Orage* in dialogue with works by over twenty contemporary artists, including Sarah Moon, Christo and Jeanne-Claude, Thomas Demand, Pierre Thoretton, Ange Leccia, Marine Wallon, and Claudio Parmiggiani.

Nel Padiglione Germania alla Biennale di Venezia un gruppo di donne riflette sulle rovine del passato per capire il mondo

The German Pavilion at the 2026 Venice Biennale will present the work of two women artists, Henrike Naumann and Sung Tieu, following the death of Naumann at age 41 in February 2026. Curated by Kathleen Reinhardt, director of the Georg Kolbe Museum in Berlin, the pavilion's project, titled "Ruin," explores the dual meanings of the word in English and German—architectural decay versus economic, social, or moral collapse. The exhibition draws on research into East Germany (DDR) and the post-reunification period, using the pavilion's fascist architecture as a lens to examine historical ruptures and their impact on the present. For the first time in its history, the German Pavilion is represented solely by women, mirroring the Italian Pavilion.

Venice exhibition of US artist Hernan Bas will tackle issue of mass tourism

American artist Hernan Bas is set to debut a major new series of over 30 paintings titled "The Visitors" at the Ca’ Pesaro International Gallery of Modern Art in Venice. The immersive installation, created in part during a residency in the city, satirizes the absurdity of global mass tourism, from iconic clichés like the Mona Lisa to "dark tourism" sites such as Chernobyl. The works depict a procession of North American and European youths performing for cameras and navigating tourist traps with a mix of naiveté and arrogance.

Seen in Venice, Bought in Venice

"In Venedig gesehen, in Venedig gekauft"

The article reports on multiple developments surrounding the Venice Biennale. Iran has withdrawn from the Biennale, citing political and economic crises, with logistical challenges such as no flights or postal service making participation nearly impossible. Artist Anish Kapoor has called for the exclusion of the United States from the Biennale, criticizing its "abhorrent policy of hate" and "ongoing warmongering." A memorial installation by Derrick Adams for the late curator Koyo Kouoh, who was set to lead the main exhibition, will be displayed near the Arsenale. Additionally, the Biennale faces a funding cut from the EU due to Russia's continued participation despite the Ukraine war, leading to the resignation of the jury and the culture minister's withdrawal.

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The Istanbul Biennial, titled "The Three-Legged Cat," will not proceed with its planned second and third phases after curator Christine Tohmé resigned due to personal circumstances, as announced by the Istanbul Foundation for Culture and Arts (IKSV). The first phase ran from September 20 to November 23, spanning eight venues and attracting over 600,000 visitors. The biennial's early end follows a turbulent period, including the overturning of the advisory board's 2023 curator selection, which sparked protests. IKSV stated that preparations for the 19th Istanbul Biennial, scheduled for 2027, will begin shortly, with a new curator to be announced in 2026.

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A New Yorker profile of Sotheby's and its billionaire owner Patrick Drahi reveals the chaotic aftermath of the auction house's failed 2024 fee restructuring. The plan, announced in February 2024 and enacted that May, standardized seller's commissions and buyer's premiums but backfired, driving away business and causing profits to plummet. By December, Sotheby's reversed course. The article quotes former and current employees who compare Drahi's management style to Donald Trump's tariff disputes, and recounts a tense June 2024 meeting where contemporary art chairman Grégoire Billault told Drahi he was losing business, only to be told by Drahi that everyone is replaceable.

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The article covers several art market stories, including Melanie Gerlis's Financial Times piece on the big three auction houses increasingly relying on luxury sales amid a market downturn, with no clear solutions in sight. It also reports that the ADAA canceled its Art Show fair, citing a 'strategic pause' to reassess support for members in an evolving landscape. Additionally, the article details a controversy in Tasmania where a planned A$64.6 million art park at Macquarie Point, backed by Mona and aimed at addressing Aboriginal genocide, was scrapped in favor of a 23,000-seat AFL stadium. Finally, it notes that Darth Vader's lightsaber from Star Wars is heading to auction via Propstore, estimated at $1–3 million.

NASA’s Artemis II Returns to the Moon—and Captures a Powerful New Image of Earth

NASA has released the first images from the Artemis II mission, marking humanity's first return to the moon since 1972. During a lunar flyby on April 6, Commander Reid Wiseman captured a series of high-resolution photographs using a Nikon D5, including a striking image titled 'Earthset' that shows the planet sinking below the lunar horizon. The mission's four-person crew produced approximately 10,000 images, documenting the far side of the moon and a total solar eclipse from a unique celestial perspective.

In Munich, Two Artists Imagine Futures Both Playful and Epic

The Munich gallery Filser and Gräf is presenting a two-person exhibition titled "Medèn ágan – Nothing in Excess," featuring artists Paris Giachoustidis and Toshihiko Mitsuya. The show uses the ancient Greek maxim as a curatorial framework, with Mitsuya's delicate, reflective aluminum sculptures and Giachoustidis's paintings of futuristic, cosmic landscapes exploring themes of balance, scale, and humanity's place in the universe.

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The Studio Museum in Harlem has temporarily closed due to water damage caused by a sprinkler emergency during a snowstorm. The incident, which affected the gift shop near the entrance, prompted an evacuation of staff and visitors. The museum will remain closed through February 7 for repairs, with all programs and events cancelled and refunds issued to ticket holders. No artworks or galleries were affected, according to a museum representative.

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Artnet News reports on how the recent art market downturn has severely impacted working artists, particularly those reliant on mid-tier galleries. Following a three-year contraction driven by higher interest rates and reduced spending, many galleries have closed or cut costs, leading to fewer exhibitions, delayed payments, and precarious incomes for artists. Some have been dropped by their galleries, while others have taken on second jobs or shifted toward corporate-sponsored public commissions. The article includes data showing low median earnings for artists in the U.S., Germany, and the U.K., and quotes gallerist Facundo Argañaraz on the stigma artists face when pivoting careers.

‘They tore up everything’: the wolf hunters of Kyrgyzstan – in pictures

Photographer Luke Oppenheimer traveled to the remote Kyrgyz village of Ottuk in 2021 for a short assignment on wolves preying on livestock, but ended up staying for four years. His project, titled 'Ottuk' and published by Aliens in Residence, documents the lives of shepherds who hunt wolves to protect their herds in the Tien Shan mountains, capturing their ancient way of life, harsh winters, and the legends that shape their community.

Five Artists on Representing India at the 61st Venice Biennale

India has announced its artist lineup for the 61st Venice Biennale, featuring Alwar Balasubramaniam, Sumakshi Singh, Ranjani Shettar, Asim Waqif, and Skarma Sonam Tashi. The national pavilion, located in the Arsenale, will showcase a diverse range of installations that explore themes of architectural memory, environmental sustainability, and the physical processes of nature. From Tashi’s recreations of Ladakhi homes using recycled materials to Singh’s spectral thread-based architectural fragments, the works collectively examine the fragility of heritage and the shifting relationship between humans and their environments.

Making Waves – Breaking Ground

The third annual Space to Breathe summer art exhibition, titled 'Making Waves – Breaking Ground,' is on view at Bowhouse in St Monans, Fife, Scotland, from 19 July to 4 August 2025 and 16-31 August 2025. Organized by Sophie Camu Lindsay and Alexander Lindsay in collaboration with Purdy Hicks Gallery, the show features 11 artists and over 100 works—paintings, drawings, and photographs—that explore the natural world, particularly land and sea. The installation uses a unique hanging system in the 900-square-meter barn space, allowing visitors to create their own journey through the works. Artists push boundaries in technique, with many using innovative photographic processes that blur the line between photography and painting, such as Anaïs Tondeur's rayograms of radioactive plants from Chernobyl.

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The National Museum of Damascus temporarily closed this week after a theft of artifacts from its classical department. Six gold ingots and six Hellenistic marble statues were reportedly stolen, with a broken door discovered Monday morning. Several employees and guards were detained and interrogated before being released. Damascus police chief Brig. Gen. Osama Atkeh confirmed the theft and stated an investigation is underway. The museum had only reopened in January after being closed since December 7, 2024, when anti-Assad forces approached the capital.

Shokkan at the ROM considers the sense of touch in Japanese art

The Royal Ontario Museum (ROM) in Toronto presents "Shokkan," an exhibition curated by Akiko Takesue that explores the Japanese concept of touch in art. Despite the challenge of displaying tactile experiences behind glass, the show succeeds by featuring historic Japanese works—such as kimonos, tea bowls, ukiyo-e prints, and netsuke—alongside contemporary pieces by artists like Issey Miyake, Tabaimo, Makiko Hattori, and Emma Nishimura. Interactive stations allow visitors to handle replicas and less valuable objects, including samurai swords, scrolls, and netsuke, to physically engage with the theme.

Artist Ana Teresa Fernandez exhibit, 'Under Pressure,' now on display at National Museum of Mexican Art, a call to climate action

The National Museum of Mexican Art in Chicago is currently hosting "Under Pressure," a solo exhibition by Mexican-born artist Ana Teresa Fernández. The show features a diverse range of media, including oil paintings, sculptures like a silver-feathered Quetzalcoatl made from a hose, and performance-based works that use metaphors like expanding balloons to illustrate the fragility of the environment. A central component of the project involved a community-led "social monument" at Ohio Street Beach, where hundreds of participants used mirrors to signal an S.O.S. in Morse code toward the horizon.

Where the Sky Remembers: Ashish Kushwaha’s Solo Exhibition to Open at Palette Art Gallery

Artist Ashish Kushwaha is set to debut a solo exhibition titled 'Where the Sky Remembers' at Palette Art Gallery in New Delhi. Running from April 23 to May 23, 2026, the showcase features a collection of watercolours and acrylic paintings that depict expansive, dreamlike landscapes inspired by the artist's travels through the Himalayan regions. Kushwaha’s work emphasizes the grandeur of nature while minimizing human presence, using a vivid color palette to explore themes of environmental change and ecological memory.

A Paris exhibition spotlights Estonian women artists

The Musée d’Art Moderne de Paris has launched "Estonian Realities," a significant cross-generational exhibition featuring the works of Olga Terri, Anu Põder, and Kris Lemsalu. Spanning nearly 90 years of artistic production, the show marks a major collaboration between the Art Museum of Estonia and the City of Paris, tracing the evolution of Estonian art from the psychological anxieties of the 1940s to the bold, performative installations of the contemporary era.

With 'Normes Corps' at the Palais de Tokyo, vulnerable bodies unite their strength

The Palais de Tokyo in Paris has unveiled 'Normes Corps' (Body Norms), a major group exhibition that explores the intersection of vulnerability, disability, and physical resistance. The show brings together a diverse array of international artists who challenge traditional societal standards of the 'ideal' body, instead highlighting the strength found in fragility and the collective power of marginalized physicalities.

Back to Assam: British Museum agrees to loan fragile tapestry showing Krishna’s life

The British Museum has reached an agreement with the state government of Assam to loan the Vrindavani Vastra, a 350-year-old sacred tapestry depicting the life of Krishna, for a six-month period starting in 2027. The loan is contingent upon the construction of a specialized new extension at the Assam State Museum in Guwahati to accommodate the textile's extreme fragility. This marks the first time the artifact, which features the earliest known Assamese inscriptions, will return to its place of origin since it was acquired by the British Museum following the 1904 Younghusband expedition to Tibet.

Landscape ReEnvisioned Exhibition At the Monterey Museum of Art

The Monterey Museum of Art is hosting "Landscape ReEnvisioned," a group exhibition featuring six contemporary photographers who move beyond traditional West Coast landscape traditions. Curated by Helaine Glick, the show presents works by Debra Achen, Tony Bellaver, Adrienne Defendi, Charlotte Schmid-Maybach, Brian Taylor, and Vincent James Waring. These artists utilize diverse mediums—including cyanotypes, gum bichromate prints, tapestries, and sculptures—to address the urgent realities of climate change, wildfires, and environmental degradation.

Fine Artist Vanessa Johansson's Debut Solo Exhibition

Fine artist Vanessa Johansson is presenting her debut solo exhibition in the Sky Garden Penthouse of Gramercy’s 200E20TH in New York City. The show features atmospheric acrylic abstract paintings, displayed in a residential setting that complements CetraRuddy’s contemporary architecture. Johansson, who studied at the Art Students League, will next participate in the group exhibition “Women and Abstraction” at Pierre Cornette de Saint Cyr in Paris.

Superchief, Beloved LA Arts Hub, Fights to Stay Open

Superchief Gallery, a longtime hub for LA’s underground art and photography scene, is fighting to stay open amid mounting financial challenges. Founder Bill Dunleavy is exploring alternative revenue models like crowdfunding to save the space, which has operated since 2014 in downtown LA and later moved to a 10,000-square-foot warehouse in South LA. The gallery has faced setbacks including a fire in 2020 and declining art sales and corporate sponsorships, despite its popularity for anti-elitist, community-focused programming.

Water leaks into the Louvre’s Cimabue exhibition, landing close to the master’s greatest early painting

On May 3, a hailstorm caused water to leak into the Musée du Louvre in Paris, nearly damaging Cimabue's "Maestà" (1280-85), the centerpiece of the exhibition "A New Look at Cimabue: At the Origins of Italian Painting." Drops fell close to the painting, which is displayed without glass protection, and also landed on the base of a nearby sculpture by Nicola Pisano's studio. Guards initially struggled to respond, but the exhibition was closed within half an hour, and the Louvre confirmed no works were damaged.

In Venice, a new project aims to transform museums into living, participatory spaces

A Venezia un nuovo progetto punta a trasformare i musei in spazi vivi e partecipati

The Fondazione Musei Civici di Venezia (MUVE) has launched "Performing MUVE," a new program set to begin in spring 2026 that reimagines museums as dynamic, participatory spaces. The initiative, developed by MUVE Academy and MUVE Education, will unfold across three venues: Museo Fortuny, Casa di Carlo Goldoni, and the new MUVEC – Casa delle Contemporaneità in Mestre. The program includes four distinct projects—led by Mattia Berto, choreographer Elena Ajani, actress Sara Urban, and dancer Giulia Gemma Manfrotto—that use dance, theater, and embodied practices to transform visitors from passive observers into active participants.

Julie Hamisky's garden, the artist who fixes the ephemeral in time, is on show in a Milan auction house

Il giardino di Julie Hamisky, l’artista che fissa l’effimero nel tempo è in mostra in una casa d’aste di Milano

French artist and designer Julie Hamisky presents 'Giardino Alchemico' (Alchemical Garden) at Pandolfini Auction House in Milan during Fuorisalone 2025. The exhibition, organized in collaboration with Galerie Mitterrand of Paris, features around twenty works including monumental sculptures like 'La Géante' (a giant poppy), jewelry, and a chandelier titled 'Aqua'. Hamisky uses electroplating—a 19th-century technique she learned from her father-in-law—to preserve fresh flowers and botanical forms by coating them in metal, freezing them at the peak of their beauty before decay begins.