"Hier darf laut gelacht werden"

During the opening week of the Venice Biennale, multiple reports detail controversies surrounding the Israeli and Russian pavilions. According to Hyperallergic, artist Belu-Simion Fainaru of the Israeli pavilion threatened legal action against the Biennale after the jury sought to exclude Israel and Russia from prizes over alleged human rights violations, citing antisemitism and nationality-based discrimination. This may have prompted the jury's sudden resignation. Meanwhile, taz reports that Russia's pavilion is a macabre 'dance of death' blending techno and political denial, while Israel's pavilion faces a 'silent boycott' and social ostracism. Zeit describes protests by Pussy Riot and Femen outside the Russian pavilion as a defining image, with activists chanting 'blood sticks to the art of this country.'

Shit has the power to destabilize systems of order

"Scheiße hat die Kraft, Ordnungssysteme zu destabilisieren"

Aline Bouvy, the artist representing Luxembourg at the Venice Biennale, has created a film essay titled "La Merde" that centers on excrement as its main character. Originally conceived as a performance, the work explores themes of bodily circulation, transformation, and the grotesque, using feces to challenge societal taboos and systems of order. Bouvy discusses the film's development with curator Stilbé Schroeder, noting that the Biennale provided the resources and time to realize the project, which will later travel to the Kunstverein in Salzburg.

The Backlash Is Here

"Der Backlash ist da"

Kathleen Reinhardt, the curator of the German Pavilion at the Venice Biennale, has announced her concept featuring artists Sung Tieu and Henrike Naumann under the title "Ruin." The exhibition will use East Germany as a prism to explore themes of power, history, and the present. Reinhardt was invited to submit a concrete concept and specific artists for this edition of the pavilion.

History Made Material

Material gewordene Geschichte

The German Pavilion at the 61st Venice Biennale has been transformed by artist Sung Tieu, who clad its Nazi-era facade with millions of small marble tiles to replicate the look of a prefabricated East German apartment block—specifically the Gehrenseestraße housing complex in Berlin where she spent part of her childhood. Inside, the exhibition features glass casts of her mother's limbs, aluminum beams evoking cramped living quarters, and works by the late Henrike Naumann, all curated by Kathleen Reinhardt to explore bureaucracy, migration, and systemic violence.

I Try to Allow Chaos

"Ich versuche, Chaos zuzulassen"

Florentina Holzinger presents her exhibition "Seaworld Venice" at the Austrian Pavilion of the Venice Biennale, a spectacular underwater-themed installation that combines a theme park, sacred building, and sewage treatment plant. The work explores transformation from dirt to cleanliness, featuring water, dolphins in the lagoon, and boundary-pushing performance elements.

Can a Venice Biennale Pavilion Be Rock ‘n’ Roll? At the Belgium Pavilion, Miet Warlop Makes the Case.

Miet Warlop, a Belgian artist known for her avant-garde theater work, is representing Belgium at the 2026 Venice Biennale with a performance-installation titled "IT NEVER SSST." The project transforms the Belgian Pavilion into a chaotic, sensory-filled space where performers climb wooden structures, bang drums, and break plaster boards inscribed with multilingual text, reflecting the noise and misunderstandings of contemporary life. Curated by Caroline Dumalin, the pavilion blurs the line between theater and visual art, with live performances occurring only part of the time while sculptors continuously remake plaster reliefs throughout the Biennale's run.

Jake Messing’s Hyperrealistic Paintings Celebrate the Abundance of Nature

Jake Messing, a Northern California-based artist, creates hyperrealistic acrylic paintings that depict dense, maximalist clusters of flora and fauna, often combining creatures and plants in surreal arrangements. His works, such as "Coccinellidaes Hideaway 2" and "Bubbles and Blooms," draw on the tradition of Dutch Golden Age still-life painting while incorporating contemporary elements like color gradients and shiny fabrics.

Zīnah (Adornment): Oman’s Pavilion Tunes the Biennale to Resonance Over Spectacle

At the 60th Venice Biennale, the Sultanate of Oman presents "Zīnah (Adornment)," a pavilion conceived by artist and curator Haitham Al Busafi. The immersive installation, on view at the Arsenale Artiglierie from 9 May to 22 November 2026, draws on the Omani tradition of adorning horses with silver (al-zaanah) to explore themes of relation, movement, and shared presence. Visitors enter through darkness into a field of Omani sand, beneath a canopy of silver elements that respond to movement with sound. The work incorporates drawings by students and emerging artists from a workshop in Muscat, emphasizing collective authorship.

SCST: Celebrating Cultural Exchange Through Art at the Opening Reception of "Fermata: Hong Kong in Venice" Collateral Event of 61st International Art Exhibition - La Biennale di Venezia (Venice Biennale)

At the opening reception of "Fermata: Hong Kong in Venice," a Collateral Event of the 61st Venice Biennale, Hong Kong's Secretary for Culture, Sports and Tourism, Miss Rosanna Law, delivered a speech celebrating the exhibition. The event marks Hong Kong's 25th year of participation in the Biennale, featuring artists Kingsley Ng and Angel Hui, who present five new site-specific installations that explore stillness and overlooked rhythms of everyday life, in resonance with the Biennale's theme "In Minor Keys." For the first time, the Hong Kong Museum of Art co-organized the exhibition with the Hong Kong Arts Development Council, curating a dialogue between the two artists.

Exhibition brings together 23 contemporary artists in exploration of styles across generations | Hindustan Times

An exhibition titled "The Contemporary Lore: Sojourn of Styles and Generations Unfurled" has opened at Bikaner House in New Delhi, bringing together 23 contemporary Indian artists. Curated by Kiran K Mohan with a critical essay by art historian Johny ML, the show features works by veterans like Ashok Bhowmick and emerging talents like Nilisha Phad, spanning paintings, sculptures, and mixed media. The non-chronological arrangement aims to present artistic lineages as a landscape rather than a linear progression, encouraging dialogue across generations. The exhibition runs until May 14 before moving to Shailja Art Gallery in Gurugram from May 17 to June 13.

Smithsonian Exhibition Spotlights Pahari Painting Traditions From The Himalayan Kingdoms

The Smithsonian’s National Museum of Asian Art in Washington, D.C., has opened "Of the Hills: Pahari Paintings from India’s Himalayan Kingdoms," an exhibition featuring 48 paintings and colored drawings that trace the evolution of Pahari painting across three key periods between 1620 and 1830. The show highlights the genre’s ties to the region’s landscapes, courtly life, and devotional practices, with works created using opaque watercolors, beetle wings, and gold, many of which have not been publicly displayed before. The exhibition runs until July 26.

Korean American artist exhibits 'Along the LOVE Road' series in Seoul, Buyeo

Korean American visual artist Sungmo Cho is returning to South Korea after 14 years to exhibit his 'Along the LOVE Road' series in Seoul and Buyeo. Cho, who moved to New York in 1992, has created over 30 solo shows and 150 group shows across four countries. His works explore themes of migration, memory, and the tension between civilization and nature, with roads serving as a central symbol of both human progress and environmental destruction.

Art: Amanda Heng’s ‘A Pause’ opens at the 61st International Art Exhibition of La Biennale di Venezia to represent Singapore

Amanda Heng Liang Ngim's exhibition 'A Pause' has opened at the Singapore Pavilion of the 61st International Art Exhibition – La Biennale di Venezia. The installation transforms the historic Sale d’Armi into a contemplative space using larch wood platforms, photographs, and a dual-channel video that observes everyday gestures of rest and renewal in Venice and Singapore. The presentation also includes a reprint of her 1990 series 'Parts of My Body' and is accompanied by a comprehensive monograph, 'Amanda Heng: On and On'.

What We Saw at Buffalo Prescott’s 'Vernal 2026'

Buffalo Prescott’s Detroit headquarters is hosting 'Vernal 2026,' a spring-inspired contemporary arts exhibition running through June 27, with a public opening on May 22. The exhibition features works by resident artists including Jessica Wildman Katz, Halima Afi Cassells, Cyrah Dardas, Sara Nickleson, and Tony Printz, alongside metro Detroit and international artists. Highlights include Katz's botanical rabbit sculpture 'Kindling,' Cristina Umaña's whimsical 'Mesa De Centro' (a stack of white tables with human-like limbs), and Amelia Burns's photographic diptych 'Evil Eye' and 'Evil Eye Transmuted onto Organza, 2026,' which explores contemporary American culture through collage.

Winnipeg exhibition traces the revival of Red River Métis beadwork

The exhibition 'Beading Métis Resurgence' at the University of Winnipeg's Gallery 1C03 showcases the work of renowned Métis artist Jennine Krauchi alongside four emerging Red River Métis beadworkers she has mentored. Curated by gallery director Jennifer Gibson and history professor Cathy Mattes, the show features Krauchi's centerpiece work 'The Lady'—a beaded coat, muff, hat, and boots—and explores beadwork as contemporary art, cultural knowledge, and intergenerational practice. The exhibition runs until July 10 and includes a table and chairs evoking the kitchen-table lessons where Krauchi passed down her skills.

Bildmuseet opens the MFA exhibition from Umeå Academy of Fine Arts.

Bildmuseet in Umeå, Sweden, will host the Master's exhibition "Of Love and Care" from the Umeå Academy of Fine Arts at Umeå University, opening on 22 May 2026 with an Art Friday event featuring talks, performances, tours, live music, and a DJ. The exhibition showcases works by ten graduating artists—Christian Abrahamsson, Amanda Angeli Blombäck, Time Bohlin, Renan De Menezes Anan, Elna Dani Liljedahl, Joanne Löfling, Måns Palmberg, Sofia Tien, Fanny Åberg, and Tin Åling—whose pieces explore themes of love, care, mysticism, and the wonder of existence, moving beyond overtly political and consumerist messages. A media preview will be held on 20 May, and the exhibition runs through 23 August 2026.

Look Inside the Met Gala 2026’s Exhibit & See What Celebs Will Be Viewing Tonight!

The Metropolitan Museum of Art has revealed photos from inside the Costume Institute's latest exhibition, 'Costume Art,' ahead of the 2026 Met Gala. Curated by Andrew Bolton, the show explores the relationship between clothing and the body, organized around thematic body types such as the Naked Body, Pregnant Body, and Aging Body. It features garments and artworks from The Met's collection, both historical and contemporary, and will be the first exhibition held in the new Condé M. Nast Galleries, a 12,000-square-foot space adjacent to the Great Hall. The exhibition opens to the public on May 10, 2026, and runs through January 10, 2027.

Biennale, rules announced for Visitor's Lion. But dozens of artists withdraw

The Venice Biennale has announced the voting rules for the new Visitors' Lion awards, which replace the traditional Golden Lions after the original jury resigned before the opening. On the same day the popular voting opened, dozens of artists from the central exhibition 'In Minor Keys' and several National Pavilions announced their withdrawal from the competition in solidarity with the resigned jury, releasing a statement via e-flux on May 9, 2026. The voting system requires visitors to have attended both the Giardini and Arsenale venues, with anonymous voting open until November 22, 2026.

Venice Biennale opens without a jury amid strife over Russian and Israeli participation

The Venice Biennale, one of the world's most prestigious contemporary art exhibitions, opens its most contested edition in memory without a jury after the jury resigned in protest over the participation of Israel and Russia, both under investigation by the International Criminal Court for human rights abuses. Protests have erupted outside the Israeli and Russian pavilions, with demonstrators clashing with police, while feminist groups from Ukraine and Russia converged on the Russian Pavilion and Palestinians remembered artists killed in Gaza. The Biennale has replaced the jury with a public vote via email, with winners announced at the close on November 22.

In Antwerp, as photography show asks 'What is a normal family?'

The FOMU photography museum in Antwerp has opened a new exhibition titled 'Families', curated by Anne Ruygt. The show explores the evolving concept of family through historical and contemporary photography, featuring works by artists such as Mous Lamrabat, Cecil Beaton, Omar Victor Diop, Mayara Ferrão, Peter Hujar, Carmen Winant, and Seiichi Furuya. It includes diverse perspectives, from 'hidden mother portraits' and post-mortem photography to AI-generated images of queer Black and Indigenous women, questioning traditional notions of kinship and representation.

SF Asian Art Museum provides cultural enrichment for visitors

The Asian Art Museum in San Francisco, located at 220 Larkin Street, offers a vast collection of both contemporary and ancient art from across Asia, including Japanese, Chinese, and Southeast Asian works. The museum features permanent exhibits with artifacts such as a Japanese tea set, Chinese jade, and a notable Buddha sculpture dated to 338 C.E., alongside rotating special exhibitions like Chiharu Shiota's "Two Home Countries," which uses red string installations to explore bicultural identity. The museum also hosts events like Mahjong and Mocktails, film screenings, and talks, with general admission at $14 for students and $20 for adults.

The weird, wiggly universe of Icelandic artist Ásta Fanney Sigurðardóttir

The article profiles Icelandic artist Ásta Fanney Sigurðardóttir, whose multidisciplinary practice spans visual art, performance, music, poetry, and filmmaking. It describes a recent performance at Reykjavik's Mengi venue where the audience was invited onstage to be stirred with an imaginary spoon, and highlights her upcoming project 'Pocket Universe' representing Iceland at the Venice Biennale, installed in a former shipyard. The piece also explores her fluid relationship with time, her admiration for artists like Meredith Monk and Laurie Anderson, and the tight-knit, artist-run creative ecosystem of Reykjavik that shapes her work.

‘In Minor Keys’: discover the themes that define the 61st Venice Biennale exhibition

The 61st Venice Biennale's main exhibition, 'In Minor Keys', curated by the late Koyo Kouoh, has opened after her sudden passing in 2025. Kouoh had fully planned the exhibition before her death, and a team of seven realized her vision. The show features 110 artists, including Wangechi Mutu, Nick Cave, Alfredo Jaar, and emerging talents like Ranti Bam. It opens with a poem by Refaat Alareer and an installation by Khaled Sabsabi, setting a contemplative tone amid themes of mourning, grief, and healing. The exhibition also highlights minority perspectives, including Caribbean and Central American artists, and confronts colonial histories through works like Florence Lazar's film on a hurricane-exposed necropolis.

Raven Halfmoon’s Empowering Sculptures Go on View at Ballroom Marfa

Raven Halfmoon's traveling exhibition "Flags of Our Mothers" has opened at Ballroom Marfa in Texas, featuring her monumental ceramic sculptures that explore her dual identity as Caddo and American. The show includes the 12.5-foot-tall outdoor piece "Flagbearer" (2022), her largest work to date, along with two new works debuting at this venue. Halfmoon, who drove from her home in Norman, Oklahoma, to Marfa for the installation, uses a coil technique to build imposing forms that evoke both protective matriarchs and the violence faced by Indigenous women, with her signature graffiti-like scrawl asserting resilience.

Frodsham art group marks 30 years with Amazing Nature show

Eddisbury Artists, a long-running art group based at Castle Park Arts Centre in Frodsham, is celebrating 30 years at the venue with a new exhibition titled 'Amazing Nature.' The show runs from May 19 to June 27 and features artwork inspired by the natural world, including landscapes and wildlife of Cheshire. The group, comprising 17 artists from north west Cheshire, originally met behind Frodsham Post Office before moving to the arts centre in 1996. Member Sam Robson, a Royal Society prize-winning artist, noted the exhibition coincides with the arts centre's 40th anniversary, making it a dual milestone.

Here are the photos of the Austrian Pavilion at the Venice Biennale (the one full of nude performers that it is forbidden to photograph)

Ecco le foto del Padiglione Austria alla Biennale di Venezia (quello pieno di performer nude che è vietato fotografare)

The Austrian Pavilion at the 2026 Venice Biennale, titled "Seaworld Venice" and curated by Nora-Swantje Almes, features provocative performances by artist and choreographer Florentina Holzinger. The installation includes four distinct nude female performances: a performer acting as a bell clapper on the hour, a female Deposition of Christ scene with three women on a rotating vertical structure, a nude woman riding a jet ski in circles, and a reenactment of Giorgione's Sleeping Venus in a urine-filled tank. The pavilion has become the most talked-about and Instagrammed at the Biennale, drawing long queues despite a ban on photography.

Interview with Nina Wakeford of the Swiss Pavilion at the 2026 Venice Biennale

Intervista a Nina Wakeford del Padiglione Svizzero alla Biennale di Venezia 2026

Nina Wakeford, artist and curator of the Swiss Pavilion at the 2026 Venice Biennale, discusses the pavilion's project "The Unfinished Business of Living Together." The exhibition draws on two Swiss television broadcasts from 1978 and 1984—Telearena and Agora—in which gay, lesbian, and trans individuals spoke on national television. Rather than treating these as historical artifacts, Wakeford and her team (Gianmaria Andreetta, Luca Beeler, Miriam Laura Leonardi, Lithic Alliance, and Yul Tomatala) reactivate them as points of tension, creating a multimedia environment that explores unresolved issues of coexistence, visibility, and social difference.

The Syrian Pavilion returns to Venice after the fall of the regime. The interview

A Venezia torna il Padiglione della Siria dopo il crollo del regime. L’intervista

The Syrian Pavilion returns to the Venice Biennale after the fall of the regime, marking the country's first participation since 2024. The pavilion, curated by artist Sara Shamma, is housed in the former refrigerated warehouses of Santa Marta at the Iuav University of Venice and runs until November 22. It features an installation inspired by the ancient funerary towers of Palmyra, combining painting, architecture, light, sound, and scent to explore cultural heritage and the restitution of looted antiquities.

Alphabet of bread and love for animals. Uri Aran's exhibition at the Museo Madre in Naples

Alfabeto di pane e amore per gli animali. La mostra di Uri Aran al Museo Madre di Napoli

Uri Aran's solo exhibition at the Museo Madre in Naples, curated by director Eva Fabbris, explores language, communication, and connection through a range of works including video, sculpture, and an edible alphabet made of bread. The show, titled "Untitled (I love love)" after a video work, invites viewers into a space where meaning is fluid and inclusive, challenging rigid linguistic structures. Key pieces include the video "Untitled (I love you)" (2012), where Aran addresses plastic animals, and "Untitled (Bread Library)" (2025), a bread alphabet that visitors can rearrange to create new messages.

The Austrian Pavilion at the Biennale brings performances and installations around the Venice Lagoon

Il Padiglione Austria in Biennale porta performance e installazioni in giro per la Laguna di Venezia

Austrian artist and choreographer Florentina Holzinger (Vienna, 1986) will represent Austria at the 61st International Art Exhibition of the Venice Biennale with a project titled "SeaWorld Venice." Curated by Nora-Swantje Almes, the interdisciplinary initiative combines a permanent installation at the Austrian Pavilion with a series of site-specific performances and actions spread across Venice and its lagoon. The project explores the body, water, and the tensions between nature and technology, drawing on mythological and classical imagery populated by aquatic creatures. It includes "Études," performative formats developed by Holzinger since 2020, which activate urban spaces through participatory and immersive experiences, engaging both spectators and citizens.