Henrike Naumann, a German artist who recently passed away, is being honored with a posthumous exhibition at the German Pavilion during the Venice Biennale. Her work, which explores recent German history, state art, and the absence of East German art in the pavilion, finds its ultimate context in this historically charged Nazi-era building.
Ein Ringen zwischen Künstler und Maschine
Mario Klingemann, a pioneer of AI art, presents "Conflict of Interest," a pop-up exhibition at Sleek Art Space in Berlin during Gallery Weekend. Curated by Anika Meier and produced in collaboration with Art on Tezos, the show features works that challenge the flood of AI-generated imagery. Klingemann displays mundane landscape photographs from private slides, a series called "Weapons of Mass Distraction" where he disrupts an AI algorithm's image generation, and a haunting 2020 video in which AI-generated faces morph to music. The exhibition makes visible the struggle between human control and machine logic.
Nasan Tur sammelt Beiträge für "Archiv der Gefühle" zur Manifesta 16
Berlin-based artist Nasan Tur is calling on people from the Ruhr region and beyond to submit contributions to his "Archive of Feelings" via an online portal. The project is part of his commissioned work for the 16th edition of the nomadic biennial Manifesta, which opens on June 21 across several cities in the Ruhr area. Tur's installation, titled "Elevation," will be housed in St. Gertrud Church in Essen, where excerpts from anonymous submissions—expressing hopes, fears, wounds, ideas, wishes, and everyday observations—will be carved into old church pews.
Die Kunst der Wahlfamilie
Mike D, co-founder of the Beastie Boys, has co-curated an exhibition titled "Mishpocha. The Art of Collaboration" at the Jewish Museum Frankfurt. The show explores the concept of family beyond biological ties, featuring works such as Ira Eduardovna's video installation "The Library Room," which depicts a family packing for emigration, and immersive audiovisual spaces evoking techno, hip-hop, punk, and Riot Grrrl subcultures. The exhibition includes contributions from artist Jan Ove Hennig, photographer Jan Zappner, design studio Atelier Markgraph, and hospitality group Ima Clique, with Mike D serving as artistic director and ambassador.
Monopol verlost 5 × 2 Tickets für Foto-Ausstellung im Museum Rietberg
The Museum Rietberg in Zurich is presenting the exhibition "Fast ein Paradies" (Almost a Paradise), which critically examines colonial-era photography as an instrument of power. The show juxtaposes historical photographs with contemporary artworks that recontextualize this material, featuring artists like Sasha Huber, Sammy Baloji, Raphaël Barontini, and Andrea Chung, who intervene in the archival images to challenge colonial narratives and restore agency to the subjects.
Brigitte Meese stirbt mit 96 Jahren
Brigitte Meese, the mother, manager, and long-time artistic companion of German artist Jonathan Meese, has died at the age of 96. She was a formative figure in her son's artistic environment, providing organizational support for decades while also serving as his muse, model, and co-performer.
Gemalte Screenshots aus Träumen
The Staatliche Kunsthalle Baden-Baden is presenting a comprehensive retrospective of Berlin-based painter Katharina Wulff, titled 'Arabesken in Arabesken'. Curated by Christina Lehnert, the exhibition features around 40 works that explore dreamlike, enigmatic spaces blending reality, memory, and the unconscious, with paintings like 'Landschaft für glückliche Hexen' (2008) and 'Der Waldspaziergang' (2002) exemplifying her unique style.
"Die Leere, die noch da sein wird, sollte der Krieg morgen enden"
The group exhibition "Looking into the Gaps" at the Jam Factory in Lviv presents works by artists living in Ukraine or in exile, as well as by those killed on the front lines. Curated by Ukrainian artist Nikita Kadan, it is the fourth installment of a series exploring the fractures and diverse experiences within Ukrainian society, with this iteration focusing on the theme of loneliness rather than collective identity.
Max Giermann sucht mit seiner Malerei nicht nach Anerkennung
German comedian and actor Max Giermann has launched his first Berlin art exhibition, titled "Figuring Out," at the Janinebeangallery. The showcase features large-scale acrylic paintings on canvas depicting figures, heads, and body fragments, including a final tribute to Klaus Kinski, whom Giermann famously parodied throughout his comedy career. Although he grew up in a household of art educators and began drawing as a child, this exhibition marks a significant return to painting after a 20-year hiatus.
Ins Offene
The Bauhaus-Archiv / Museum für Gestaltung is presenting a comprehensive survey of female Bauhaus photographers at the Museum für Fotografie in Berlin. The exhibition highlights how these artists utilized avant-garde techniques and unconventional perspectives to document a rapidly changing world, featuring works that span from the innovative interwar period to the post-war era, such as Elsa Thiemann’s 1950s captures of the Wannsee lido.
Industrieträume der DDR
The exhibition "Robotron – Arbeiterklasse und Intelligenz" has opened at the Hartware Medienkunstverein (HMKV) in Dortmund, following its initial run in Leipzig. Centered on the history of the GDR’s largest computer manufacturer, the show features 20 artistic positions including photography, film, and sculpture, alongside a significant five-meter oil sketch by Socialist Realist painter Werner Tübke. The presentation bridges East and West German industrial histories by juxtaposing state-commissioned propaganda with progressive, unofficial works by artists like Ruth Wolf-Rehfeldt and A.R. Penck.
"Ein Mal im Jahr: Schock-Trauma!"
Artist Nik Nowak is exploring the "Sound Horeg" phenomenon in East Java, Indonesia, where massive DIY loudspeaker systems are mounted on trucks and boats for extreme mobile discos. These parades, characterized by towering walls of speakers and intense bass, represent a global evolution of sound culture influenced by social media rather than traditional folklore. Nowak's research into these unregulated, high-tech spectacles has culminated in a new body of work featuring sculptures and photographs.
"Es war plötzlich eine ganz andere Welt"
Margot Pilz, a pioneer of the feminist avant-garde, is reviving her historic 1982 art intervention "Kaorle" for the Klima Biennale in Vienna. Originally conceived as Europe's first urban beach, the installation transformed Vienna's Karlsplatz by depositing tons of sand and installing a palm tree, deck chairs, and a synthetic whale in a pond to create a surreal coastal escape in the city center.
Shigeo Toya, the Japanese artist renowned for his chainsaw-hewn wood sculptures, has died at age 79. Born in 1947 in a small village in Nagano Prefecture, Toya began his signature Woods series in 1984, carving rough textures into tall lumber and arranging the pieces like a forest. His series Twenty Eight Deaths featured stacked wooden blocks with cavities and burn marks. Toya represented Japan at the Venice Biennale in 1988 and later exhibited at the Asia Pacific Triennial (1993) and Gwangju Biennale (2000). A major survey of his work was held at the Nagano Prefectural Art Museum and The Museum of Modern Art, Saitama, in 2022–23.
A journalist from Colossal spent a week on an uninhabited island in the Balearic Islands with nearly 80 artists for a residency program called Quarantine, conceived by artist Carles Gomila. Participants follow a rigorous, opaque schedule of talks, workshops, and mentorship sessions, with phones and internet banned, and must stay on the island from early morning until late evening. The April 2026 edition, themed "Tears in Rain" after a Blade Runner monologue, began with a theatrical tour by an actor playing Captain Horacio Hollynwood, who introduced the historic Lazaretto of Mahón, an 18th-century fortress and infirmary.
A Lugano ci sono 5 mostre dedicate all’Oriente da scoprire in giro per la città
Five exhibitions dedicated to East Asian art are currently on view across Lugano, Switzerland. Four are housed in the city's two major museums, MASI and MUSEC, while the fifth is presented by Primo Marella Gallery. The shows feature a range of works, from historical Japanese kakemono scrolls and screens to contemporary art by Chinese artists Zhang Hong Mei and He Wei, and a survey of video art from South Korea.
Amanda Heng Liang Ngim's exhibition 'A Pause' has opened at the Singapore Pavilion of the 61st International Art Exhibition – La Biennale di Venezia. The installation transforms the historic Sale d’Armi into a contemplative space using larch wood platforms, photographs, and a dual-channel video that observes everyday gestures of rest and renewal in Venice and Singapore. The presentation also includes a reprint of her 1990 series 'Parts of My Body' and is accompanied by a comprehensive monograph, 'Amanda Heng: On and On'.
LewAllen Galleries in Santa Fe presents 'Primal field / Interval,' an exhibition of new paintings and monotypes by San Francisco-based artist Henry Jackson, running from May 15 to June 20, 2026. Jackson’s work blends Bay Area Figuration with Abstract Expressionism, using masonry trowels and scrapers to build and excavate layers of oil paint and cold wax, creating elemental fields where the human figure emerges from abstraction. The show also includes oil-based monotypes derived from spontaneous material happenings on the plate.
The first section of Berlin's Pergamon Museum will reopen to the public on June 4, 2027, after years of renovation. The Prussian Cultural Heritage Foundation (SPK) announced the date, ending months of uncertainty. The museum has been completely closed since autumn 2023 for comprehensive refurbishment, and the reopening will finally make the famous Pergamon Altar accessible again. However, the south wing, housing the Ishtar Gate and Babylonian Processional Way, will remain closed until 2037, with full museum access expected that year.
Museumsbau Berlin Modern verzögert sich bis 2030
The completion of Berlin Modern, a major new museum in Berlin, has been delayed again until 2030 due to moisture damage and microbial infestation found in parts of the raw structure. The Stiftung Preußischer Kulturbesitz (SPK) announced an estimated eight-month postponement, though no construction stop was required. The museum, designed by Herzog & de Meuron, is being built near Potsdamer Platz to expand the Neue Nationalgalerie's exhibition space. Costs have risen from an initial €200 million to a projected €507 million.
Hamburger Galeristin Jenny Falckenberg unerwartet gestorben
The Hamburg art world is mourning the sudden passing of gallery owner and art agent Jenny Falckenberg, who died in her sleep at the age of 45. The daughter of the late legendary collector Harald Falckenberg, she had established herself as a significant force in the German contemporary art scene, known for her ability to bridge the gap between established figures and emerging talent.
Whitney-Biennale zwischen Niedlichkeit und Panik
The Whitney Museum of American Art has unveiled its latest Biennial, a sprawling survey of contemporary art that navigates the tension between playful aesthetics and existential dread. Curators have embraced an expanded definition of American art, incorporating global perspectives and diverse media to reflect a nation grappling with political instability and social change. The exhibition oscillates between moments of "cuteness" and "panic," utilizing strong visual narratives to address the complexities of the current era.
Wann man den Pergamonaltar wieder sehen kann
The Pergamon Museum in Berlin is set to partially reopen in the spring of 2027 following extensive renovations, allowing public access to the hall containing the world-famous Pergamon Altar. However, the reopening will be staggered and subject to further interruptions; the altar hall is scheduled to close again for five months in 2034 to facilitate connections to the museum island's archaeological promenade. Full completion of the museum's renovation, including the South Wing housing the Ishtar Gate, is not expected until 2037.
Magazzino Italian Art in Cold Spring, New York, will present a major retrospective of Alighiero Boetti titled "Tutto Boetti 1966-1993," running from April 26, 2026 to April 26, 2028. The exhibition features about 30 works drawn from the museum's permanent collection, loans from the artist's heirs, and a private collection, spanning Boetti's career from 1966 to 1993. Highlights include large-scale pieces such as "Mazzo di tubi" (1966), "Da mille a mille" (1975), "Insicuro Noncurante" (1975-76), and the kilim "Alternando da uno a cento e viceversa" (1993). The show is part of Magazzino's ongoing series of monographic exhibitions on Arte Povera artists, following earlier focuses on Piero Gilardi and Michelangelo Pistoletto.
Ghost at La Lison Gallery: our photos from the exhibition Before the Ashes
The La Lison Gallery in Paris is hosting "Avant les cendres" (Before the Ashes), a solo exhibition by the artist Fantôme running from April 9 to May 16, 2026. The showcase features a series of abstract works that utilize black ink, oils, fabric, and ash to explore texture and light, drawing comparisons to the monochromatic depth of Pierre Soulages. The exhibition serves as a prequel to the artist's upcoming show, "Cercles," in Nancy.
Contemporary artist Tumi Magnússon has opened a solo exhibition titled "Herefrom Thereto Therefrom Hereto" (Héðan þangað þaðan hingað) at the Reykjanes Art Museum in Keflavík, Iceland. Curated by Gavin Morrison, the show marks a significant return for both the Copenhagen-based artist and the U.S.-based curator to the Icelandic art scene. The exhibition features a dialogue between Magnússon’s early post-conceptual paintings from the late 1990s and his more recent explorations in video, sound, and digital imagery.
Pavillons der Venedig-Biennale werden bestreikt
Cultural workers and participants of the Venice Biennale went on strike on Friday, protesting Israel's participation in the art exhibition. Organized by the Art Not Genocide Alliance (ANGA) alongside several cultural groups and Italian grassroots unions, the 24-hour walkout led to the closure of several national pavilions on the final preview day. A rally was planned near the Arsenale grounds. The strike aims to oppose the "normalization of genocide in culture" and poor working conditions at the Biennale, following an earlier open letter signed by over 230 artists and curators demanding the exclusion of the Israeli pavilion. Israel is represented by sculptor Belu-Simion Fainaru, who opposes cultural boycotts and advocates for dialogue. The Biennale's leadership has distanced itself from the strike, emphasizing adherence to regulations and support for freedom of speech and pluralism.
"Können wir in der Kunst für die Krisen üben?"
Belgian theater director Miet Warlop is presenting her work "It never SSST" at the Belgian Pavilion during the Venice Biennale. The installation combines performance, sculpture, a radio show, and objects, featuring six performers, musicians, dancers, and a sculptor who periodically calls "Freeze" to capture movements in plaster reliefs. Warlop, known for her physically exhausting ritualistic performances like "One Song," discusses the piece's themes of ceaseless activity and the body as a resource, as well as the challenge of engaging visitors who often rush through the pavilion.
Der Porno-Effekt
Maja Malou Lyse received a bizarre phone call nearly three years ago from the CEO of the world's largest sperm bank, who offered her 20 liters of discarded sperm for artistic purposes. She accepted and created an installation for the Danish Pavilion at the Venice Biennale, working with porn stars to explore how images shape bodies and desire.
Peter Licht, a German musician, author, and playwright, appears as a guest on the 82nd episode of the "Fantasiemuskel" podcast, where he discusses his view of the world as a sound phenomenon. He reflects on his 2006 song "Lied vom Ende des Kapitalismus," which preceded the 2008 financial crisis, and explores how language, fear, and utopian moments manifest through sound in his work—whether in pop songs, theater pieces, or novels. Licht also describes a recent "problem-solving show" at Schauspiel Köln, where audience members submit problems that are collectively sung, turning singing into an act of resistance and community-building.