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Independent 20th Century art fair has announced that its 2026 edition will be hosted by Sotheby’s at the auction house’s new flagship headquarters in Manhattan’s historic Breuer building. The move, first reported by the New York Times, marks a significant expansion for the fair and an unprecedented collaboration between an art fair and an auction house in the modern art market. Founded in 2022, Independent 20th Century focuses on overlooked and celebrated artists of the last century, with curatorial programming that reframes movements from women in Surrealism to Arab Modernism. The Breuer—a landmark of Modernist architecture designed by Marcel Breuer and recently renovated by Herzog & de Meuron with PBDW Architects—will allow the fair to grow to more than 50 galleries, up from 31 at its most recent edition.

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America’s new ambassador to Britain, Warren Stephens, has transformed Winfield House, the official residence in Regent’s Park, into a private museum by installing works from his family’s art collection. The display includes several Cézannes, a Renoir, a Degas, and a centerpiece Monet painting, *Effet de soleil couchant sur la Seine à Port-Villez* (1883), hung above the drawing-room mantelpiece. Unlike most ambassadors who rely on loans from the State Department’s “Art in Embassies” program, Stephens draws directly on his own holdings, which were assembled in partnership with the Arkansas Museum of Fine Arts.

sothebys to open its new breuer building hq on november 8 with blockbuster exhibition 1234749349

Sotheby's has announced November 8 as the opening date for its new headquarters in the iconic Breuer Building at 945 Madison Avenue, New York. The auction house purchased the building from the Whitney Museum in 2023 and commissioned Pritzker Prize-winning architects Herzog & de Meuron, along with PBDW Architects, to renovate the landmarked structure. The opening will feature a blockbuster exhibition of modern and contemporary art, followed by major sales the week of November 17. The building, designed by Marcel Breuer and completed in 1966, previously housed the Whitney Museum, the Metropolitan Museum of Art, and the Frick Collection.

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Rosa Barba's exhibition "The Ocean of One's Pause" at the Museum of Modern Art in New York surveys 15 years of her work, featuring over a dozen cinematic sculptures arranged as a single installation. Central to the show is her latest 25-minute film *Charge* (2025), co-commissioned by MoMA and the Vega Foundation, shot at CERN in Geneva. The film will also screen at Moynihan Train Hall and in Times Square as part of the "Midnight Moment" program throughout July. Barba transforms a black box gallery into a cello-like space, with long wires and film projectors creating a celluloid symphony through mechanical clicks and analog apparatuses.

sam gilliam sculpture textile fiber dublin ireland imma 1234748631

The article reviews an exhibition of Sam Gilliam's work at the Irish Museum of Modern Art (IMMA) in Dublin, focusing on 23 works from the 1990s that highlight his use of sewing and stitching. Gilliam, a relentless experimenter who died in 2022, is known for moving from hard-edged stripe paintings to draped, unstretched canvases that blurred painting and sculpture. This show reveals a lesser-known aspect of his practice: patchwork-like assemblages of painted and printed canvas pieces held together by visible machine stitching, often incorporating photographic imagery of botanical forms. The works originated from a 1993 residency in Ballinglen, County Mayo, where Gilliam shipped pre-painted canvases from Washington, D.C., and had a seamstress sew them together.

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Two major New York museums are celebrating the centennial of Robert Rauschenberg's (1925–2008) birth this fall with exhibitions that spotlight lesser-known chapters of his career. At the Guggenheim New York, the monumental silkscreen painting "Barge" (1962–63) returns to New York in October for the first time in nearly 25 years as part of a show titled "Life Can't Be Stopped." The Museum of the City of New York (MCNY) will showcase Rauschenberg's undersung photography work focused on New York City. Neither exhibition features his famous "Combines," instead highlighting other aspects of his wide-ranging practice. The Guggenheim's show is part of its new "Focus" series, launched in November 2024, which aims to highlight the museum's collection.

eames institute opens permanent space 2434559

The Eames Institute of Infinite Curiosity has opened a permanent gallery space in Richmond, California, showcasing the work of designers Charles and Ray Eames. The gallery features over 40,000 items curated by Llisa Demetrios, the Eameses' granddaughter and chief curator, including plywood sculptures exhibited at MoMA in 1944, chairs, prototypes, and ephemera that illustrate the couple's design process. The space also houses the Institute's headquarters and archive, with rotating displays planned as new discoveries are made.

zero art fair new york free art 2665995

The Zero Art Fair, running through Saturday at the Flag Art Foundation in Chelsea, New York, offers visitors the unusual option of taking artworks home for free. Co-founded by artists Jennifer Dalton and William Powhida, the fair operates on a model where buyers can either purchase a piece outright or acquire it at no cost, with the condition that their name appears on a public registry and they agree to lend the work for exhibitions. If no paying buyer emerges after five years, the free acquirer keeps the work permanently. The fair's first edition took place during Upstate Art Week in a Hudson Valley barn, and this second edition is supported by sponsors including collector Glenn Fuhrman's Flag Art Foundation and Gagosian gallery.

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The Bronx Museum of the Arts has appointed Shamim M. Momin as its next director and chief curator, effective early September. Momin succeeds Klaudio Rodriguez, who left last September to lead the Museum of Fine Arts, St. Petersburg, Florida. Most recently director of curatorial affairs at the Henry Art Gallery in Seattle (2018–2024), Momin curated the group exhibition “In Plain Sight” and oversaw commissions by artists including Tala Madani, Gary Simmons, and Hank Willis Thomas. She also cofounded LAND (Los Angeles Nomadic Division) in 2009, curating over 100 public art commissions, and previously served as an associate curator at the Whitney Museum and branch director of its now-closed Midtown outpost, where she organized more than 50 projects. She co-curated the 2004 and 2008 Whitney Biennials.

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Crystal Bridges Museum of American Art and the Art Bridges Foundation in Bentonville, Arkansas, have acquired 90 works of contemporary Native art from the John and Susan Horseman Collection. The acquisition includes pieces by prominent Indigenous artists such as Kent Monkman, Jaune Quick-to-See Smith, Kay WalkingStick, and Cannupa Hanska Luger. Nine works will go to Crystal Bridges, while the remaining 81 will join Art Bridges' collection, which now totals around 250 works, with Native art making up a third. The works will be displayed in upcoming exhibitions at the Alice L. Walton School of Medicine and Crystal Bridges' expanded campus, with loans to partner institutions planned.

marcel duchamp retrospective 2026 moma philadelphia museum 1234745333

The United States will host its first major Marcel Duchamp retrospective in over 50 years, opening at the Museum of Modern Art in New York on April 16, 2026, before traveling to the Philadelphia Museum of Art in fall 2026 and then to the Grand Palais in Paris in 2027. Organized by MoMA’s Ann Temkin and Michelle Kuo and the Philadelphia Museum’s Matthew Affron, the exhibition features nearly 300 objects spanning Duchamp’s entire career, including iconic works such as *Nude Descending a Staircase, No. 2* (1912) and *Fountain* (1917). The show aims to reveal lesser-known aspects of Duchamp’s practice, emphasizing his transatlantic life between France and the United States.

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Liz Collins created two monumental 16-foot-long tapestries for the 2024 Venice Biennale, titled *Rainbow Mountains: Moon* and *Rainbow Mountains: Weather* (both 2023). Initially conceived as a single 40-foot weaving, the project proved too ambitious and was split in two. Collins worked at the TextielLab in Tilburg, Netherlands, switching to a lighter yarn after a failed trial, and ultimately brought the finished works to New York in duffel bags before curator Adriano Pedrosa selected them for the Biennale. The textiles depict mountain ranges emitting rainbows through dark skies, exploring themes of duality—danger and joy, precarity and euphoria.

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The Philadelphia Museum of Art has opened "Boom: Art and Design in the 1940s," a major survey featuring over 250 works including painting, photography, jewelry, ceramics, fashion, and furniture. The exhibition draws entirely from the museum's own collection, with around 40 percent of the works never exhibited before. It includes early pieces by celebrated figures like Jackson Pollock and Lee Krasner, as well as works by queer artists such as Paul Cadmus, Beauford Delaney, and Romaine Brooks, alongside self-taught artist Horace Pippin. Chief curator Jessica Smith emphasizes that the show aims to present a more complex, multivalent narrative of the decade beyond the dominant story of Abstract Expressionism.

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The New York Academy of Art held its 26th annual "Take Home a Nude" benefit auction at Sotheby's Upper East Side headquarters, honoring artist John Alexander. The event featured 112 artists, including Ryan McGinness, Natalie Frank, Christo, Eric Fischl, and Kiki Smith, who each donated unique drawings made from the same nude models during Will Cotton's annual Drawing Party. The party, hosted at Cotton's studio, brought together New York artists to sketch live models, with this year's theme featuring the sons and daughters of art-world figures like Glenn O'Brien, Jeanne Greenberg Rohatyn, Anne Pasternak, and Barbara Gladstone posing alongside the nudes.

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The V&A East Storehouse, a new museum space in London's Queen Elizabeth Olympic Park, opens to the public on May 31, 2025, offering free admission seven days a week. Housed in the former London 2012 Olympics Media and Broadcast Centre, the 172,222-square-foot facility displays over 250,000 objects, 350,000 books, and 1,000 archives from the Victoria and Albert Museum's collection. Designed by Diller, Scofidio + Renfro, the Storehouse features a glass-floored Collections Hall where visitors can freely explore shelves and mini-curated displays, with objects changed frequently. Highlights include the Agra Colonnade (1630s) from Shah Jahan's bathhouse and a section of the Robin Hood Gardens housing estate by Alison and Peter Smithson.

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MoMA PS1 has opened its marquee spring exhibition, “The Gatherers,” a group show featuring 14 artists from around the world who explore the psychic and material burdens of climate change, globalization, and neoliberalism. Curated by Ruba Katrib, the exhibition includes works in sculpture, video, assemblage, and installation, spanning regions from the Democratic Republic of Congo to Lithuania, and is on view through October 6. Katrib, PS1’s chief curator and director of curatorial affairs, emphasizes that the show lets the artworks speak for themselves through form and material rather than delivering a direct lecture.

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Artists Brian Eno and Beatie Wolfe have announced a collaborative music project titled *Lateral* and *Luminal*, two albums set for release on June 6, 2025. The albums, recorded intermittently over 2024, reflect distinct moods: *Lateral* is described as “Space music” led by Eno, while *Luminal* is “Dream music” headed by Wolfe. Early singles include “Suddenly” from *Luminal* and “Big Empty Country” from *Lateral*. The duo first met at the South by Southwest Festival in 2022, where they discussed art and climate, and later reconnected while holding exhibitions at separate London galleries. Their collaboration extends beyond music to a conceptual framework that names specific emotions—such as “fèath,” “pronoia,” “dor,” and “mono no aware”—to make feelings more tangible.

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Artnet News has published a ranking of Leonardo da Vinci's surviving paintings, focusing on completed, stand-alone works and excluding frescos like *The Last Supper* and unfinished pieces. The article evaluates paintings such as *Annunciation* (c. 1472–76), *Madonna of the Carnation* (1478–80), and *Ginevra de' Benci* (c. 1474–78), considering factors like attribution certainty, historical context, and unique traits—for instance, *Ginevra de' Benci* is the only Leonardo painting in a public collection in the Americas.

mara manus to depart inaugural ceo pioneer works 1234740682

Mara Manus is stepping down as CEO of Pioneer Works, the Brooklyn arts and science non-profit founded by artist Dustin Yellin, after a brief tenure that began in 2023. Her departure comes after she met the organization's fundraising goals months ahead of schedule and completed the third phase of a $30 million capital campaign in early 2025. Gabriel Florenz, the founding artistic director since 2012, has expanded his role to executive director, while Stephanie Hemshrot was appointed Chief Operating Officer. Manus previously led the New York State Council on the Arts and the Public Theater.

Zurbarán review – ecstatic visions, primitive surrealism … and the finest loincloths ever painted

The Guardian reviews a major exhibition of 17th-century Spanish painter Francisco de Zurbarán, highlighting his visionary and surrealist qualities. The show features works such as "The Apparition of Saint Peter to Saint Peter Nolasco" (1629), newly attributed paintings including a giant mask, and iconic pieces like "The Crucified Christ" and "Saint Serapion," all drawn from collections including the Prado and the National Gallery, London. The review emphasizes Zurbarán's ability to paint supernatural subjects with naturalistic conviction, his exquisite rendering of fabrics—especially loincloths—and his influence on modern artists like Salvador Dalí.

V&A East collection review – a dazzling wealth of inspiration to fire up the geniuses of the future

The Victoria and Albert Museum has unveiled the first look at its new V&A East outpost in London’s Olympic Park, showcasing a collection that emphasizes diversity, global exchange, and the integration of art into daily life. The inaugural displays feature a wide-ranging mix of objects, from Althea McNish’s vibrant Caribbean-inspired textiles and Vivienne Westwood’s punk designs to a talismanic shirt inscribed with the Qur’an and a Japanese screen documenting colonial encounters. While the museum's public-facing branding focuses on community engagement, the actual curation offers a sophisticated, open-ended exploration of how different cultures influence and define one another.

V&A East architecture review – from ceramics to codpieces, this is a honey-coloured treasure trove of human ingenuity

V&A East has officially unveiled its new museum building in London’s Olympic Park, a striking architectural addition to the city's burgeoning 'East Bank' cultural district. Designed by O’Donnell + Tuomey, the structure features a faceted, honey-colored concrete exterior inspired by the intricate folds of a sleeve in a Vermeer painting and the structural tailoring of Cristóbal Balenciaga. The interior houses a diverse collection of human ingenuity, ranging from Leigh Bowery’s sequined codpieces to historical ceramics, all organized within a framework that emphasizes the process of making.

Drawings Dominate at a Chicago de Kooning Exhibit

The Art Institute of Chicago is presenting an exhibition focused on the drawings of Willem de Kooning, marking a rare departure from the typical painting-centric blockbuster shows dedicated to the artist. The exhibition highlights de Kooning's mastery in drawing, offering a focused look at this often-overlooked aspect of his practice.

Para Site 30th Anniversary Programme: Q&A with Junni Chen

Para Site, a Hong Kong contemporary arts center, has launched a year-long 30th anniversary programme featuring exhibitions, performances, and residencies. The programme is structured around acts of response, pairing artists and fostering new collaborations, drawing inspiration from the organization's earliest experimental exhibitions.

Rirkrit Tiravanija to Assemble “A Gathering of Remarkable People” for Qatar Pavilion at Venice Biennale

Thai artist Rirkrit Tiravanija will headline the Qatar Pavilion at the 61st Venice Biennale with a collaborative project titled “Untitled (a gathering of remarkable people).” Curated by Tom Eccles and Ruba Katrib, the exhibition will be housed in a temporary tent in the Giardini on the site of Qatar’s future permanent pavilion. The presentation features a multidisciplinary roster including filmmaker Sophia Al-Maria, sound artist Tarek Atoui, sculptor Alia Farid, and chef Fadi Kattan, blending live performance, cinema, and Middle Eastern culinary traditions.

Jean-Marc Bottazzi on why good collecting is not about 'ticking boxes'

Jean-Marc Bottazzi, a Japanese bond trader and collector based in Hong Kong, discusses his philosophy of collecting in an interview with The Art Newspaper. He emphasizes deep, focused support of artists rather than acquiring a superficial variety, citing his extensive holdings of over 100 works by the 96-year-old Japanese artist A-Yo and deep collections of Abstract Expressionism, Gutai, and conceptual photography.

‘Quality always rules’: VIP day sales at Frieze London 2025

Frieze London 2025 opened with VIP day sales reflecting a cautious but resilient market. Gallerists reported solid sales, including Michael Landy's 'Multi-Saint' (2013) sold to the Walker Art Gallery for €125,000, and blue-chip works at Frieze Masters such as René Magritte's 'Le domaine enchanté' (1953) for $1.6m and Gabriele Münter's 'The Blue Garden' (1909) for SFr2.4m ($3m). Dealers noted a shift from speculative frenzy to more considered buying, with collectors taking longer to decide but still investing in quality works. The fair saw strong attendance, including wealthy individuals who had left London due to UK tax changes returning to buy.

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Untitled Art has announced the 84 exhibitors for its inaugural Houston edition, taking place September 19–21, 2025, at the George R. Brown Convention Center, with a preview day on September 18. The fair, which has run in Miami Beach for 12 years, expands to Houston citing the city's $1.3 billion arts-related spending in 2022, making it the largest art market in Texas. The exhibitor list includes 17 Texas-based galleries (about 20% of participants), leading US galleries from San Francisco, Los Angeles, Detroit, and New York, and international dealers from Canada, Spain, the UK, Peru, the Bahamas, and Latvia. A Nest section offers reduced booth prices for 20 galleries, and the fair will collaborate with Houston institutions including the Museum of Fine Arts Houston, the Contemporary Arts Museum Houston, and the Menil Collection for special projects.

A Journey Through the Work of Lucía Pizzani on the Occasion of Her First Institutional Exhibition in London

UN RECORRIDO POR LA OBRA DE LUCÍA PIZZANI A PROPÓSITO DE SU PRIMERA MUESTRA INSTITUCIONAL EN LONDRES

Venezuelan artist Lucía Pizzani presents her first institutional exhibition in the United Kingdom, titled "Faunal Succession," at Focal Point Gallery in London, running through May 30. The show features new works created in collaboration with artists Cecilia Bonilla, Jaime Gili, and Javier Weyler, as well as community groups and local schools, reimagining the Essex coastline through the concept of deep time. The exhibition links geological transformation with contemporary issues such as climate change, migration, and social change, as explored in an interview with curator Inês Costa.

art expo chicago gallery show guide

Cultured magazine has published a gallery show guide for Expo Chicago, highlighting seven must-see exhibitions across the city during the fair. The guide features Oren Pinhassi's towering sculptures at The Arts Club of Chicago, Gaylen Gerber's object-identity works at Hans Goodrich's new space, Liliana Porter's found-object pieces at Secrist Beach, Nate Millstein's industrial ceramic sculptures at Weatherproof, and Leah Ke Yi Zheng's 64-painting series inspired by the I Ching at the Renaissance Society. The article also notes the concurrent group show "Unreal" at Secrist Beach and the artist-run nature of Weatherproof, led by Young Dealers Milo Christie and Sam Dybeck.