Atelier Joliet Art Gallery to host opening for internationally-recognized artists

Atelier Joliet Art Gallery in downtown Joliet is set to host a dual artist opening on April 25 featuring the works of Jeffrey Equality Brooks and Joseph Mayernik. The exhibition showcases the distinct styles of these two nationally and internationally recognized artists, who will both be in attendance for the public event. The collection is currently installed and available for viewing during the gallery's standard weekend hours.

Reopening of Libya's national museum celebrated as ‘new beginning’

The National Museum of Libya in Tripoli reopened on 12 December after being closed since 2011, following the fall of Muammar Gaddafi and years of civil war. Housed in the historic Red Castle (Al-Saraya Al-Hamra), the museum was originally established by Italian colonizers in 1919 and later expanded by the British. Gaddafi opened a modernized version in 1988. A comprehensive restoration project with UNESCO assistance began in 2023 to bring the institution up to international standards.

B.A. exhibition gives seniors sendoff: Senior art students exhibit their best pieces at the Myers Fine Arts Building

SUNY Plattsburgh Art Museum recently hosted the 2026 B.A. Art and Design Senior Show at the Myers Fine Arts Building, showcasing the capstone projects of graduating art students. The exhibition featured a diverse range of media, including ceramics, sculpture, painting, and textiles, with notable works such as Kate LaPoint’s fiber art and Alexis Adamkowski’s botanical-themed figurative paintings. Curated by Museum Director Tonya Cribb and the art faculty, the show served as a formal introduction to professional gallery standards for the emerging artists.

SADA faculty members showcase art at museum

Liberty University's semi-annual Faculty Art Exhibition opened on September 4 and runs through October 13, 2025, at the Liberty University Art Museum in Green Hall. The show features a diverse range of work by faculty members of the Department of Studio & Digital Arts (SADA), including paintings, pottery, sculptures, jewelry, illustrative projects, video game renderings, and concept art created with design software. The gallery was donated by Barbara Engstrom in February 2022 to display faith-based art, and her personal collection is also on view. Chair Todd Smith oversees the museum and emphasized that the exhibition models professional practice for students.

A new certification has been created to improve the management and valorization of Italian cultural heritage

È nata una nuova certificazione per migliorare gestione e valorizzazione del patrimonio culturale italiano

A new certification standard called SGPI01:2024 has been launched in Italy to improve the management and valorization of cultural heritage. Developed by Certiquality and the Stati Generali del Patrimonio Italiano (SGPI), the standard was presented in Florence at Palazzo Guadagni Strozzi Sacrati, with the patronage of the Tuscany Region. It applies to all public and private entities that own or manage cultural and landscape assets, introducing a comprehensive management system that goes beyond legal compliance, focusing on conservation, economic sustainability, accessibility, and safety through independent third-party audits.

The process for awarding the title of Italian Capital of Culture should be rethought. Here's why.

Il processo per assegnare il titolo di Capitale Italiana della Cultura andrebbe ripensato. Ecco perché

An analysis of the selection process for Italy's "Capital of Culture" title reveals a consistent pattern: cities chosen for the prestigious designation are almost exclusively administered by political coalitions aligned with the national government in power at the time of selection. The sole exceptions were Bergamo and Brescia, which were jointly awarded the title via a special parliamentary decree in recognition of their suffering during the pandemic, bypassing the standard procedure. This political alignment has persisted across different legislatures and changes in government.

Insects, Dresses, and Rebellion: Why 'The Law of Lidia Poët' is Different from All Other Costume Dramas

Insetti, abiti e ribellione: perché “La legge di Lidia Poët” è diversa da tutte le altre serie in costume

The third and final season of the Netflix series "The Law of Lidia Poët" concludes the story of Italy's first female lawyer in 1880s Turin. While the narrative follows her legal battles and social defiance, the production distinguishes itself through a rigorous and symbolic approach to costume design led by Stefano Ciammitti. Rather than modernizing the past, the series uses historical aesthetics—specifically gothic literature and naturalistic obsessions—to construct a visual language of rebellion.

What are therapeutic gardens and how are they designed? An expert explains

Cosa sono i giardini terapeutici e come si progettano. Ce lo spiega l’esperta

Landscape architect Monica Botta discusses the resurgence and design principles of healing gardens, specialized green spaces designed to promote physical and psychological well-being. While the therapeutic value of nature was largely ignored in mid-20th-century clinical architecture, a modern shift is reintegrating 'nature therapy' into healthcare facilities to combat stress, depression, and chronic illnesses.

From Creators to Curators: MHS students get hands-on museum training ahead of annual Festival of the Arts

AP Art students from Meridian High School participated in a professional curation and installation master class at the Mississippi Arts + Entertainment Experience (The MAEX). Led by curator Christina McField, the students transitioned from artists to curators, learning the technical and conceptual requirements for mounting a professional museum exhibition.

6 x 6 Community Art – Final Week for Entries!

The 6 x 6 Community Art initiative is in its final week for submissions. The project invites community members to create and submit original artworks on a standardized 6-inch by 6-inch square format for a public exhibition.

Arts events feature a book launch, art gallery opening, soap carving … soap carving?

Northland Pioneer College’s Performing Arts Department is set to debut a world-premiere theatrical adaptation of Jane Austen’s classic novel, "Emma." The production, which opens on April 10 at the college’s Performing Arts Center in Snowflake, Arizona, offers a fresh take on the beloved story of a well-meaning but meddlesome matchmaker.

51st Juried Exhibition

The Lyndon House Arts Center in Athens, Georgia, has announced its 51st Juried Exhibition, a long-standing community tradition that showcases a diverse range of contemporary works from local and regional artists. This year’s edition continues the legacy of providing a professional platform for emerging and established creators to present their work to a wider audience.

Where Private Fortunes Treat the Public to Sumptuous Art

The New York Times article explores the growing trend of private collectors and foundations establishing their own museums to showcase their art collections to the public. These institutions, often funded by immense private fortunes, offer lavish exhibition spaces and high-profile shows that rival traditional public museums, blurring the lines between private ownership and public cultural access.

Wildenstein dispute over Monet work highlights art market opacity

A long-running dispute involving the Wildenstein art dynasty has resurfaced over a 2004 transaction for Claude Monet's *Adolphe Monet Reading in a Garden* (1867). The painting was acquired by Guy Wildenstein through a €4.5m deal that included works by Pierre Bonnard and Alfred Sisley, among them Monet's *Marine, Amsterdam* (1874). That work was later resold via Christie's, but a 2020 sale attempt revealed that the original canvas had been lost during a transfer process, significantly reducing its value. Court-appointed specialists concluded in 2024 that the alteration predated the transaction and that the gallery likely knew of the damage. The sellers have filed a claim alleging "vitiated consent" under French law, with a court date set for 7 May in Rouen. The disputed Monet now reportedly belongs to billionaire Larry Ellison.

Comment | Museums are civic institutions. It’s time we acted like it

Lindsay C. Harris, director of the Oakland Museum of California (OMCA), publishes a commentary calling for museums to act as true civic institutions. She outlines concrete internal commitments OMCA has made, including voluntarily recognizing a staff union, adopting a pay equity philosophy with a minimum wage of $30.88 per hour, implementing transparent financial practices, and shifting investments toward socially responsible funds. Externally, she advocates for centering community voices, building social cohesion through inclusive programming, and measuring institutional impact through visitor surveys.

Bodies in Motion, Bodies at Rest: Ali Cherri in Conversation with Kaelen Wilson-Goldie

This article presents a conversation between artist Ali Cherri and writer Kaelen Wilson-Goldie, marking the second installment of a collaborative series between TextWork by Fondation Pernod Ricard and Mousse Magazine. The series features in-depth dialogues between artists from the TextWork program and magazine contributors, expanding on the traditional interview format, and is set to continue until 2027.

7 ‘Body Types’ in the Met’s ‘Costume Art’ Fashion Exhibition

The Metropolitan Museum of Art's Costume Institute has announced its upcoming spring exhibition, titled '7 Body Types,' which will explore fashion through the lens of diverse physical forms. The show will feature garments designed for seven distinct body types, challenging traditional fashion norms and highlighting inclusivity in design. Curated by Andrew Bolton, the exhibition draws from the museum's extensive collection and includes works from contemporary designers.

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Chinese artist Cai Guo-Qiang staged a fireworks performance titled 'The Rising Dragon' at the base of the Himalayas in Shigatse, Tibet, sponsored by outdoor apparel brand Arc'teryx. The event, which involved colored smoke emitted at 18,000 feet elevation, sparked widespread online criticism over environmental concerns. Chinese authorities launched an investigation, and both Arc'teryx and Cai issued public apologies.

Marianne and Edward Gibson Art Museum opens at SFU Burnaby campus

The Marianne and Edward Gibson Art Museum, a new 12,100-square-foot facility on the Simon Fraser University Burnaby campus in British Columbia, has officially opened to the public. Designed by Siamak Hariri of Hariri Pontarini Architects, the museum features B.C.-sourced mass timber beams, floor-to-ceiling windows, and a layout that integrates with the surrounding forest. Its inaugural exhibition, "Edge Effects," includes works by artists such as Debra Sparrow, Cindy Mochizuki, Patrick Cruz, Lorna Brown, and Jin-me Yoon, and the museum also houses approximately 5,900 works from the Simon Fraser University Art Collection.

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Clearing, a New York-based gallery known for launching the careers of artists like Korakrit Arunanondchai, Harold Ancart, and Marguerite Humeau, has permanently closed its spaces in New York and Los Angeles after 14 years. Founder Olivier Babin cited an unsustainable path forward, stating the gallery could no longer operate at its standards. The closure follows a wave of New York gallery shutdowns, including Blum, Venus Over Manhattan, and Kasmin, which is transitioning into a new entity called Olney Gleason. Clearing’s final exhibitions were solo shows by Coco Young in New York and Henry Curchod in Los Angeles.

Comment | 'AI will transform the art market—just not how you expect'

The article argues that AI's most transformative impact on the art market will not come from generating new artworks or NFTs, but from streamlining back-office operations like logistics, insurance, provenance checks, and shipping. It notes that only 3.4% of the $1.7 trillion in privately held art is traded annually, and that antiquated processes deter younger buyers. By automating these friction-heavy tasks, AI could unlock billions in liquidity, potentially raising the turnover rate to 4.4% and injecting over $17 billion into the ecosystem.

Selina Roman photo exhibition at Sarasota Art Museum provides new take on femininity and beauty

Selina Roman's new exhibition "Abstract Corpulence" at the Sarasota Art Museum presents abstract photographs created from tightly cropped images of her own body, wearing pastel bodysuits and tights to transform her physique into rolling landscapes and modernist-inspired compositions. The show runs from August 31, 2025 through March 29, 2026, featuring works from her XS series, including pieces like 'Ballhead, 2021' and 'Blockhead, 2025', printed as dye sublimation on aluminum. Roman, a Tampa-based artist and former print journalist, was named a 2024 Critical Mass Top 50 Artist for this series.

Denver Art Museum proudly presents Andrea Carlson’s first museum survey, A Constant Sky

The Denver Art Museum (DAM) has announced "A Constant Sky," the first museum survey of artist Andrea Carlson. The exhibition, which marks the museum's centennial of collecting Indigenous arts, features Carlson's bold paintings that challenge colonial narratives and cultural consumption. The show is curated with input from Dakota Hoska, former Associate Curator of Native Arts at DAM, now at the National Gallery of Art, and John Lukavic, Andrew W. Mellon Curator of Native Arts at DAM.

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A New Yorker profile of Sotheby's and its billionaire owner Patrick Drahi reveals the chaotic aftermath of the auction house's failed 2024 fee restructuring. The plan, announced in February 2024 and enacted that May, standardized seller's commissions and buyer's premiums but backfired, driving away business and causing profits to plummet. By December, Sotheby's reversed course. The article quotes former and current employees who compare Drahi's management style to Donald Trump's tariff disputes, and recounts a tense June 2024 meeting where contemporary art chairman Grégoire Billault told Drahi he was losing business, only to be told by Drahi that everyone is replaceable.

Diego Montoya's drag designs are art, and a major museum finally agrees

Diego Montoya, a fashion and costume designer known for his work on RuPaul's Drag Race and HBO's We're Here, has opened a solo exhibition titled 'Resplendent Dreams: Reawakening the Rococo' at the Indianapolis Museum of Art at Newfields. The show, running from June 6, 2025 to March 29, 2026, features costumes created for drag queens including Sasha Velour, Blair St. Clair, Kandy Muse, Jimbo, and Miz Cracker, as well as a new commission 'Rocaille' made for the museum. Montoya worked with exhibition designer Mandie Holden to present the costumes on custom mannequins that evoke drag silhouettes rather than standard fashion displays.

Blue Fern Artists Collective Gallery will host grand opening in Peterborough on Sept. 5

Blue Fern Artists Collective Gallery will hold its grand opening and ribbon-cutting on Friday, Sept. 5, from 6 to 8 p.m. at 40B Main St. in Peterborough, N.H., in a space formerly occupied by Grey Horse Candles. The gallery, founded by Deborah Caplan and a group of local artists, had a soft opening during the Aug. 8 Night Market. It features 18 artists working in diverse media including paintings, drawings, collage, multimedia, ceramics, felting, jewelry, leather work, and photography. The collective is collaboratively owned and run, with each artist paying a nonrefundable buy-in and monthly dues, and working two shifts per month. Artists receive 82% of sales profits, far above the typical 40-50% gallery commission. The gallery is also partnering with MAXT Makerspace to showcase makers’ work and plans to host classes, art history lectures, poetry readings, and evening events in the adjacent alley.

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The Alexandria Biennale will return in September 2026 after a 12-year hiatus, with its 27th edition curated by Egyptian artist Moataz Nasr under the title “This Too Shall Pass.” The exhibition will feature 55 artists from across the Mediterranean, with a main program complemented by smaller shows in Alexandria museums focusing on emerging Egyptian artists. Venues include the Roman amphitheater, the Alexandria Library, and the Qaitbay Citadel. The biennale was originally established in 1955 under Gamal Abdel Nasser, suspended in 2011 amid the Egyptian revolution, briefly reopened in 2014, and then shuttered again due to financial and political instability.

Alexandria Biennale—third-oldest after Venice and São Paulo—announces return following 12-year hiatus

The Alexandria Biennale, the third-oldest biennial in the world after Venice and São Paulo, is relaunching in September 2026 after a 12-year hiatus. Curated by Egyptian artist Moataz Nasr under the title "This Too Shall Pass," the event will feature artists mainly from the Mediterranean basin, along with performances, music, and lectures. In a shift from its previous state-funded model, the biennial now operates as a private-public partnership, with seed money from the Egyptian and Alexandria governments and pledges from local businesses. The exhibition will take place at historic venues across Alexandria, including the Roman amphitheatre, the Alexandria Library, and the Qaitbay Citadel.

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The Danish government has ordered the removal of a 13-foot tall mermaid statue known as the "Big Mermaid" from Dragør Fort in Copenhagen, following years of criticism that it is sexualized, ugly, and pornographic. The sculpture, inspired by Hans Christian Andersen's fairy tale, was installed without permission on a protected monument site overseen by the Agency for Culture and Palaces, which determined it disrupts the fort's military structure. Critics including Sorine Gotfredsen and Mathias Kryger condemned the work, while entrepreneur Peter Bech, who commissioned it, defended the statue's proportions.

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The Smithsonian's National Museum of American History has restored a placard for President Donald Trump to its impeachment display, updating it with new information. The change follows controversy after a temporary placard mentioning Trump was removed, which drew criticism from Democratic leaders and concerns about political interference at the Smithsonian. The museum stated the removal was due to the placard not meeting standards in appearance and presentation, and that no administration requested the change.