BETWEEN EARTH AND CONCRETE DELCY MORELOS EXHIBITS IN LONDON

Colombian artist Delcy Morelos has unveiled her first UK public commission, titled "Origo," at London’s Barbican Centre. Located in the Sculpture Court—a space reactivated for the first time in ten years—the monumental oval installation is constructed from earth, clay, hay, and seeds, infused with aromatic spices like cinnamon and cloves. The work invites visitors to walk through earthen tunnels, creating a sensory experience that contrasts the organic, porous nature of soil with the Barbican’s rigid Brutalist concrete architecture.

Quels sont les musées ouverts ce 1er mai 2026 à Paris ?

Beaux Arts Magazine has published a guide to museums open in Paris on May 1, 2026, a public holiday in France. The article lists cultural venues across several arrondissements, including the Musée de l’Illusion, Musée en Herbe (with a Pokémon exhibition), Muséum national d’Histoire naturelle (zoo only), Musée Maillol (featuring Philippe Geluck's cat), Musée Jacquemart-André (with a Spanish Baroque exhibition), Musée Grévin, and the Atelier des Lumières (with a Renaissance immersive experience). Each entry includes addresses, dates, and highlights.

Martin Schongauer in 2 Minutes

Martin Schongauer en 2 minutes

Martin Schongauer (c. 1445–1491), the Alsatian painter, draftsman, and engraver, is celebrated as the greatest German copperplate engraver before Albrecht Dürer and one of the first artists to achieve pan-European fame in his lifetime. The article outlines his life and career, from his early training in his father's goldsmith workshop in Colmar to his studies at the University of Leipzig and travels through Flanders, where he absorbed the influence of Rogier van der Weyden and Dirk Bouts. It highlights his 116 copper engravings, signed with the monogram 'M+S', which elevated engraving to a high art and circulated from Spain to Bohemia, inspiring Dürer and the young Michelangelo. Key works discussed include the painting 'La Vierge au buisson de roses' (1473) and the engraving 'La Tentation de saint Antoine' (c. 1470–1475).

« L’Angélus » de Millet : une notification à l’humanité hors sol ?

Beaux Arts Magazine publishes a detailed visual analysis of Jean-François Millet's painting "L'Angélus" (1857–1859), housed at the Musée d'Orsay in Paris. The article describes the scene of two peasants pausing their potato harvest to pray at dusk, examining the composition, color, and spiritual resonance of the work. It also traces Millet's biography—from his peasant origins in the Cotentin region to his training under Langlois and Paul Delaroche, and his early career painting portraits and nudes before turning to rural subjects.

Near Paris, this mythical restaurant transports us into a Renoir masterpiece

Près de Paris, ce mythique restaurant nous transporte dans un chef-d’œuvre de Renoir

The historic Maison Fournaise in Chatou, a legendary riverside restaurant and inn near Paris, has been meticulously restored to its 19th-century glory. Once a central hub for the Impressionist movement, the site served as the specific setting for Pierre-Auguste Renoir’s 1881 masterpiece, "Luncheon of the Boating Party." The restoration, led by the Ludéric group and featuring a menu by Michelin-starred chef Christian Le Squer, coincides with major Renoir exhibitions at the Musée d’Orsay.

Auguste Renoir in 2 Minutes

Auguste Renoir en 2 minutes

Pierre-Auguste Renoir remains a cornerstone of Impressionism, celebrated for his transition from porcelain painting to becoming a master of figure and light. While he initially pioneered plein air techniques alongside Claude Monet, Renoir eventually pivoted toward a more classical study of 18th-century masters, focusing on portraits, domestic scenes, and nudes. His career was marked by iconic works like 'Bal du moulin de la Galette' and a persistent drive to paint even as severe rheumatism physically debilitated him in his final years at Cagnes-sur-Mer.

Christo and Jeanne-Claude artwork to be presented for the first time ever at Gagosian.

An unrealized work by Christo and Jeanne-Claude, recently discovered in Christo's atelier, will be presented for the first time at Gagosian in London. Titled *Air Package on a Ceiling*, the installation features a 52-foot-long, 33-foot-wide inflated form wrapped in rope, softly illuminated from within to resemble half a cloud protruding from the ceiling. The piece is realized from the original 1968 model and preparatory drawings and collages.

American Artist and Sonya Clark among Guggenheim Fellows 2026.

The John Simon Guggenheim Memorial Foundation has announced its 101st class of Guggenheim Fellows, awarding grants to 223 individuals across 55 disciplines. Among the 30 fine artists selected for the 2026 cohort are Brooklyn-based conceptual artist American Artist, textile artist and educator Sonya Clark, and interdisciplinary artist Allison Janae Hamilton. Each fellow receives a financial stipend designed to provide the creative and intellectual freedom necessary to pursue their work without restrictive conditions.

Isa Genzken at David Zwirner

David Zwirner’s New York gallery is hosting "VACATION," a solo exhibition by the influential German artist Isa Genzken. Curated by Ebony L. Haynes, the show features a series of new works that continue Genzken’s career-long exploration of urban architecture, consumer culture, and the complexities of modern life. The presentation is supported by Galerie Daniel Buchholz, the artist's long-time representative in Cologne.

Lina Lapelytė Fills Hamburger Bahnhof with 400,000 Wood Blocks for Communal Building

Lithuanian artist Lina Lapelytė has filled Berlin's Hamburger Bahnhof with 400,000 wooden blocks made of pine and spruce, creating a participatory installation titled “We Make Years Out of Hours.” Commissioned by Chanel, the work invites the public to build and rebuild structures from the 10-centimeter cubes. A series of weekly performances featuring a libretto by writers including Ocean Vuong, Etel Adnan, Forugh Farrokhzad, and Mahmoud Darwish will accompany the installation, which opens on May 1 and runs through January 10, 2027.

A Giant Wool Form by Nicola Turner Heaves and Skitters Through an 18th-Century Chapel

Artist Nicola Turner has unveiled a site-specific installation titled "Time’s Scythe" within an 18th-century chapel at the Yorkshire Sculpture Park. The work features massive, creature-like forms made from hand-stitched recycled wool and horsehair that appear to crawl and surge through the building's architectural openings, spilling from balconies and wrapping around the exterior.

Klara Lidén “Kunstwerke” at KW Institute for Contemporary Art, Berlin

Swedish artist Klara Lidén has opened a major solo exhibition, "Kunstwerke," at the KW Institute for Contemporary Art in Berlin. The show features a new, site-specific architectural installation that reconfigures the gallery's main hall, alongside a selection of her existing video and sculptural works that explore urban space and the body's relationship to it.

Lubaina Himid on Representing a Changing Britain

Lubaina Himid, the Turner Prize-winning artist, discusses her latest exhibition that reflects on the evolving cultural and social landscape of contemporary Britain. The show features her signature vibrant paintings and installations that explore themes of diaspora, identity, and historical narratives, drawing on her own experiences as a Black British artist.

Henrike Naumann Stared Down a Divided Germany’s Past While Eyeing Our Troubled Present

Henrike Naumann, a German artist known for using secondhand furniture and design to explore political extremism and consumer capitalism, is profiled in ARTnews. The article recounts her first US exhibition, “Re-Education” at SculptureCenter in New York in 2022, where she created installations referencing the January 6 Capitol attack, juxtaposing Federal-style office furniture with a Flintstonian mancave and chairs arranged by ideological subtext. The show gained unexpected attention when German media covered it, linking her small hometown of Zwickau with New York, and she later visited Thomas Hart Benton’s murals at the Met to understand American power and aesthetics.

Edmonia Lewis Was the Earliest Known Black Artist to Depict Emancipation. This Is Her First Retrospective.

The Peabody Essex Museum is hosting "Said in Stone," the first-ever comprehensive retrospective dedicated to Edmonia Lewis, a pioneering 19th-century sculptor of Black and Ojibwe heritage. The exhibition assembles a significant body of her marble works, including the landmark sculpture "Forever Free" (1867), which is recognized as the first formal visual representation of emancipation by a Black American artist. The show traces her journey from her upbringing with her Ojibwe family and her traumatic years at Oberlin College to her eventual success as an expatriate artist in Rome.

The art of politics: how global conflicts are playing out in this year's Venice Biennale

Israel is making a controversial return to the 2025 Venice Art Biennale after its pavilion was locked in 2024 with a note demanding a ceasefire in Gaza. The artist representing Israel, Belu-Simion Fainaru, will present his project "Rose of Nothingness" in the Arsenale, while Russia also returns to the Biennale after its Giardini pavilion was reassigned to Bolivia in 2024. The Art Not Genocide Alliance (ANGA) has renewed calls for a boycott and is organizing strike action to disrupt the event, accusing Israel of genocide.

Monumental 37ft-long Indian scroll goes on public view for the first time at Yale Center for British Art

The Yale Center for British Art has unveiled the 'Lucknow scroll,' a monumental 37-foot-long early 19th-century watercolor, following an extensive two-year conservation project. Part of the exhibition 'Painters, Ports and Profits,' the scroll offers a panoramic view of Lucknow, India, during the reign of Ghazi-ud-Din Haidar Shah. Due to its immense size and fragility, the museum is displaying the work in two stages, unrolling different sections over the course of the exhibition to manage light exposure and space constraints.

Hito Steyerl “The Island” Osservatorio Fondazione Prada / Milan by Piermario De Angelis

Hito Steyerl's solo exhibition "The Island" at Osservatorio Fondazione Prada in Milan explores the concept of submersion as both a geological condition and a media regime. The show takes its title from a Neolithic artificial island discovered off the coast of Korčula, Croatia, which remained submerged for approximately seven thousand years. Through video interviews, installations, and critical assemblages, Steyerl connects this submerged structure to contemporary issues of digital image circulation, algorithmic power, and the dispossession of agency, drawing on science fiction, quantum physics, biochemistry, and deep time.

Pooh in pencil: sketches for original Winnie-the-Pooh book shared for first time

Two previously unseen preliminary pencil sketches of Winnie-the-Pooh by illustrator E.H. Shepard have been revealed to the public for the first time. Shared by the artist’s family to mark the centenary of A.A. Milne’s classic stories, the drawings depict scenes from the "expotition" to the North Pole and the hunt for a "Woozle" that were never included in the final 1926 publication. These rare works are set to go on display at Peter Harrington Rare Books in London starting April 17.

‘The Queen of the Ghetto’ Gave New York’s Immigrant Community a Voice. A Century Later, It’s Re-emerging

Anzia Yezierska, a Polish-Jewish immigrant who arrived in New York in 1890, defied traditional gender expectations to become a leading literary voice of the 1920s. Dubbed the 'Queen of the Ghetto,' she documented the raw struggles of immigrant women on the Lower East Side using a unique 'immigrant English' style that captured Yiddish idioms. After escaping a restrictive marriage and pursuing an education at Columbia University, she channeled her personal frustrations into stories of poverty, ambition, and the psychological toll of assimilation.

This Liminal Moment

The article reviews the exhibition "MONUMENTS" at the Geffen Contemporary at MOCA and the Brick in Los Angeles, which addresses the legacy of Confederate monuments through contemporary art. It highlights Cauleen Smith's installation "The Warden" (2025), which features a live-feed of the decommissioned Confederate sculpture "Vindicatrix" (also known as "Miss Confederacy") by Edward V. Valentine, originally atop the Jefferson Davis Memorial in Richmond, Virginia. The exhibition is curated by Hamza Walker, Kara Walker, and Bennett Simpson.

Daring and Dazzling, a New LACMA Floats Above Los Angeles

The Los Angeles County Museum of Art (LACMA) has unveiled its new $724 million David Geffen Galleries, a long-awaited and controversial expansion designed by Swiss architect Peter Zumthor. The structure, which spans Wilshire Boulevard with its distinctive horizontal, glass-walled design, marks the culmination of a decade-long effort to modernize the campus and replace several aging buildings.

The Sense of Touch at Billboard Scale

Conceptual artist Ann Hamilton has debuted a new series of large-scale scanner photography installations at the Cleveland Museum of Art. Moving from her signature immersive environments to high-resolution digital captures, Hamilton utilizes a flatbed scanner to document the tactile qualities of various objects and figures, enlarging them to billboard proportions to emphasize the intimacy of touch.

Desmond Morris, zoologist, presenter and surrealist painter, 1928–2026

Desmond Morris, the zoologist, author, television presenter, and surrealist painter, has died at the age of 98. He was best known for his 1967 book *The Naked Ape* and the television program *Zoo Time*, but maintained a parallel, influential career in the visual arts as a painter and curator.

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The Italian artist who sails from the Island of Elba to Saint Helena: talking about power and making a film

L’artista italiano che parte dall’Isola d’Elba in barca a vela per raggiungere Sant’Elena: si parla di potere e si gira un film

Italian artist Luca Vitone (born Genoa, 1964) has launched a project titled "Pro Tempore," which involves a two-month sailing journey from the Island of Elba—Napoleon Bonaparte's first place of exile—to the remote island of Saint Helena, where Napoleon died in exile. The voyage, aboard the boat Adriatica, includes four intermediate stops (Balearic Islands, Algeciras, Canary Islands, Cape Verde) and is funded by the 14th edition of the Italian Council grant, in partnership with the Fondazione Oelle. The project explores the concept of temporary power and uses Napoleon's biography and the sea as metaphors for control and instability.

In Kyoung Chun: Make Room

The Halsey Institute of Contemporary Art at the College of Charleston is presenting "Make Room," a solo exhibition by South Korean-born, Atlanta-based artist In Kyoung Chun. The show features a mix of paintings and site-specific installations, including transparent houses and suspended structures that explore the artist's experience as an immigrant. By blurring the lines between interior and exterior spaces, Chun’s work invites viewers into environments that reflect on the fragility and resilience of home.

Remembering James Hayward, LA’s Adored Cowboy Painter

Abstract painter James Hayward, known for his monochromatic oil and wax impasto works, died last week at age 82. A legendary figure in the LA art scene, Hayward was equally celebrated for his magnetic personality, ribald humor, and storytelling. He rose to prominence in 1977 when included in the group show "Less is More" at Sidney Janis Gallery in New York, and was admired by art-world giants such as Dave Hickey, Chris Burden, Nancy Rubins, Ed Moses, and Mike Kelley. Hayward also taught at colleges across the country, including a guest seminar at the University of Southern California, and was a longtime supporter of the LA contemporary art magazine Artillery.

David Novros’s Portable Murals

David Novros’s latest exhibition at Paula Cooper Gallery showcases his "portable murals," intricate multi-paneled paintings that challenge the traditional concept of art as a mere object on a wall. Utilizing oil and murano on canvas, Novros assembles monochromatic, L-shaped, and horizontal panels with precise intervals that incorporate the gallery wall into the composition. These works are designed to be experienced kinesthetically, responding to shifting natural light and the viewer's physical movement through the space.

German artist Thomas Zipp, who explored the dark side of humanity, dies at 60.

German artist Thomas Zipp, a prominent figure in the Berlin art scene known for his dark, immersive installations, has died at the age of 60. His longtime representative, Galerie Barbara Thumm, confirmed his passing on April 4th, noting that the artist died far too soon. Zipp gained international recognition for his multidisciplinary approach, blending painting, sculpture, and performance into theatrical environments that often felt like unsettling psychological experiments.