filter_list Showing 314 results for "Violence" close Clear
search
dashboard All 314 museum exhibitions 167article news 46article culture 22rate_review review 17article policy 16person people 14gavel restitution 10article local 10candle obituary 7trending_up market 5
date_range Range Today This Week This Month All
Subscribe

south african court rejects gabrielle goliaths bid to reinstate venice biennale pavilion

A South African high court has dismissed artist Gabrielle Goliath’s urgent application to reinstate her selection for the 61st Venice Biennale. Culture Minister Gayton McKenzie canceled Goliath’s pavilion, titled "Elegy," labeling the work "highly divisive" just days before the official submission deadline. The artist and curator Ingrid Masondo argued the cancellation was an act of censorship and a violation of constitutional freedom of expression, but the court rejected the bid without providing immediate reasons.

south africa venice biennale investigation

South Africa withdrew its national pavilion from the Venice Biennale after Culture Minister Gayton McKenzie claimed a foreign power attempted to purchase artist Gabriele Goliath's work *Elegy*, which addresses femicide, anti-queer violence, the war in Gaza, and Germany's colonial genocide in Namibia. McKenzie deemed the financial interest a use of "proxy power." New reporting from Daily Maverick reveals that the alleged foreign party was Qatar Museums, a state-owned network, which had expressed interest in acquiring the work but never committed to a purchase. The minister's decision has sparked political backlash, with South Africa's public protector processing a formal complaint against McKenzie, and Goliath's team accusing him of censorship and deflection.

qatar museums gabrielle goliath venice biennale pavilion

Gabrielle Goliath's planned South African pavilion at the Venice Biennale was abruptly canceled by South African culture minister Gayton McKenzie. McKenzie claimed the cancellation was not due to the pavilion's focus on Israel's war in Gaza, but because a foreign nation attempted to purchase the work after the show. The Daily Maverick reported that the foreign entity was actually Qatar Museums, which had expressed interest in acquiring a video recording of Goliath's performance piece 'Elegy,' which addressed violence against women and queer people in South Africa and a genocide in Namibia. McKenzie's statement contradicted earlier reports that he had privately called the pavilion 'polarizing.'

mfa boston returns benin bronze robert owen lehman

The Museum of Fine Arts Boston has returned two Benin Bronzes—a 16th/17th-century terracotta and iron Commemorative Head and a 16th-century bronze Relief Plaque—to the Kingdom of Benin. The works were looted by British soldiers during the 1897 attack on Benin City, later acquired by collector Robert Owen Lehman Jr., and donated to the MFA in 2013 and 2018. The repatriation ceremony took place on June 27 at Nigeria House in New York, with the items handed over to Prince Aghatise Erediauwa and Ambassador Samson Itegboje. The MFA closed its Benin Kingdom Gallery in April and noted that three other Benin works donated by Lehman remain in its collection pending further provenance research.

on art history in times of war gaza islamic nasser rabbat

This essay by Nasser Rabbat reflects on the persistence and precarity of writing art history in times of war, specifically focusing on the field of Islamic art and architectural history. Rabbat draws a parallel to Gabriel García Márquez's novel *Love in the Time of Cholera* to frame his discussion, arguing that war is not a passing crisis but a persistent condition for the Islamic world. He traces how colonial conquests, postcolonial conflicts, and the ongoing Israeli genocide against Gaza have shaped the formation and theoretical orientation of Islamic art history as a Western scholarly endeavor, beginning with Napoleon's invasion of Egypt in 1798 and continuing through the "War on Terror."

The Left Side of History: On Haile Gerima’s Black Lions—Roman Wolves

The article is a critical essay analyzing Haile Gerima's 2026 film 'Black Lions—Roman Wolves: The Children of Adwa,' focusing on its exploration of Italy's colonial occupation of Ethiopia and the repression of this history. The author uses a scene from Gerima's earlier film 'Teza'—featuring children playing near a decaying fascist monument in Ethiopia—as a starting point to discuss how colonial memory and trauma are cinematically excavated.

Young artists show their talent

The Young Artists’ Project (YAP) exhibition returns to the KZNSA Gallery in Durban, South Africa, from August 22 to September 21. Initiated in 2002 by then-curator Storm Janse van Rensburg, the annual project mentors emerging artists in producing their first solo exhibitions. This year features two artists: N’lamwai Luntha Chithambo, a Malawian-born painter who earned degrees from Rhodes University and has shown at the National Arts Festival and Sasol New Signatures; and Zama Mwandla, a South African surrealist painter whose work confronts sexual violence and healing, with exhibitions at the African Feminisms show and the 54th Art & Antique Fair in Salzburg.

‘My Year in Paris with Gertrude Stein’ by Deborah Levy, Reviewed

Deborah Levy’s latest novel, *My Year in Paris with Gertrude Stein*, follows a first-person narrator who travels to Paris to research the American writer and collector Gertrude Stein. The narrative slips between the early twentieth century and the autumn of Donald Trump’s 2024 reelection, using stream-of-consciousness prose and liquid metaphors to blur past and present. The narrator’s research into Stein’s role in shaping modernity becomes a vehicle for exploring her own sense of helplessness and lack of agency in a hyperconnected, war-weary present.

The Interview: Gabrielle Goliath

Gabrielle Goliath, a South African artist, created the performance work "Elegy" in 2015 after hearing a father mourn his daughter, Ipeleng Christine Moholane, who was raped and murdered. The piece features seven operatic women sustaining a single note in relay for an hour, evolving over a decade into a series of iterations that address systemic violence and grief. In January 2026, South Africa's Minister of Sport, Arts and Culture, Gayton McKenzie, cancelled Goliath's presentation of the latest version of "Elegy" at the 61st Venice Biennale, which was to include tributes to victims in South Africa, Namibia, and Gaza, including journalist Hiba Abu Nada. Goliath refused to alter the work, took legal action, and will now show it independently at the Chiesa di Sant'Antonin in Venice, while the official South African Pavilion will remain empty for the first time since 2011.

‘Volcano Snake Sun, September’: A Poem by Ella Frears

Poet Ella Frears has composed a new literary work in response to Charlie Prodger’s 2024 drawing, 'Volcano Snake Sun, September'. The poem explores themes of observation, physical detachment, and the tension between tranquility and underlying violence, mirroring the shift in Prodger’s practice from conceptual film to representational pencil-and-pastel works on paper.

Theresa Hak Kyung Cha: Language of the Dispossessed

A major retrospective of artist and writer Theresa Hak Kyung Cha highlights her pioneering work in feminist conceptual art, focusing on videos and performances that explore displacement, language, and the violence of cultural hegemony. The exhibition, born from recent reassessments of her legacy, reconstructs the image of an artist whose brief career anticipated contemporary struggles with nationalism and identity.

Sara Flores on Representing Peru at the 61st Venice Biennale

Sara Flores will represent Peru at the 61st Venice Biennale in 2026 with an immersive exhibition titled 'From Other Worlds.' The presentation, curated with Issela Ccoyllo and Matteo Norzi, will feature large-scale kené paintings, ethereal sculptures, and a video work in the Arsenale, aiming to create portals to Shipibo-Konibo ancestral knowledge and Indigenous futures.

Opening reception at UWAG for "i look to the skies" an installation by Jude Abu Zaineh.

The University of Waterloo Art Gallery (UWAG) opened an exhibition titled "i look to the skies," a solo installation by Palestinian-Canadian interdisciplinary artist Jude Abu Zaineh. The work centers on Maqlouba, a traditional Palestinian dish, as a metaphor for diaspora, memory, and cultural preservation. The installation incorporates bioart, video, sculpture, textiles, and petri dishes cultivated from food remnants and foraged materials, creating a contemplative sanctuary that explores themes of exile, migration, and identity under colonial violence.

Gabrielle Goliath Sounds a Call to Action in Venice

Gabrielle Goliath’s exhibition "Elegy" is presented as South Africa’s unofficial pavilion at the 61st Venice Biennale, after the country’s Culture Minister Gayton McKenzie overrode an independent committee’s selection of Goliath, citing her proposed inclusion of a memorial for Palestinians killed in Gaza. The installation features three video works in which singers sound a single note in tribute to victims of violence: a South African femicide victim, two women killed in Germany’s colonial genocide in Namibia, and Palestinian poet Heba Abunada. The show occupies the Chiesa di Sant'Antonin in Venice, curated with Ingrid Masondo, after a legal challenge against McKenzie was dismissed.

UK Museums Face Criticism For Collections Of Human Remains

A Guardian investigation revealed that 241 UK museums, universities, and councils collectively hold over 263,000 items of human remains, with at least 37,000 originating from overseas, including former British colonies. The Natural History Museum in London houses the largest collection of non-European remains, followed by the University of Cambridge and the British Museum. Records are often incomplete, with the origins of 16,000 items unconfirmed and many institutions unable to provide exact figures due to poor documentation.

de young museum lawsuits workplace culture

Security guards at the de Young Museum in San Francisco have leveled serious allegations against the Fine Arts Museums of San Francisco (FAMSF) and their union, SEIU 1021, citing a decade of workplace toxicity. Multiple lawsuits detail a culture of whistleblower retaliation, wrongful termination, and harassment, including claims of religious discrimination where a guard was allegedly called a "terrorist" and threatened with gun violence by management. To date, the city has paid out over $1 million to settle seven different lawsuits from security staff, with more litigation reportedly on the horizon.

mine atairu ai benin nigeria repatriation

Minne Atairu's augmented reality work "Deshrined Ancestors" (2024) was featured in the group exhibition "All Watched Over by Machines of Loving Grace" at REDCAT in Los Angeles. The piece is a speculative 3D rendering of a Benin bronze, created using AI trained on archives and oral histories, designed to fill the gap left by looted artifacts. Atairu, born in Benin, Nigeria, uses tools like Midjourney and Blender to generate artworks that address colonial violence and erasure, including her 2023 installation "To the Hand" at The Shed. The exhibition explores humanity's evolving relationship with AI, and Atairu's work includes an empty podium representing a Benin bronze returned to Nigeria from RISD.

UMich art museum glorifies left-wing protests

A new exhibition at the University of Michigan Museum of Art (UMMA) titled “American Sampler: The Art, Language and Legacy of Protest” features posters, pamphlets, and video from 1960s and ‘70s left-wing protest movements, including the Black Panthers, Vietnam War protesters, and the anarchist Yippies. Guest curator Julie Ault organized the show using materials from U-M’s Labadie Collection, which holds radical literature. Conservative commentator Bobby Mars, writing for the Michigan Enjoyer, criticizes the exhibit for allegedly glorifying violence and anti-American sentiment, arguing that the museum’s framing encourages today’s students to protest against the government.

Total Museum's 'Somebody Has to Collect It' examines collecting as a responsibility

The Total Museum of Contemporary Art in Seoul has opened "Somebody Has to Collect It," an exhibition featuring works from the collection of French art collectors Catherine and Renato Casciani. Running from April 30 to May 31, the show marks the couple's first major presentation in Korea and inaugurates the museum's new "Collector/tion" project, which reframes collectors not as buyers but as actors at the intersection of capital, memory, and value-making. The exhibition includes 22 artists and collectives, with a focus on video art addressing themes such as precarious labor, state violence, colonial inheritance, climate crisis, and queer intimacy. It is also an official program of the 140th anniversary of diplomatic relations between Korea and France.

Graduate art and design students exhibit their work at Krannert Art Museum

The Krannert Art Museum is currently hosting the annual Master of Fine Arts Exhibition, showcasing the thesis work of eight graduate students from the University of Illinois Urbana-Champaign School of Art & Design. The exhibition features a diverse range of media, including sculptural 3D collages by Samantha Jones that critique the hypersexualization of Black girlhood, and a mixed-media experimental classroom by Anthony Obayomi that explores social justice and educational metrics. Other works, such as Emily Tomlinson’s text-based drawings, highlight themes of cataloging and observational study.

Danger and inspiration: Bangladeshi artists divided about country’s future after historic election

The 11th Chobi Mela photography festival in Dhaka has become a vital site for political discourse following Bangladesh's historic election and the 2024 revolution. Through public installations like 'Women in the July Uprising,' artists are documenting the pivotal role of women in toppling the previous regime and addressing the subsequent erasure of their contributions under the new political landscape. The festival also highlights the ongoing struggle for justice regarding the 'disappeared' through the documentary work of photographers like Mosfiqur Rahman Johan.

Beatriz González travelling show kicks off in São Paulo

The Pinacoteca de São Paulo is hosting the first leg of a touring retrospective of Colombian artist Beatriz González, featuring nearly 100 works from across her career. The exhibition, co-curated by Pollyana Quintella and Natalia Gutiérrez, takes an art-historical reading from the perspective of the Global South and highlights González's direct confrontation with Colombia's history of violence, as well as her engagement with kitsch and popular culture. The show will travel to the Barbican Art Gallery in London and the Astrup Fearnley Museet in Oslo in 2026.

Modern Art Museum of Fort Worth highlights Oak Cliff artist with ‘David-Jeremiah: The Fire This Time'

The Modern Art Museum of Fort Worth is presenting 'David-Jeremiah: The Fire This Time,' a solo exhibition featuring the Oak Cliff-based multidisciplinary conceptual artist David-Jeremiah. The show, on view from August 16 to November 2, includes new polychromatic paintings from his EE (Emma Esse) series and works from his I Drive Thee tondo series, which explore themes of transcendence, ritual, and the dichotomy of beauty and violence through the motif of fire and the Lamborghini automobile. The exhibition is guest-curated by Christopher Blay, a Liberian-born American artist and curator who serves as Director of Public Programs at the National Juneteenth Museum in Fort Worth.

Immediately after the Second World War, how did six exhibitions attempt to make sense of the atrocities?

Berlin's Deutsches Historisches Museum has opened an exhibition titled "On Displaying Violence: First Exhibitions on the Nazi Occupation in Europe, 1945-48," which revisits six post-World War II exhibitions that attempted to process the atrocities of the war. These shows took place in venues ranging from the Grand Palais in Paris to a Czech villa formerly occupied by a Nazi official, and included displays such as the UK's Daily Express "The Horror Camps" (1945), the French traveling show "Hitlerian Crimes" (1945), "Warsaw Accuses" (1945) at the National Museum in Warsaw, and "Our Path to Freedom" (1947) at the Bergen-Belsen concentration camp. The Berlin exhibition uses original objects, film footage, photographs, and recordings to recreate the experience of these early post-war shows.

Rocky Has Entered the Building

The iconic Rocky statue, long situated outside the Philadelphia Museum of Art as a popular tourist attraction, has been moved inside the museum. It now serves as the centerpiece of an exhibition that explores themes of race, activism, and violence.

Stockholms Auktionsverk Presents: The Modern Art Sale and The Contemporary Art Sale

Stockholms Auktionsverk is holding two live auctions, The Modern Art Sale and The Contemporary Art Sale, on May 20 and 21, 2026, at Nybrogatan 32 in Stockholm. The sales feature a curated selection of Swedish and international artists from the early 20th century to the present day, including works by Andy Warhol, Jasper Johns, Tony Cragg, Lena Cronqvist, and a newly discovered painting by Gösta Adrian-Nilsson. The Modern Art Sale highlights modernist masterpieces by Otte Sköld, Sigrid Hjertén, and Ragnar Sandberg, while The Contemporary Art Sale pays tribute to Ola Billgren and includes works by David LaChapelle, Cindy Sherman, and Britta Marakatt-Labba.

“Double Outsider”: in the London studio of artist Pavel Otdelnov

Russian contemporary artist Pavel Otdelnov has established a home studio in London, where his domestic environment serves as an extension of his artistic practice. Following his relocation in 2022, Otdelnov has integrated Soviet-era motifs—such as wall carpets and television color grids—into his English terraced house to explore themes of memory and the 'uncanny.' His recent works, including 'Unheimlich' and 'No Signal,' utilize these familiar objects to critique how nostalgia can be weaponized and how violence often hides within the mundane.

The Ohio Art League's Newest Exhibit Features Uncensored, Provocative Art at RAW Gallery

The Ohio Art League has opened a new exhibition titled "Uncensored" at RAW Gallery in Downtown Columbus, running from July 13 through September 12, 2025. The show features provocative, unfiltered artworks that address politically charged topics such as gun violence and reproductive rights. Participating artists include Jim Bowling, a professor at Otterbein University, whose sculpture "Second Amendment Rites" critiques gun violence and was previously questioned for being "too political"; Gwen Waight, whose assemblage "Free Abortion" was censored in another show over funding concerns; and Kenia LaMarr, a master's student at Ohio State University, whose painting "Virtuous Intimacy" explores the sexualization of women's bodies. The exhibition is free and open to the public.

Lucid Perturbations: The Sewn Drawings and Books of China Marks

Zane Bennett Contemporary Art in Santa Fe, New Mexico, presents "Lucid Perturbations: The Sewn Drawings and Books of China Marks," the first major solo exhibition dedicated to the artist's sewn works. Featuring over 200 pieces from the last 23 years of Marks's practice, the show runs from May 15 to July 11 and includes pieces like "At the Winter Palace" (2018) and "Above and Below" (2022). Marks, who pivoted from painting to sewing at age 59 in 2000, creates fabric-based narrative tableaux that blend personal and political themes.

artist renee good last words new york ice office

Performance artist Maria De Victoria spent Tuesday chanting the last words of Renee Nicole Good—a poet and mother killed by an ICE agent in Minneapolis—outside the ICE field office in New York City's Jacob K. Javits Federal Building. Dressed in a coat bearing Good's phrase "I'm not mad at you, dude," De Victoria performed the endurance piece from sunrise to sunset as an act of dissent against federal immigration crackdowns. The work concluded with a silent vigil, and De Victoria, an immigrant from Peru represented by Desnivel Gallery, has a history of politically charged endurance performances.