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Frida Kahlo self-portrait sells for $54.7m at Sotheby's, breaking her auction record

Sotheby's held three back-to-back evening sales in New York on November 20, achieving a combined total of $252.9 million ($304.5 million with fees). The highlight was Frida Kahlo's self-portrait *El sueño (La cama)* (1940), which sold for $54.6 million with fees, setting a new auction record for the artist, for a Latin American artist, and for a female artist. The sales included 13 lots from the estate of Cindy and Jay Pritzker, a group of Surrealist works from an unnamed collection, and a multiple-owner Modern art sale featuring collections from the Bucksbaum family and Geri Brawerman.

Frieze lines up more than 95 exhibitors for next Los Angeles fair

Frieze Los Angeles will return to Santa Monica Airport from February 26 to March 1, 2026, for its seventh edition, featuring more than 95 galleries from 22 countries. The fair includes returning blue-chip participants like Gagosian, Hauser & Wirth, and David Zwirner, alongside a strong local Los Angeles gallery presence and more than a half-dozen first-time exhibitors. Special sectors include Sector for emerging artists, supported by Stone Island and curated by Essence Harden, and outdoor commissions organized with Art Production Fund. The Deutsche Bank Frieze Los Angeles Film Award and the Frieze Impact Prize, presented with Titus Kaphar’s Nxthvn incubator, will also return.

Collector of Beeple’s $69.3 million NFT work launches space in Singapore

Collector Vignesh Sundaresan, known as Metakovan and famous for purchasing Beeple's NFT artwork "Everydays: The First 5000 Days" for $69.3 million in 2021, has launched a new project space called Padimai Art & Tech Studio in Singapore's Tanjong Pagar Distripark. The venue opens with an Olafur Eliasson exhibition titled "Your view matter," an adaptation of a 2022 virtual reality work that records visitors' experiences on a blockchain system. Sundaresan describes Padimai as a heritage, contemporary art and research institution focused on technology as cultural infrastructure, exploring digital creation, preservation, circulation, and collective memory.

Metropolitan Museum's new Condé M. Nast Galleries will put fashion at the forefront

The Metropolitan Museum of Art will open the Condé M. Nast Galleries, a nearly 12,000-square-foot space adjacent to the Grand Hall, next spring. The new galleries will become the permanent home for the annual Costume Institute exhibition, replacing the museum's largest retail space. The inaugural show, "Costume Art" (10 May 2026–10 January 2027), will pair paintings, sculptures, and other art objects with historical and contemporary garments, emphasizing the dressed body as a central theme across the museum's collections. The move follows the record-breaking success of 2018's "Heavenly Bodies: Fashion and the Catholic Imagination," which drew over 1.6 million visitors.

Art Basel Hong Kong announces new section dedicated to work made in past five years

Art Basel Hong Kong (ABHK) has announced a new section called Echoes, debuting at its 2026 edition (March 25–29), which will showcase works made within the last five years. The inaugural Echoes presentation will feature 10 booths by 13 galleries, including Flowers Gallery (Hong Kong/London) and a joint booth by Capsule Shanghai and Klemm’s (Berlin). The fair also revealed its full list of curators—all Asia-based for the first time—including Mami Kataoka (director of Mori Art Museum) heading the Encounters section, and Hong Kong video artist Ellen Pau curating the film programme. Additionally, the fifth annual M+ façade commission will be by Pakistani-American artist Shahzia Sikander, presenting a hand-painted animation titled "3 to 12 Nautical Miles." ABHK 2026 is expected to host 240 galleries from 41 countries and territories.

This Week at LACMA

This week at LACMA features the opening of Tavares Strachan's first museum exhibition in Los Angeles, "The Day Tomorrow Began" (October 12, 2025–March 29, 2026), with immersive multisensory installations including uncanny everyday spaces, a field of rice grass with ceramic figures, and monumental bronze sculptures. The museum also offers a gallery tour of "Deep Cuts: Block Printing Across Cultures" with curator Erin Maynes on November 18, alongside ongoing exhibitions such as works by Beeple, Zheng Chongbin, Youssef Nabil, Ai Weiwei, Mark Bradford, Robert Irwin, Barbara Kruger, Richard Serra, and Chris Burden, plus public programs like Mindful Monday, Communities Create LA! workshops, and member screenings of Academy Award contenders.

Exhibition of large scale contemporary art at Smithsonian’s Hirshhorn Museum

The Smithsonian's Hirshhorn Museum will present "Big Things for Big Rooms," an exhibition tracing the development of immersive, large-scale artworks from the late 1960s to the present. Organized by head curator Evelyn C. Hankins and curatorial assistant CJ Greenhill Caldera, the show features 10 works—five on view for the first time—drawn largely from the museum's collection, including pieces by Robert Irwin, Richard Long, Sam Gilliam, Dan Flavin, Lygia Pape, Mika Rottenberg, Olafur Eliasson, Spencer Finch, Rashid Johnson, and Paul Chan. The exhibition runs from November 21, 2025, through July 4, 2027, and is divided into two parts: the first explores pioneering "Environments" from the 1960s, while the second highlights contemporary artists expanding on those ideas.

‘The Hay Wain’ to go on show in Constable's home county for the first time

John Constable's iconic painting *The Hay Wain* (1821) will be exhibited in Suffolk, the artist's home county, for the first time in 2026 as part of the 250th anniversary of his birth. The work, on loan from the National Gallery in London, will be shown at Christchurch Mansion in Ipswich from 11 July to 4 October 2026, within the exhibition *Constable: Walking the Landscape*. It will be reunited with preparatory sketches from the Ipswich collection and accompanied by loans from the Tate, the Victoria and Albert Museum, the Royal Academy of Arts, and the National Galleries of Scotland. Two additional exhibitions at Christchurch Mansion—*Constable: A Cast of Characters* and *Constable to Contemporary*—also form part of the broader Constable 250 project, which is funded by the National Lottery Heritage Fund and supported by the Weston Loan Programme.

Inside the 19th-century Parisian club that became a safe haven for female artists

Art historian Jennifer Dasal's new book "The Club" tells the story of the American Girls' Club, a Parisian safe haven founded in 1893 by Elisabeth Mills Reid at 4 Rue de Chevreuse in Montparnasse. The club provided affordable housing and meals for aspiring female American artists who faced obstacles their male counterparts did not, including societal pressure toward marriage, financial constraints, and safety concerns. Notable residents and participants included painters Anne Goldthwaite, Florence Lundborg, and sculptors Meta Vaux Warrick Fuller and Alice Morgan Wright, whose works and lives are chronicled in Dasal's account.

World Economic Forum and J. Paul Getty Trust bring art world leaders together to find ‘Connection in Times of Division’

The World Economic Forum and the J. Paul Getty Trust co-hosted a "cultural table" dinner for art world leaders on 23 October at the Hotel Le Meurice in Paris, themed "Bridging Worlds: Culture as a Force for Connection in Times of Division." The event, held in the Pompadour Room—where Pablo Picasso celebrated his 1918 wedding—was co-hosted by Getty president Katherine Fleming and WEF arts head Joseph Fowler, and marked the first collaboration between the two organizations. Fowler described the initiative as a global movement to place culture at the heart of systemic change, while Fleming emphasized art's unifying power and its measurable health benefits.

Tehching Hsieh: ‘I didn’t try to be a superman, my work is not about heroism’

Tehching Hsieh, the pioneering performance artist known for his extreme durational works, has opened his first retrospective, 'Lifeworks 1978-99', at Dia Beacon. The exhibition follows his gift of 11 major works to the institution last year and features six spaces designed to convey the relative time of his performances—including his five one-year pieces (Cage Piece, Time Clock Piece, Outdoor Piece, Rope Piece, No Art Piece) and the Thirteen Year Plan—using spatial measurements to represent 'art time' and 'life time'.

Arts Playlist: Delaware Art Museum's 'Imprinted: Illustrating Race'

The Delaware Art Museum has opened 'Imprinted: Illustrating Race,' an exhibition co-curated by University of Delaware professor Robyn Phillips-Pendleton that examines how race and identity have been depicted in popular illustration over more than a century. The show, which previously ran at the Norman Rockwell Museum, features works from books, magazines, advertising, trade cards, posters, and even a cookie jar, tracing the evolution of racial representation in American visual culture. It includes a notable shift by Norman Rockwell, who after decades of depicting predominantly white family scenes for the Saturday Evening Post, turned to socially relevant topics like civil rights in the 1950s.

Kyle Stephan finds in art the power to activate people

Kyle Stephan has been appointed the new Steven and Lisa Munster Tananbaum Curator of Modern and Contemporary Art at The Block Museum at Northwestern University. A curator, scholar, and educator with expertise in global contemporary art, time-based media, and interdisciplinary practice, Stephan was inspired to pursue curatorial work after witnessing art's power to activate people and communities while working as a studio manager for artist Lynn Hershman Leeson in the 1990s San Francisco Bay Area. She holds a Ph.D. in art and art history from Stanford University and previously curated the first U.S. survey of Fluxus artist Wolf Vostell at Harvard Art Museums.

Comment | As the US’s 250th anniversary approaches, museums must keep pushing the American story forward

The Phillips Collection in Washington, DC, is launching a new strategic plan and an upcoming exhibition titled "Out of Many: Reframing an American Art Collection," timed to the US's 250th anniversary. The museum's director reflects on founder Duncan Phillips's original vision of the museum as a space for civic dialogue and shared inquiry, arguing that this model is urgently needed amid current political pressures, loss of federal funding, and debates over historical narrative.

Soulios Gallery to open new space in Nashville.

Soulios Gallery, founded by Steven and Ana Soulios, will open a new space in Nashville's historic Cummins Station on November 12th. The inaugural exhibition, "City of the Mind," features a survey of New York-based artist Arthur Robins, covering over 50 years of his work, including expressionist cityscapes, abstract Tunnel Paintings, and never-before-shown biblical pieces. The gallery focuses on postwar movements such as American Expressionism, overlooked artists, and video, media, and performance art, with future exhibitions planned for artists like Mattias Duwel, Ewald Platte, and Ma Kelu.

Women in the Arts museum brings golden age artists into focus

The National Museum of Women in the Arts in Washington, D.C., has opened a new exhibition titled "Women Artists from Antwerp to Amsterdam, 1600-1750," which showcases works by largely forgotten female masters of the Dutch Golden Age, including Judith Leyster, Maria van Oosterwijck, Clara Peeters, and Rachel Ruysch. The show features over a dozen artists and highlights paintings rich in symbolism, such as van Oosterwijck's "Vanitas Still Life" and Leyster's "The Concert," while also addressing how many of these women were celebrated in their own time but later misattributed or omitted from art history.

Robert Rauschenberg’s New York

The Museum of the City of New York (MCNY) has opened "Robert Rauschenberg’s New York: Pictures from the Real World," an exhibition celebrating the centennial of artist Robert Rauschenberg (1925–2008). Organized in partnership with the Robert Rauschenberg Foundation, the show focuses on Rauschenberg’s photography and its integration with found objects, painting, and sculpture. It is divided into three sections—Early Photographs, In + Out City Limits, and Photography in Painting—and features a centerpiece photographic survey conducted across the United States from 1979 to 1981, alongside works from 1963 to 1994 that combine New York imagery with global photographs.

Catch of the day: Winslow Homer’s delicate watercolours get very rare outing in Boston

The Museum of Fine Arts (MFA) in Boston is presenting "Of Light and Air: Winslow Homer in Watercolour," a rare exhibition of the American painter's delicate watercolors, running from November 2, 2025, to January 19, 2026. The show brings together a rich selection of Homer's work, including childhood drawings, his final unfinished painting, and dozens of watercolors that are seldom exhibited due to their fragility and light sensitivity. Highlights include "Leaping Trout" (1889), the first Homer watercolor acquired by any museum, and works that depict the rugged New England coast and English seaside. The MFA, an early supporter of Homer's career, holds one of the largest collections of his work, and this is the first time many of these watercolors have been shown together in nearly 50 years.

‘Sometimes the space comes first’: how Shohei Shigematsu is using architecture to break cultural ground

Shohei Shigematsu, director of OMA New York since 2006, has carved a niche designing luxury-brand exhibition spaces and flagship stores for Dior, LVMH, and Tiffany. His approach treats architecture as a cultural platform that integrates fashion, art, design, and food. Key projects include the 2016 'Manus x Machina' exhibition at the Metropolitan Museum of Art and the 2023 'Christian Dior: Designer of Dreams' show in Seoul, where spatial design often precedes thematic content.

Seattle Art Museum exhibit explores France's food identity

The Seattle Art Museum has opened a new exhibition titled "Farm to Table: Food and Identity in the Age of Impressionism," featuring over 50 works by Impressionist artists such as Claude Monet and Paul Gauguin. The show explores how late 19th-century France, emerging from the Franco-Prussian War and social upheaval, turned to food imagery in art as a symbol of national pride and resilience. Curator Theresa Papanikolas highlights scenes of farmers, food workers, and markets like Les Halles, which also depict class interactions. The exhibition includes a dining table installation with prompt cards to encourage conversation, and Seattle is the final stop on its national tour, running through Jan. 18, 2026.

Dubai’s first art museum to include ‘space for fairs’

Plans have been announced for Dubai’s first art museum, the Dubai Museum of Art (DUMA), a private initiative by the Al Futtaim Group. Designed by architect Tadao Ando, the five-story building will be built on an artificial jetty in Dubai Creek and shaped like a curved shell. The model was unveiled at a ceremony attended by Dubai’s ruler, Sheikh Mohammed bin Rashid Al Maktoum. The museum will include galleries, a restaurant, VIP lounge, and space for art fairs, though no timeline or collection details have been released.

Sasha Gordon Finds Beauty and Empathy in the Shadows of the Human Mind

Sasha Gordon, a rising young artist from New York's art scene, debuted her solo exhibition "Haze" at David Zwirner's 19th Street gallery in Chelsea. The show, which drew long lines and significant attention, features hyperrealistic paintings that explore identity, memory, and the subconscious through an Asian diasporic lens. Gordon, who rose to fame during the pandemic and is co-represented by David Zwirner and Matthew Brown (Zwirner's son-in-law), discusses her evolving technique and her shift away from explicitly autobiographical work toward more open-ended, timeless figures.

Plains Art Exhibition Highlights Women Artists, Addresses Imbalance

Plains Art Museum in Fargo, North Dakota, is launching a major exhibition titled “Women Artists: Four Centuries of Creativity,” running from November 1, 2025, to March 1, 2026. The show features 77 works, including 40 from the museum's own collection—20 of which are being displayed for the first time—and 37 loans from the Reading Public Museum in Pennsylvania. The exhibition was prompted by an internal assessment revealing that only 10.5% of the museum's 6,000-object permanent collection is by women artists. It will also host the first North Dakota appearance by the Guerrilla Girls, who will give a presentation and lead workshops. Student-authored texts from Minnesota State University Moorhead complement the show.

After reopening, Joslyn Art Museum breaks visitor records, earns national acclaim

The Joslyn Art Museum in Omaha, Nebraska, has broken visitor records and earned national acclaim in its first full year after reopening with a 42,000-square-foot addition. The new Rhonda & Howard Hawks Pavilion, designed by Snøhetta and Alley Poyner Macchietto Architecture, opened in September 2024 and added 16,700 square feet of gallery space, 15,400 square feet of public gathering space, and new gardens. Through September 2025, the museum welcomed 159,420 visitors, on track to surpass 200,000—a milestone only reached a few times before, typically due to blockbuster traveling exhibitions like the Tutankhamun Treasures or Dead Sea Scrolls shows.

James Turrell’s New Skyspace Is Opening in Denmark—and It’s Monumental

James Turrell's largest Skyspace to date, titled "As Seen Below – The Dome," will open at ARoS Aarhus Art Museum in Denmark on June 19, 2026, timed for the summer solstice. The dome-shaped underground chamber, over 50 feet high and 130 feet in diameter, frames the sky and is housed within a grassy mound as part of the museum's subterranean expansion, The Next Level. The project, first announced in 2015, faced financial and technical delays, including a supplier bankruptcy, and required additional funding of 6.7 million kroner this year.

The opening of the Princeton University Art Museum, explained

The Princeton University Art Museum (PUAM) is set to reopen with a new building featuring nine main pavilions, including a European Art Pavilion and an Ancient Mediterranean Art Pavilion, along with study spaces, lecture halls, and a restaurant called Mosaic Restaurant. In an advance tour, Director for Collections and Exhibitions Chris Newth and spokesperson Stephen Kim answered community questions about dining options, study areas, and the museum's rotating exhibitions, which will display only about four percent of the collection at a time. Notable returning works include Antioch mosaics, a Guanyin sculpture, Andy Warhol's "Blue Marilyn," and Charles Willson Peale's "Washington at Princeton." The museum will host a 24-hour opening event for students.

'Monuments' is the most significant American art museum show right now

The article reports on "MONUMENTS," a major exhibition jointly organized by the Museum of Contemporary Art (MOCA) in Los Angeles and the nonprofit Brick. The show features 10 decommissioned Confederate monuments, some splashed with protesters' paint, alongside works by 20 contemporary artists including Hank Willis Thomas and Karon Davis. It was assembled by curators Hamza Walker, Hannah Burstein, Bennett Simpson, Paula Kroll, and artist Kara Walker, and has been in development for nearly eight years, spurred by events such as the 2015 Charleston church massacre, the 2017 Charlottesville riot, and the 2020 George Floyd protests.

Pissarro Exhibition Guide At Home in Éragny

The article serves as an exhibition guide for 'The Honest Eye' show, focusing on Camille Pissarro's life and work after he moved to Éragny-sur-Epte, Normandy, in 1884. It details how Pissarro settled his family there after struggling to afford rent in Pontoise, painting in his garden, fields, and barn-turned-studio. The guide highlights specific paintings like 'The Delafolie Brickyard, Éragny' (1885), 'View from My Window in Cloudy Weather' (1886–88), and 'Vegetable Garden, Overcast Morning, Éragny' (1901), discussing his techniques, subjects, and personal challenges such as chronic eye infections. It also notes his relationships with neighbors like Delafolie and fellow Impressionist Claude Monet, as well as his role in his children's artistic education.

Show at the Barnes Foundation charts Henri Rousseau's rise from mockery to acclaim

The Barnes Foundation in Philadelphia is opening "Henri Rousseau: A Painter's Secrets" (October 19–February 22), reuniting for the first time in over a century the two largest collections of Rousseau's work—18 paintings from the Barnes Foundation and 11 from the Musée de l'Orangerie in Paris. The exhibition, co-curated by Nancy Ireson and Christopher Green, uses new conservation research to challenge the long-held myth of Rousseau as a naive, unworldly amateur, revealing instead a strategic artist who revised compositions, reused canvases, and actively sought an audience through Paris's open salons.

Camille Pissarro, a Man Behind Impressionism, Gains Favor in Denver

The New York Times reports that Camille Pissarro, a pivotal but often overshadowed figure of Impressionism, is gaining renewed attention in Denver. The article highlights a growing appreciation for Pissarro's work, particularly through exhibitions and institutional focus in the city, positioning him as a key influence behind the Impressionist movement rather than merely a supporting player.