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Exploring environment, humanity at core of new art exhibition opening in Flint

A new art exhibition titled “This Bitter Earth: Living in Harmony with Nature” opens on September 12 at MW Gallery in downtown Flint, Michigan. The show features artworks from the Mott-Warsh Collection by artists including Ron Adams, Bisa Butler, Nick Cave, Maren Hassinger, Pope.L, and Howardena Pindell, exploring humanity's complex relationship with the natural world and the four classical elements. A featured video installation, “Zion” by South African artist Mohau Modisakeng, addresses themes of displacement and belonging. The exhibition runs through January 24, 2026, with free admission.

Phillips’ Mill’s “96th Juried Art Show” Opens Sept. 20

Phillips’ Mill Community Association will host its 96th Juried Art Show from September 20 to October 26 at the historic grist mill in New Hope, Pennsylvania. The exhibition features a record-breaking 700+ artworks submitted by artists from Bucks County and the River Towns region, with an opening night preview on September 19 for patrons and accepted artists. The event includes 25 awards totaling $14,500, and for the first time, the opening requires tickets. Honored Artist Shawn Campbell and Signature Image artist Jay McPhillips will greet guests, and a jury of art professionals selected the works.

Neo-Impressionism makes its thoroughly Modernist point at National Gallery in London

The National Gallery in London is presenting 'Radical Harmony: Helene Kröller-Müller’s Neo-Impressionists,' an exhibition that brings together 58 works from the Kröller-Müller Museum in the Netherlands. The show centers on Georges Seurat’s 'Le Chahut' (1889-90) and features artists such as Paul Signac, Anna Boch, Jan Toorop, and Théo Van Rysselberghe, highlighting the movement's radical, dot-based pointillist technique and its ties to anarchism. Co-curator Julien Domercq frames Neo-Impressionism as the first international Modern art movement, a precursor to abstraction and Fauvism.

Huge fashion photography archive heads this month’s acquisition round-up

The New York Historical has acquired the vast archive of legendary New York Times fashion photographer Bill Cunningham, nearly a decade after his death in 2016. The collection includes tens of thousands of images, negatives, slides, contact sheets, and correspondence documenting Manhattan street style and high-society events over 50 years. Separately, the J. Paul Getty Museum received a gift of 38 Italian manuscript illuminations from T. Robert Burke and Katherine States Burke, doubling its holdings in that area. The Hamburger Kunsthalle purchased René Magritte's painting *Le Palais de Rideaux* (1928) for €2.4 million from a Belgian private collection.

London’s National Gallery receives record-breaking donations for new wing—and will start collecting contemporary art

London's National Gallery has announced plans for a major new extension, costing around £400 million, with £375 million already raised in record-breaking donations. Two anonymous pledges of £150 million each, from Michael Moritz's Crankstart foundation and the Julia Rausing Trust, are described by director Gabriele Finaldi as the largest-ever known cash donations to any cultural institution globally. The new wing, to be built on the site of St Vincent House, will open in the early 2030s following an international architectural competition launching on 12 September. The gallery also revealed it will begin collecting 20th-century and contemporary art, expanding its traditional cutoff of around 1900, in collaboration with Tate.

Shaped By Histories: “Iñigo Manglano-Ovalle: A Want for Nothing” at the DePaul Art Museum

The article reviews the exhibition "Iñigo Manglano-Ovalle: A Want for Nothing" at the DePaul Art Museum, which presents the artist's multimedia works that explore themes of history, migration, and identity. Manglano-Ovalle's pieces, including video installations and sculptures, engage with personal and collective narratives, drawing on archival materials and contemporary issues.

Giovanni Battista Piranesi: Visions of Grandeur

Middlebury College Museum of Art presents 'Giovanni Battista Piranesi: Visions of Grandeur,' an exhibition showcasing the 18th-century Italian printmaker, architect, designer, and antiquities dealer. The show features prints, drawings, a book, a map, and a recently acquired sculpture drawn from Middlebury's collections, augmented by loans from the Yale University Art Gallery, the Pierpont Morgan Library and Museum, and private collections. Curated by architectural history professor Pieter Broucke, the exhibition includes label texts researched by Middlebury students in a January 2025 curatorial lab course.

Smithsonian under fire from Trump, Frieze Seoul, Dara Birnbaum and Quantum—podcast

The Art Newspaper's podcast 'The Week in Art' returns with three major stories. Ben Luke hosts a discussion with Ben Sutton, the publication's editor-in-chief in the Americas, about the Trump administration's announced comprehensive internal review of eight Smithsonian museums and artist Amy Sherald's cancellation of a long-scheduled exhibition at the National Portrait Gallery, citing censorship and institutional fear. The episode also covers Frieze Seoul 2024, the season's first major art fair, with correspondent Lisa Movius reporting from the South Korean capital amid political turmoil. The Work of the Week segment features Dara Birnbaum's landmark video artwork 'Technology/Transformation: Wonder Woman (1978-79)', part of a new exhibition 'The Quantum Effect' at the San Marco Art Centre in Venice, curated by Daniel Birnbaum and Jacqui Davies with physicist Ulf Danielsson.

The Armory Show jumpstarts New York art market after summer of hand-wringing

The Armory Show opened its 2024 edition in New York with solid sales during the VIP preview on September 4, providing a positive signal for the city's art market after a summer marked by gallery closures and economic uncertainty. The fair saw the return of over 20 galleries that had previously taken a hiatus, including Andrew Kreps, Uffner and Liu, Instituto de Visión, and White Cube for the first time since 1994. Fair director Kyla McMillan emphasized the importance of rooting the fair in New York and praised exhibitors for taking risks with experimental works, such as Nikita Gale's installation 'Interceptor' (2025), which sold for $60,000 before the preview began.

Smithsonian leader asserts ‘authority over our programming’ in letters to staff and Trump White House

Smithsonian Secretary Lonnie G. Bunch III sent letters to the White House and staff asserting the institution's independence after President Donald Trump ordered a comprehensive review of eight Smithsonian museums. The review, initiated by an August 12 White House letter, targets exhibitions, collections, and programming for alleged bias and divisive content. Bunch stated the Smithsonian is conducting its own internal review to ensure nonpartisan, factual programming, emphasizing that the institution retains authority over its content. The letters follow Trump's social media attack on the Smithsonian and an earlier executive order directing Vice President J.D. Vance to remove what the administration calls 'race-centred ideology.'

Comment | I used to think it wasn’t cool to like Andy Goldsworthy—now I see how he helps us appreciate the natural world

Mia maxima culpa. For many years I felt it wasn’t cool to like Andy Goldsworthy. The British artist’s interventions in and workings with nature, while highly skilful and often very beautiful, seemed out of kilter with an increasingly hardcore, conceptually underpinned and urban-orientated art world. It also didn’t help that most of his work could only be experienced at one remove. Books and photographs were the only record of the ephemeral pieces he’d created from ice, leaves, sticks and stones; as well as of the more lasting installations—walls, sheepfolds, cairn paths and giant arches—he’d make in situ, usually in remote locations across the world.

The new U-Haul Art Fair is pulling up in Chelsea

A new art fair called U-Haul Art Fair will take place in Chelsea, New York, from September 5-7, 2025, with ten exhibitors presenting work from the backs of rented U-Haul trucks parked streetside. Organized by James Sundquist and Jack Chase of the nomadic U-Haul Gallery, the fair features galleries including Nino Mier Gallery, Hexton Gallery, and Autobody Autobody, with each participant paying $2,500 in fees. The exact location is being kept secret but will be between 10th and 11th avenues and 20th and 30th streets.

Seeing double: Vermeer painting and its mysterious ‘twin’ go on show in London

Kenwood House in London has opened a new display, "Double Vision: Vermeer" (1 September 2025 – 11 January 2026), pairing Vermeer's "The Guitar Player" (1672) from its own collection with its mysterious "twin," "Lady with a Guitar," on loan from the Philadelphia Museum of Art. The exhibition reignites a century-old debate over which painting is the original, as the Philadelphia version has long been questioned since the Kenwood version emerged in 1927. Recent scientific analysis reveals differences in ground layers and pigment use—the Kenwood painting features ultramarine while the Philadelphia version uses cheaper indigo—and experts like former Rijksmuseum specialist Gregor Weber suggest the Philadelphia work may be an early copy.

Art Blooms Across South Korea in September, Despite an Uneasy Market

South Korea's Ministry of Culture, Sports and Tourism is promoting a month-long Korea Art Festival in September 2025, featuring scores of events including design, craft, and calligraphy biennials across the country. The centerpiece is the concurrent staging of Frieze Seoul (fourth edition, over 120 exhibitors) and Kiaf (24th edition, some 175 galleries) at the Coex convention center in Gangnam, with a single ticket granting access to both fairs. International galleries have been opening local outposts in Seoul, and a Centre Pompidou branch is planned, as the city builds its reputation as an art capital.

Berlin Atonal, the first biennial rooted in music and sound, pushes the boundaries of what ‘art’ can mean

Berlin Atonal, recently recognized by the Biennial Foundation as the first biennial rooted in music and sound, defies conventional categories of festival and exhibition. Held in the decommissioned Kraftwerk power station, the event prioritizes sound as a central art form, with artists like Billy Bultheel, Anne Imhof, and Basma al-Sharif creating immersive, site-specific works. The festival sold out on Resident Advisor, reflecting growing demand for experimental sound in visual culture settings.

Van Gogh Museum claims it could be ‘forced to close’ amid funding feud with Dutch state

Amsterdam's Van Gogh Museum has publicly warned it could be forced to close unless the Dutch government increases its annual subsidy from €8.5m to €11m to fund essential renovations. Director Emilie Gordenker announced the museum cannot guarantee the safety of its collection, visitors, and staff without the additional funding for climate control, elevators, fire safety, security, and sustainability upgrades. The museum has filed a legal complaint against the state, arguing it is in breach of a 1962 agreement that committed the government to fund the museum's construction and maintenance in exchange for the Van Gogh family's collection. The case is set to be heard on 19 February 2026.

Pinacoteca de São Paulo and Chanel Culture Fund launch new residency for women artists

The Pinacoteca de São Paulo and the Chanel Culture Fund have launched a new residency for women artists, with Brazilian artist Juliana dos Santos as its inaugural recipient. Dos Santos, who holds a doctorate from São Paulo State University, creates work exploring plants, pigments, and the sensory experience of color, notably using the blue pigment of the Clitoria ternatea flower. She recently opened her first solo museum exhibition, "Juliana dos Santos: Temporã," at Galeria Praça within Pina Contemporânea, and will present a VR work at the 36th Bienal de São Paulo in September 2025.

New exhibition at the Spencer Museum of Art examines the relationship between art and the sea

The Spencer Museum of Art at the University of Kansas has opened a new exhibition that explores the relationship between art and the sea. The show brings together works from the museum's collection and loans to examine how artists have depicted, interpreted, and engaged with oceanic themes across different periods and cultures.

Teiger Foundation gives grants totalling $7m to 85 curators

The Teiger Foundation, a US-based nonprofit supporting art curators, has announced its 2025 grantees, awarding a total of $7 million to 85 curators at institutions across the country. This nearly doubles last year’s grants as the foundation transitions to a biennial model, with individual grants ranging from $50,000 to $150,000 for exhibitions, research, touring shows, and three years of programming. Notable projects include a major survey of the late artist L.V. Hull organized by curators Ryan N. Dennis, Annalise Flynn, and Yaphet Smith, and a Theresa Hak Kyung Cha retrospective curated by Victoria Sung and Tausif Noor.

Epic Palmer Museum exhibition explores 30 years of ecology and art

The Palmer Museum of Art at Penn State is opening "Mark Dion and Alexis Rockman: Journey to Nature’s Underworld" on August 30, the first survey of the two artists' work spanning three decades. The exhibition features sculptures, paintings, works on paper, and a new collaborative diorama, exploring themes of ecology, environmental collapse, invasive species, and climate change through scientific and artistic lenses. Both artists, who met in New York in the 1980s, combine intensive research, dark humor, and museum display methods to subvert traditional narratives about nature and humanity.

Chicago Art Exhibitions to See: September 2025

The article lists five major art exhibitions opening in Chicago in September 2025, including a retrospective of Elizabeth Catlett at the Art Institute of Chicago, a summer residency show by Industry of the Ordinary at SoNa, a collaborative exhibition by Mayumi Lake and Bob Faust at the Elmhurst Art Museum, a Helen Frankenthaler print exhibition at the Block Museum, and the third annual Chicago Exhibition Weekend featuring over seventy galleries and public spaces.

Monet and other French artists on display at Gainesville’s Harn Museum

The Harn Museum of Art in Gainesville, Florida, has opened "French Moderns: Monet to Matisse, 1850-1950," an exhibition featuring 56 works from the Brooklyn Museum’s European art collection plus two additional Monet paintings. The show, which took three years to secure, spans a century of French art from Impressionism to Surrealism, with works by Monet, Matisse, and other leading artists. It is divided into four thematic sections and is free to the public thanks to anonymous donations.

Magnum Photos agency’s first exhibition, lost for a half-century, to make its North American debut

The Image Centre in downtown Toronto will stage the North American debut of Magnum Photos' first-ever exhibition, originally titled 'Gesicht der Zeit' (Face of Time) and shown in Austria in 1955-56. The show, lost for half a century, was rediscovered in 2006 in the basement of the Institut Français in Innsbruck, Austria, along with its original poster and hanging instructions. It features 83 original gelatin-silver prints by legendary Magnum photographers including Henri Cartier-Bresson, Robert Capa, Inge Morath, Ernst Haas, and Marc Riboud. The exhibition will run concurrently with 'Chim’s Children of Europe,' a show devoted to Magnum co-founder David 'Chim' Seymour's 1949 Unesco project on postwar European children.

White House Bashes Smithsonian Museums, Exhibitions, as “Woke”

On August 21, the Trump administration published an unsigned article on the White House website attacking several Smithsonian museums and their exhibitions for promoting what it described as "woke" content. The article specifically called out the National Museum of African American History and Culture, the National Museum of American History, the National Portrait Gallery, the Smithsonian American Art Museum, and two planned institutions—the National Museum of the American Latino and the American Women’s History Museum. It cited exhibitions and artworks addressing race, transgender identity, and immigration, including Amy Sherald’s painting *Trans Forming Liberty* (2024), which led the artist to cancel her solo show at the National Portrait Gallery after the museum sought to remove the work to avoid provoking Trump.

Step into the fire. A new exhibition ignites the Modern Art Museum of Fort Worth

Dallas-based artist David-Jeremiah presents his solo exhibition "The Fire This Time" at the Modern Art Museum of Fort Worth, featuring 27 shaped paintings created between 2020 and 2024. The paintings are shaped like Lamborghini hoods and arranged in clusters that invite visitors to stand at the center, becoming the focal point of an "inverted performance installation." Curated by Christopher Blay, the show spans four rooms and explores themes of beauty, violence, identity, and transformation, drawing inspiration from James Baldwin's "The Fire Next Time." The exhibition also includes works from the museum's permanent collection by John Chamberlain, Anselm Kiefer, and Mark Rothko that resonate with the show's themes.

Dallas Museum of Art picks director wrapping up another institutional expansion to guide it through campus overhaul

The Dallas Museum of Art (DMA) has appointed Brian Ferriso, the longtime director of the Portland Art Museum (PAM), as its next director. Ferriso will oversee the inauguration of PAM's $111 million expansion on November 20 before starting his new role in Dallas on December 1. He succeeds Agustín Arteaga, who left the DMA last spring to lead the Crocker Art Museum in Sacramento. Ferriso brings nearly two decades of experience at PAM, where he increased the endowment by $40 million, doubled curatorial staff, eliminated $7 million in debt, and led a $140 million fundraising campaign for the museum's expansion and endowment.

Never-before-seen landscape photos on display at Denver Art Museum

The Denver Art Museum has opened a new photography exhibition titled "What We've Been Up To: Landscape," featuring works acquired over the past 17 years that have never been publicly displayed before. The show, curated by the museum's photography department (established in 2008), includes a range of landscape photographs from historic images by Ansel Adams, Marion Post Wolcott, and William Henry Jackson to contemporary works by artists such as Abelardo Morell, Meghann Riepenhoff, and Steve Fitch. The exhibition occupies a few rooms on the sixth floor of the Martin Building and highlights the museum's recent acquisitions in photography.

Art brings ideas about ocean to landlocked place

The Spencer Museum of Art at the University of Kansas has opened "Soundings: Making Culture at Sea," an exhibition exploring connections to the ocean from the landlocked state of Kansas. Curated by Emily Casey and Celka Straughn, the show runs through December 14 and features works from the museum's collection, including a Winslow Homer watercolor, a carved wooden mermaid, and photographs of Greenland glaciers, alongside a video by Isaac Julien. The exhibition is organized into four sections covering maps, ocean crossings, ecological threats, and maritime trade.

Alexandria Biennale—third-oldest after Venice and São Paulo—announces return following 12-year hiatus

The Alexandria Biennale, the third-oldest biennial in the world after Venice and São Paulo, is relaunching in September 2026 after a 12-year hiatus. Curated by Egyptian artist Moataz Nasr under the title "This Too Shall Pass," the event will feature artists mainly from the Mediterranean basin, along with performances, music, and lectures. In a shift from its previous state-funded model, the biennial now operates as a private-public partnership, with seed money from the Egyptian and Alexandria governments and pledges from local businesses. The exhibition will take place at historic venues across Alexandria, including the Roman amphitheatre, the Alexandria Library, and the Qaitbay Citadel.

Petala Ironcloud

Petala Ironcloud, a contemporary artist known for her multimedia works exploring Indigenous identity and environmental themes, has been announced as the subject of a major solo exhibition at a prominent museum. The show, scheduled to open next year, will feature a new series of sculptures and installations that draw on her Native American heritage and address issues of land rights and cultural preservation.