The Distance Between Art and Survival in Rojava

The article is a first-person dispatch from Rojava, a Kurdish-majority region in northeastern Syria, where the author meets artists and fighters living and working on the front lines against jihadist groups. It focuses on artist Diyar Hesso, who has exchanged his camera for a rifle, and YPJ fighter Hevi, who articulates the necessity of armed self-defense for women facing a genocidal enemy. Their stories illustrate the impossible choice between artistic creation and survival in a war zone.

Michael Fullerton: The Politics of Portraiture

Glasgow-based painter Michael Fullerton is presenting a two-part exhibition that critically examines the politics of portraiture. The first section features 11 oil portraits of male asylum seekers he lived alongside while working as live-in staff at the Hilltop Hotel in Carlisle. These works, painted in a traditional style, depict the men with care against ambiguous landscapes, deliberately restricting personal information to names and origins, highlighting their status within systems of power.

Jan Vorisek’s Flaccid Columns

Artist Jan Vorisek's exhibition at Arcadia Missa features sculptures titled IGBTTLTVOE (Elbow), created from mass-produced plastic moulds used for casting decorative Doric columns. The artist modifies these cheap, prefabricated objects with 3D-printed curved sections, bending them into flaccid, wormlike structures that undermine their intended classical dignity and function.

A drawing by Toulouse-Lautrec for Albi

Un dessin de Toulouse-Lautrec pour Albi

The Musée Toulouse-Lautrec in Albi has acquired a rare drawing by Henri de Toulouse-Lautrec, depicting the intimate daily lives of women in a Parisian brothel. The work, created during the artist's frequent visits to the establishment on Rue des Moulins, captures a candid, non-judgmental moment of modern life, reflecting the artist's commitment to Baudelairian realism.

An exhibition centered on Bartholdi's Champollion, deposited in Nogent-sur-Seine

Une exposition autour du Champollion de Bartholdi, déposé à Nogent-sur-Seine

The Musée Camille Claudel in Nogent-sur-Seine is hosting a new exhibition centered around Auguste Bartholdi’s monument to Jean-François Champollion. The statue, recently transferred from the courtyard of the Collège de France by the Fonds national d’art contemporain, serves as the focal point for a display that explores the history and significance of the work. The exhibition provides a scholarly counter-narrative to recent ideological criticisms surrounding the monument's iconography.

Print Quarterly Volume XLIII - Number 1 - March 2026

The March 2026 issue of the academic journal *Print Quarterly* has been published, featuring a collection of scholarly articles and reviews focused on the history of prints and printmaking. The contents include new research on artists ranging from Hans Burgkmair and Paul Gauguin to Hiroshige and Aubrey Beardsley, along with obituaries for notable scholars and reviews of recent publications and exhibitions.

Paris Internationale Milano Names Participating Galleries for Inaugural Edition

The Paris Internationale art fair has announced the 34 galleries and nonprofits participating in its inaugural Milan edition, set for April 18-21 at the Palazzo Galbani. The event, known for its intimate, gallery-led model, will feature each participant showing only one or two artists.

Arts Groups Speak Out Against US Trade Representative’s Potential New Tariffs

The U.S. Trade Representative, Jamieson Greer, has launched a Section 301 investigation into 60 countries to determine if forced labor practices create unfair trade advantages. This move follows President Trump’s continued push for sweeping tariffs after previous attempts were struck down by the Supreme Court. Major art organizations, including the Association of Art Museum Directors (AAMD) and Heritage Auctions, are formally petitioning for works of art and antiquities to be exempt from any resulting duties.

Joyce Awards to Relaunch After Yearlong Pause with $100,000 Unrestricted Grants for Great Lakes Artists

The Chicago-based Joyce Foundation has announced the relaunch of its Joyce Awards after a year-long hiatus, introducing a significant shift in its funding model. Starting with the 2026 cycle, the program will move from project-based grants to providing four artists annually with $100,000 in unrestricted funds, alongside a $40,000 grant for a partner nonprofit. The awards will now operate on a biennial rotation between specific Great Lakes states and allow for self-nominations for the first time.

Rome’s Colosseum Gets a New Pedestrian Plaza

Rome has unveiled a newly restored pedestrian plaza at the southern façade of the Colosseum following a four-year construction project. Led by Stefano Boeri Interiors, the renovation features a travertine-paved square that recreates the original floor level and footprint of the ancient amphitheater. The design uses stone plinths to mark the locations of long-lost columns, allowing visitors to visualize the massive scale of the structure as it appeared nearly 2,000 years ago.

Archaeologists Uncover a 2,000-Year-Old Hillfort in Estonia

Archaeologists from the University of Tartu have discovered a 2,000-year-old Iron Age hillfort at Köstrimägi in Tartu County, Estonia. Using high-resolution terrain mapping, the team identified a 16,000-square-foot fortification featuring an unusual stepped rampart system that dates back to between 41 BCE and 9 CE. Despite its size, the site yielded few artifacts beyond pottery fragments and charcoal, suggesting a very brief period of occupation before it was destroyed by fire.

Which Country’s Art Market Came Out on Top in 2025?

The United States solidified its position as the world's leading art market in 2025, with fine-art auction sales rising 25.3 percent to reach $5.4 billion. Despite early volatility caused by trade tariffs, a surging stock market and cooling inflation fueled a massive November auction season in New York, where nine of the year's ten most expensive artworks were sold. In contrast, China's market contracted by nearly 11 percent due to a persistent property crisis, while the United Kingdom and France saw significant growth, with Paris benefiting from the momentum of Art Basel Paris.

Colosseum Facelift Restores Ancient Southern Entrance to Its Former Glory

Rome’s Colosseum has unveiled a major four-year restoration of its southern entrance, a project led by Stefano Boeri Interiors in collaboration with the Colosseum Archaeological Park. The renovation lowered the surrounding piazza to its original Roman-era height, reintroduced travertine flooring sourced from ancient quarries, and installed seating blocks that mark the locations of long-lost marble columns. During the excavation process, archaeologists recovered a wealth of historical artifacts, including ancient coins, statues, and gold jewelry, while leaving a specific section untouched to showcase the arena's complex hydraulic foundations.

Lebanon appeals to Unesco to intervene amid fears protected citadel has been destroyed

Lebanon’s Ministry of Culture has filed an urgent complaint with Unesco following reports that Israeli military forces destroyed the 12th-century Chama’ Citadel in southern Lebanon. The site, a Crusader-era fortress, had recently been granted "enhanced protection" status under the 1954 Hague Convention, a designation intended to shield it from military targeting. Lebanese authorities are currently unable to access the site due to ongoing military occupation and have requested that Unesco utilize satellite imagery to verify the extent of the demolition.

Barcelona museum refuses to return Sijena murals to monastery

The Museu Nacional d’Art de Catalunya (MNAC) in Barcelona is refusing to comply with a Spanish Supreme Court order to return the 12th-century Sijena murals to their original monastery in Aragón. Tensions escalated after the museum hosted a listening party for pop star Rosalía in the same hall where the Romanesque masterpieces are housed, leading to accusations from the municipality of Villanueva de Sijena that the museum is endangering the fragile works. MNAC director Pepe Serra has dismissed these concerns as scientifically unfounded, sparking threats of a defamation lawsuit from local officials.

Sortilégios de desvio and the Politics of Image-Making

The Museu de Arte do Rio has launched 'Sortilégios de desvio,' the first solo institutional exhibition by Brazilian artist No Martins. Produced in collaboration with Galeria Almeida & Dale and curated by a five-person team led by Marcelo Campos, the show features a significant selection of Martins’ recent works that explore the intersections of urban experience and Afro-Brazilian cultural imaginaries. Through a variety of media, the exhibition highlights the artist's focus on gesture, memory, and the reconfiguration of traditional visual narratives.

Dice Are 6,000 Years Older Than Previously Believed, Study Says

Archaeologist Robert J. Madden has published a groundbreaking study in the journal American Antiquity identifying over 600 prehistoric objects as two-sided dice. These artifacts, found across 57 sites in the American West, date back more than 12,000 years to the Late Pleistocene era. By applying criteria from historic Native American gaming traditions to these bone and wood fragments, Madden argues that dice-based games of chance existed 6,000 years earlier than previously recorded in the archaeological record.

Saad Khan Archives the Detritus of Censored Culture

Saad Khan, a New York-based archivist, has developed Khajistan, an expansive digital and physical archive dedicated to preserving censored and overlooked mass media from South Asia to the Maghreb. The collection features a diverse array of ephemera, including homoerotic imagery, working-class street posters, and banned magazines that are often erased from official cultural records. By documenting everything from WhatsApp forwards to vintage film posters, Khan creates a space where the lived experiences of queer, trans, and working-class individuals in these regions are validated and archived.

Peep the Wildest Costumes of This Year’s Easter Bonnet Parade

New York City’s Fifth Avenue was transformed into a vibrant public gallery on April 5, 2026, for the annual Easter Parade and Bonnet Festival. Participants gathered outside St. Patrick’s Cathedral to showcase elaborate, hand-crafted headpieces ranging from Eduardo Escobar’s rotating 'Trip to the Moon' hat to Shayna Strype’s hot-air balloon ensemble. The event featured a diverse array of creators, including climate-conscious artist Cristian Pietrapiana and mixed-media sculptor Gail Trunick, who utilized the street as a stage for avant-garde millinery and performance art.

LA Artists Honor Dolores Huerta’s Defiant Spirit

The Chicano cultural center Plaza de la Raza in Los Angeles has launched "DOLORES," a major group exhibition celebrating the 96th birthday and enduring legacy of labor leader Dolores Huerta. Featuring works by over 30 artists, including Barbara Carrasco and Vincent Valdez, the show utilizes portraiture, mixed media, and depictions of migrant labor to honor Huerta’s contributions to the United Farm Workers (UFW) and Chicano civil rights.

Dutch Museum Discovers 8-Inch Ancient Roman Phallus

Archaeologists at the Valkhof Museum in Nijmegen discovered a rare, eight-inch Ancient Roman phallus carved from bone while cataloging a massive backlog of 16,000 archaeological boxes. The artifact was found alongside high-quality Roman tableware during an €8 million government-funded inventory project aimed at processing collections from defunct storage depots in the province of Gelderland.

NYU Steinhardt Presents 2026 MFA Thesis Exhibitions

NYU Steinhardt's Department of Art and Art Professions is presenting its 2026 MFA Thesis Exhibitions in two parts at the 80WSE Gallery in Greenwich Village. The first exhibition, titled 'Hoodwinked,' runs from April 1 to April 18 and features works by Nicholas Koby, Richard Medina, Roselynn Sadaghiani, Mario Saponaro, and Brooke Schneider. The second, 'Eggshells,' runs from May 6 to May 23 and showcases artists Ariel Barish, Christopher Chan, Mélanie Dumas, Roxie de Là, and Fan Qi.

Take Your Practice Further in a Visual Arts Residency at Banff Centre

The Banff Centre is accepting applications for two thematic visual arts residencies in late 2026 and early 2027. The first, "On Other Archives," focuses on reinterpreting archival methods and will be led by artists Deanna Bowen and Krista Belle Stewart with curator Tarah Hogue. The second, "Future Figurations," explores speculative futures and world-building under the guidance of artists Rajni Perera and Marigold Santos.

Is There an Ethical Path for AI Art?

An exhibition at Rice University's Moody Center for the Arts, titled 'Imaging after Photography', presents work by seven contemporary artists who use artificial intelligence in ethically considered ways. The show argues we are in a post-photographic moment where AI disrupts the link between photorealism and reality, and features artists who train their algorithms on their own images or public domain datasets to avoid plagiarism.

Meet the First Cohort of Haystack’s Artist Grant Initiative

The Haystack Mountain School of Crafts, supported by the Windgate Foundation, has announced the eight recipients of its inaugural Artist Grant Initiative. Each emerging artist received an unrestricted $10,000 grant and participated in an online mentorship program with artists Vivian Chiu and Cedric Mitchell. The 2025 cohort, selected by jurors Curtis Arima and Annie Evelyn, includes Aminata Conteh, David Gutierrez, Payton Harris-Woodard, Celina Hernandez, Jason McDonald, Alex Paat, David Vuong, and Tzyy Yi (Amy) Young.

In the Studio with Harley Burns

Asheville-based artist Harley Burns discusses their transition from a career in public health to a full-time painting practice centered on trans and gender-nonconforming identity in the American South. The interview focuses on Burns's triptych "Buttoning Back Up" (2025), which translates a vulnerable public performance of chest-binding into a series of oil paintings that explore the hypervisibility and invisibility of non-binary bodies.

FORGING PATHS: AFRO-BRAZILIAN ANCESTRY AND FEMININE POWER IN THE WORK OF NÁDIA TAQUARY

FORJAR CAMINOS: ANCESTRALIDAD AFROBRASILEÑA Y PODER FEMENINO EN LA OBRA DE NÁDIA TAQUARY

The exhibition "Ònà Irin: caminho de ferro" by artist Nádia Taquary has opened at Sesc Belenzinho in São Paulo, featuring large-scale sculptures and an immersive video installation. Curated by Amanda Bonan, Ayrson Heráclito, and Marcelo Campos, the show centers on a massive installation of iron rails that symbolize the Yoruba deity Ogum, the opener of paths. The works integrate traditional Afro-Brazilian materials such as cowrie shells, beads, and metals to explore spiritual protection and the historical significance of jewelry as a form of resistance and identity for enslaved and freed Black women.

QUISQUEYA HENRÍQUEZ: THE CENTER CAN BE EVERYWHERE

QUISQUEYA HENRÍQUEZ: EL CENTRO PUEDE ESTAR EN TODAS PARTES

A major retrospective exhibition titled "El centro puede estar en todas partes" (The Center Can Be Everywhere) for artist Quisqueya Henríquez has opened at the Centro de Arte Complutense in Madrid. Curated by René Morales with Isabella Lenzi and Alfonsina Martínez, the show presents the most comprehensive European review of Henríquez's multidisciplinary work, spanning photography, video, collage, and installation, and is organized thematically rather than chronologically.

Australian photographer wins at world photography awards with ‘barefoot volcanologist’ image

Australian photographer Elle Leontiev has been named the Open Photographer of the Year at the 2026 Sony World Photography Awards. Her winning image, titled 'Barefoot Volcanologist,' features Phillip Yamah standing on a lava bomb at Mount Yasur in Vanuatu. Leontiev captured the surreal portrait under challenging technical conditions, relying entirely on autofocus beeps after her camera screens shorted out due to volcanic activity.

Binoculars, selfies and epic leaps: Grand National meeting 2026 – in pictures

Award-winning photographer Tom Jenkins captures the high-stakes atmosphere of the 2026 Grand National meeting at Aintree. The photo essay documents the dramatic physical feats of the horses, including falls at the notorious 'Chair' fence, alongside the vibrant social culture of the spectators, from the high-fashion 'Style Awards' on Ladies’ Day to the rain-soaked crowds of the final day.