London's art scene is bustling with a diverse range of openings this week, featuring both historical and contemporary work. Key events include a major exhibition of Conceptual artist Christine Kozlov at Raven Row, exploring her contributions and collaborations from the 1960s-70s, and a two-person show of small-scale paintings by Matthew Clifton and Faith Hughes at Soup gallery. Other events include a book launch, a talk, and experimental sound programs.
The exhibition 'Soft Reins: From Degas to Fordjour' opened at Acquavella Galleries in Palm Beach's Royal Poinciana Plaza. Curated by artist Tomokazu Matsuyama, it presents works by a range of artists, from historical figures like Edgar Degas and Pablo Picasso to contemporary names like Derek Fordjour and Sarah Miska, all exploring equestrian themes.
A major exhibition titled 'Monuments' is on view at two Los Angeles venues, The Geffen Contemporary at Moca and The Brick. The show places nine decommissioned Confederate monuments, some already defaced, into dialogue with works by 19 contemporary artists, most of whom are Black. The centerpiece is Kara Walker's 'Unmanned Drone' (2023), a radical reworking of a removed statue of Confederate general Stonewall Jackson, which occupies its own venue at The Brick.
Art Price's annual list of the world's 500 most saleable contemporary artists features five Irish artists, led by Sean Scully at number 16. Scully's auction record is $2,046,500 for his 1985 painting "Song." The other listed artists are Graham Knuttel (ranked 202), Liam O'Neill (376), and Genieve Figgis (350), with their market performance and notable auction results detailed. The article also cites commentary from independent art advisor Arabella Bishop on each artist's market appeal and investment potential.
Michelangelo Pistoletto, a leading figure of the Italian arte povera movement, has opened his first-ever solo exhibition in St. Moritz, Switzerland. The show, presented at the Robilant + Voena gallery's outpost in a repurposed 18th-century church, features five new mirror works from his "Color and Light" series and a sixth new piece from his "Black and Light" series, all created specifically for the ecclesiastical space.
Willem de Kooning's 1966 work "Kneeling Woman" has ended its bidding process, with the listing appearing on a platform that aggregates auction results and available works. The piece, an oil on paper on board measuring 23.5 by 11.5 inches, is signed and has a known provenance including Harold Diamond, a private collection in Baltimore, Solomon & Co. Fine Art, Robert Peyser, and a Sotheby's sale in 2019. It was previously exhibited at the Nassau County Museum of Art in 1981 as part of "The Abstract Expressionists and Their Precursors" show.
The international mega-gallery Thaddaeus Ropac announced it is opening a project space in uptown Manhattan, marking its first permanent physical presence in New York. The gallery also appointed Emilio Steinberger, a former senior partner at Lévy Gorvy Dayan, as its new senior director in the US to lead the expansion.
Master Drawings New York (MDNY) marks its 20th edition this month, founded in 2006 by London dealers Crispian Riley-Smith and Margot Gordon and acquired in 2023 by dealer Christopher Bishop. The fair focuses on works on paper from the 15th century to today, also including painting, sculpture, and photography. This year features 36 dealers across two dozen Upper East Side gallery spaces, with ten new exhibitors from Europe, making it the most geographically diverse edition yet. Programming includes a highlights catalogue of 20 important works sold during previous editions that ended up in major collections such as the Metropolitan Museum of Art and the Getty.
The 71st edition of BRAFA art fair in Brussels opened with strong sales, signaling a promising start to the 2026 art market. During the first three invitation-only days, major works were sold by galleries including Greta Meert, which placed a €500,000 Enrico Castellani, and Mulier Mulier Gallery, which sold a Tom Wesselmann for €80,000. Other notable sales include a Kim Tschang Yeul work at Boon Gallery, a Renoir painting at Stern Pissarro, and a James Ensor piece at Patrick Derom Gallery. The fair features 147 exhibitors and has attracted loyal collectors, with many galleries reporting multiple red dots and strong interest from younger buyers.
Untitled Art fair opened its 14th edition on Miami's South Beach, featuring 160 exhibitors and a strong focus on emerging talent through its Nest sector and new solo and non-profit booth sections. Notable works include Márton Nemes's multisensory Stereo Paintings 11b (2025), Siebren Versteeg's media-critique piece History (2003), and Tanya Aguiñiga's socially engaged cotton-rope sculpture. The fair saw institutional visitors like collectors Don and Mera Rubell and curator Hans Ulrich Obrist, with sales reported for works by Élise Peroi and Samuel Nnorom.
At Art Basel Miami Beach, the art collective MSCHF invites fairgoers to touch their bronze sculpture *Touch Me Sculpture One More Time* (2024) on Perrotin’s stand, featuring a counter that tracks each pat. The Institute of Contemporary Art Miami hosted a VIP opening night with figures like director Alex Gartenfeld and artist Andreas Schulze, while the Thom Browne club stood out in matching attire. Other highlights include kinetic sculptures by Breakfast (Andrew Zolty) at 1 Hotel South Beach, a tarot-reading grotto by Julie Schenkelberg at Nada fair, and Robbie Williams’s furniture debut with Moooi at Design Miami.
Stephen Friedman, the Canadian-born, London-based dealer, will close his New York gallery in Tribeca at the end of February 2026, less than three years after opening the space in October 2023. The decision is described as a strategic evolution to consolidate operations in London, where several new directors have been hired. The gallery's artist roster will remain unchanged, and Friedman plans to stay active in the US art scene through major fairs. The closure follows a challenging period marked by a £1.7m loss in 2023 due to renovation costs and a downturn in the art market, with cash flow currently tight after slow exhibition sales.
Rob Zombie, the heavy metal musician and filmmaker, is holding his first-ever visual art exhibition, "What Lurks on Channel X?", at the Morrison Gallery in Kent, Connecticut, through November 16. The show features 18 large-scale paintings created between 2012 and 2020, drawing on pop culture, horror, and crime iconography. Zombie briefly studied at the Parsons School of Design before leaving to pursue music and film.
Paris Photo returns to the Grand Palais for its 28th edition, featuring 220 exhibitors from 33 countries, including 178 galleries and 42 publishers. The fair opens amid a risk-averse market where dealers report slower acquisitions, increased production costs, and reduced collector risk-taking, yet attendance reached 81,000 in 2024. Notable trends include a resurgence of Japanese galleries after a five-year absence, strong Latin American presentations from Buenos Aires, São Paulo, Santiago, and Mexico City, and a rise in women artists to 39% of practitioners, up from 20% in 2018. Highlights include MEM's exhibition of the August 6 Hiroshima Day student photography project and Claudia Andujar's Yanomami works shown by Galeria Vermelho.
The article announces "Singing in Unison: Painting in Space," an exhibition curated by Michael David at Art Cake in Brooklyn, running from October 18 to December 7, 2025. It features works from the 1980s and '90s by four abstract artists—Al Held, Frank Stella, Elizabeth Murray, and Judy Pfaff—who each explored the interplay between two-dimensionality and three-dimensionality, flatness and depth, and spatial boundaries in painting. The exhibition includes an opening reception with a cooking performance by Rirkrit Tiravanija and Tomas Vu, a panel discussion, and a closing poetry reading.
The exhibition "Monuments" opens this week at the Museum of Contemporary Art (Moca) and the Brick in Los Angeles, featuring decommissioned Confederate statues alongside contemporary artworks. The show includes a double monument of Robert E. Lee and Stonewall Jackson on loan from Baltimore, which required road closures and careful logistics to install, as well as works by Kara Walker, Hank Willis Thomas, and Karon Davis that recontextualize these symbols of white supremacy. Curators Hamza Walker, Bennett Simpson, and Kara Walker collaborated on the exhibition, which runs from October 23 through May 3, 2026.
On 25 August, the Slovak National Gallery (SNG) removed a large permanent installation by artist Denisa Lehocká, allegedly without her permission and in violation of contract terms. The removal, which Lehocká calls a "gross violation," occurred amid a broader crisis at the institution, which has seen multiple directors fired and mass employee resignations under the country's populist government. The incident is part of a pattern of government intervention in the arts, including the firing of museum directors by Culture Minister Martina Šimkovičová, who has targeted "progressive art." In response, Slovak artists and organizations like Otvorená Kultúra! have issued the Bratislava Declaration for Artistic Freedom, calling on the EU to adopt a European Artistic Freedom Act to protect creative expression.
Christie's and Sotheby's reported nearly flat first-half 2025 sales of $2.1bn and $2.2bn respectively, with Christie's 20th/21st-century art sales down 2% but luxury up 29%. The Mei Moses Art Index shows over 50% of auction lots sold at negative compound annual returns, which analyst Michael Moses calls 'the worst overall financial performance in the 21st century.' Meanwhile, Bitcoin, gold, and stocks have significantly outperformed art, with BlackRock's Bitcoin ETF alone attracting $84bn—far exceeding the global art market's total value. A record $43.9m Canaletto sale to a Bezos-linked buyer underscores that top-tier works still command attention, but the broader trend suggests wealthy investors are prioritizing financial returns over art as a status symbol.
This article highlights five standout exhibitions at small and rising galleries for September 2025. Featured shows include Ali Tahayori's "Archive of Longing" at THIS IS NO FANTASY in Melbourne, where family photographs are transformed into fragile glass sculptures exploring memory; Michael Batty's "Ladders and Tone Poems" at Mark Moore Fine Art, an online exhibition of abstract, geometrically arranged paintings; and "William S. Burroughs: REDUX 1995–2025" at Robert Berman Gallery in Santa Monica, a survey of the Beat writer's gestural abstract paintings and mixed-media works.
León Gallery's Magnificent September Auction 2025, taking place on September 13, features a diverse lineup of Philippine modern and contemporary art. Highlights include modernist works by Juvenal Sansó, Cesar Legaspi, Vicente Manansala, José Joya, and Anita Magsaysay-Ho, alongside conceptual pieces by Roberto Chabet. The auction also spotlights living contemporary artists such as Raffy Napay, Geraldine Javier, Demi Padua, and Marc Aran Reyes, with works ranging from textile art and natural-dye pieces to hyperrealistic paintings.
Victoria Miro gallery has launched a new digital platform called Live / Archive, which uses 3D modeling, augmented reality (AR), and virtual reality (VR) to present past and current exhibitions online. The platform, powered by the Vortic software developed by Oliver Miro, initially features 72 archived shows dating back to 2019, including Grayson Perry's "Super Rich Interior Decoration." The launch coincides with the gallery's 40th anniversary, and the platform allows artists like Chantal Joffe to revisit and plan exhibitions virtually.
Three Israeli artists—Ronit Porat, an evacuated photographer working with archival materials; an emerging artist using shrapnel from rocket shells as art material while serving as an IDF reservist; and a young artist opening a new exhibition after a break—are profiled in this column by Basia Monkaj. Each answers three questions about inspiration, the definition of art, and what makes their work unique, set against the backdrop of the ongoing war in Israel and the centenary of Surrealism.
Pop superstar Ed Sheeran has joined the ranks of celebrity artists, offering his Cosmic Carpark Paintings at £900 each at HENI Gallery in London from 11 July to 1 August, with half the proceeds supporting music education in UK state schools. The article also reviews other celebrity artists including Robbie Williams (whose Moco Museum show is called 'tone deaf' by critic Eddy Frankel), Adrien Brody (showing at Eden Gallery in New York), Lucy Liu (creating erotic lesbian art), Bob Dylan (exhibiting at Halcyon Gallery), and Johnny Depp (represented by Castle Fine Art).
The article examines how contemporary artists are navigating a hybrid art economy where analogue and digital media converge, particularly in the age of AI. It profiles Simon Denny, recently appointed a Member of the New Zealand Order of Merit, whose machine-assisted paintings at Kraupa-Tuskany Zeidler in Berlin address the illegibility of AI-generated images and the militarized rhetoric of Italian Futurism. Other artists featured include Sara Ludy, whose postdigital paintings at Smart Objects, Los Angeles, reflect screen-based perception, and Chris Dorland, whose exhibition at Nicoletti Contemporary, London, exposes the limits of technical systems through glitch aesthetics. Hito Steyerl's new book *Medium Hot: Images in the Age of Heat* (2025) is also discussed, questioning the role of images in an era of operational, nonhuman vision.
Thomas Woodham-Smith and Harry Van der Hoorn are staging the third edition of the Treasure House Fair at London’s Royal Hospital Chelsea, running until 1 July. The fair, which launched hastily in 2023 after the collapse of Masterpiece London, features 72 exhibitors spanning ancient to contemporary art, design, jewellery, antiques, and even a meteorite. Woodham-Smith reports a mood of optimism despite global turmoil, with strong ticket sales and a 40% share of new exhibitors, including many from outside the UK.
London Gallery Weekend (LGW) 2025 features a strong digital art focus, with must-see shows by artists including Auriea Harvey, Tyler Hobbs, Beeple, and Robert Alice. Highlights include Beeple's interactive video sculpture *Tree of Knowledge* at the first South By Southwest London festival, LoVid's 25-year exploration of video and hand-stitched textiles at Gazelli Art House, David Salle's AI-assisted paintings at Thaddaeus Ropac, and Máté Orr's digital-first folklore paintings at JD Malat Gallery. The festival, where *The Art Newspaper* moderated a panel, underscores London's emergence as a digital art capital.
Finnish gallery Makasiini Contemporary has announced it will open a new location in Helsinki this fall, after eight years in Turku. The 8,000-square-foot space, located in Helsinki's historic Train Factory in Pasila, will debut on September 19 with three simultaneous exhibitions: solo shows by Spanish painter Jorge Galindo and Canadian painter Cindy Phenix, plus a group exhibition featuring artists from the gallery's roster. Founded in 2016 by Frej Forsblom, the gallery also maintains its flagship in Turku's former governor's stables, built in 1832.
The article details the transformation of the Buffalo AKG Art Museum through its AK360 expansion project, led by engineering firm Buro Happold in partnership with OMA and Cooper Robertson. The centerpiece is the new Jeffrey E. Gundlach Building, a 29,000-square-foot structure adding three levels of gallery space, along with flexible event spaces, educational classrooms, and public areas like the Town Square and sculpture gardens. Buro Happold provided MEPFP engineering, IT/AV systems, security, and sustainability consulting to integrate modern infrastructure while preserving the historic campus.
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Photographer Isaac Wright, known as Drift, was arrested at the opening night of his first solo exhibition, “Coming Home,” at the Robert Mann Gallery in New York City on May 15, 2025. A plainclothes officer tapped him on the shoulder while he was speaking with the crowd, and uniformed officers then led him out in handcuffs. The arrest stems from a misdemeanor criminal trespassing charge linked to a photograph in the show, which Wright took after climbing the spire of the Empire State Building in 2024. Wright, a former Army soldier who began climbing buildings to cope with PTSD, has faced previous legal trouble for rooftop trespassing, including a 2020 arrest in Arizona.
The article highlights three must-visit contemporary art exhibitions in India. The first, 'India in Dialogue: Tradition & Transformation' at Jaipur Centre for Art (May 3–June 8, 2025), is a group show curated by Noelle Kadar featuring artists like Shilpa Gupta and Jitish Kallat. The second, 'Bachpan' by Vicky Roy at Vadehra Art Gallery in New Delhi (May 2–30, 2025), is a solo photography exhibition capturing childhood resilience, with 30% of proceeds supporting the Barefoot Skateboarders Organisation. The third, 'A Moment in Modernity' by Haren Thakur at Art Magnum and Gallery Time and Space in New Delhi (May 4–June 30, 2025), blends tribal art with modernist aesthetics.