District Gallery in Shaker Heights, Ohio, will host internationally acclaimed artist Hunt Slonem for the opening of his new exhibition, “Spring Awakening,” on May 29. The 73-year-old New York-based painter, known for his neo-expressionist depictions of bunnies, butterflies, and tropical birds, will attend a sold-out VIP reception. The exhibition runs through June 27 and marks Slonem’s first solo show in Cleveland.
Christie’s will host its third annual Arab Art Exhibition, titled "Marwan: A Soul in Exile," at its London headquarters from 16 July to 22 August 2025. The non-selling retrospective features over 150 works on loan from museums, institutions, and private collections across Europe and the Middle East, spanning paintings, drawings, works on paper, and editions. Curated by Dr. Ridha Moumni, Chairman of Christie’s Middle East & Africa, the exhibition traces the six-decade career of Syrian-born artist Marwan Kassab Bachi (1934–2016), known for his facial landscapes that blend German expressionism with Syrian identity and Arab political themes.
New York dealer Hollis Taggart is opening a second gallery location on the Lower East Side, named Hollis Taggart Downtown, dedicated to emerging and mid-career contemporary artists. The inaugural exhibition, "Boundless," opens May 17 and features ten artists including Osamu Kobayashi, Katherine Boxall, Kelly Worman, and Joanne Greenbaum. The space, at 109 Norfolk Street, is a partnership with longtime employees Paul Efstathiou and Eleanor Flatow. The move comes as the gallery nearly doubled its Chelsea space in 2023, despite a market downturn.
MoMA's Young Learners team, in collaboration with the New York City Art Teachers Association/United Federation of Teachers (NYCATA/UFT), is presenting "The Art of the Educator" at the Lewis B. and Dorothy Cullman Education and Research Building. The exhibition celebrates the artistic talents of NYC public school teachers, showcasing how their personal art practice enriches their teaching. Organized by David Rios and Larissa Raphael, the show features works selected by a panel including Jackie Cruz, Albert Justiniano, Lisa Kaplan, and Jacob Rhodes.
A new art museum, the New Taipei City Art Museum (NTCAM), will open on 25 April in New Taipei City, Taiwan. Designed by Kris Yao of Artech, the 32,641 sq. m building features eight floors, five exhibition halls, and a 500-seat auditorium, part of a larger complex with a park and creative cluster. Director Lai Hsiang-ling, who previously led Shanghai's Rockbund Art Museum, aims to help the city emerge from Taipei's cultural shadow by leveraging its grassroots creative energy and industrial capabilities. Four inaugural exhibitions will showcase local artists including the Xindian Boys, Yuan Goang-ming, and Wu Mali, alongside an international advisory committee featuring Aric Chen, Patrick Flores, and Clara Kim.
Roq La Rue, a pioneering gallery in Seattle's art scene known for championing Pop Surrealism and New Contemporary movements, has reopened in a new space in the Belltown neighborhood—its eighth location in 27 years. The reopening was celebrated with three simultaneous exhibitions: a solo show by Frank Gonzales titled "Frequencies," a group show of small works called "Spectacle du Petit," and a four-person exhibition "Unveiled" featuring large-scale works by Beth Cavener, Josie Morway, Carles Gomila, and Jason Puccinelli. Founder Kirsten Anderson described the renovated space as an "elevated, elegant" oasis with a book nook and coffee to encourage visitors to linger.
The inaugural Art Week Riyadh (AWR), organized by Saudi Arabia's Visual Arts Commission, took place from April 6-13 in the Jax district of Diriyah. Though officially billed as a non-commercial curated exhibition, the event functioned much like an art fair, with 32 galleries displaying available works, price lists visible on stands, and sales conducted throughout the week. The main exhibition, titled "At The Edge," was curated by Vittoria Matarrese with associate curators Basma Harasani and Victoria Gandit Lelandais, featuring galleries from Saudi Arabia and the wider region. Standout presentations included works by Ayesha Sultana, Mohamed Bourouissa, Mohammed Al Resayes, and Miramar Al Nayyar, alongside a moving image section and a satellite program of open studios and gallery shows.
A pop-up art exhibition titled 'This is Now' has opened in a long-vacant storefront in Rancho Santa Fe village, curated by the Ryan Campbell Garrett Art Advisory. The show features works by notable artists including Ed Ruscha, Hugo McCloud, Lynne Drexler, and Sam Gilliam, and will run through April 25. The exhibition aims to revitalize the space and engage the local community, with a successful opening reception held on March 29.
Historisches Museum gibt Bild zurück
The German Historical Museum (DHM) in Berlin has restituted a 19th-century portrait of historian Leopold von Ranke to the von der Schulenburg family. The painting by Adolf Jebens, dated 1876, was seized in 1945 during a land reform in the Soviet Occupation Zone from the family's Schloss Lodersleben estate. The museum's director, Raphael Gross, confirmed the return after provenance research identified the work's history.
The Château de Versailles has inaugurated the restored private bedroom of King Louis XVI, featuring a fully recreated bed that was burned during the French Revolution. The project, which took forty years of research and craftsmanship, involved reconstructing the bed from sparse 18th-century archives, including a sculptor's memorandum by Babel and a fabric sample preserved by the silk manufacturer Tassinari & Chatel. The restoration also includes a commode from the Château de Compiègne, as the original is at Chantilly, and follows principles of harmony in gilding and textile motifs.
Comment l’État soutient la recherche de provenance
The French Ministry of Culture has created two specialized missions to assist museums in researching the provenance of their collections, addressing looted artworks, human remains, colonial acquisitions, and illicit trafficking. The Mission for Research and Restitution of Looted Cultural Property (M2RS), established in 2019, focuses on Nazi-era spoliations (1933-1945) with a budget of €220,000 annually, while the newer Mission "Provenance," launched in 2024 under curator Catherine Chevillot, covers human remains, colonial-era objects, and illicit goods with a €450,000 budget. These missions provide expertise, funding, and coordination with institutions like the Commission for the Restitution of Property and Compensation of Victims of Anti-Semitic Spoliation (CIVS), though most museums still only initiate provenance checks during acquisitions or donations.
Sébastien Allard has been appointed interim head of the Paintings Department at the Musée du Louvre, effective April 14. The 47-year-old specialist in 19th-century art previously served as deputy to Vincent Pomarède, who moved to a new role overseeing museum mediation. Allard's permanent appointment awaits confirmation by Culture Minister Aurélie Filippetti, on the recommendation of Louvre director Jean-Luc Martinez. Meanwhile, the search for a director of the Research and Collections Support division continues, with recruitment expected to be external.
À Shanghai, un spectaculaire opéra en spirale conçu par l’agence Snøhetta se dévoile
The Shanghai Grand Opera House, a massive 147,000-square-meter cultural landmark designed by the Norwegian architectural firm Snøhetta, has reached structural completion in the Houtan district. Inspired by the form of a traditional Chinese fan, the building features a dramatic white helical roof that doubles as a public walkway, connecting the urban landscape to the waterfront. The interior, which includes a 2,000-seat main hall and various modular spaces, is currently being finalized ahead of a scheduled opening in the second half of 2026.
Un métier jeune mais déjà très concurrentiel
The museum visitor services sector in France is undergoing rapid professionalization as specialized outsourcing firms compete for lucrative contracts. Companies like Marianne International, Pénélope, and City One—originally rooted in corporate reception and event management—are now managing front-of-house operations for major institutions including the Palais de Tokyo, MuCEM, and the Musée d'Orsay. This shift reflects a broader trend of museums treating visitors as customers and seeking the high-volume staffing expertise found in the corporate world.
Steven Durland, a longtime editor of *High Performance* magazine and a champion of performance art, died on March 11 at age 75 after a brief illness. His life partner, Linda Frye Burnham, confirmed his death in Saxapahaw, North Carolina. Durland was born in Long Beach, California, raised in South Dakota, and trained as a ceramic artist with a BFA from the University of South Dakota and an MFA from the University of Massachusetts Amherst. He became deeply involved in performance and mail art, and from 1986 to 1994 served as editor of *High Performance*, a magazine founded by Burnham that featured thousands of artists including Nancy Buchanan, Carolee Schneemann, Paul McCarthy, Suzanne Lacy, and Ulysses Jenkins. Durland also maintained his own artistic practice, creating performances such as "Win Defeat/BID FOR POWER" (1978) and "Death and Taxis" (1982), and produced the micro-newspaper *Tacit*.
Art historian Winnie Wong’s new book, *The Many Names of Anonymity: Portraitists of the Canton Trade*, investigates the lives and legacies of 18th and 19th-century Chinese artists who produced works for Western traders under the Canton system. These artists, often dismissed by history as mere copyists or left anonymous in museum "tombstone" labels, created complex works that blended European techniques with Chinese traditions. Wong challenges the reductive category of "Asian export art," proposing instead the term "Canton trade painting" to better reflect the unique atmosphere of cultural exchange in Guangzhou.
The John Simon Guggenheim Memorial Foundation has announced its 2026 fellowship recipients, naming 223 individuals across 55 disciplines. The cohort includes 76 professionals from the visual arts, photography, and fine arts research sectors, featuring notable figures such as Sheida Soleimani, American Artist, Kenneth Tam, and Sonya Clark. This year's selection process was notably competitive, drawing 5,000 applicants—a significant increase from previous years.
Asher Remy-Toledo, a Colombian-born cultural producer and a central figure in New York's media art scene, died on February 22 at age 62 from Hodgkin's lymphoma. He was the founder and director of Hyphen Hub, an international art organization, and previously ran the influential Remy Toledo Gallery in Chelsea, which showcased feminist and post-feminist artists.
Seurat and the Sea Is Postcard Perfect
The Courtauld Gallery in London is hosting 'Seurat and the Sea,' the UK's first exhibition dedicated to Georges Seurat's seascapes. The show features over half of the artist's lifetime output of canvases, painted during summer trips to the Channel coast between 1885 and 1890, which he intended as visual cleansers from studio work. The exhibition highlights his pointillist technique, using contrasting dots of color to capture seaside light.
Kyiv-based illustrator Masha Foya has released a new series of dreamlike works that blend human emotion with the natural world. Her illustrations often feature surreal architectural and organic elements, such as foliage tunnels forming into hands or planes flying through bird-shaped apertures, to represent the boundlessness of the human imagination. The collection includes a mix of personal explorations and high-profile commissions for international publications.
During the opening week of the Venice Biennale, multiple reports detail controversies surrounding the Israeli and Russian pavilions. According to Hyperallergic, artist Belu-Simion Fainaru of the Israeli pavilion threatened legal action against the Biennale after the jury sought to exclude Israel and Russia from prizes over alleged human rights violations, citing antisemitism and nationality-based discrimination. This may have prompted the jury's sudden resignation. Meanwhile, taz reports that Russia's pavilion is a macabre 'dance of death' blending techno and political denial, while Israel's pavilion faces a 'silent boycott' and social ostracism. Zeit describes protests by Pussy Riot and Femen outside the Russian pavilion as a defining image, with activists chanting 'blood sticks to the art of this country.'
Wo bitte geht's zum nächsten Skandal?
The article reports on the 2024 Venice Biennale preview days, where the atmosphere is dominated by political protests, media stunts, and social-media pressure rather than the art itself. Incidents include a solidarity drone choir for Gaza, a Pussy Riot and FEMEN protest at the Russian Pavilion, and a planned demonstration near the Israeli Pavilion, all amplified by PR agencies and WhatsApp alerts. A journalist describes being pressured by editors to cover scandals and political controversies instead of art reviews, which they say no longer attract clicks.
"Eine kräftige Soldatin im Paillettenkleid"
Media reviews of the Venice Biennale's opening week offer contrasting takes on the German and US pavilions. Critics describe the German pavilion, curated by Sung Tieu and Henrike Naumann, as a dense, ironic East-West narrative that layers Nazi architecture with DDR prefab construction, creating what Jörg Häntzschel calls a "shockingly seamless symbiosis." The US pavilion, featuring sculptures by Alma Allen, is panned by Maximilíano Durón in ArtNews as politically timid and empty, lacking the clear colonial critiques of previous editions by Simone Leigh and Jeffrey Gibson.
Die Minimalistin, die keine sein wollte
The Kunstsammlung NRW in Düsseldorf is hosting a major retrospective of American artist Anne Truitt, marking the first comprehensive survey of her work in Europe. The exhibition at K20 features approximately 120 works, including her signature hand-painted wooden columns, drawings, and the late "Pith" series, tracing her unique trajectory from the early 1960s until her death in 2004.
Traumgewinn mit Haken
A 58-year-old sales engineer from Paris has won a 1941 Pablo Picasso portrait titled "Tête de femme" through a charity raffle. The winner acquired the masterpiece, valued at approximately €1.45 million, by purchasing a single €100 ticket. Organized to benefit Alzheimer’s research, the international lottery sold 120,000 tickets across 152 countries, raising a total of €12 million.
Taiwanese artist Li Yi-Fan, born in 1989 and based between Taipei and Amsterdam, creates unsettling digital marionettes using modified game engines and digital puppetry. His pale, chalky figures with uncanny proportions discuss voyeurism, sexual fantasies, philosophy, memes, and computer programming, often resembling the artist himself. Li works a nine-to-five schedule, spends hours on computer games as research, and describes himself as 'probably the most boring artist.' His practice relies on free or subscription software and purchased digital assets, staging what it feels like to make digital art within platform systems and corporate infrastructure.
Un album démembré de Gerard van Honthorst (1592-1656) : dessins inédits et reconstitution d'un corpus
An article in La Tribune de l'Art presents a significant expansion of the known corpus of drawings by Dutch Golden Age painter Gerard van Honthorst (1592-1656). Following the 2014 exhibition of twenty-seven drawings identified by the author, this study adds thirty-two more sheets—twenty-two of which are previously unpublished—as a preliminary step toward reconstructing a dismembered album. The research, conducted with direct observation and advanced imaging techniques (digital microscopy, ultraviolet, raking light), aims to restore the album's original order and shed light on the role of drawing in Honthorst's workshop and creative process.
Biennale de Venise 2026 : les pavillons à ne surtout pas manquer
The 61st Venice Biennale, curated by Koyo Kouoh as an invitation to slow down and reconnect with emotions, features a constellation of contemplative and powerful proposals across the city. Notable national pavilions include the Holy See transforming a monastic garden into an immersive sound experience by Soundwalk Collective, Canada exploring colonial heritage through giant water lilies by Abbas Akhavan, and Austria electrifying the Giardini with radical performances by Florentina Holzinger. Other highlights include Spain dissecting collective memory through postcards, Poland imagining new forms of language between human and underwater worlds, and India's pavilion exploring notions of home.
Montréal, a UNESCO City of Design, is home to a wealth of cultural institutions. This article highlights eight must-visit museums, including the Musée des Beaux-Arts de Montréal (the city's largest art museum, with nearly 47,000 works from antiquity to today), the Musée McCord Stewart (a centennial museum focusing on Canadian history and Indigenous voices), the Écomusée du Fier Monde (dedicated to working-class history and eco-design), and Pointe-à-Callière (an archaeology and history museum built on the city's original foundations). Each museum offers a unique perspective on art, history, and society.
A new permanent home for animation cinema, the Cité internationale du cinéma d'animation, will open in Annecy, France, on June 19, 2025, just before the annual Annecy International Animation Film Festival. Housed in a restored 19th-century horse stable (haras) listed as a historic monument, the 54-million-euro project includes a 450 m² permanent museum, a 332-seat cinema, temporary exhibition spaces, educational workshops, artist residencies, and image-education facilities. The city of Annecy contributes 30 million euros, with additional funding from the Haute-Savoie department, the state, and the Auvergne-Rhône-Alpes region. Designed by architecture firm dd.a and landscape architect Philippe Deliau, the center aims to be a hybrid, year-round hub for animation, blending heritage, creation, and transmission.