Beijing-based artist Hu Yinping is presenting three major works in Hong Kong this March, including the installation 'Potatoes Grow on Trees' in the Encounters sector of Art Basel Hong Kong. The works stem from her long-running project 'Hu Xiaofang,' a semi-fictional company that employs women in rural China to create crocheted artworks, redistributing income and visibility to this often-overlooked demographic.
This article outlines a one-day itinerary through Milan's 2026 Fuorisalone design week, highlighting key installations and exhibitions. It begins at Torre Velasca, featuring Polish Modernism and Brazilian modernist Jorge Zalszupin, then moves to the University of Milan's cloisters for the Interni magazine exhibition themed 'Materiae,' with oversized sculptures and a yacht installation by Piero Lissoni for Sanlorenzo. Other stops include Palazzo Litta, where architect Lina Ghotmeh presents 'Metamorphosis in Motion,' and Galleria Rossana Orlandi, focusing on the theme of doors. The itinerary concludes at Alcova in the former Baggio Military Hospital, an abandoned space reactivated by curators Valentina Ciuffi and Joseph Grima.
The Argentine artistic duo Roberto Behar and Rosario Marquardt have received the $75,000 Lifetime Achievement Award at The Ellies Oolite Arts Awards. The pair, founders of R&R STUDIOS, are recognized for their decades-long collaborative practice that merges art, architecture, and public space to create social sculptures.
An exhibition titled "Waltz" opened at the Cittipunkt e.V. venue in Berlin, featuring works by a group of artists including Squat Theatre, Ben Kinmont, Juliette Blightman, Marysia Paruzel, and Rampike Magazine. The show was curated by Riverside and ran from March 1 to March 29, 2026, with documentation available through Contemporary Art Daily.
Ecuador has unveiled "Kanua: listening practices," a public program for its pavilion at the 2026 Venice Biennale, launching on May 8 with solar-powered boat tours through Venice's canals. Developed by the anticolonial film collective Tawna in collaboration with the Kara Solar Foundation and curated by Manuela Moscoso, the project features six intimate boat journeys with discussions on extractivism, aqua-feminism, and territorial resistance, involving artists such as Carolina Caycedo, Mariana Castillo Deball, and Tabita Rezaire. The initiative reactivates Tawna's floating Amazonian film festival, which originally brought cinema to remote communities in Ecuador via a solar-powered boat.
The Instituto Cervantes in New York presents *Aquel Amplex*, the first institutional exhibition of Venezuelan artist Cassandra Mayela Allen, on view until June 28, 2026. Curated by Fabiola R. Delgado and Carlos Núñez, the show features braided textile sculptures, paintings, and drawings that examine Allen's process-driven practice within the legacies of Venezuelan and Latin American modernism and informalism. The title, meaning "that embrace," references a 1969 letter from Hélio Oiticica to Lygia Clark, evoking longing and forced migration. Allen, a self-taught artist who migrated from Venezuela in 2014, uses communal braiding gatherings to transform found fabrics and garments into architectural works that deconstruct national and artistic heritage.
NOBODY CAN DEFEAT ME THE BRAZILIAN PAVILION IN VENICE BETWEEN SPIRITUALITY HISTORY AND NATURE
The Fundação Bienal de São Paulo has revealed the curatorial project for the Brazilian Pavilion at the 61st Venice Biennale in 2026. Titled 'Comigo ninguém pode' (Nobody Can Defeat Me), the exhibition is curated by Diane Lima and features a major two-person presentation of artists Rosana Paulino and Adriana Varejão, who will occupy the entire pavilion with an installation-based project designed by Daniela Thomas.
Artist Jenna Sutela has been selected to represent Finland at the 61st Venice Biennale in 2026 with a multisensory installation titled Aeolian Suite. Curated by Stefanie Hessler and commissioned by Frame Contemporary Art Finland, the project transforms the Alvar Aalto-designed pavilion into a dynamic windscape using meteorological data, wind machines, and a children’s woodwinds orchestra. The work personifies five specific Venetian winds as protagonists in an elemental drama that blends scientific data with the theatrical traditions of Commedia dell’arte.
Brazilian artist Cinthia Marcelle has unveiled a major site-specific installation titled "beginning, middle, beginning" at the Serralves Museum in Porto. Developed in collaboration with the architecture collective vão and curated by Inês Grosso, the work transforms the museum’s Central Gallery into a space governed by cycles of repetition. Drawing inspiration from the philosopher and Quilombola leader Nêgo Bispo, the installation challenges Western linear conceptions of time and highlights the persistence of colonial structures in modern social organization.
Stay Connected: Supplying the Globe @ 大館
Tai Kwun in Hong Kong is set to host "Stay Connected: Supplying the Globe," a major group exhibition running from February 28 to May 31, 2026. Curated by Pi Li and Yan Kwok, the exhibition features a diverse array of contemporary artists including Musquiqui Chihying, Ho Rui An, Lap-See Lam, and Li Shuang. The works span various media, from video installations like "The Smart City" to sculptural interventions and performance-based projects, focusing on themes of global infrastructure, labor, and technological connectivity.
WINTER SOLSTICE: SEEDS OF NOTHINGNESS. EDO COSTANTINI EN COLABORACIÓN CON DELFINA BRAUN & DELFINA MUNIZ BARRETO
Praxis Gallery in New York is hosting "Winter Solstice: Seeds of Nothingness," a multidisciplinary exhibition by Argentine artist Edo Costantini in collaboration with Delfina Braun and Delfina Muniz Barreto. The show features photography, sound, moving images, and bronze sculptures that explore the quiet, latent biological processes occurring during the winter season. Based on Costantini’s decade-long observation of the landscapes in Katonah, New York, the works focus on the concept of stillness as an active state of reorganization and persistence.
In an intimate interview with Carlo Antonelli, German artist Kai Althoff discusses the psychological origins of the figures that populate his paintings and his collaborative history with Isa Genzken. Althoff describes his characters as a mix of imagined friends, despicable archetypes, and spirits that emerge subconsciously to outshine his own perceived mediocrity. He also reflects on his early influences, ranging from German-localized Marvel horror comics to the improvisational 'home video' skits he produced with Genzken, which he characterizes as a film about love.
The Public Works Art Center in Summerville, South Carolina, opens five new exhibitions on May 21 with a reception from 5:30-8:30 p.m. The shows include "GODBODY: THE FEMME," a group exhibition celebrating Black women artists; Amy Stewart's "Intersections" exploring interconnectedness; Nick Cerrato's "Our Society Needs To…" featuring abstract works created with his feet; Sarah Mitchell's "Wildlife in Wool" with needle-felted animals; and the Summerville Artist Guild's annual "All Members Show." During the reception, guild members will create collaborative paintings for sale to benefit the Summerville Rocks Scholarship Fund.
Medicine Hat artist Poul Nielsen, 78, is exhibiting his work in Venice, Italy, as part of the exhibition 'Anima Mundi (Rituals)' held in conjunction with the Venice Biennale. Nielsen, who has shown his art in around 100 solo and collaborative exhibitions across decades, began his international career with a show in Copenhagen in 2000 and has since exhibited in England, the United States, and China. His current series, 'Atmospheric Possibilities,' was started around 2015 after his retirement from teaching at Medicine Hat College, where he helped develop a pioneering program merging fine art and graphic design.
The inaugural HIVE Art Fair in Seoul, opening May 21 at COEX Magok, is testing an alternative business model that eliminates fixed booth fees. Instead, galleries can choose which services and installations to pay for through a "selective purchase system," with the fair relying on ticket sales, corporate partnerships, and promotional lounges for revenue. The fair features 48 galleries (36 South Korean, 12 international) and 158 artists, with no overlapping artists between galleries, and will display exhibition titles and curatorial statements alongside gallery names.
Art & Light Gallery has partnered with The Anchorage restaurant in Greenville to host an exhibition of works by local artist Eric Benjamin. The show, available virtually on the gallery's website and on view through July 7 at the restaurant, features Benjamin's landscape paintings characterized by bold color and abstract energy created with hand-mixed oil paints. A ticketed artist talk is scheduled for June 18.
The inaugural Enzo art fair has launched in Echo Park, Los Angeles, featuring nine galleries primarily from New York’s Chinatown and Lower East Side. Founded by collector R Parmar at Alabaster Projects, the fair operates on a unique fee-free model for exhibitors and visitors alike, removing the traditional financial barriers of booth fees and wall build-outs. The opening saw a vibrant atmosphere with works ranging from Peggy Chiang’s suspended sculptures to Radek Szlaga’s textile installations.
Jambalaya Arts Inc., a non-profit art gallery in Oshkosh, Wisconsin, is expanding by opening a dedicated music venue called The Jamb on High Avenue. The new space, set for a soft opening at the end of March, will host live music events, allowing the gallery to stop the labor-intensive process of converting its existing Main Street gallery for performances.
The article reflects on the art market's turbulent 2025, marked by gallery closures, weak auction results, and canceled art fairs. Rather than viewing this as a collapse, the author argues it represents a necessary "right-sizing" of an industry that over-expanded during boom years. Key figures like Philip Hoffman of the Fine Art Group advocate for leaner, more agile business models, such as his new advisory firm New Perspectives Art Partners. Meanwhile, dealers in New York and Los Angeles are adapting through shared exhibition spaces and strategic mergers, including Marian Goodman Gallery hosting Jenkins Johnson Gallery and the formation of Hoffman Donahue.
Architetture, progetti e visioni. La storia del Santa Maria della Scala va in mostra a Siena
The Fondazione Antico Ospedale Santa Maria della Scala in Siena has launched a new regeneration project for the historic complex, 40 years after it ceased functioning as a hospital. The foundation, led by president Cristiano Leone and director Chiara Valdambrini, commissioned Luca Molinari Studio to analyze the original design by Guido Canali and coordinate a collaborative masterplan involving three international architecture firms: LAN Architecture, Odile Decq with Pangalos Feldmann Architectes, and Hannes Peer Architecture. An exhibition titled "Santa Maria della Scala. Architetture, progetti e visioni" will open on May 30, 2026, curated by Luca Molinari, showcasing the architectural plans and visions for the site.
In Toscana una nuova rassegna porta l’arte contemporanea nelle aziende agricole con mostre e residenze d’artista
The first edition of CARMI.CO 2026 – Carmignano Contemporanea will take place from May 15 to 24, 2026, in the Carmignano area near Prato, Tuscany. The festival features five exhibitions and five artist residencies hosted by local wineries and agricultural estates, alongside talks, workshops, and studio visits. Exhibitions are staged at venues including the Rocca di Carmignano, Museo Archeologico di Artimino, and Museo delle Maioliche di Bacchereto, with works by artists such as Marco Bagnoli, Qiu Yi, Gola Hundun, Rachel Morellet, Fargo, Marco Ulivieri, Serena Fineschi, and others. Residencies take place at Tenuta di Capezzana, Colline San Biagio, Tenuta Le Furre, Tenuta di Artimino, and Fattoria Il Grumolo, involving artists Max Magaldi, Ronaldo Fiesoli, Vittorio Cavallini, Graziano Riccelli, and Gola Hundun.
A major retrospective exhibition titled "Feedback. Gli ambienti di Franco Vaccari" has opened at Museion in Bolzano, Italy, dedicated to the late artist Franco Vaccari (1936–2025). The show features over twenty immersive environments, historical works, and recent video experiments drawn largely from the museum's permanent collection and the Franco Vaccari Archive of Visual Writing. Curated by Frida Carazzato and Luca Panaro in collaboration with Fosbury Architecture, the exhibition explores Vaccari's cross-disciplinary practice spanning photography, writing, and participatory installation art.
Mafalda incontra Pimpa. A Roma il dialogo tra due autentiche icone del fumetto: intervista ai curatori
A new exhibition in Rome titled "Mafalda & La Pimpa" brings together two iconic comic strip characters for the first time. Created by Quino (1964) and Altan (1975) respectively, Mafalda and Pimpa represent different approaches to childhood: Mafalda critically questions adult society, while Pimpa explores a gentle, wonder-filled world. The show runs from May 14 to July 11 at the Instituto Cervantes, featuring over 120 original strips and plates, and is organized in collaboration with ARF! Festival and other partners. Curators Stefano Piccoli and Daniele Bonomo designed the exhibition to highlight both the contrasts and surprising analogies between the two beloved figures.
Maine College of Art & Design (MECA&D), in collaboration with the Institute of Contemporary Art (ICA) at MECA&D, presents the 2026 MFA Thesis Exhibition, showcasing the culminating work of nine graduate candidates in the Master of Fine Arts in Studio Art program. The exhibition features artists Abigail G. Cloutier, Harley Ngai Grieco, Molly Knobloch, Stephen Medeiros, Darby Miller, Dylan Ouellette, Caitlin Perrigo, Jonathan Spath, and Isaac L. Stern, working across ceramics, drawings, photography, prints, sculpture, sound, and video installations. The show runs from May 7–16, 2026, at the ICA in Portland, Maine.
Due fotografi hanno provato a raccontare la Toscana oltre i soliti cliché
The article profiles photographers Gioconda Rafanelli and August Kaciuruba, who are contributing to the "How Italy Feels" project curated by Marina Serena Cacciapuoti and Cesare Cacciapuoti of Italy Segreta. The project involves twenty local photographers capturing Italy beyond stereotypes. In the Tuscany chapter, Rafanelli and Kaciuruba present a lived, off-duty vision of the region, blending fashion, architecture, and cinematic influences. They discuss their collaborative process, their shared gaze, and how their work shifts between the fast pace of Milan and the slower rhythms of Tuscany, drawing inspiration from filmmakers like Wong Kar-wai, Stanley Kubrick, Luchino Visconti, and Michelangelo Antonioni.
The article announces the opening of the Museo Igor Mitoraj in Pietrasanta, Italy, scheduled for June 6, 2026, after several years of delays. The museum is the first space entirely dedicated to the Polish sculptor Igor Mitoraj, who died in 2014 and was known for transforming Tuscan marble into works blending classical forms with fragmented, contemporary themes. Designed by OBR, Politecnica, and Studio Lumine, the museum results from collaboration between the Italian Ministry of Culture, the Municipality of Pietrasanta, and the artist's heirs, united in the Fondazione Museo Igor Mitoraj. Frank Boehm, director of the foundation, envisions the space as a research-oriented center that will engage with different artistic languages and contemporary issues, not limited to Mitoraj's work alone.
The 2026 ZEKE award winners have been announced, with Ginevra Bonina winning the award for systemic change for her project 'Out for Blood,' which documents period poverty in India and the women fighting to reclaim their bodies. Ebrahim Alipoor won the award for documentary photography for his long-term project 'Bullets Have No Borders,' capturing the lives of border porters carrying goods across the Iran-Iraq mountains.
The third edition of the De Linea Art Festival took place on May 2-3 at the Certosa di Pontignano near Siena, Italy. Curated by Matteo Marsan and Riccardo Guasco, the event transformed the historic monastery into a living laboratory of drawing, illustration, and performance. Nine illustrators—including Marina Marcolin, Francesco Poroli, Elisa Macellari, Gianluca Folì, Ale Giorgini, Gloria Pizzilli, Matteo Berton, Giovanna Giuliano, and Daniele Caluri—participated in a week-long residency, producing works inspired by the site and the festival's theme "Crepe e spiragli" (Cracks and Glimmers), a contemporary interpretation of a Leonard Cohen quote. Over 500 visitors attended workshops, talks, and shared creative sessions, including a workshop by Fondazione Il Bisonte and performances by actress Daniela Morozzi and graphic poet Alessandro Valenti (Alvalenti).
A Venezia torna il Padiglione della Siria dopo il crollo del regime. L’intervista
The Syrian Pavilion returns to the Venice Biennale after the fall of the regime, marking the country's first participation since 2024. The pavilion, curated by artist Sara Shamma, is housed in the former refrigerated warehouses of Santa Marta at the Iuav University of Venice and runs until November 22. It features an installation inspired by the ancient funerary towers of Palmyra, combining painting, architecture, light, sound, and scent to explore cultural heritage and the restitution of looted antiquities.
The article announces Chiara Camoni's project "Con te con tutto" for the Italian Pavilion at the 61st Venice Biennale in 2026, curated by Cecilia Canziani. The project emphasizes relational and communal practices, rejecting the identity-driven rhetoric of national representation. It stems from a fifteen-year dialogue between artist and curator, incorporating workshops, shared readings, and collaborative works like "La Giusta Misura." The pavilion is conceived as an ecosystem of artworks, texts, and activations rather than a linear exhibition, with a catalog designed as a critical reader.