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Artist Ibrahim Mahama Says Police Attack in Ghana Put His ‘Entire Life On Hold’

Ghanaian contemporary artist Ibrahim Mahama announced plans to file charges against the Ghana Police Service after allegedly being violently attacked by officers from a unit called the Black Maria. Mahama states he was accosted on a bus in Tamale, sustaining severe facial injuries including broken teeth and bruising that forced him to cancel an international lecture and work tour. The police have denied the claims, stating the unit in question was not in the region at the time.

Art Dubai to Present Significantly Smaller Event After Iran War Forces Postponement

Art Dubai has announced a significantly scaled-down 'special edition' fair to be held in May, replacing its postponed twentieth-anniversary event. The new iteration will feature just fifty exhibitors, down from the originally planned 120, and will be held at its traditional venue, Madinat Jumeirah.

A New Landmark Survey Aims to Bring Transparency to Museum Collecting Practices

The Penn Cultural Heritage Center (PennCHC) at the University of Pennsylvania's Penn Museum will launch the National Survey of Museum Collecting Practices on May 20, running through August 20. This first-of-its-kind survey, part of the Museums: Missions and Acquisitions Project (M2A Project), will collect data on acquisitions, deaccessions, loans, provenance research, and policies from U.S. nonprofit museums and libraries. Results will be published in 2027, with only generalized insights to maintain anonymity.

new york city museums climate mobilization act

The New York City Council passed the Climate Mobilization Act, a sweeping piece of legislation designed to drastically reduce greenhouse gas emissions from large and mid-sized buildings. The law sets strict emissions reduction targets for 2024, 2030, 2040, and 2050, with the ultimate goal of an 80% reduction by 2050. Major cultural institutions like the Solomon R. Guggenheim Museum, the Whitney Museum of American Art, the New Museum, and the planned headquarters of Pace Gallery are among the buildings affected.

defaults on art loans soar impact of australias social media ban on museums writer takes aim at singapore biennial morning link for january 6 2025

The Financial Times reports that half of non-bank lenders offering loans against artworks experienced defaults in 2024, up from 17% two years earlier, according to the Art and Finance Report 2025 by Deloitte Private and ArtTactic. The art market has shrunk 12% to $57.5 billion since 2022, dragging down collateral values and triggering margin calls. Meanwhile, Australia's social media ban for under-16s raises questions for museums, with the Art Gallery of New South Wales noting minimal impact but the Museum of Contemporary Art Australia more reliant on youth engagement. Other news includes Vanessa Horabuena's speed-painted Jesus sold for $2.75 million at Mar-a-Lago, the cancellation of NFT Paris and RWA Paris 2026, and a critical column calling for the end of the Singapore Biennial.

are museums spending enough marketing new report

A new report from Remuseum, an initiative of the Crystal Bridges Museum of American Art funded by collector David Booth and the Ford Foundation, reveals that American museums are struggling with post-pandemic visitation declines and rising costs, yet they invest less than three percent of their operating budgets on marketing—comparable to mining and construction industries. The report contrasts historical resistance to marketing, exemplified by former Met president William Luers, with the Getty's Harold Williams, who embraced it. Case studies from the Art Gallery of Ontario and the Peabody Essex Museum show how museums can use audience personas to boost attendance, but current spending remains far below the 13.9 to 18.7 percent of revenues that consultant Colleen Dilenschneider says is needed to reach full market potential.

gallery climate coalition carbon five year report

The Gallery Climate Coalition (GCC), a London-based organization with 2,000 members across 60 countries, released a report titled "Five-Year Review of Climate Action in the Visual Arts" during London Art+Climate Week, timed with the UN climate summit Cop30 in Brazil. The report reveals that 80 percent of members who began tracking their carbon footprint in 2019 have reduced their impact by 25 percent, and are on track to cut emissions by 50 percent by 2030. Key sources of emissions include shipping, air travel, and energy use, accounting for 80 to 95 percent of members' carbon output. Christie's London, which hosted a launch event, reported a 69 percent reduction in emissions from 2019 to 2024 through renewable energy and reduced catalog publishing.

Lebanese Artist Ali Cherri Files War Crimes Complaint Against Israel After 2024 Beirut Bombing

Lebanese artist Ali Cherri, with the International Federation for Human Rights (FIDH), has filed a civil complaint in France seeking an investigation into an Israeli airstrike on a Beirut residential building in November 2024. The strike killed seven civilians, including Cherri's parents. The complaint, supported by forensic analysis from Forensic Architecture and Amnesty International, alleges the attack used munitions documented as being employed by the Israeli air force and targeted a civilian object, potentially constituting a war crime.

Art Basel Hong Kong 2026: Where The World Comes To See

Art Basel Hong Kong 2026 returned to the Hong Kong Convention and Exhibition Centre from March 25–27, featuring 240 galleries from 42 countries and territories. The 13th edition introduced new sectors including Echoes, dedicated to works made within the past five years, and Zero 10, a digital art initiative making its Asia debut. The fair also transformed its Encounters sector with a collective curatorial framework based on the Five Elements, led by Mami Kataoka and three other Asia-based curators. Robb Report India covered the event through the perspectives of Indian artists Siddharth Kerkar and Jayesh Sachdev.

Frieze New York will Open With 68 Galleries from 26 Countries, and Other News.

Frieze New York will open on May 13, 2026, at The Shed with 68 galleries from 26 countries, marking its 15th edition. The fair emphasizes Central and South American galleries, supported by new committee members Fátima González and Omayra Alvarado, alongside blue-chip exhibitors like Gagosian, Hauser & Wirth, and Pace. In other news, Phillips set a watch auction record with its $96.3 million Geneva sale, the Met Gala generated $1.56 billion in media value, and ICFF announced a November 2027 edition. Tiffany & Co. and the CFDA launched a new jewelry design scholarship.

Exhibition | Kimiyo Mishima, 'FRAGILE' at Nonaka-Hill, Los Angeles, United States

This article profiles Japanese artist Kimiyo Mishima, whose ceramic sculptures meticulously replicate discarded newspapers, cans, and other trash. Mishima, who died recently, began her career with painting and collage before pioneering a technique in 1971 of silk-screening and painting thin clay sheets rolled with an udon noodle roller to create fragile, lifelike sculptures of garbage. Her work was shaped by her experience growing up in postwar Osaka and her revulsion at consumer culture's disposable nature, leading her to collect trash from the streets of New York and Paris during artist grants.

How MEGA Art Fair Became Milan Art Week’s Social Club

MEGA Art Fair held its third edition in Milan, transforming a former perfume factory into a social and exhibition hub during Milan Art Week and Design Week. The fair, which ran from midday to midnight over an extended period, positioned itself as an alternative to traditional art fairs by prioritizing relaxed social connection, community engagement, and public programming over a purely commercial atmosphere.

Show me the money: UK gallery and auction house accounts reveal reality of a tough market

Recent financial filings from UK-based art businesses reveal a stark downturn in the art market, highlighted by the sudden liquidation of Stephen Friedman Gallery. The gallery's collapse followed expensive expansion projects in London and New York, compounded by a £1.7m loss in 2023 and a significant debt of £11.4m to creditors. Other major players, including Thaddaeus Ropac, reported substantial revenue drops, with Ropac’s turnover falling from £49.6m to £36.4m as the industry grapples with rising overheads and economic volatility.

Perfectly unusual settings for art in Los Angeles

Los Angeles is experiencing a surge in non-traditional exhibition spaces that bypass the conventional 'white cube' gallery model. Artists and curators are repurposing domestic apartments, former Vietnamese restaurants, vacant lots, and garages to host experimental shows. Notable examples include Greg Jenkins’s Paramount-Artcraft in the Fairfax District, Ian James’s Leroy’s in Chinatown, and David Horvitz’s 7th Ave Garden, which utilizes salvaged concrete from the Los Angeles County Museum of Art to create an outdoor installation and reading space.

11 Artists Having Breakout Moments in 2026

The article profiles eleven artists poised for breakout moments in 2026, highlighting their recent achievements and upcoming projects. Featured artists include Diambe, a nonbinary Brazilian artist who will debut a major solo show at Kunsthalle Basel; Tuan Andrew Nguyen, a Vietnamese-born MacArthur fellow who will unveil a public commission for New York's High Line Plinth; and Balraj Khanna, a self-taught Indian painter who died in 2024 and is gaining posthumous recognition. Other artists on the list include Klára Hosnedlová, Kim Hankyul, Gabriel Chaile, Benni Bosetto, Pat Oleszko, Seba Calfuqueo, Tony Lewis, and Nat Faulkner, each noted for significant exhibitions, gallery representation, or awards that have built momentum toward wider acclaim.

How Tate's Emily Kam Kngwarray show is revealing the fraught market dynamics of Aboriginal art

Tate Modern in London is hosting a major solo exhibition of Emily Kam Kngwarray, the celebrated Aboriginal artist who rose to fame in the late 1980s and early 1990s. The show, first presented at the National Gallery of Australia in Canberra, features works from the height of her career, deliberately omitting some of her final paintings due to concerns about the circumstances under which they were created. Curators Kelli Cole and Hetti Perkins highlight how Kngwarray's rapid success attracted dealers and entrepreneurs who exploited the artist and her community, revealing an opaque market system that took advantage of artists' inexperience and poor socio-economic conditions.

A New Contemporary Art Triennial Sets Its 2026 Debut in New York, and Other News

Medina, New York will host its inaugural contemporary art triennial in 2026, running from June 6 to September 7 across more than a dozen indoor and outdoor venues along the Erie Canal. The event will feature over 50 local, domestic, and international artists with site-responsive commissions, and a Medina Triennial Hub will open this September with programming in collaboration with Western New York arts institutions. Initiated by the New York Power Authority and the New York State Canal Corporation, the triennial is co-directed by Kari Conte and Karin Laansoo. In other news, Sotheby's RM will host a major Formula 1 auction titled 'The Champions – Schumacher and F1 Legends' from July 24–30; the Bakehouse Art Complex in Wynwood, Miami plans to build 60 affordable artist apartments; and artist Khaled Sabsabi has been reinstated as Australia's representative for the 2026 Venice Biennale after an external review found Creative Australia mishandled his withdrawal.

David Zwirner inaugurates new gallery space with Michael Armitage exhibition.

David Zwirner is opening a new gallery building in Chelsea at 533 West 19th Street, inaugurated by an exhibition of new work by Kenyan-British artist Michael Armitage. Titled "Crucible," the show runs from May 8 to June 27, 2025, and features new paintings and bronze reliefs that explore the theme of migration, using Lubugo bark cloth as a support. This is Armitage's first solo show with the gallery since his representation was announced in 2022 and his first solo presentation in New York since 2019.

After 11 Years in Court, Heir Reclaims a Modigliani Looted by the Nazis

A French court has ordered the restitution of a 1918 Amedeo Modigliani painting, "Seated Man with a Cane," to the heir of its original Jewish owner. The artwork was looted by the Nazis in 1944 and had been held for decades by a holding company controlled by billionaire art dealer David Nahmad, who purchased it at auction in 1996.

What to Know About Banksy and the Street Artist’s Identity

Reuters has conducted an investigation that claims to have identified the famously anonymous street artist Banksy. The report's key evidence is a police report from Banksy's arrest in New York City approximately twenty years ago.

Welcome to Venice: the shows you won’t want to miss at the 61st Biennale

The 61st Venice Biennale, titled "In Minor Keys," opens with a keynote exhibition conceived by the late Koyo Kouoh and realized by her team after her sudden death in May 2025. The show spans the Central Pavilion in the Giardini and the Arsenale, featuring 110 artists and collectives. Highlights include Bracha L. Ettinger's installation at the Hotel Metropole, where she transforms a room where Sigmund Freud wrote part of *The Interpretation of Dreams* into a feminist 'borderspace,' and works by artists such as Arthur Jafa, Richard Prince, Issa Samb, Beverly Buchanan, and Daniel Lind-Ramos. The exhibition explores themes of history, colonialism, war, and environmental destruction, aiming for a 'sotto voce' tone that nonetheless delivers powerful, liberating statements.

Marcel Duchamp Is Stripped Bare at MoMA

The Museum of Modern Art in New York has opened "Marcel Duchamp," the first retrospective of the artist on this continent in over 50 years. Curated by Ann Temkin, Michelle Kuo, and Matthew Affron, the exhibition is organized strictly chronologically and features Duchamp's most famous works—including his revolutionary readymades like *Fountain* (1917) and *Bicycle Wheel* (1913)—often shown only in photographic reproduction or as later refabricated copies, replicas, and miniatures from his *Box in a Valise* series. The show highlights how Duchamp's original objects have been lost or dematerialized, forcing viewers to confront the very definition of an artwork.

Ai Weiwei to Reenact His Own Detention in 24-Hour Performance in Manchester

Artist and dissident Ai Weiwei will reenact his 81-day detention by China's Ministry of Public Security in a 24-hour performance titled "Sewing a Button" at Factory International's Aviva Studios in Manchester, England. The performance, part of his exhibition "Button Up!" running from July 2, 2025, will take place in a re-creation of his cell and involve Ai sleeping, eating, exercising, writing, washing, and being interrogated, with visitors able to book two-hour slots or a full 24-hour ticket. The work follows his earlier piece "S.A.C.R.E.D." (2013) and is joined by other commissioned works including "Eight-Nation Alliance Flags" and a new version of "History of Bombs."

At the Every Woman Biennial, Joy Becomes a Form of Resistance

The sixth edition of the Every Woman Biennial opened at New York's Pen + Brush gallery, featuring hundreds of works by women and nonbinary artists in a densely hung, salon-style exhibition. The event, which began as a one-night pop-up in 2014, has grown into a major intergenerational showcase, mixing emerging artists with established names like Swoon and Mickalene Thomas, and includes performances and installations.

new advisory artist money matters

A new financial consultancy called Artist Money Matters has launched in London, specifically designed to serve artists. Founded by artist and former finance executive Victoria Helena, the firm offers services including pricing advice, contract review, tax preparation, cash-flow planning, and guidance on grants and studio sustainability. It aims to provide artists with the business tools often missing from their education.

roman road lize bartelli the hour of the star

London's Roman Road gallery presents "Lize Bartelli: The Hour of the Star," the artist's third solo exhibition, opening January 23, 2026, at Pipeline Contemporary as part of the Visiting Curators Initiative. The show features 14 new paintings that explore feminine expression, identity, and the tension between becoming and performing the self, drawing inspiration from Clarice Lispector's 1977 novel of the same name. Bartelli's graphic style reduces subjects to elemental forms, with red emerging as a structural color that embodies contradiction.

derek jeter red grooms sculpture

Miami-Dade County has granted permission to the Miami Marlins, led by CEO Derek Jeter, to move Red Grooms's massive kinetic sculpture *Homer* from its original location inside Marlins Park to a new outdoor plaza called the Marlins Park Art Walk. The 73-foot-tall, $2.5 million artwork, which activates with water jets and spinning figures after every Marlins home run, has been opposed by the 81-year-old artist, who argues the un-weatherized piece will be damaged by the elements. Grooms and his wife have publicly appealed to keep the sculpture in place, but the county's Art in Public Places board approved the relocation, with the team facing a $2,000-a-day fine if the work is not reinstalled by January 1, 2020.

art dealers movie villains

Artnet News examines the recurring trope of art dealers as villains in popular cinema, highlighting seven films that feature duplicitous gallerists, auction house specialists, and art advisors. Examples include Rhodora Haze in *Velvet Buzzsaw* (2019), a ruthless gallerist who profits from a dead artist's work against his dying wish, and Virgil Oldman in *The Best Offer* (2013), an auction house director entangled in forgery and deception. The article also references Victor Taft in *Legal Eagles* (1986), where a performance artist's father's suspicious death drives the plot.

iconic photos leica photojournalism

This article marks the 100th anniversary of the Leica I camera, first unveiled in 1925 after Oskar Barnack's proposal to create a lightweight, portable camera using 35mm cinema film. It highlights seven era-defining photographs made with Leica cameras, including Alfred Eisenstaedt's iconic V-J Day in Times Square (1945) and Ilse Bing's Self-Portrait in Mirrors (1931), and notes that Leica is staging exhibitions across its 29 galleries worldwide to celebrate the centenary.

There Is No Separation. In Conversation with Alice Maher   by Frank Wasser

Alice Maher, one of several Irish artists at the 61st Venice Biennale, presents three works in the Arsenale as part of the group exhibition “In Minor Keys,” curated by the late Koyo Kouoh. Her presentation includes a reconstructed 1996 installation *Les Filles d’Ouranos*, a new series of drawings and sculptures titled “The Sibyls” (2025), and a collaborative textile piece *The Map* (2021) made with Rachel Fallon. In a conversation with Frank Wasser, Maher discusses the political conditions surrounding this year’s Biennale, including institutional resignations, debates over national representation, and the inclusion of the Israeli and Russian pavilions.