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From street gang to civil rights group, the Young Lords’ impact is on display in a new DePaul art exhibition

The DePaul Art Museum in Chicago has opened a new exhibition titled "Tengo Lincoln Park en mi Corazón: Young Lords in Chicago," curated by Jacqueline Lazú. The show explores the history and activism of the Young Lords Organization, a group that began as a Puerto Rican street gang in the 1950s and evolved into a civil rights advocacy group fighting against displacement and discrimination in Lincoln Park. The exhibition features objects like purple berets, protest art, and photographs, and is the result of decades of collaboration between DePaul University and the Young Lords.

Louvre and Grand Palais among French museums closed due to nationwide strikes

On Thursday, September 18, several major French museums and cultural venues closed due to a one-day strike against budget austerity. Affected institutions include the Musée du Louvre, Château de Versailles, Grand Palais, Musée d’Orsay (where visitors were allowed in freely), Arc de Triomphe, Eiffel Tower, Panthéon, and Musée Picasso. The strike, supported by the CGT union, also led to closures at dozens of other monuments and institutions across the country, with demonstrators protesting outside the office of Culture Minister Rachida Dati. Separately, the Musée de la Tapisserie de Bayeux is closed for two years for renovations, and the planned loan of the Bayeux Tapestry to the British Museum has been postponed due to the strikes, raising concerns about the embroidery's fragility.

Piecing together ancient Andean stories at Krannert Art Museum

Krannert Art Museum has reopened its reimagined exhibition 'Fragmented Histories: Andean Art before 1600' after a year-long closure, following nearly a decade of collaborative research. Co-curators Allyson Purpura and Kasia Szremski worked with pre-contact Andean art historians and Peruvian archaeologists to restore context to looted artifacts from the Fred Olsen Collection, donated in 1967. The exhibition is organized into four themes—Unfinished Stories, The Mobile Life of Objects, Powerful Images, and Object Biographies—and includes digital displays that acknowledge the violent histories of looting and aim to share knowledge with descendant communities in Peru.

In a new exhibition, Turkey displays the success of its heavyweight heritage drive

Turkey has opened a new exhibition titled "The Golden Age of Archaeology" at a national library in Ankara, showcasing 570 ancient artifacts—most unearthed in the past two years and displayed for the first time. Highlights include 11,500-year-old Neolithic vessels, a Bronze Age tablet revealing a previously unknown language (Kalasma), and a repatriated bronze statue of Roman emperor Marcus Aurelius, which was smuggled out of Turkey in the 1960s and recently returned from the Cleveland Museum of Art after a legal battle. The exhibition is part of the government's Heritage for the Future project, which spends around $150 million annually on excavations, visitor centers, and museums, with active digs rising to about 800.

Historic 16-Venue Art Exhibit Spotlights Local Women Artists

The Greater Washington region launches "Women Artists of the DMV," the largest curated fine arts exhibition ever dedicated to contemporary female artists in the United States. Featuring more than 500 artists across Maryland, Virginia, and Washington, D.C., the landmark survey spans 16 galleries and cultural venues from late August through January 2026, with the American University Museum at the Katzen Arts Center serving as the central hub. Curated by Florencio Lennox Campello, the exhibition highlights both established and emerging voices across genres including painting, sculpture, glasswork, textiles, and public art, with strong representation from Southern Maryland and Prince George's County.

Museums Are Under Fire. Silence Isn’t an Option

James Steward, director of the Princeton University Art Museum, argues that museums are under coordinated attack in a polarized political climate. He cites threats including scrutiny of the Smithsonian Institution for its narratives, pressure on directors who uphold diversity and inclusion principles, and immigration agents targeting museums serving communities of color. Steward calls on museum leaders to resist the impulse to remain silent and instead double down on their role as spaces for dialogue, debate, and the holding of contradictory ideas.

US museums urged to stop lobbying against Nazi loot restitution bill

US museums, including the Metropolitan Museum of Art, are lobbying against a bipartisan bill that would strengthen the ability of Holocaust survivors and their families to reclaim Nazi-looted art. The Association of Art Museum Directors (AAMD) paid $8,000 to oppose the bill, which eliminates technical legal defenses such as statutes of limitation and laches that museums have used to dismiss claims. New York Mayor Eric Adams and the World Jewish Restitution Organisation have publicly urged museums to drop their opposition, arguing that the stance contradicts the values of justice and accountability.

White House Lists Smithsonian Exhibits It Finds Objectionable

The White House has released a list of Smithsonian Institution exhibits it finds objectionable, targeting displays that it claims promote divisive narratives or undermine traditional American values. The list includes specific exhibitions across multiple Smithsonian museums, such as those related to race, gender, and historical figures, which the administration argues should be revised or removed.

Tens of thousands sign petition to stop loan of ‘extremely fragile’ Bayeux Tapestry to UK

Nearly 50,000 people have signed a petition to block the loan of the Bayeux Tapestry to the British Museum, citing warnings from textile restorers that moving the 1,000-year-old embroidered linen could cause irreparable damage. The petition, launched by art historian Didier Rykner, opposes the planned exhibition in London from September 2026 to July 2027, which coincides with the closure of the Bayeux Tapestry Museum in Normandy for renovations. The loan was announced in July by French President Emmanuel Macron and British Prime Minister Keir Starmer. Prominent French cultural figures, including former museum director Isabelle Attard, have voiced strong concerns, and Rykner hopes to ally with British opponents of the exchange, which would also send Anglo-Saxon and Medieval treasures from the British Museum to France.

After a £27m makeover, Norwich Castle reopens with a new gallery, royal rooms—and medieval toilets

Norwich Castle has reopened after a five-year, £27.5m renovation that reinstates long-lost royal rooms within its medieval keep. The Royal Palace Reborn project added a bedroom, chapel, kitchen, banqueting hall, and medieval toilets, recreating the spaces as they would have appeared when King Henry I stayed in 1121. Visitors can explore the rooms with period-appropriate furniture, textiles, and painted decorations, plus new animations projected onto the keep's walls. A new Gallery of Medieval Life, developed with the British Museum, displays over 900 medieval objects, including 50 on long-term loan from the British Museum.

Why these Confederate monuments from Richmond are headed to California

Several Confederate monuments removed from Richmond, Virginia, including the Vindicatrix sculpture from the Jefferson Davis Monument and the Matthew Fontaine Maury sculpture and globe, are being loaned to a national temporary art exhibition in Los Angeles. The Valentine and the Black History Museum & Cultural Center of Virginia are sending these artifacts, along with granite slabs from various monument bases, to be part of a show running from October to May that reimagines their place in history. More than 15 monuments from across the U.S. will be featured, and the museums have gathered over 6,000 survey responses from the community to guide future decisions.

French government adopts bill for restitution of colonial-era objects

The French government has adopted a bill that facilitates the restitution of cultural objects plundered from former colonies, eight years after President Emmanuel Macron pledged to return African heritage. Presented by Culture Minister Rachida Dati, the bill maintains that French public collections are inalienable but creates an exemption for items taken by force between 1815 and 1972. Restitution requests must come from foreign states, be for public preservation and display, and involve items allegedly stolen, looted, or sold under duress. A bilateral scientific committee will examine each case, with final approval from the Conseil d'État. The bill aims to replace the current slow, case-by-case legislative process that has resulted in only 30 objects returned since 2017.

Can Hauser & Wirth's new Palo Alto space achieve what its rivals failed to?

Hauser & Wirth announced on July 30 that it will open a new location in Palo Alto, California, in spring 2025. The 2,600-square-foot space, located in a former post office on Hamilton Avenue near Stanford University and tech giants like Meta and Google, will be the Swiss mega-gallery's 17th location worldwide and its third in California, joining two existing spaces in Los Angeles. The gallery's president, Marc Payot, cited the Bay Area's dedicated collector community and museums as key reasons for the expansion.

Shalini Le Gall named director of the Ackland Art Museum

Shalini Le Gall, deputy director for curatorial affairs at the Portland Museum of Art in Maine, has been named director of the Ackland Art Museum at UNC-Chapel Hill. She will begin her new role on September 8, 2025, bringing over 20 years of experience in museums and higher education, including expertise in exhibit curation, acquisitions, strategic planning, and community engagement. Le Gall succeeds a period of growth at the Portland Museum of Art, where she oversaw more than $10 million in acquisitions and coordinated traveling exhibitions across the U.S.

Don’t Miss These August Museum Exhibits in New Orleans

The article highlights several must-see museum exhibits in New Orleans for August 2025, part of the city's Museum Month program. Featured shows include "Louisiana Contemporary 2025" at the Ogden Museum of Southern Art, a juried exhibition of 53 works by 50 Louisiana artists; Vince Fraser's immersive Afro-surrealist installation "Ancestral Odyssey" at the New Orleans African American Museum; and Ben Depp's aerial photography series "Edge of Tomorrow: Aerial Views of Louisiana’s Changing Coastline" at The Historic New Orleans Collection.

Yale Art Gallery Withdraws Federal Grant Requests After Trump DEI Ban

The Yale University Art Gallery has withdrawn two federal grant requests totaling $200,000 for a forthcoming exhibition on Southeast African art, citing concerns that the show does not meet the National Endowment for the Arts (NEA) and National Endowment for the Humanities (NEH) criteria under President Trump's executive order banning Diversity, Equity, and Inclusion (DEI) programs. The museum will instead use its endowment to fund the exhibition, which focuses on the migration of the Nguni peoples in southern Africa and is set to open next fall. Additionally, the NEA cancelled a $30,000 grant for another exhibition, Nusantara: Six Centuries of Indonesian Textiles, prompting the museum to draw on its Robert Lehman Endowment Fund.

Ancient art on wheels: how Mumbai's leading museum is sending miniature exhibitions by bus into the Indian countryside

Mumbai's Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS), formerly the Prince of Wales Museum, has retrofitted three public buses as mobile mini-museums to bring curated exhibitions into the Indian countryside. The buses travel across Maharashtra and beyond, carrying miniature displays that foreground objects and material culture, encouraging viewers to build narratives from artifacts rather than starting with pre-written histories. The initiative grew out of a 2024 exhibition, "Ancient Sculpture of India, Egypt, Assyria, Greece and Rome," co-curated with the J. Paul Getty Museum, Berlin State Museums, and the British Museum.

Bayeux Tapestry to return to UK for first time in almost 1,000 years

The Bayeux Tapestry will be loaned to the British Museum in London for display from September 2026 to July 2027, marking its first return to the UK in nearly 1,000 years. The agreement was announced by UK Prime Minister Keir Starmer and French President Emmanuel Macron during a state visit, as part of a broader cultural partnership that also includes the loan of Sutton Hoo treasures and the Lewis chessmen to French institutions.

Art Kids Summer at the Philadelphia Museum of Art

The Philadelphia Museum of Art (PMA) has launched its annual Art Kids Summer program, running from July 5 through August 24, 2025. The initiative offers drop-in art-making, family tours, workshops, and monthly family festivals centered on the theme "Paper, Prints, and Play!" and inspired by the exhibition "Brand X Editions: Innovation in Screenprinting." Activities include printmaking with local artists, silk screen printing, still life sketching, and performances by groups like Ninth Planet and ILL DOOTS. Visitors 18 and under are admitted free.

Monica Rodriguez: Californiana

Monica Rodriguez's exhibition "Californiana" at the de Saisset Museum explores the colonization of California from 1542 to 1846, focusing on the missionization period (1769–1833) when Native Californians were forced into labor within the Alta California Mission system. The installation features twenty-one adobe bells planted with native California plants, architectural plans, and photorealist drawings of historical texts from the Mission Library Collection, all critiquing the colonial mindset and its enduring impact on the land and people.

City announces art exhibition for Las Vegas Civic Center Art Gallery

The City of Las Vegas is partnering with the future Las Vegas Museum of Art (LVMA) to present a contemporary art exhibition titled "Family Album" at the newly unveiled Las Vegas Civic Center Art Gallery. Organized by the Los Angeles County Museum of Art (LACMA), the show features family photographs from over 20 intergenerational artists, including Dannielle Bowman and Janna Ireland, and runs from September 4, 2025 through January 9, 2026. This marks the first public-facing program for LVMA, which has been in development since 2023 and is expected to break ground on a $150 million facility in Symphony Park as early as 2026, with a projected 2028 opening.

Italy’s leading archaeological museum uses young creatives’ press shots without payment

Italy's National Archaeological Museum of Naples (MANN) launched a photography competition in March inviting young people aged 18 to 30 to submit images of objects from its collections, including artifacts from Pompeii and Herculaneum. The museum offered no payment, only exposure via social media and banners on its façade, sparking criticism from cultural workers' group Mi Riconosci and Italian media, who accused the institution of exploiting unpaid labor. Museum administrator Raffaella Bosso defended the initiative as a dialogue with youth, but the museum has not withdrawn or modified the contest.

Art x Climate Gallery triumphs at the Smithsonian

The article reports that the Art x Climate Gallery has achieved a notable success at the Smithsonian Institution, though the specific details of the triumph are obscured by a security verification page that blocks access to the full content. The gallery, which likely focuses on the intersection of art and climate change, appears to have been recognized or celebrated within the Smithsonian's prestigious museum network.

World-first Ozzy Osbourne exhibition to open at Birmingham Museum & Art Gallery

Two free exhibitions celebrating Ozzy Osbourne and Black Sabbath will open in Birmingham, UK, timed to the band's historic homecoming concert at Villa Park. 'Working Class Hero' at Birmingham Museum & Art Gallery displays Ozzy's Grammy Awards, Rock and Roll Hall of Fame honors, platinum and gold discs, and rare photography. A separate outdoor photography exhibition in Victoria Square features archive images of all four founding Black Sabbath members, iconic album artwork, and band facts. A 40-meter street mural by Mr Murals on Navigation Street depicts the band's logo and portraits.

Alison Mustokoff: Breaking Boundaries in Art

Alison Mustokoff, a feminist artist and former teacher, opened The Jane Gallery in Philadelphia's Old City in October 2024. The gallery is dedicated exclusively to showcasing women, nonbinary, and queer artists, offering exhibitions, performances, workshops, artist talks, and community events. Mustokoff, who moved from New York to Philadelphia 16 years ago, cites the statistic that only 17% of artists in museums are women as a driving force behind her mission to support and celebrate underrepresented voices in the visual arts.

CAM Raleigh to pause exhibitions amid financial and cultural challenges for small, local museums

The Contemporary Art Museum (CAM) in Raleigh, North Carolina, announced it will temporarily pause exhibitions and in-house programming starting June 15, 2025, as part of a strategic effort to reassess its role and operations. The museum cited rising operational costs, shifting donor trends, and increasingly competitive funding as challenges facing small museums nationwide. While the main galleries close, CAM will continue offsite programming and host the annual Raleigh Fine Arts Society’s NC Artists Exhibition in September. Two current exhibitions—'Look to the West' and 'Skin of the City' featuring works by Rigoberto Mena—remain on view through June 15.

Meet at Mia: How One Museum Reimagined Summer Without a Blockbuster Exhibition

The Minneapolis Institute of Art (Mia) faced summer 2024 without a major blockbuster exhibition, a significant challenge since special exhibitions typically drive up to 30% of annual attendance. Programming manager Anna Dilliard responded by launching "Meet at Mia," a 16-week outdoor series of Thursday night events including concerts, film screenings, and community rides in the museum's courtyard. The initiative built on a successful pilot event in August 2023 and grew from 700 attendees to 1,500 at its first official event, transforming a potential attendance slump into a season of community engagement.

Comment | Are museums ‘guilt tripping’ their visitors? No, they aren’t doing enough

The article argues that museums are not doing enough to address political realities, colonial histories, and systemic oppression in their exhibitions and wall texts, contrary to critics who claim visitors feel guilt-tripped or bored by such content. The author cites the Victoria and Albert Museum's exhibition "The Great Mughals: Art, Architecture and Opulence" as a missed opportunity, noting that it privileged opulence without adequately engaging with the violent histories of colonialism, as pointed out by art historian Archishman Sarker and artist Sutapa Biswas.

Sámi art has gained visibility in Norway—but when will it get a museum of its own?

Sámi artists from Norway are gaining international recognition, with milestones including the rebranding of the Nordic Pavilion as the Sámi Pavilion at the 2022 Venice Biennale, a major mural by Outi Pieski in Oslo, and a forthcoming Hyundai commission by Maret Anne Sara at Tate Modern. Despite this visibility, decades of advocacy have failed to establish a dedicated Sámi art museum; thousands of works purchased with government funds remain in storage. The Norwegian parliament's recent truth and reconciliation report acknowledged historical injustices, but activists like Synnøve Persen and scholars like Katrine Rugeldal argue that existing institutions are insufficient and that a museum must be built on Sámi terms, potentially nomadic or pan-Nordic.

Young artists, Mia exhibit, shine uncomfortable light on American racism

The Minneapolis Institute of Art (Mia) opened its fourth annual Teen Perspectives exhibition on May 10, titled “Minneapolis as Monument,” featuring works by high school students addressing health and racial equity. The show, running through July 20, includes paintings, photos, sculptures, and video installations inspired by the murder of George Floyd five years ago and the concurrent “Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys” exhibition. Speakers included Virajita Singh, Mia’s chief diversity and inclusion officer, and Bukata Hayes of Blue Cross Blue Shield of Minnesota, the program’s sponsor. Student artists like Lydia Nobrega and Joseph Willie created pieces that explore personal stories, community, and systemic racism.