A 17th-century portrait of Grand Prince Ferdinando de’ Medici was damaged at the Uffizi Galleries in Florence when a tourist attempted to take a photo mimicking the prince's pose. The young Italian man tripped over a barrier, fell onto the painting, and tore the canvas. Security cameras captured the incident, and the tourist has been identified and reported to police, potentially facing criminal charges and repair costs.
Romania has secured a "long-term hold" on El Greco's painting *Saint Sebastian* (1610–1614), which was pulled from a Christie's New York Old Masters sale in February. The work is claimed by Romania as unlawfully taken from its national collection in 1947. The painting will remain at Christie's until legal proceedings resolve the dispute. Meanwhile, Italian sculptor Arnaldo Pomodoro died in Milan at age 98, and abstract painter Thornton Willis died in New York at 89. Other news includes a letter from National Gallery director Gabriele Finali defending the Rubens attribution of *Samson and Delilah*, Japan's curatorial appointments for the 2026 Venice Biennale, and a Bristol City Council fundraiser to acquire an early JMW Turner painting.
The Elizabeth Street Garden in New York City has filed a federal lawsuit seeking protection under the Visual Artist Rights Act (VARA) to prevent its destruction for an affordable housing project called Haven Green. The lawsuit, filed by law firms Siegel Teitelbaum and Evans and McLaughlin and Stern, argues that the garden is a unique work of visual art and landscape architecture created by the late Allan Reiver and his son Joseph Reiver, and should be legally protected as a sculptural work. The garden received a temporary stay after eviction papers were served last fall, but the city plans to build 100% deeply affordable senior housing on the site, claiming the project will provide over 15,000 square feet of public space.
On Thursday, an environmental activist from the group Last Generation Canada hurled bright pink paint at Pablo Picasso's 1901 painting *L’hetaire* at the Montreal Museum of Fine Arts. The protester, identified as 21-year-old Marcel, was arrested and later released pending a court appearance; two accomplices who filmed the act were detained and released without charge. The group cited the record-breaking heat wave in Winnipeg and Manitoba as a motivation, arguing that art is meaningless on a dead planet.
Curtis Yarvin, a computer engineer and far-right political thinker, has proposed a controversial US Pavilion for the 2026 Venice Biennale centered on Titian's *Rape of Europa* (1559–62), on loan from the Isabella Stewart Gardner Museum in Boston. Yarvin is collaborating with Dutch Egyptian artist Tarik Sadouma on the concept, which he describes as "rape-themed," though he notes room for feminist perspectives. The proposal, first reported by the *New Yorker* and detailed further by *Vanity Fair*, includes alternative plans such as forging and burning the painting or using AI if the loan is denied. Applications for the pavilion close July 30, with a final decision expected later in the summer.
Design Miami has announced its 2025 programming for its 20th anniversary year, including a new initiative called Design Miami.In Situ. The schedule features a one-day event in Aspen in July, a 14-day exhibition in Seoul in September, the third edition of its Paris fair in October, and the 21st edition of its flagship fair in Miami Beach in December. The Seoul exhibition, curated by Hyeyoung Cho and held at the Dongdaemun Design Plaza, is a collaboration with the Seoul Design Foundation focusing on Korean collectible design. CEO Jen Roberts described this as the organization's largest global expansion and most ambitious program to date.
Frank Uwe Laysiepen, known as Ulay, has died at age 76 in Ljubljana, Slovenia. The German-born artist was a pioneer of performance art, photography, and body art, best known for his collaborative works with former partner Marina Abramović, including the iconic "Relation Works" series and their 1988 walk along the Great Wall of China. Ulay had been recovering from lymphatic cancer; the cause of death has not been confirmed. He leaves behind the ULAY Foundation in Amsterdam and a project space in Slovenia.
The Louvre Museum in Paris failed to open on Monday morning after front-of-house staff, including security guards, gallery attendants, and receptionists, staged a spontaneous protest over chronic understaffing and overcrowding. The walkout began after a routine internal meeting, forcing thousands of visitors to wait outside for hours without explanation. The museum eventually opened at 2:30 p.m. local time and offered refunds to affected ticket holders. The protest follows a leaked letter from director Laurence des Cars to culture minister Rachida Dati detailing severe infrastructure problems, including temperature fluctuations endangering artworks, leaky roofs, and inadequate visitor facilities.
The National Park Service has added the Donald Judd Historic District in Marfa, Texas, to the National Register of Historic Places. The designation covers 15 buildings transformed by artist Donald Judd, including structures on the decommissioned Fort D.A. Russell army base, as well as his outdoor work *15 Untitled Works in Concrete* (1980–84). Judd began acquiring property in Marfa in 1971, creating an artist-centered environment that now draws around 50,000 visitors annually.
The Philadelphia Museum of Art has opened "Boom: Art and Design in the 1940s," a major survey featuring over 250 works including painting, photography, jewelry, ceramics, fashion, and furniture. The exhibition draws entirely from the museum's own collection, with around 40 percent of the works never exhibited before. It includes early pieces by celebrated figures like Jackson Pollock and Lee Krasner, as well as works by queer artists such as Paul Cadmus, Beauford Delaney, and Romaine Brooks, alongside self-taught artist Horace Pippin. Chief curator Jessica Smith emphasizes that the show aims to present a more complex, multivalent narrative of the decade beyond the dominant story of Abstract Expressionism.
Art Basel, the flagship art fair, returns to Basel, Switzerland from June 17 to 22 amid a period of market contraction and geopolitical instability. The article explores key questions surrounding the fair, including whether the proliferation of new Art Basel editions in Paris and Doha is diluting interest in the original Swiss event. Gallerists and collectors weigh in, noting that while Paris is rising in importance, Basel retains unmatched prestige and draws a genuinely engaged international audience. The piece also highlights the fair's new "Premiere" section, which spotlights mid-career and established artists, featuring London gallery Edel Assanti's debut presentation of American artist Lonnie Holley.
The Judd Foundation has settled a lawsuit with Kim Kardashian and Clements Design over a 2022 promotional video in which Kardashian promoted knockoff versions of Donald Judd's minimalist furniture. The video, which garnered over 3.6 million views before being deleted, featured tables resembling Judd's La Mansana Table 22 and Chair 84. Under the settlement, Kardashian will acquire authentic Judd furniture from Donald Judd Furniture LLC, and both parties expressed satisfaction with the outcome.
On June 24, New Yorkers will vote in the Democratic primary for mayor, with candidates including embattled incumbent Eric Adams, former governor Andrew Cuomo, and Democratic Socialist Zohran Mamdani, who is gaining support from artists and art dealers. The article outlines the arts-related positions of several candidates: City Council Speaker Adrienne Adams restored $53 million in cultural funding after proposed cuts; Eric Adams has an uneven record, having proposed cuts but later launching the 'NYC Create in Place' pilot program; and Andrew Cuomo's arts stance is mentioned but not detailed.
Leonard Lauder, the 85-year-old chairman emeritus of Estée Lauder Companies, has amassed a collection of approximately 130,000 postcards, many of which are a promised gift to the Museum of Fine Arts, Boston. A selection of 350 propagandist postcards from the World War I and World War II eras is now featured in a new exhibition at the MFA titled “The Art of Influence: Propaganda Postcards from the Era of World Wars” (through January 21), accompanied by a publication. Lauder began collecting as a boarding school student in Miami Beach, drawn to the idealized images and vibrant colors of Art Deco hotel postcards, and later expanded to historical and propagandist cards that he describes as “living history.”
The Metropolitan Museum of Art's current "Cubism" exhibition showcases masterpieces from the Leonard A. Lauder Cubist Collection, featuring works by Pablo Picasso, Georges Braque, Juan Gris, and Fernand Léger. The show spans six galleries and presents some of the finest examples of Cubist art, including iconic pieces like Braque's *The Castle of La Roche-Guyon* (1909) and Picasso's *The Oil Mill* (1909). The exhibition is essentially a curated display of Lauder's promised gift to the Met, highlighting the "Four Horsemen" of Cubism while omitting the broader context of the movement's other pioneers, such as the Salon Cubists.
New York City will gain a major new cultural venue in 2026 called Canyon, a 18,000-square-foot hub on the Lower East Side dedicated to durational, time-based art forms such as video, sound, and performance. Founded by philanthropist and collector Robert Rosenkranz, the space is designed by New Affiliates Architecture and will feature state-of-the-art galleries, a 300-seat performance hall, and a skylit piazza with food and beverage options. Joe Thompson, founding director of MASS MoCA, will serve as the venue's director. Canyon has already appointed conservator Cass Fino-Radin as director of art and technology and curator Sam Ozer as curator-at-large, with partners including Rhizome, Electronic Arts Intermix, and the Archive of Contemporary Music. Its inaugural exhibitions will include a major retrospective of Japanese new media artist Ryoji Ikeda and a show titled "Worldbuilding" curated by Hans Ulrich Obrist.
The Museum of Modern Art in Paris has opened "Matisse and Marguerite: Through Her Father's Eyes," an exhibition running through August 24 that explores the lifelong bond between Henri Matisse and his eldest daughter, Marguerite Duthuit-Matisse. Featuring over 100 works—including paintings, drawings, prints, sculptures, and ceramics—the show traces their relationship from her childhood through World War II, with many pieces rarely exhibited before. Loans come from institutions in the United States, Switzerland, and Japan, supplemented by photographs and archival materials.
A rare marble sculpture by Auguste Rodin, *Le Désespoir* (ca. 1892–93), was rediscovered atop a piano in a private home in France and sold at auction for €1.1 million ($1.2 million). The auction, held by Rouillac at the Château de Villandry, lasted over 20 minutes and attracted bidders from China, Switzerland, and the United States, with a young American banker winning the piece. The sculpture had last appeared at auction in Paris in 1906 and exceeded its high estimate of €700,000.
Christo and Jeanne-Claude's posthumous project to wrap the Arc de Triomphe in Paris has been completed and inaugurated by French President Emmanuel Macron. The monument is covered in 25,000 square meters of silvery blue polypropylene fabric and 3,000 meters of red rope, with the installation open to the public from September 18 to October 3, 2021. The €14 million project was entirely funded by the sale of Christo's artworks and overseen by the couple's nephew, Vladimir Yavachev, along with the Center of Monuments Nationaux.
The Texas Historical Commission announced that buildings repurposed by minimalist artist Donald Judd in Marfa, Texas, have been added to the U.S. National Register of Historic Places. Approved by the National Park Service in May 2025, the designation expands the existing Fort D.A. Russell Historic District to include 15 buildings and a large-scale installation, all altered or created by Judd between 1973 and his death in 1994. The properties are managed by the Chinati Foundation and the Judd Foundation, which operate as separate entities. This is the second Judd-linked historic district in Marfa, following the Central Marfa Historic District’s designation in 2022.
Marlene Dumas's largest retrospective to date, "The Image as Burden," has opened at Tate Modern, showcasing her uncompromising approach to portraiture. The exhibition features over 200 works, including early ink drawings like "Rejects" (1994-ongoing), political pieces such as "Osama" (2010), and the "Magdalenas" series from the 1995 Venice Biennale. Dumas, a South African painter based in Amsterdam, explores themes of identity, politics, and the female body through her fluid, often dark palette and responses to mass media images.
The New York Academy of Art held its 26th annual "Take Home a Nude" benefit auction at Sotheby's Upper East Side headquarters, honoring artist John Alexander. The event featured 112 artists, including Ryan McGinness, Natalie Frank, Christo, Eric Fischl, and Kiki Smith, who each donated unique drawings made from the same nude models during Will Cotton's annual Drawing Party. The party, hosted at Cotton's studio, brought together New York artists to sketch live models, with this year's theme featuring the sons and daughters of art-world figures like Glenn O'Brien, Jeanne Greenberg Rohatyn, Anne Pasternak, and Barbara Gladstone posing alongside the nudes.
The New York Academy of Art held its 25th annual 'Take Home a Nude' fundraiser at Sotheby’s New York on October 24, featuring a live auction and party. Attendees included actresses Brooke Shields and Naomi Watts, who bid on artworks, along with dealers, artists, and collectors. Sotheby’s auctioneer Courtney Christensen led the sale, and 'Baby' Jane Holzer was honored for her collecting and Warhol-era legacy. Watts purchased four works, including a portrait by Liz Markus for $14,000, while Shields helped raise bids online.
The Académie de la Grande Chaumière, a historic Paris art school founded in 1904 that taught artists like Balthus, Joan Miró, and Louise Bourgeois, faces eviction by July 31 after its owner Alexandre Garèse declined to renew its lease. Garèse plans to redevelop the Montparnasse site into a mixed-use complex with commercial and cultural spaces, hiring architect Franklin Azzi for the project. Over 21,000 people have signed a petition to save the school, and local heritage groups SOS Paris and Monts 14 have rallied against the closure.
Several major French cultural institutions, including the Louvre, the Château de Versailles, and potentially the Arc de Triomphe, have implemented a "differential tariff" that raises ticket prices for non-European Union visitors. Starting January 1, 2026, non-E.U. tourists will pay €30 ($35) to enter the Louvre, up from €22 ($25). The policy, first reported by Le Monde, is expected to generate up to €20 million annually for the Louvre alone, helping to fund urgent renovations estimated at €400 million over 15 years. The move follows a leaked letter from Louvre director Laurence des Cars to culture minister Rachida Dati warning of severe building deterioration, including temperature fluctuations endangering artworks and water damage. French president Emmanuel Macron has announced a sweeping restoration, but state funding will cover only a fraction of the cost.
Hilda Trujillo Soto, former director of the Frida Kahlo and Diego Rivera museums in Mexico City, has publicly accused the trust overseeing these institutions of years of mismanagement. In a blog post published in early April, Soto alleged that trustees failed to address discrepancies in records, with Kahlo and Rivera works possibly missing and later appearing in private U.S. collections. She also claimed that materials from Kahlo’s personal diary and artworks catalogued in 1957, including *Frida in Flames* and *The Abortion*, have been misplaced or illegally sold. The trust, established by Rivera in 1955 and now administered by Mexico’s central bank Banxico, denied Soto’s claims, stating she never officially reported concerns during her tenure from 2009 to 2020.
Artist Jennie C. Jones has unveiled "Ensemble" (2025), a rooftop commission at New York's Metropolitan Museum of Art featuring three monumental, wind-activated stringed instruments—an Aeolian harp, zither, and one-string—that visitors are asked not to touch. The sculptures, coated in deep red powdered aluminum and concrete panels, are designed to be played by the breeze, though wind did not cooperate during the press preview. Jones drew inspiration from the Met's collection of 5,000 musical instruments, African American folk instrument makers like Moses Williams and Louis Dotson, and Minimalist abstraction, creating a work that explores anticipation and the sonic potential of untouchable objects.
Auguste Rodin's iconic sculpture *The Thinker* was originally conceived in 1880 as part of a larger project—a decorative doorway for a planned Musée des Arts Décoratifs at the Palais d'Orsay in Paris. Rodin later exhibited the figure independently, and after his wife Rose Beuret died in 1917, he placed a bronze cast on her grave in Meudon, where he was buried months later. The article reveals lesser-known facts about the work, including that the first cast (1884, now at the National Gallery of Victoria) originally wore a Florentine cap identifying it as the poet Dante Alighieri, and that the plaster version of *The Gates of Hell* now sits at the Musée d'Orsay, the very site where the doorway was originally intended.
The Kunstmuseum Den Haag in the Netherlands is presenting "Grand Dessert," an exhibition that explores the social significance of sweets through a mix of historical artifacts, contemporary painting, video, and sculpture. Guest curated by dessert expert Janny van der Heijden—host of the Great Dutch Bake Off—alongside curator Suzanne Lambooy, the show features works by Wayne Thiebaud, Piet Mondrian, and Natasja Sadi, among others, and includes sections on pudding, chocolate, cake, and ice cream. The exhibition has been extended by six months due to its popularity, drawing over 250,000 visitors.
Curator Klaus Biesenbach, now director of the Neue Nationalgalerie in Berlin, gave a lengthy interview to Der Spiegel in which he explained his decision to leave the American art scene, citing what he described as an oppressive climate of "political correctness." He claimed that DEI (diversity, equity, inclusion) initiatives in U.S. museums had become "unbearable" quota requirements, and recounted a story about mandatory Zoom meetings after George Floyd's murder where he felt pressured to share personal experiences of discrimination. He also referenced the resignation of SFMOMA curator Gary Garrels over "reverse discrimination" comments and acknowledged his own controversial tenure at MOCA Los Angeles, which saw two high-profile resignations and a leadership restructuring.