Swiss Bührle Foundation reaches settlement with heirs of Jewish collector over Manet’s ‘La Sultane’

The foundation overseeing the Bührle collection has reached a settlement with the heirs of Jewish collector Max Silberberg, allowing Édouard Manet's painting 'La Sultane' (c. 1871) to remain on display at the Kunsthaus Zurich. The painting was purchased in 1953 by Emil Bührle, a Swiss arms dealer who sold to both Allies and Nazis during WWII and benefited from slave labor. Silberberg, forced to sell his villa to the SS in 1935 and later deported to Auschwitz, had consigned the work in 1932, but his heirs argue the 1937 sale to dealer Paul Rosenberg was a consequence of Nazi persecution. The settlement terms are confidential.

'Sean Scully: The Albee Barn, Montauk’ at The Parrish Art Museum, New York, USA

The Parrish Art Museum in New York will present 'Sean Scully: The Albee Barn, Montauk' from May 11 to September 21, 2025. The exhibition surveys Scully's work from 1981 to 2024, focusing on a pivotal month he spent in Montauk in 1982 with a fellowship at The Edward F. Albee Foundation. It features 15 of the original 1982 Montauk paintings, reunited for the first time since their creation on found wood scraps in the Albee Barn, marking a turning point where Scully broke from Minimalism and embraced nature, color, and visible brushstrokes.

Conversation with Kent Monkman

Artist Kent Monkman (Fisher River Cree Nation) and curator John Lukavic will hold a conversation on April 19, 2025, at the Martin Building's Sturm Grand Pavilion, discussing Monkman's new exhibition *History is Painted By the Victors*. This marks the first time Monkman's work is presented on a grand scale in the United States, featuring his large-scale painting *mistikôsiwak (Wooden Boat People): Resurgence of the People* (2019), which is in the collection of The Metropolitan Museum of Art. The event is sold out, with a waitlist available.

Native artist Mary Sully gets her due at Minneapolis Institute of Art

The Minneapolis Institute of Art (Mia) has opened "Mary Sully: Native Modern," a solo exhibition featuring the intricate "personality prints" of Yankton Dakota artist Mary Sully (born Susan Mabel Deloria). The show includes 18 triptychs, drawings, memorabilia, and a film clip, highlighting her abstract vertical designs that blend Dakota heritage with 1920s–1940s celebrity culture. Sully, who died in obscurity over 60 years ago, was rediscovered by her great-nephew, Harvard professor Philip Deloria, after he found her work in a basement. Her art was previously included in the groundbreaking exhibition "Hearts of Our People" at Mia, and she also had a solo show at the Metropolitan Museum of Art in New York in 2024.

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Christie’s to hold its first South Asian Modern art sale in London in seven years

Christie's auction house is launching a major sale titled 'Sublime Shadows' in London on June 11, featuring 93 works of South Asian Modern and contemporary art from an anonymous private collection. This marks the auction house's first dedicated South Asian Modern art sale in London since 2019, highlighting a surge in market activity and curatorial interest for the category.

Vilcek Foundation to Award $200,000 in Grants to Nonprofits Uplifting Immigrant Contributions

The Vilcek Foundation is accepting applications for its 2026 grant cycle, offering up to $20,000 per grant to nonprofit organizations that highlight immigrant contributions in the arts, sciences, and culture. The total funding pool is $200,000, with a deadline of April 30, 2026. This initiative marks the second year of this specific grant program, expanding the foundation's long-standing mission as it celebrates its 25th anniversary.

60% of Sudan’s National Museum Looted, Report Says

60% of Sudan’s National Museum Looted, Report Says

Over 60% of the holdings of the Sudan National Museum in Khartoum have been looted during the country's ongoing civil war. The paramilitary Rapid Support Forces, which controlled the capital for two years, deliberately targeted high-value portable objects like gold and jewelry, stripping storage areas while leaving less portable artifacts behind. Although the museum building remains standing, tens of thousands of antiquities from its collection of 150,000 objects were plundered, with some appearing for sale online.

Mari Katayama: tree of life @ Yutaka Kikutake Gallery (Roppongi)

片山真理：tree of life @ Yutaka Kikutake Gallery（六本木）

Mari Katayama presents her latest solo exhibition, "tree of life," at Yutaka Kikutake Gallery in Roppongi, Tokyo. The exhibition, running from March 19 to May 16, 2026, features a new series of photographic works created in 2025 that continue her exploration of the body, prosthesis, and self-representation through meticulously staged compositions.

Maine art galleries showcase dozens of artists in summer shows

A roundup of summer art exhibitions across Maine highlights dozens of artists showing at galleries and pop-up spaces from Rockport to Portland. Notable shows include Alexandre Gallery's pop-up featuring charcoal works by the late Cooper Union-trained artist Emily Nelligan, who spent decades depicting Cranberry Island; Karma's annual summer pop-up at artist Ann Craven's deconsecrated church in Thomaston; and solo exhibitions at Caldbeck Gallery, Courthouse Gallery, and Cove Street Arts. Other venues such as Carver Hill Gallery, Corey Daniels Gallery, Dowling Walsh, and Moss Galleries present group and solo shows spanning landscape painting, mythical imagery, and works addressing social resistance.

Where to see artworks in Marin

A comprehensive listing of art exhibitions and gallery shows across Marin County, California, for spring 2025. The article highlights dozens of venues including Robert Green Fine Arts in Mill Valley, which will display John Grillo's works from the 1940s beginning in May, alongside shows at Anthony Meier, Art Works Downtown, Bolinas Museum, and many local libraries and cultural centers. Exhibits range from abstract works and pop art to photography, ceramics, and sculptures by artists such as Saif Azzuz, Drew Frazier, Lenore Golub, and Sonny Smith.

THE VENICE BIENNALE IN AN EDITION MARKED BY POLITICAL GAMES

The Venice Biennale's 2024 edition is embroiled in political controversy surrounding its national pavilions, particularly those of Russia, South Africa, and Israel. The Russian pavilion's readmission amid the war in Ukraine drew sharp criticism from the artistic community and led the European Union to withdraw approximately two million euros in funding. The Israeli pavilion, which remained empty in 2024 to protest hostage situations, now features a proposal by sculptor Belu-Simion Fainaru, prompting protests from the Art Not Genocide Alliance and over 200 artists demanding its exclusion. The curatorial team, appointed by the late curator Koyo Kouoh, resigned collectively nine days before the opening, and the Biennale's directorship canceled the opening ceremony, postponing awards to November. Demonstrations led by Art Not Genocide Alliance, Pussy Riot, and FEMEN surrounded the Russian pavilion during the press opening, and a strike by cultural workers is planned for May 8th.

DAYS ARE NOT THE SAME ZANELE MUHOLI AT CASA SANTA ANA

The Casa Santa Ana Foundation in Panama is hosting Zanele Muholi's first exhibition in the country, titled 'Amalanga awafani (Days Are Not the Same).' The show features major photographic series including 'Somnyama Ngonyama' and 'Faces and Phases,' and includes a new chapter of portraits of Panama's local LGBTQ+ community, integrated into the global archive. The exhibition is free to the public and runs until April 2026, supported by Panama's Ministry of Culture.

CRUZ DIEZ AT ISLAA COLOR AS AN EXPERIENCE IN CONSTANT TRANSFORMATION

The Institute for Studies on Latin American Art (ISLAA) in New York is presenting "Carlos Cruz-Diez: Color at Stake," an exhibition of twenty-three works by the late Venezuelan artist. Spanning from 1955 to 1988, the show highlights his pioneering investigations into color as a dynamic, participatory experience, featuring key series like Physichromie and Chromointerférence alongside archival materials.

The Most Unique and Research-Focused Exhibitions to See in Brussels in Spring 2026

Le mostre più particolari e ricercate da vedere a Bruxelles nella primavera 2026

Brussels is hosting a series of niche and research-focused contemporary art exhibitions in spring 2026, coinciding with the 42nd edition of Art Brussels. Highlights include Jean-Michel Othoniel's "Diary of Happiness" at the Boghossian Foundation, Caroline Achaintre's "Extrazimmer" at La Verrière, a six-decade survey of the Art & Language collective at Fondation CAB, and a dialogue between Nassos Daphnis and Rita McBride titled "Abstract Constructions."

miami bakehouse art complex celebrates 40 years

The Bakehouse Art Complex in Miami’s Wynwood district is celebrating its 40th anniversary and the 100th anniversary of its Art Deco building, which originally opened as a bakery in 1926. Founded in 1985 by a group of artists who purchased the abandoned industrial bakery for $10, the nonprofit has provided studio space to over 1,500 local artists. The celebration kicked off with an exhibition titled “Bakehouse at Forty: Past, Present, Future,” attended by more than 1,000 guests, and included a gala fundraiser with affordable ticket prices. The organization is now planning to build 60 units of affordable artist housing as part of a revitalized campus.

hugo galerie reco sturgis lawsuits debts

A number of artists have accused art dealer Reco Sturgis, founder of the now-closed Hugo Galerie in New York, of withholding artworks, failing to pay hundreds of thousands of dollars in owed funds, and making violent threats. Sturgis has been named in legal proceedings by artists seeking unpaid sales proceeds, and has been sued by his landlord and multiple companies for outstanding debts exceeding $1 million. Artists including British sculptor Beth Carter, Joseph Paxton, and French artist Patrick Pietropoli report that Sturgis owes them significant sums, sold works without payment, and refused to return pieces.

Dozens of Venice Biennale Artists Withdraw From Awards En Masse

Almost half of the artists in the 61st Venice Biennale's international exhibition, along with 16 national pavilion teams, have withdrawn from awards consideration in solidarity with the jury's resignation. The jury resigned on April 30 after stating it would not consider countries whose leaders are charged with crimes against humanity by the ICC, effectively disqualifying Israel and Russia. The Biennale Foundation then replaced the traditional Golden Lions with new "Visitor Lions" decided by public vote, reinstating all pavilions including Israel and Russia. The withdrawal follows protests at the Russian and Israeli pavilions and a historic labor strike that shuttered multiple pavilions.

Dozens of Venice Biennale Artists Demand Israel’s Exclusion

A coalition of 182 artists, curators, and art workers participating in the 2026 Venice Biennale, organized under the Art Not Genocide Alliance (ANGA), formally delivered a letter demanding the exclusion of Israel from the exhibition. The signatories, including prominent artists like Yto Barrada, Alfredo Jaar, and Miet Warlop, argue that the Biennale must not normalize Israeli policies towards Palestinians.

総合開館30周年記念「ルイジ・ギッリ 終わらない風景」@ 東京都写真美術館

The Tokyo Photographic Art Museum is hosting "Luigi Ghirri: Endless Landscapes," the first Asian museum solo exhibition dedicated to the Italian photographer Luigi Ghirri (1943–1992), running from July 3 to September 28, 2025. The exhibition presents a wide range of Ghirri's work, from his early masterpieces to his late pieces, including his famous series on Giorgio Morandi's studio. It also features works and materials by his wife, graphic designer Paola Borgonzoni (1954–2011), highlighting her crucial role in his career. Related events include a symposium with Ghirri's daughter Adele Ghirri and curator Ilaria Campioli, gallery talks, and the Japanese premiere of the documentary film "Infinito."

One of LACMA's first commissions finds new life at David Geffen Galleries

Alexander Calder's monumental fountain sculpture "Three Quintains (Hello Girls)" has been reinstalled at the Los Angeles County Museum of Art's new David Geffen Galleries, more than 60 years after it was first commissioned for the museum's original 1965 campus. The colorful, whimsical piece features four water jets that propel mobile-like paddles, and its water jets were turned back on in March 2025. The sculpture now anchors the northeast corner of the new building, placed alongside the main cafe and near the W.M. Keck Education Center, with a technically advanced filtration system to address previous environmental challenges.

Chicago: Model City by Mark Acciari

Native Chicagoan architect and artist Mark Acciari reflects on the architectural identity of Chicago from the distance of Mexico City. Using the iconic imagery of a Chicago-style hot dog as a metaphor for the city's construction, he explores how the city's legacy is often reduced to the 'skeleton frame' of early modernism by critics, while ignoring its more playful, symbolic, and postmodernist undercurrents.

DISPOSITIONS IN THE AMERICAS CONTEMPORARY ART AND THE COLONIAL LEGACY

A major exhibition titled 'Dispossessions in the Americas: The Extraction of Bodies, Land, and Heritage from La Conquista to the Present' opens at Wrightwood 659 in Chicago. It features over 40 works by 36 contemporary artists from Latin America, curated by Jonathan D. Katz and Eduardo Carrera, examining the ongoing legacies of colonialism through themes of territory, body, and cultural heritage.

Late UK artist Sarah Cunningham honoured with Nottingham Contemporary show

Nottingham Contemporary has announced plans for the first institutional solo exhibition of British artist Sarah Cunningham, who died in November 2024 at age 31. The show, the largest presentation of her work to date, is scheduled to open next autumn, marking a homecoming for the artist who was born and raised in Nottingham and previously worked as a gallery assistant at the same institution. Cunningham, who graduated from the Royal College of Art in 2022, had her first solo exhibition at Lisson Gallery in 2023 and developed a distinctive abstract style characterized by exaggerated brushwork and extended brushes made from scrap wood.

Shirley Gorelick: Figuring It Out

The National Museum of Women in the Arts (NMWA) is presenting "Shirley Gorelick: Figuring It Out," an exhibition running from March 27 to June 28, 2026, that centers on three large-scale paintings by the American realist artist Shirley Gorelick (1924–2000). The show brings together these works from NMWA’s collection for the first time, including the first canvas in her "Three Graces" series, a triple portrait of activist Libby Ourlicht, and a depiction of longtime friends Gunny and Lee Benson. More than 30 additional paintings, drawings, and prints further illuminate Gorelick’s practice and her subjects. Gorelick, who was active in New York artist-run women’s cooperative galleries in the 1970s, developed a bold realist style that combined vigorous brushwork, heightened shadows, and vivid patterns, yet she was largely omitted from art historical narratives that focused on Pop art, Minimalism, and conceptual art.

Syracuse University Art Museum Celebrates Professor Emeritus Sarah McCoubrey's Decades-Spanning Artistic Evolution

Syracuse University Art Museum is celebrating Professor Emeritus Sarah McCoubrey's 34-year artistic legacy with a closing reception and artist talk on Sept. 10 at Manhattan's Bernard and Louise Palitz Gallery. The event highlights the exhibition “Currents: Sarah McCoubrey,” which surveys McCoubrey's multimedia environmental narratives, including her well-known landscape paintings alongside recent and never-before-seen works. McCoubrey recently attained professor emeritus status after 34 years as a painting professor in the College of Visual and Performing Arts at Syracuse University, and her career includes representation by Locks Gallery in Philadelphia and solo exhibitions at institutions such as the Everson Museum of Art and the Pennsylvania Academy of the Fine Arts.

The Walters Art Museum Shines a Light On the Toxic History of Medieval Manuscripts

The Walters Art Museum in Baltimore has opened "If Books Could Kill," an exhibition exploring the toxic history of medieval manuscripts. The show reveals how pigments like white lead, red mercury, and arsenic were commonly used by scribes, artists, and bookbinders, exposing them to serious health risks. Co-curated by Dr. Lynley Anne Herbert and Dr. Annette S. Ortiz Miranda, the exhibition features 24 rarely displayed manuscripts from the museum's collection, including a Thai treatise on elephants with arsenic-based yellows and a 15th-century Armenian Gospel with vermillion pigments. It also includes a conservator-led video demonstrating how portable X-ray fluorescence (pXRF) is used to identify toxic materials.

70 of Stephen Curry’s Game-Worn NBA Sneakers to Be Sold at Sotheby’s, Including a Pair of Nike Kobe 6 Protro ‘Mambacita’

Sotheby’s has announced an online auction of over 70 pairs of sneakers worn by NBA star Stephen Curry during his 2025-26 "sneaker free agency" season. The collection features a diverse range of brands, including Nike, Jordan, Adidas, and Li-Ning, marking the first time Curry was not tied to a single footwear contract. High-profile lots include the Nike Kobe 6 Protro ‘Mambacita’ and the Nike Air Jordan 12 ‘Flu Game,’ with individual estimates reaching up to $50,000.

a tbilisi exhibition reintroduces merab abramishvili to the wider art world

A major multi-venue exhibition in Tbilisi, titled “Merab Abramishvili – Transparent Memory,” reintroduces the Georgian painter Merab Abramishvili to the wider art world. Organized by ATINATI’s Cultural Center and complemented by Baia Gallery, the show features over fifty works spanning the artist’s career, including pieces like *Kiss of Judas* (1989) and *Sunflower* (1989). Abramishvili’s work blends medieval visual culture with Neo-expressionism, using the traditional levkas technique on plywood to create timeless, mythic compositions that explore religious motifs, landscapes, and figuration.

Abbottabad painter keeps portrait art alive

The article profiles acclaimed portraitist Nasir Shehzad, who has spent over four decades preserving and advancing the art of portraiture and cinematic painting in Abbottabad, Pakistan. His artistic journey began in childhood and gained early recognition through scouting competitions in the 1980s, leading him to professional cinematic painting by 1989. Shehzad has since become a central figure in the local art community through mentorship, founding his own creative platform, and participating in numerous exhibitions and residencies across the country, including recent shows at major institutions like the Lahore Museum and Pakistan National Council of the Arts.