Singapore's art scene is hosting several diverse exhibitions this April, ranging from a cat-themed group show at Tokonoma to Chok Si Xuan’s solo exploration of technological materials at Starch. Other highlights include a collaborative exhibition at Fluxus House Gallery featuring emerging artists Tay Ying, Zhixin Sheng, and Winnie Chua, which examines the nuances of early adulthood through personal correspondence and imagery.
Kate Sierzputowski has officially stepped into the role of Director at Expo Chicago, succeeding longtime founder Tony Karman following the fair's acquisition by Frieze. As the fair prepares for its April 2025 edition at Navy Pier, Sierzputowski is overseeing a significant transition that includes a streamlined roster of 130 galleries and a more integrated branding presence from the Frieze parent company.
The article 'Photography Is...' from Glasstire is a conceptual piece that presents the title as a prompt, leaving the definition of photography open-ended. The text consists solely of the title and source, functioning as a minimalist statement or an invitation for reader interpretation.
TEFAF Maastricht is reinforcing its position as a premier destination for high-end collectors by increasingly integrating 20th-century secondary market material alongside its traditional Old Masters and antiquities. Despite a period of leadership instability—marked by the recent departure of managing director Dominique Savelkoul after less than a year—the fair remains a critical fixture for 276 exhibitors. This year's edition highlights a diverse range of objects spanning 7,000 years, from Neolithic pottery to contemporary photography and high jewelry worn by celebrities like Helen Mirren.
San Diego is hosting a variety of cultural events from March 4-8, ranging from sports and live music to theater and food festivals. Key highlights include the Seven Seas Food Festival at SeaWorld, a Great Gatsby-themed afternoon tea at Fairmont Grand Del Mar, and concerts by Aimee Mann and Lala Lala. The weekend also features celebrations for International Women’s Day, including a makers market and brunch at Stone World Bistro & Gardens.
The Newcastle Art Gallery has officially reopened following a transformative expansion project that has been more than 16 years in the making. NSW Governor Margaret Beazley led the ceremonial ribbon-cutting for the facility, which now stands as the largest public gallery in New South Wales outside of Sydney. The reopening is being celebrated with a three-day community festival and the launch of 'Iconic Loved Unexpected,' a major exhibition featuring nearly 500 works from the gallery’s $145 million permanent collection.
The Third Line gallery in Dubai is presenting 'Remember the Future', the third solo exhibition by Spanish-Moroccan artist Anuar Khalifi, running from January 17 to March 1. The show features large-scale paintings and works on paper that blend reality and imagination, drawing on magical realism, art history, and poetry. Khalifi’s works incorporate recurring symbols like chairs, vessels, and flora, and explore themes such as identity, diaspora, orientalism, and consumerism, often with ironic and humorous undertones.
The sixth edition of the Kochi-Muziris Biennale (KMB) in Kerala, India, titled "For the Time Being," will open on December 12, 2025, and run until March 31, 2026. Curated by artist Nikhil Chopra and his collective HH Art Spaces, the biennial features 66 artists or groups, including Marina Abramović, Tino Sehgal, Otobong Nkanga, Ibrahim Mahama, and Adrián Villar Rojas. South Asian artists make up about two-thirds of the lineup, with works addressing political themes such as the Kashmir conflict and the Gaza genocide, despite a climate of censorship in India. The central venue, Aspinwall House, will be partially used after previous access issues with developer DLF.
The article reports on a vibrant season of exhibitions in Ho Chi Minh City, where artists are turning to abstraction, faith, and innovation to question perception and belief. Key shows include Bùi Thanh Tâm's "Christ, Buddha, and the Jigsaw" at Gate Gate Gallery, which fuses religious iconography, folk traditions, and pop media, and Trần Văn Thảo's "New Moon" at Galerie Quynh, reimagining darkness as creative space. The scene reflects a lineage of defiance dating back to post-war restrictions on artistic expression.
Contemporary artists from Sri Lanka are gaining visibility across South Asia through gallery exhibitions, institutional shows, and art fairs. At Experimenter in Colaba, Pushpakanthan Pakkiyarajah's solo show 'No Race, No Colour' features installations like 'Charred Hyphal Mat' that explore organic communication and wounded ecologies rooted in the country's three-decade civil war. At the Art Mumbai fair, Hema Shironi uses fabric and green mesh to address post-war reconciliation, while earlier in Delhi, the twin exhibitions 'Homes Wrapped in Cloth, Borders Raised in Flags' and 'After Aphantasias' by Shrine Empire showcased similar themes. Artists such as Anoli Perera, Kingsley Gunatillake, Pala Pothupitye, and others are collectively presenting nuanced perspectives on memory, ecology, and joy beyond the conflict.
The article announces "Singing in Unison: Painting in Space," an exhibition curated by Michael David at Art Cake in Brooklyn, running from October 18 to December 7, 2025. It features works from the 1980s and '90s by four abstract artists—Al Held, Frank Stella, Elizabeth Murray, and Judy Pfaff—who each explored the interplay between two-dimensionality and three-dimensionality, flatness and depth, and spatial boundaries in painting. The exhibition includes an opening reception with a cooking performance by Rirkrit Tiravanija and Tomas Vu, a panel discussion, and a closing poetry reading.
The exhibition "Making Their Mark: Works from the Shah Garg Collection" will be on view from February 27 to July 26, 2026, featuring approximately 80 works by nearly 70 influential women artists from the 20th and 21st centuries. Artists include Magdalena Abakanowicz, Cecily Brown, Sheila Hicks, Jenny Holzer, Julie Mehretu, Joan Mitchell, Faith Ringgold, Tschabalala Self, Amy Sillman, Lorna Simpson, Jaune Quick-to-See Smith, Pat Steir, Sarah Sze, Kara Walker, and Zarina. The show is organized into seven thematic sections—Gestural Abstraction, Luminous Abstraction, Pixelated Abstraction, Disobedient Bodies, Of Selves and Spirits, The Power of Form, and Craft is Art—juxtaposing emerging artists with their predecessors to highlight intergenerational connections and subversions of traditional art hierarchies.
A new public art gallery called "art house" has opened in downtown Calgary, occupying a temporary exhibition space previously used by the Glenbow Museum in the Edison office building. The gallery is a collaboration between Aspen Properties and the Alberta Arts Foundation (AFA), featuring the foundation's extensive collection of 9,600 artworks by over 1,700 Alberta artists. It opened on September 10 and is currently open Tuesday to Friday from 12 to 4 pm. The space was originally created as a museum-grade gallery during the Glenbow's renovation, and after the Glenbow vacated to prepare for its reopening as the JR Shaw Centre for Arts & Culture in late 2026, the Alberta Foundation for the Arts stepped in to keep the gallery active.
León Gallery's Magnificent September Auction 2025, taking place on September 13, features a diverse lineup of Philippine modern and contemporary art. Highlights include modernist works by Juvenal Sansó, Cesar Legaspi, Vicente Manansala, José Joya, and Anita Magsaysay-Ho, alongside conceptual pieces by Roberto Chabet. The auction also spotlights living contemporary artists such as Raffy Napay, Geraldine Javier, Demi Padua, and Marc Aran Reyes, with works ranging from textile art and natural-dye pieces to hyperrealistic paintings.
California State University, Northridge's Art Galleries presents two new exhibitions exploring Los Angeles, place, and people. The Main Gallery hosts "The Journey is the Destination: Recording Los Angeles," featuring photography, mixed-media, site-specific installations, and sculptures by artists including Marisela Norte, Debra Scacco, Fía Benitez, Aaron Douglas Estrada, Vincent Enrique Hernandez, Erick Medel, and Pamela Smith Hudson. Curated by Holly Jerger, the show challenges colonial mapping conventions and highlights gentrification, environmental depletion, and stereotypes affecting historically neglected parts of the city. In the West Gallery, "The Warmth of the Sun: A Recent Survey of Tierra Del Sol Artists" runs through October 15, the first of a three-part series spotlighting local San Fernando Valley art organizations, with subsequent exhibitions featuring Tia Chucha’s Centro Cultural and 11:11 Projects.
This September, the UAE is hosting a diverse array of art exhibitions across Dubai and Abu Dhabi, ranging from group shows to solo presentations and digital art showcases. Highlights include 'Summer Collective: Wavering Hope' at Ayyam Gallery, featuring 12 Syrian artists; Colombian artist Ana Escobar Saavedra's first solo show at 421 Arts Campus; 'To Know Malaysia Is To Love Malaysia' at the Cultural Foundation, presenting works by NYU Abu Dhabi MFA graduates; 'History Encoded' at kanvas, tracing digital art from algorithmic works to AI and blockchain; and Marwan Bassiouni's 'New Western Views' at Lawrie Shabibi, exploring mosque interiors in Western landscapes.
Artsy Editorial's August 2025 edition of 'Artists on Our Radar' highlights five emerging visual artists: Jesse Akele, Ficus Interfaith (the duo of Ryan Bush and Raphael Martinez Cohen), and Shuling Guo. Akele's hazy figurative paintings explore fleeting place and memory, featured in WORKPLACE's group show 'Cold Enough for Snow.' Ficus Interfaith creates playful terrazzo sculptures blending fine art, design, and craft, with a solo exhibition 'Furniture Music' at P.P.O.W in New York. Shuling Guo produces transcendental works in color pencil and oil paint, alluding to her life experiences, with pieces at Hollis Taggart and Mindy Solomon Gallery.
Three Israeli artists—Ronit Porat, an evacuated photographer working with archival materials; an emerging artist using shrapnel from rocket shells as art material while serving as an IDF reservist; and a young artist opening a new exhibition after a break—are profiled in this column by Basia Monkaj. Each answers three questions about inspiration, the definition of art, and what makes their work unique, set against the backdrop of the ongoing war in Israel and the centenary of Surrealism.
Pop superstar Ed Sheeran has joined the ranks of celebrity artists, offering his Cosmic Carpark Paintings at £900 each at HENI Gallery in London from 11 July to 1 August, with half the proceeds supporting music education in UK state schools. The article also reviews other celebrity artists including Robbie Williams (whose Moco Museum show is called 'tone deaf' by critic Eddy Frankel), Adrien Brody (showing at Eden Gallery in New York), Lucy Liu (creating erotic lesbian art), Bob Dylan (exhibiting at Halcyon Gallery), and Johnny Depp (represented by Castle Fine Art).
MoMA's Young Learners team, in collaboration with the New York City Art Teachers Association/United Federation of Teachers (NYCATA/UFT), is presenting "The Art of the Educator" at the Lewis B. and Dorothy Cullman Education and Research Building. The exhibition celebrates the artistic talents of NYC public school teachers, showcasing how their personal art practice enriches their teaching. Organized by David Rios and Larissa Raphael, the show features works selected by a panel including Jackie Cruz, Albert Justiniano, Lisa Kaplan, and Jacob Rhodes.
Baron Guy Ullens de Schooten, the Belgian art collector and philanthropist who co-founded Beijing's Ullens Center for Contemporary Art (UCCA) in 2007 with his wife Myriam, died on 19 April at age 90. Ullens began collecting Chinese contemporary art in the 1980s and 1990s, amassing a renowned collection of around 1,500 works by artists including Huang Yong Ping, Qiu Zhijie, and Cao Fei. UCCA opened in Beijing's 798 art district with an exhibition on the 1985 New Wave movement, becoming one of China's earliest private institutions and a major force in defining the country's contemporary art scene. In 2017, the Ullenses transferred UCCA to a group of Chinese patrons, and it has since expanded to multiple locations.
Comment l’État soutient la recherche de provenance
The French Ministry of Culture has created two specialized missions to assist museums in researching the provenance of their collections, addressing looted artworks, human remains, colonial acquisitions, and illicit trafficking. The Mission for Research and Restitution of Looted Cultural Property (M2RS), established in 2019, focuses on Nazi-era spoliations (1933-1945) with a budget of €220,000 annually, while the newer Mission "Provenance," launched in 2024 under curator Catherine Chevillot, covers human remains, colonial-era objects, and illicit goods with a €450,000 budget. These missions provide expertise, funding, and coordination with institutions like the Commission for the Restitution of Property and Compensation of Victims of Anti-Semitic Spoliation (CIVS), though most museums still only initiate provenance checks during acquisitions or donations.
Yann Le Touher prend les rênes du mécénat des Bernardins
Yann Le Touher has been appointed as the new General Director of the Fondation des Bernardins. The 44-year-old philanthropy specialist, with a career spanning the Musée d'Orsay, Centre Pompidou, the Réunion des musées nationaux – Grand Palais, and the Louvre, succeeds Emmanuel Cortey in leading the foundation.
A new documentary titled "Avedon" (2026), directed by Ron Howard, premiered at the Cannes Film Festival. The film offers a conventional tour of the life of famed photographer Richard Avedon, relying on talking-head interviews and behind-the-scenes anecdotes rather than delving into the artistic process or the deeper implications of his work. The review criticizes Howard's approach as hackwork, noting that the documentary misses opportunities to explore Avedon's insights on image culture, his influence on cinema, and the technical evolution of his photography.
Cultural workers, unions, and grassroots groups are planning a 24-hour strike on Friday, May 8, at the Venice Biennale to protest Israel's participation amid the ongoing genocide in Gaza. Organized by the Art Not Genocide Alliance (ANGA), the action includes a rally on Viale Garibaldi and calls for a boycott of Israel's "genocide pavilion." Participating groups include Biennaleocene, Sale Docks, Mi Riconosci, Vogliamo Tutt’altro, and several Italian trade unions. The strike follows months of activism, including a letter signed by over 200 event participants, and comes after the Biennale jury resigned over award eligibility rules that initially excluded Israel and Russia.
Le grandi mostre al LUMA di Arles in Francia: Zaha Hadid, Gerhard Richter e Patti Smith
LUMA Arles in France will launch a new exhibition cycle on May 1, 2026, followed by a second series starting July 4. The program, presented by CEO Mustapha Bouhayati and artistic director Vassilis Oikonomopoulos, includes a major show of Gerhard Richter's "Overpainted Photographs" in the Frank Gehry-designed tower, a Zaha Hadid retrospective titled "I Think There Should Be No End to Experimentation" marking the tenth anniversary of her death, and a centennial celebration of the influential art magazine Cahiers d'Art. The exhibitions aim to bridge visual arts with music, performance, and live events, bringing together voices from diverse geographies and disciplines.
Dove viveva il grande artista Joseph Beuys? Il racconto a fumetti di Gianluca Costantini
In the summer of 2022, the author visited Düsseldorf and discovered that Joseph Beuys's former home at Drakeplatz 4 in Oberkassel was for sale, but the city's cultural department declined to purchase it. Beuys lived and worked there from 1961 until his death in 1986, using the space as both a residence and studio. The article recounts the intimate details of family life there, including how Beuys painted the main room white for his wife Eva's photography, and how the family navigated the blend of private life and artistic practice. Two years later, the Brunhilde Moll Foundation acquired the house and opened it to the public, though it was closed for renovations when the author returned. The house now displays about sixty works from Beuys's creative period and will host artist residencies and events.
The international awards jury for the 61st Venice Biennale has announced it will not consider countries whose leaders are charged with crimes against humanity by the International Criminal Court (ICC) for prizes. The all-women jury, chaired by Solange Farkas, published a statement on e-flux declaring this policy, which implicitly targets Russia and Israel, whose leaders Vladimir Putin and Benjamin Netanyahu face ICC warrants. The jury is responsible for awarding Golden Lions for the best national pavilion and best artist in the central exhibition. A majority of artists in the main show issued an open letter supporting the decision, while the Biennale Foundation faces criticism for allowing both nations to participate in 2026.
DUMBO Open Studios celebrated its 10th anniversary with over 175 artists across 21 buildings participating in the weekend event. The open studios, jointly managed by Team Dumbo and real estate developer Two Trees, featured a wide range of work, with a noted highlight being works on paper from artists like Bianca Fields, Amy Cutler, and Jason Karolak. Despite rainy weather, the event fostered impromptu conversations and community, with more than half of surveyed artists reporting sales and expectations of future exhibition opportunities.
Thiago de Paula Souza, a Brazilian-born curator and educator, has been appointed curator of the Eighth Athens Biennale, scheduled for spring 2026. De Paula Souza, based in São Paulo and a member of the artistic committee of NESR Art Foundation in Angola, is recognized for focusing on artistic practices involving transmutation through eroticism, gender nonconformity, and intimacy. He previously cocurated the 2025 Bienal de São Paulo, the 2024 Panorama da Arte Brasileira at MAM São Paulo, and the survey “Some May Work as Symbols: Art Made in Brazil, 1950s–70s” at Raven Row, London, and served on the curatorial team of the 2018 Berlin Biennale.