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June Book Bag: from the cool influence of Ice Age art to the story of Arshile Gorky’s early years in the US

This article presents a roundup of six new art books released in June, covering a diverse range of topics. Titles include a monograph on Arshile Gorky's early years in New York, a collection exploring interspecies consciousness from the Serpentine Galleries, a book accompanying a British Museum exhibition on Ice Age art, a lavish Taschen monograph on Salvador Dalí, and a three-volume photographic study of the American West by Maryam Eisler and Alexei Riboud.

DIA's revamped African American art galleries to reopen in heart of museum this fall

The Detroit Institute of Arts (DIA) announced on June 2, 2025, that its newly reimagined African American art galleries will open to the public in October 2025. The galleries are being relocated to a central position within the museum, adjacent to the Diego Rivera murals at Rivera Court, to highlight the contributions of Black artists to Detroit's and history's artistic landscape.

New art show opens in Roswell Park's gallery

A new exhibition titled "Hallwalls Founding Artists From the Gerald Mead Collection" has opened at the Art Heals Gallery on the first floor of Roswell Park's main campus in Buffalo. Running from June 2 to August 28, 2025, the show features 18 works in various media by seven artists—Diane Bertolo, Charles Clough, Nancy Dwyer, Robert Longo, Larry Lundy, Cindy Sherman, and Michael Zwack—who founded Hallwalls Contemporary Arts Center in 1974. The exhibition coincides with Hallwalls' 50th anniversary celebration and draws from the private collection of Gerald Mead, an award-winning artist, educator, and leading authority on Western New York art.

Trump claims he has fired director of US National Portrait Gallery

US President Donald Trump claimed on his Truth Social platform that he has fired Kim Sajet, director of the National Portrait Gallery (NPG), alleging she is a "highly partisan person" and a supporter of diversity, equity, and inclusion programs. Sajet, who became the first woman to lead the NPG in 2013, has not commented, and the Smithsonian declined to comment. It remains unclear whether Trump has the legal authority to fire Smithsonian employees, as the institution is governed by a board of regents and receives partial federal funding.

Amid a wave of political hostility, the Getty Center uses photography to tell stories of queer resistance and love

The Getty Center in Los Angeles has opened a new exhibition, "Queer Lens: A History of Photography," coinciding with Pride Month amid rising political hostility toward LGBTQ+ communities. Curated by Paul Martineau over six years, the show features 300 photographs from the 19th century to the present, including works by Claude Cahun, Imogen Cunningham, and Peter Hujar, alongside anonymous and amateur images. A companion exhibition at the Getty Research Institute, "$3 Bill: Evidence of Queer Lives," displays printed ephemera from the Merrill C. Berman Collection, highlighting queer resistance and community-building.

The Musée des Arts Décoratifs celebrates France’s ‘king of fashion’, who married haute couture to art

The Musée des Arts Décoratifs in Paris is presenting a new exhibition, *Paul Poiret: Fashion is a Feast*, dedicated to the early 20th-century French couturier who styled himself the “King of Fashion.” The show draws on the museum’s extensive Poiret collection, spanning from the Belle Époque through the 1920s, and features his garments alongside photographs, drawings, posters, and illustrations. It traces Poiret’s career from his start at the House of Worth to his independent house, his collaborations with artists such as Raoul Dufy and Maurice de Vlaminck, and his exotic inspirations from travels in Europe and North Africa.

Stanford University acquires Filipina American artist Pacita Abad’s archive

Stanford University has acquired the archives of Filipina American artist Pacita Abad, a gift from the Pacita Abad Art Estate that also includes funding to catalog 120 linear feet of archival materials—photographs, correspondence, exhibition records, and personal artifacts. The archive will be stewarded by Stanford University Libraries' Bowes Art and Architecture Library in collaboration with the Cantor Arts Center, and is expected to be available to students and scholars within a year. The acquisition follows Abad's posthumous traveling retrospective that opened at the Walker Art Center in 2023, which brought her prolific 32-year practice to the attention of U.S. institutions.

Mbare Art Space: a colonial beer hall in Zimbabwe has become a vibrant arts centre

Moffat Takadiwa, a leading figure in Zimbabwe's artist-run spaces movement, has transformed a former colonial-era beer hall in the Mbare township of Harare into the Mbare Art Space. Opened in 2019 under a long lease from the Harare City Council, the nonprofit hub now houses studios, an exhibition hall, a digital hub, and office space, serving as a vibrant center for artistic and community revival. The beer hall was originally built by British colonial authorities as a tool of social control and segregation, but Takadiwa has repurposed it into a site of creative freedom and empowerment, inspired by global precedents like Theaster Gates' Stony Island Arts Bank in Chicago.

Melbourne exhibition celebrates the long overlooked contributions of Indigenous Australian artists

An exhibition titled "65,000 Years: A Short History of Australian Art" opens at Melbourne University’s Potter Museum of Art on 30 May, celebrating the long-overlooked contributions of Indigenous Australian artists. Co-curated by Judith Ryan and Marcia Langton, the show argues that Indigenous art dates back millennia before European settlement but was only recognized as fine art from the 1980s, having been previously confined to ethnographic categories. It highlights frontier artists like Tommy McRae, William Barak, and Mickey of Ulladulla, as well as contemporary photographers Ricky Maynard, Naomi Hobson, and Destiny Deacon, while addressing the link between racist policies and the denial of Indigenous art's value.

Kent Monkman's Miss Chief

Kent Monkman's exhibition "History is Painted by the Victors" is on view at the Denver Art Museum (DAM) through August 17, before traveling to the Montreal Museum of Fine Arts on September 27. The show centers on Miss Chief Eagle Testickle, a fictional narrator who appears throughout Monkman's work to disrupt false narratives about Indigenous history and colonization. The article excerpts a catalog essay explaining how Monkman created Miss Chief as a campy, humorous, and empowering figure who infuses Indigenous perspectives into art history, often inserting her into iconic artworks to subvert colonial tropes.

Rejected by Museums Around the World, This New Art Exhibition Explores the Historical Roots of the Term 'Homosexual'

An ambitious new exhibition titled “The First Homosexuals: The Birth of a New Identity, 1869-1939” has opened at Chicago’s Wrightwood 659 gallery, featuring over 300 works by more than 125 artists from 40 countries. Curated by Jonathan D. Katz, the show traces the historical roots of the term 'homosexual,' coined in 1868 by Hungarian writer Karl Maria Kertbeny, and explores the artistic and social transformations surrounding the emergence of homosexual identity up to 1939. The exhibition includes loans from major institutions like the Metropolitan Museum of Art and the Musée d’Orsay, with works by artists such as George Catlin, Jean Cocteau, John Singer Sargent, and Thomas Eakins, organized into eight thematic sections.

Ten essential works of art to see on the French Riviera

The article highlights ten essential artworks to see on the French Riviera, tracing the region's artistic heritage from the 19th century to the present. It features works by Paul Signac, Henri Matisse, Ludovico Brea, and others, housed in museums such as the Musée de l'Annonciade in Saint-Tropez and the Musée Matisse in Nice, with historical context on how artists like Renoir, Picasso, and Chagall were drawn to the area's light and atmosphere.

An UES carriage home from a celebrity architect opens up for a public art show

Art dealer and collector Adam Lindemann is presenting a free public exhibition titled "Urhobo + Abstraction" in his East 77th Street carriage house on Manhattan's Upper East Side. The show features five life-size 19th- and early-20th-century sculptures carved by the Urhobo people of southern Nigeria, paired with works by contemporary artists of African descent including El Anatsui, Alma Thomas, and Jack Whitten. The carriage house is the first Manhattan building designed by Ghanaian-British architect David Adjaye, whose renovation was completed in the late 2000s. The exhibition runs through June 13, open Mondays through Thursdays, and the sculptures are not for sale.

Extended from one volume to three, the new ‘Taste and the Antique’ expands on four centuries of interactions with sculpture

A new, expanded edition of the seminal art-historical reference work 'Taste and the Antique' has been released, growing from one volume to three. Originally published in 1981 by Francis Haskell and Nicholas Penny, the book traced the reception history of ancient Greek and Roman statues from 1500 to 1900. This updated version features full-color photography of all 95 canonical works, including multiple angles and detail shots, overcoming the original edition's criticized monochrome images. A third volume illustrates copies, prints, casts, and reproductions of the statues across media and centuries, from Renaissance drawings to modern advertisements and photographs.

Metropolitan Museum receives 6,500 works from photography collector Artur Walther

The Metropolitan Museum of Art in New York has received a promised gift of more than 6,500 works from German American photography collector Artur Walther and his Walther Family Foundation. The trove spans post-war and contemporary photography from Africa, Japan, Germany, and China, alongside vernacular photos from Europe and the Americas. A special showcase of African photographers' works will debut in the Met's Michael C. Rockefeller Wing when it reopens after renovation later this month. The collection, which has operated exhibition spaces in Neu-Ulm, Germany, and New York's Chelsea district since 2010, includes major names such as Malick Sibidé, Zanele Muholi, Ai Weiwei, Bernd and Hilla Becher, and Thomas Struth.

Chicago Is The Only City To Host 'The First Homosexuals,' An Extensive Collection Of Queer Art

The article reports that 'The First Homosexuals: The Birth of a New Identity, 1869-1939,' a major international exhibition of queer art, is currently on view at Wrightwood 659 in Chicago's Lincoln Park neighborhood. Curated by art historian Jonathan D. Katz, the show features around 350 works from over 100 lenders, including private collectors and major museums, and runs through July 26. Katz notes that no other institution in the world has agreed to host the exhibition, citing widespread refusals from venues in the United States, Europe, South America, and Asia.

Five Big Lots to Watch as New York’s Spring Auctions Spring Into Action

New York's May auction season has begun, with Christie's, Sotheby's, and Phillips presenting major works by artists including Jean-Michel Basquiat, Robert Rauschenberg, Ed Ruscha, Cecily Brown, and Marlene Dumas. Highlights include Basquiat's 'Baby Boom' (estimate $20–$30 million) at Christie's, a Basquiat 'Untitled' (1981) at Sotheby's, and Marlene Dumas' 'Miss January' (1997), which could break the auction record for a living woman artist. Sotheby's will also feature works from the late dealer Barbara Gladstone's collection, while the San Francisco Museum of Modern Art is deaccessioning Frank Stella's 'Adelante' and other works to fund new acquisitions.

An Interview with Asheville Art Museum Associate Curator Jessica Orzulak

Jessica Orzulak, associate curator and curatorial affairs manager at the Asheville Art Museum, participated in an interview discussing her personal interests and professional insights. She spoke about her love for hiking trails in the Appalachian Mountains, missing the desert landscapes of the West Coast, and her current TV preferences including "Severance" and "Star Trek: The Next Generation." The interview also covered her work presenting artist Pedro Lasch's "Black Mirror" series as part of the public program "What Can Become of Us?" at the museum, part of a collaboration with the Stanford Institute for Advancing Just Societies and Zócalo.

Key member of Die Brücke art movement gets museum in hometown

A new museum dedicated to Karl Schmidt-Rottluff, a founding member of the German Expressionist group Die Brücke, has opened in his hometown of Rottluff, a village on the western edge of Chemnitz. The Karl Schmidt-Rottluff Haus, acquired by the city in 2023 and opened in April, displays works spanning the artist's entire career, including early pieces never before shown publicly. The museum also features works by fellow Brücke artists and a secretly painted 1944 self-portrait created in the same house during the Nazi era, when Schmidt-Rottluff was branded a degenerate artist and banned from painting.

Tate Modern, the ‘cathedral to contemporary art’, celebrates 25 years

Tate Modern in London celebrates its 25th anniversary this month, marking the transformation of a derelict Bankside power station into a landmark contemporary art museum. Designed by Herzog & de Meuron, the museum opened on 11 May 2000 and quickly reshaped London's art landscape, catalyzing the launch of the Frieze London art fair in 2003 and attracting international commercial galleries. Artist Michael Craig-Martin, a former trustee, recalls how the project was driven by then-director Nicholas Serota's ambitious vision to elevate modern art from its status as 'art's poor cousin.' The museum pioneered free-admission thematic collection displays and a global curatorial approach, though its inaugural exhibition 'Century City' was widely criticized as overambitious.

Women’s Work: The art of Dana Boussard (museum exhibition)

In 1973, three pioneering women artists—Lela Autio, Dana Boussard, and Nancy Erickson—proposed an exhibition of their soft sculpture at the University of Montana in Missoula, but were denied because their work was dismissed as "women's work." Undeterred, they staged the show in the empty Carnegie Library building in 1974, and a year later the Missoula Art Museum (MAM) was founded. Now, MAM's special exhibition "Women's Work" celebrates the museum's 50th anniversary by featuring works from these three artists, including three pieces by Dana Boussard: "The Rialto" (1971), "Sister" (1970), and "Another Time, Another Place" (1970). The exhibition honors the radical spirit of the original 1974 show and the fiber-art movement, which gained momentum alongside the women's movement and feminist art.

The best museum shows to see during Tefaf New York 2025

The article highlights several major museum exhibitions opening during Tefaf New York 2025. At the Brooklyn Museum, "Solid Gold" (through July 6) traces the material's historical and cultural significance across fine art, fashion, jewelry, and design, featuring works from ancient Coclé gold plaques to pieces by Agnes Martin, Louise Nevelson, and Alexander Calder. The Metropolitan Museum of Art presents "Sargent and Paris" (through August 3) for the centenary of John Singer Sargent's death, reuniting his scandalous "Portrait of Madame X" with preparatory sketches and exploring his formative decade in Paris. The Jewish Museum offers "The Book of Esther in the Age of Rembrandt" (through August 10), examining the biblical story's influence on 17th-century Dutch art through works by Rembrandt and his contemporaries.

May Book Bag: from a comic compendium inspired by MoMA to a turning point in the history of photography

The article reviews three new art-related book releases. It highlights 'Edward Weston: The Flame of Recognition', a 60th-anniversary reissue of Aperture's first monograph, which pairs Weston's photographs with excerpts from his Daybooks and letters, marking a milestone in photography criticism. It also covers 'Drawn to MoMA: Comics Inspired By Modern Art', an anthology of 25 graphic artists exploring the intersection of comics and museum experiences, and 'The Fatal Scroll: A Herculaneum Mystery', a thriller about the antiquities trade and ancient papyrus scrolls.

New Ringling Museum exhibit asks if you believe in magic

The Ringling Museum in Sarasota has opened a new exhibition titled "Conjuring the Spirit World: Art, Magic, and Mediums," which explores the art and artifacts of the Spiritualist movement. The show is structured in two acts, first providing historical context and then displaying images, posters, and objects that spiritualists used to promote their work and communicate with the spirit world.

One Fine Show: “In Creative Harmony, Three Artistic Partnerships” at the Blanton Museum of Art

Observer's "One Fine Show" column highlights "In Creative Harmony: Three Artistic Partnerships" at the Blanton Museum of Art in Austin, Texas. The exhibition examines three distinct artistic duos: José Guadalupe Posada and Artemio Rodríguez, Arshile Gorky and Isamu Noguchi, and mother-daughter team Nora Naranjo Morse and Eliza Naranjo Morse. Spanning different eras, geographies, and mediums, the show explores how creative kinship and mutual influence shape artistic output, from Posada's Day of the Dead imagery to Gorky and Noguchi's Surrealist-inspired abstraction and the Morses' work in Pueblo ceramic and graphic traditions.

Celebrating the 2024–25 Academic Year Interns

The Bowdoin College Museum of Art (BCMA) celebrates its 2024–25 academic year intern cohort, highlighting the contributions of six student interns: Audrey Fillion, Pilar Saavedra-Weis, Karime Borrego, Neiman Mocombe, Julia Smart, and Chris Zhang. Interns worked on projects ranging from co-curating the exhibition "John McKee: As Maine Goes" to developing campus engagement surveys, leading gallery tours, and organizing community events. Emily Jacobs, Curatorial Assistant and Manager of Student Programs, authored the piece, noting the interns' diverse academic backgrounds—from art history and English to biochemistry—and their collaborative work with museum staff.

This Month the Museum Will Open "Ann Craven | Painted Time: Moons (Laboratory)"

The Bowdoin College Museum of Art (BCMA) will open "Ann Craven | Painted Time: Moons (Laboratory)" on May 22, 2025, featuring Ann Craven's moon paintings created between 2020 and 2024. The exhibition highlights Craven's direct observation of the moon, with each work documenting the date, time, and place of creation. The show includes a "laboratory" of lunar studies stored in labeled cardboard containers, offering insight into her process. It will be presented in three rotations curated by Anne Collins Goodyear, Jay Sanders, and Adam Weinberg, with about 20 paintings per rotation selected from over 150 compositions. The exhibition runs until August 17, 2025, and is accompanied by a digital catalogue. It coincides with two concurrent solo shows of Craven's work in Maine: at the Farnsworth Art Museum and the Portland Museum of Art.

Turner vs Constable: is it time for art historians to choose?

Art historian and author James Hall, writing in The Art Newspaper, reviews Nicola Moorby's new book "Turner and Constable: Art, Life, Landscape" and uses it as a springboard to argue that art historians should not shy away from making value judgments about artists. He compares the legacies of J.M.W. Turner and John Constable, noting that Turner currently dominates popular and institutional esteem—appearing on banknotes, celebrated by Tate Britain as the greatest British artist, and fitting modern conceptions of the artist as a rebellious, eccentric genius. Hall contrasts this with Constable's more conservative image and declining presence in commercial culture.

Left at the altar: Luc Tuymans's paintings to replace Tintoretto works at Venetian church

Belgian artist Luc Tuymans has created two new paintings, "Heat" and "Musicians" (2025), for the altar of the Abbey of San Giorgio Maggiore, a 16th-century church on a Venetian island. The works temporarily replace two canvases by Jacopo Tintoretto—"The Last Supper" and "The People of Israel in the Desert"—which are undergoing restoration funded by the Save Venice conservation charity. The commission was organized by Benedicti Claustra Onlus and the Draiflessen Collection, and the paintings will be on view from May 9 to November 23.

Shirin Neshat: Born of Fire

The Parrish Art Museum in Water Mill, New York, presents "Born of Fire," a major exhibition of Iranian-born artist Shirin Neshat running from April 20 to September 1, 2025. The show features three photographic series—"Women of Allah" (1993–97), "The Book of Kings" (2012), and "Land of Dreams" (2019)—alongside two double-channel videos and a full-length film. Neshat's work explores themes of alienation, repression, and identity, drawing on her experience of living between Iranian and American cultures after the 1979 Islamic Revolution prevented her from returning home.