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Garden State Art Weekend: Celebrate Jersey’s Vibrant Art Scene, April 24-27

Garden State Art Weekend returns from April 24-27, 2025, with over 95 venues across New Jersey opening their doors for a four-day celebration of the state's art scene. Co-directed by artists Christine Romanell and Alison Pirie, the festival offers a digital guide and map for attendees to explore exhibitions, open studios, live demonstrations, and workshops at venues ranging from world-class museums to intimate artist studios. Highlights include the Montclair Art Museum, Newark Museum of Art (free admission all four days), Grounds for Sculpture, Zimmerli Art Museum, and special events like an iron pour for International Sculpture Day at Gardenship Art in Montclair. The festival's headquarters at Manufacturers Village Artists in East Orange hosts a kickoff party and a spring open house featuring over 65 artist studios.

A UVU student’s artwork was rejected from a school exhibition. Here’s how she made sure her work was seen.

Utah Valley University art student Jaya Betts responded to her artwork's rejection from UVU's 2025 Student Art Exhibition by creating a zine titled "Unchosen but Unstoppable: A Manifesto for Artists Who Refuse to Shrink" and distributing 75 copies throughout the Lakemount Museum on the exhibition's opening night. Betts, who had submitted a layered plaster mold called "Crimson Blossoms on a Golden Limb," documented her guerrilla art drop on social media, framing it as a protest against gatekeeping and unequal opportunity in student exhibitions.

Tony Cokes “SM BNGR2” at FELIX GAUDLITZ, Vienna

Tony Cokes' solo exhibition "SM BNGR2" at FELIX GAUDLITZ in Vienna centers on club culture as a space for celebrating life through love, desire, queerness, music, art, aesthetics, and moving bodies. The show de-marginalizes club culture by examining its significance for subcultures, activist movements, and political resistance through the lens of writers and academics.

Lydia Ourahmane “1752 Photos” at Galerie Chantal Crousel, Paris

Lydia Ourahmane presents "1752 Photos" at Galerie Chantal Crousel in Paris, an exhibition centered on images that were never intended for public view. The works, stored in boxes and pressed between glass, explore themes of concealment, preservation, and the tension between visibility and obscurity.

Up Close: Aki Sasamoto’s “Grilled Diagrams” at Studio Voltaire

Artist Aki Sasamoto presented her performance-installation "Grilled Diagrams" at Studio Voltaire in London. The work featured Sasamoto wielding oversized cooking utensils, manipulating rocks and gems on a custom grill, and delivering a monologue, creating a tense and unpredictable atmosphere for the audience.

Venice Biennale’s jury resigns

The entire jury of the 61st Venice Biennale, presided by Brazilian curator Solange Farkas and comprising four other curators, resigned just nine days before the exhibition's scheduled opening on 9 May 2026. The jury had announced it would not award prizes to countries whose leaders are charged with crimes against humanity by the International Criminal Court, a move widely understood to target Israel and Russia. In response, the Biennale's organisers cancelled the prize-giving ceremony and will instead award Golden Lions via a popular vote among ticketholders. The row escalated further when the Israeli representative, sculptor Belu-Simion Fainaru, accused the jury of discrimination and threatened legal action, prompting intervention from Italy's culture ministry.

Mark Milroy Sees, Remembers, and Imagines at Once

Artist Mark Milroy, an observational painter in his mid-50s who gained a following during the pandemic through Instagram and online shows at Nancy Margolis Gallery, is now holding his debut New York exhibition, "Jumbo," at JJ Murphy gallery through May 16. The show features 18 oil paintings and 12 colored pencil drawings, with subjects ranging from still lifes and portraits to a titular painting referencing the famous P.T. Barnum elephant killed in Milroy's hometown of St. Thomas, Ontario, in 1885. Milroy's work blends personal memory, art historical insight, and a deliberate gaze, drawing influences from Cedric Morris and 15th-century Florentine painting.

Kimball Art Center dives into sound experiences with new exhibit

The Kimball Art Center in Park City, Utah, has opened a new exhibition titled (Re)sounding, running from May 15 to September 13. The show features 15 artists—including Jon Bernson, Janet Cardiff & George Bures Miller, Maria Chávez, Spencer Finch, Jónsi, Christine Sun Kim, Jacob Kirkegaard, Tuomas A. Laitinen, Christian Marclay, Milad Mozari, Andy Rappaport, Yuri Suzuki, and Mary Toscano & Andrew Rease Shaw—who create immersive audio-visual and interactive works that encourage visitors to think more intentionally about sound. Highlights include Bernson's installations addressing climate change through wetlands and glacial melt, and Cardiff & Miller's major installation from the acclaimed duo known for their immersive audio-visual pieces.

Eternal Tintoretto: the Italian master at the heart of a new exhibition at the Jacquemart-André Museum

The Jacquemart-André Museum in Paris is hosting a major retrospective dedicated to the Venetian painter Jacopo Robusti, known as Tintoretto, running from September 11, 2026 to January 24, 2027. The exhibition features around forty paintings and graphic works, organized thematically to cover the artist's entire career, including religious scenes, portraits, and mythological depictions, highlighting his bold compositions, vivid colors, and dramatic lighting.

At this year's Venice Biennale, a clash of politics and art exposes the need for a rethink

The 2026 Venice Biennale is plagued by controversy and structural issues. Curator Koyo Kouoh died of cancer in 2025, leaving her team to execute the main exhibition "In Minor Keys" without her. The Biennale's jury resigned after refusing to judge entries from countries charged with war crimes, and media coverage during preview week focused on protests against the Israeli and Russian pavilions rather than the art. The sprawling exhibition features 96 national pavilions and 110 artists, with works ranging from Daniel Lind-Ramos's found-material figures to María Magdalena Campos-Pons's tribute to Toni Morrison and Kouoh.

Zurbarán: a ‘magnificently choreographed’ showing of the Spanish ‘genius’

The article reviews the first-ever British exhibition dedicated to Spanish Baroque painter Francisco de Zurbarán, held at the National Gallery in London. The show brings together 40 works from collections spanning Seville to San Diego, featuring his hyper-real religious paintings and radiant still lifes, described as a 'magnificently choreographed' trawl through his oeuvre. Critics praise the exhibition for its dramatic lighting and revelatory presentation, though some note uneven quality in his later works.

Arshile Gorky Exhibition at Armenian Museum of America Extended through September

The Armenian Museum of America in Watertown has extended the exhibition “Arshile Gorky: Redrawing Community and Connections” through September 27 due to overwhelming interest and positive reviews from publications including Boston Art Review and Artscope magazine. Curated by Kim S. Theriault and sponsored by the JHM Charitable Foundation, the show brings together works from private collectors and institutions such as the Whitney Museum of American Art, the Housatonic Museum of Art, and Yale University Art Gallery, and was highlighted as a top pick by the Boston Globe and GBH Arts Editor Jared Bowen.

Grand Rapids Art Museum presents: ‘Decadent Spirit: French Art at the Turn of the Century’

The Grand Rapids Art Museum (GRAM) has announced its summer exhibition 'Decadent Spirit: French Art at the Turn of the Century,' on view from May 29 to September 6. Featuring over 130 works spanning 1880 to 1910, the show highlights artists such as Henri de Toulouse-Lautrec, Pierre Bonnard, Jules Chéret, Hector Guimard, and Théophile Alexandre Steinlen, alongside early film pioneers Auguste and Louis Lumière, Georges Méliès, and Alice Guy-Blaché. The exhibition includes works on paper, painting, sculpture, metalwork, interior and urban design, and early film, exploring the cafés, streets, theaters, and domestic scenes of fin-de-siècle Paris. It closes with an 1899 French motorcar, symbolizing the era's new mobility.

Harwood Museum announces closing events for Pursuit of Happiness art exhibit

The Harwood Museum of Art in Taos, New Mexico, is hosting a Mystery Cabaret event on May 22 and 23, 2026, to celebrate the closing of its exhibition *Pursuit of Happiness: GI Bill in Taos*. Written and directed by local playwright John Biscello, the interactive theater experience invites guests to solve a fictional art theft, with actors, mocktails, and 1940s-era costumes. The exhibition closes May 31, after which the museum will remain closed until the opening of *Unearthing Futures / Desenterrando Futuros* on June 27.

(BPRW) Getty Awards $1.8M to Increase Access to Black Visual Arts Archives

The Getty Foundation has awarded $1.8 million in grants to eight institutions through its Black Visual Arts Archives initiative, a multi-year program aimed at increasing access to archival collections related to Black artists and arts organizations. The grants will support processing, digitization, and public programming at venues including Afro Charities, Auburn Avenue Research Library, Berkeley Art Museum and Pacific Film Archive, Charles H. Wright Museum, Morgan State University, South Side Community Art Center, the University of Chicago's South Side Home Movie Project, and the David C. Driskell Center. This brings Getty's total funding for the initiative to $4.5 million since 2022, supporting 20 grants nationwide.

There's still a time to catch Matisse's "Jazz" at the Art Institute of Chicago

The Art Institute of Chicago is currently hosting "Matisse's Jazz: Rhythms in Color," an exhibition centered on Henri Matisse's 1947 artist's book "Jazz." The show, on view until June 1, features the iconic cut-paper works Matisse created after a 1941 surgery left him unable to paint. Visitors enter directly into the "Jazz" gallery before backtracking through earlier works, offering a chronological journey that culminates in the cut-paper technique. Wait times can exceed 90 minutes, but the museum recommends joining a virtual queue and exploring other galleries in the meantime.

Landmark Gorky Exhibit Extended at Armenian Museum

The Armenian Museum of America has extended its landmark exhibition "Arshile Gorky: Redrawing Community and Connections" through September 27, 2026, due to overwhelming interest and positive reviews. This is the first exhibition of Arshile Gorky's work in an Armenian museum, featuring paintings and drawings on loan from the Whitney Museum of American Art, the Housatonic Museum of Art, Yale University Art Gallery, private collectors, and other lenders. Curated by Kim S. Theriault and sponsored by the JHM Charitable Foundation, the show opened to coincide with the 100 Years of Arshile Gorky programming in Watertown, Massachusetts.

Three Venice shows everyone is talking about

The Korea Herald recommends three must-visit museum shows in Venice during the Venice Biennale. At Palazzo Grassi, the Pinault Collection presents "Michael Armitage. The Promise of Change," featuring the Kenya-born British painter's vivid works addressing sociopolitical tensions and migration. At Gallerie dell'Accademia, "Transforming Energy" by Marina Abramovic marks her 80th birthday, creating a dialogue between her performance art and Renaissance masterpieces. The Peggy Guggenheim Collection hosts "Peggy Guggenheim in London: The Making of a Collector," revisiting her formative years and her short-lived London gallery Guggenheim Jeune.

Flesh and Bones: The Exhibition Turning the Art of Anatomy Into a Cultural Conversation

The exhibition "Flesh and Bones: The Art of Anatomy" at Singapore's ArtScience Museum explores the history of anatomical representation as a cultural construct rather than a universal scientific truth. It juxtaposes Western anatomical atlases from the Renaissance with Chinese meridian (jingluo) systems, featuring works by artist Chiharu Shiota and other historical pieces that reveal how different cultures have visualized the human body through both scientific and spiritual lenses.

200 Years of Afro-Cuban Art at the Lowe Art Museum | Lowe Art Museum | Things to do in Miami

The Lowe Art Museum at the University of Miami is presenting two simultaneous exhibitions that together form the most comprehensive survey of Afro-Cuban art ever assembled. "El Pasado Mio/My Own Past," organized by Harvard's Afro-Latin American Research Institute, features over 81 works by 44 Cuban artists of African descent spanning two centuries, including nine paintings by Wifredo Lam and works by eleven female artists shown together for the first time. The companion exhibition, "Afrocubanismo: Highlights from the Ramón and Nercys Cernuda Collection," examines the cultural movement of the 1930s when artists began centering Cuba's African roots despite widespread societal suppression. The shows run through September 12 with free general admission.

Arshile Gorky exhibition at AMA extended through September 2026

The Armenian Museum of America (AMA) in Watertown, Massachusetts, has extended its exhibition "Arshile Gorky: Redrawing Community and Connections" through September 27, 2026, due to overwhelming interest and positive reviews from publications such as Boston Art Review and Artscope magazine. Curated by Kim S. Theriault and sponsored by the JHM Charitable Foundation, the show is the first exhibition of Gorky’s work in an Armenian museum, featuring loans from the Whitney Museum of American Art, the Housatonic Museum of Art, Yale University Art Gallery, private collectors, and the Armenian diaspora.

Art as Collective Responsibility: Hestia Artistic Journey Grant Programme Winners

The Hestia Artistic Journey National Grant Programme (Artystyczna Podróż Hestii) has announced the winners of its third edition, selecting eight projects from nearly 200 applications across Poland. The programme, subtitled "Opening Time" (Czas otwarcia), supports artists and cultural institutions planning exhibitions that address collective responsibility for global issues. Winners include "Ślady pamięci" by Fundacja Szałfynster in Katowice, exploring memory and dementia; "Głodne drzewa/Thirsty Trees" by Przemek Branas at the Central Museum of Textiles in Łódź, critiquing human greed through eucalyptus metaphors; and "Tymczasowa pława" by Norbert Delman at the State Art Gallery in Sopot, an installation on ecocide using a sunken fishing boat and amber. Each project will present an exhibition between July 2026 and the last quarter of 2027, with increased funding due to exceptional submissions.

‘Drift’ Invites Reverie at the Parrish

Sanford Biggers's first major solo exhibition on the East End, "Drift," opens at the Parrish Art Museum on Sunday and runs through September 13. The show features new works and site-responsive installations, including the monumental "Unsui (Cloud Forest)" (2025), a series of illuminated cloud sculptures suspended from the museum's arched ceiling. Co-curated by Corinne Erni and Scout Hutchinson, the exhibition spans Biggers's multidisciplinary practice—painting, sculpture, video, performance, and textile works—drawing on influences from Buddhism to graffiti culture and Gee's Bend quilts. Highlights include examples from his "Codex" series, made from repurposed antique quilts with spray-painted cloud forms, and a new sand installation inspired by prayer rugs and Japanese Buddhist mandalas.

Exhibition | Carol Rama, 'I See You You See Me' at Hauser & Wirth, New York, 22nd Street

Hauser & Wirth’s New York gallery on 22nd Street has opened ‘I See You You See Me’, its first exhibition dedicated to the radical Italian artist Carol Rama (1918–2015). Organized by Carlo Knoell, the show presents key works spanning six decades—from 1947 to 1998—across paint, textile, sculpture, and bricolage, highlighting Rama’s wildly original and non-conformist experimentation.

Koyo Kouoh’s Venice Biennale Looks to Ancient Wisdom to Mend a Fractured Present

Koyo Kouoh's Venice Biennale, titled after ancient wisdom, opens with a focus on healing and historical reimagination. The exhibition features works by artists such as Alexa Kumiko Hatanaka, Khaled Sabsabi, Daniel Lind-Ramos, Guadalupe Maravilla, Kennedy Yanko, and Ayrson Heráclito, alongside a strong emphasis on artist-led schools and institutions like Denniston Hill, blaxTARLINES KUMASI, and RAW Material Company. During the opening, the Koyo Kouoh Foundation was announced, set to launch in Basel to support Pan-African cultural infrastructure. The show includes Refaat Alareer's poem "If I Must Die" and addresses political realities, blending spiritual, ecological, and technological themes to explore collective care and restoration.

Marina Abramović’s Transforming Energy Reframes Performance Art in Venice

Marina Abramović has unveiled "Transforming Energy," a landmark exhibition at the Gallerie dell’Accademia in Venice, on view through October 19, 2026. The show marks the museum’s first major solo presentation dedicated to a living woman artist, arriving during the Venice Biennale. It places Abramović’s most significant performance works, including "Pietà (with Ulay)" (1983), in direct dialogue with Renaissance masterpieces such as Titian’s "Pietà," exploring themes of spirituality, grief, endurance, and transcendence. The exhibition is curated by Shai Baitel and features iconic works like "Balkan Baroque" (1997), for which Abramović won the Golden Lion.

An Expert’s Guide To Navigating The Art World

An art consultant with experience directing galleries in New York and Seattle, working with Nick Knight at SHOWstudio, and presenting The Art Show on Sky Arts shares insights on navigating the art world. The consultant discusses how to discover emerging artists through galleries, Instagram, graduate shows, and word of mouth, and emphasizes the importance of building relationships with galleries versus working with a consultant. Key galleries mentioned include Lisson Gallery, Josh Lilley, Seventeen Gallery, Esther Shipper, Hauser & Wirth, Cooke Latham, and Robertson Ares Gallery.

Sandra Gamarra: “Réplica” Is Not a Copy

Sandra Gamarra Heshiki's exhibition "Réplica" at MASP in São Paulo opens with an unplanned replica of Francisco Laso's "Habitante de las cordilleras del Perú" (1855), which could not travel from Lima due to bureaucracy. Gamarra produced an inverted, altered version, establishing a critical distinction between copying and responding. The exhibition is organized into sections that parody the classical chronology of encyclopedic museums—"Pre-colonial," "Colonial," "Post-independence," "Modern," and "Contemporary"—transforming the museum into an object of analysis. Gamarra's paintings engage with colonial iconographies, such as the pinturas de castas, by inscribing racial classifications directly onto the figures, making the colonial verdict inseparable from the bodies depicted.

Ten Political Statements By Artists At The 2026 Venice Biennale

The 61st Venice Biennale opened with unprecedented political tension, set against the backdrop of the international jury's mass resignation, the death of curator Koyo Kouoh, Russia's closed pavilion, threats from the European Commission to withdraw funding, and Italy's culture minister boycotting the opening. The article highlights ten works and moments where art and power intersected most explicitly, including Alfredo Jaar's 'Red Room' installation in the Chilean pavilion confronting humanitarian crisis, and Ukraine's collateral event 'Still Joy' at Palazzo Contarini Polignac, which frames joy as an act of resistance amid war.

"Freedom Dreams" on view through August 9 at the Barnes Foundation

The Barnes Foundation in Philadelphia presents "Freedom Dreams," an exhibition exploring Black freedom through moving images, curated by Maori Karmael Holmes and James Claiborne. The show features five works by intergenerational artists including David Hartt, Ja'Tovia Gary, Garrett Bradley, Tourmaline, and Arthur Jafa, with pieces that draw on historical films, literature, and activism to examine Black identity, joy, and radical imagination. The exhibition runs through August 9, 2026.