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Kimbell Art Museum acquires Chardin still life after record-breaking auction sale falls through

The Kimbell Art Museum in Fort Worth, Texas, has acquired Jean Siméon Chardin's still life *The Cut Melon* (1760) from the Rothschild family after a record-breaking auction sale at Christie's Paris in June 2024 fell through. The winning bidder, Italian real estate promoter Nanni Bassani Antivari, never paid, leading Christie's to sue him for compensation. The Rothschilds then sold the painting directly to the Kimbell, which had been the underbidder at auction. The work, which retains its original frame from its 1761 Salon debut, went on view at the museum on 22 May in the French still life gallery.

‘Art is an important way of depicting these atrocities’: London show shines a light on sexual violence in conflict

The Imperial War Museum (IWM) in London has opened "Unsilenced: Sexual Violence in Conflict," the first major UK museum exhibition to address the use of sexual violence as a weapon of war. Featuring video testimony from journalist Christina Lamb, the show draws on the IWM's collections and new testimonies from survivors, including propaganda posters, photographs by Lee Miller, and a newly acquired miniature Sonyeosang statue. Curators Maeve Underwood and Helen Upcraft re-examined the museum's holdings to uncover hidden narratives of sexual slavery and humiliation from World War II to the Russia-Ukraine war.

A rebuke to Modernism: the Venice Architecture Biennale imagines new ways of building to cope with climate change

The 2025 Venice Architecture Biennale, curated by Carlo Ratti, opens with immersive installations that confront climate change, including a film on civilizations rising and collapsing, a reflective pool installation by Michelangelo Pistoletto symbolizing humanity-nature reconciliation, and a non-functional air conditioner display by Transsolar Klima Engineering. Ratti issued the Biennale's first open call, selecting over 300 multidisciplinary teams—engineers, scientists, artists, and architects—to explore new building methods that reject Modernist materials like steel and concrete in favor of natural and Indigenous approaches.

Summer Shows Coming to South & West Texas

Museums and art venues across South and West Texas have announced a series of summer exhibitions opening between May and September 2025. Highlights include "The Wyeths: Three Generations" at the Art Museum of South Texas in Corpus Christi (May 23–Aug 24), featuring works by N.C., Andrew, Henriette, and Jamie Wyeth; "PAINT: Rachelle Thiewes" at the El Paso Museum of Art (May 30–Sep 21), showcasing jewelry and sculpture inspired by lowrider culture and the Chihuahuan desert; "Midland Collects" at the Museum of the Southwest (Jun 3–Sep 21), displaying private and foundation collections; a solo show by Doylene H. Land at the Ellen Noël Art Museum in Odessa (Jun 6–Aug 24); "Visions of the West" at the International Museum of Art & Science in McAllen (Jun 21–Sep 28); and "Los Encuentros" at Ballroom Marfa (July), a group exhibition centered on Latinx culture and community collaboration.

John Singer Sargent exhibition in London shines a light on the lives of the ‘dollar princesses’

English Heritage has opened an exhibition titled 'Heiress: Sargent’s American Portraits' at Kenwood in London, featuring 18 portraits by John Singer Sargent of American heiresses known as the 'dollar princesses.' These women traveled to the UK in the late 19th century to marry into the British aristocracy, bringing wealth that helped restore estates like Blenheim Palace. The show marks 100 years since Sargent’s death and includes never-before-displayed works, such as a charcoal portrait of Consuelo Vanderbilt. Curator Wendy Monkhouse emphasizes that the exhibition focuses on the sitters as individuals, addressing themes of misogyny, stereotyping, and xenophobia.

Veronica Ryan: Unruly Objects

The Pulitzer Arts Foundation and the Wexner Center for the Arts have co-organized an exhibition titled "Veronica Ryan: Unruly Objects," curated by Tamara H. Schenkenberg with curatorial assistant Molly Moog. At the Wexner Center, the presentation is further organized by Schenkenberg and Julieta González, head of Visual Arts. The exhibition is supported by a range of funders including ENGIE, the American Electric Power Foundation, and the Mellon Foundation, among others.

‘Halo effect’ of powerful art dealers’ collections boosts Sotheby’s sale

Sotheby's held a successful three-part evening auction in New York on May 15, 2025, achieving a total of $154.2 million in hammer sales ($186.1 million with fees), within its pre-sale estimate. The sale included 12 lots from the estate of late dealer Barbara Gladstone, which sold 100% for $15.1 million, and 15 works from the collection of Daniella Luxembourg, which brought $33.6 million. The main event, Sotheby's The Now and Contemporary evening auction, featured 41 lots—including works from the Dorothy and Roy Lichtenstein collection and three deaccessioned by US museums—and achieved a 93% sell-through rate, hammering $105.4 million. A standout was Andy Warhol's 'Flowers' (1964) from the Gladstone estate, which sold for $3.1 million hammer, more than double its high estimate.

New Amon Carter Museum exhibitions spotlight distinct views of the American West

The Amon Carter Museum of American Art in Fort Worth is opening two new exhibitions on May 18: “Richard Avedon at the Carter” and “East of the Pacific: Making Histories of Asian American Art.” The Avedon show marks the 40th anniversary of the museum’s original 1985 presentation of his “In the American West” series, featuring 40 portraits alongside archival photographs by Laura Wilson. The second exhibition explores Asian American influence on the West Coast, reframing the U.S. as east of the Pacific.

Smithsonian's National Museum of Asian Art and Saudi Arabia strike deal to collaborate on exhibitions, conservation and more

The Smithsonian's National Museum of Asian Art (NMAA) has signed a partnership agreement with Saudi Arabia's Royal Commission for AlUla (RCU) to collaborate on exhibitions, conservation, research, and staff exchanges. The deal, signed on May 14 by NMAA director Chase Robinson and RCU CEO Abeer AlAkel, focuses on the ancient site of Dadan, a capital of the Lihyanite and Dadanite civilizations. The partnership covers joint conservation and research projects, exhibition loans, and professional development over four years.

Peabody Essex Museum opening new gallery of Korean art and culture May 17, 2025

The Peabody Essex Museum (PEM) in Salem, Massachusetts, will open the Yu Kil-Chun Gallery of Korean Art and Culture on May 17, 2025. This landmark installation showcases PEM’s historic Korean collection, featuring works from the late Joseon dynasty through the early 20th century and into the present day, including rare objects, textiles, and recent acquisitions by artists like Nam June Paik. The gallery is supported by the Korea Foundation and the National Museum of Korea, and is curated by Dr. Jiyeon Kim.

Ten essential works of art to see on the French Riviera

The article highlights ten essential artworks to see on the French Riviera, tracing the region's artistic heritage from the 19th century to the present. It features works by Paul Signac, Henri Matisse, Ludovico Brea, and others, housed in museums such as the Musée de l'Annonciade in Saint-Tropez and the Musée Matisse in Nice, with historical context on how artists like Renoir, Picasso, and Chagall were drawn to the area's light and atmosphere.

This Berkeley MFA exhibition probes how museums and institutions exclude disabled bodies

Priyanka D’Souza's Master of Fine Arts thesis installation, "b. Call in sick," opens today at the Berkeley Art Museum and Pacific Film Archive (BAMPFA) as part of the annual MFA exhibition at UC Berkeley. D’Souza, one of six graduating MFA students, created works that critique how museums and institutions exclude disabled bodies, using angled shelves, rolling stools, and seating to privilege seated viewers over standing ones. Her practice draws on campus protest photos from Berkeley archives, transformed into semi-abstract renderings, and builds on her earlier Instagram project "Resting Museum," developed after a residency at the Delfina Foundation in London.

Comment | The greatest failure of PST Art: its successes are not travelling

The article critiques PST Art (formerly Pacific Standard Time), a $20 million Getty-funded initiative in Southern California, as its current edition wraps up. It highlights the closure of key exhibitions like "For Dear Life: Art, Medicine and Disability" at the Museum of Contemporary Art San Diego before major art events like Frieze Los Angeles, and notes that only 7 of the 72 exhibitions are traveling to other institutions. The piece questions the initiative's purpose and effectiveness in reaching broader audiences.

Behind the scenes of the Met’s revamped Rockefeller Wing with its acclaimed architect

Kulapat Yantrasast, the Bangkok-born architect behind Why Architecture, has completed a $70 million overhaul of the Metropolitan Museum of Art's Michael C. Rockefeller Wing, which houses the arts of Africa, Oceania, and the ancient Americas. Working with executive architect Beyer Blinder Belle, Yantrasast redesigned the 40,000-square-foot exhibition hall to address longstanding conservation issues caused by a 200-foot glass wall on Central Park that exposed fragile objects to heat and light. The wing reopens to the public on May 31 after four years of construction.

Groundbreaker Private Tour of Seattle Art Museum

On June 2, 2025, Asia Society Seattle will host a private tour of the Ai Weiwei exhibit at the Seattle Art Museum (SAM), led by Dr. Foong Ping, the Foster Foundation Curator of Chinese Art and an affiliate professor at the University of Washington. The event is exclusive to the society's Advisory Council, Groundbreaker and Innovator members, and donors, requiring advance registration.

"Trevor Yeung: Courtyard of Detachments", a new configuration of the artist's solo exhibition representing Hong Kong in the 60th International Art Exhibition – La Biennale di Venezia, opens at M+ on Saturday, 14 June 2025

A new configuration of Trevor Yeung's solo exhibition "Courtyard of Detachments," originally representing Hong Kong at the 60th Venice Biennale, will open at M+ museum in Hong Kong on June 14, 2025. The presentation reimagines the artist's acclaimed Biennale project for the museum context.

Key member of Die Brücke art movement gets museum in hometown

A new museum dedicated to Karl Schmidt-Rottluff, a founding member of the German Expressionist group Die Brücke, has opened in his hometown of Rottluff, a village on the western edge of Chemnitz. The Karl Schmidt-Rottluff Haus, acquired by the city in 2023 and opened in April, displays works spanning the artist's entire career, including early pieces never before shown publicly. The museum also features works by fellow Brücke artists and a secretly painted 1944 self-portrait created in the same house during the Nazi era, when Schmidt-Rottluff was branded a degenerate artist and banned from painting.

The Big Review | The reopening and rehang of the Sainsbury Wing, National Gallery, London ★★★★★

The National Gallery in London has reopened its Sainsbury Wing after a renovation led by architect Annabelle Selldorf, designed to create a more welcoming entrance. The wing, originally designed by Robert Venturi and Denise Scott Brown in 1991, now features a transformed ground floor with double-height spaces, improved lighting, and a new piazza linking to Trafalgar Square. The reopening coincides with the gallery's bicentenary and a major collection rehang titled "C C Land: the Wonder of Art," sponsored by a Hong Kong property developer. Old favorites like the chapel-like space for Piero della Francesca's works are restored, and new commissions, including Richard Long's "Mud Sun," greet visitors.

An Interview with Asheville Art Museum Associate Curator Jessica Orzulak

Jessica Orzulak, associate curator and curatorial affairs manager at the Asheville Art Museum, participated in an interview discussing her personal interests and professional insights. She spoke about her love for hiking trails in the Appalachian Mountains, missing the desert landscapes of the West Coast, and her current TV preferences including "Severance" and "Star Trek: The Next Generation." The interview also covered her work presenting artist Pedro Lasch's "Black Mirror" series as part of the public program "What Can Become of Us?" at the museum, part of a collaboration with the Stanford Institute for Advancing Just Societies and Zócalo.

Technology, art and sculptures of fog: LUMA Arles kicks off the 2025/26 season

LUMA Arles has launched its 2025/26 season with three exhibitions, including 'Sensing the Future: Experiments in Art and Technology (E.A.T.)', which explores the 1960s collaboration between artists and engineers from Bell Labs, featuring works by Andy Warhol, Jean Dupuy, and Forrest Myers. The season also includes 'Maria Lassnig: Living with art stops one wilting!', examining the Austrian artist's 'Body Awareness' concept and her connection to curator Hans Ulrich Obrist. The exhibitions are bookended by fog and cloud-themed works, including a fog sculpture by Fujiko Nakaya.

First look: inside the £85 million National Gallery revamp opening this weekend

The National Gallery in London has completed a £85 million refurbishment of its Sainsbury Wing, which opens to the public this weekend after two years of closure. Designed by architect Annabel Selldorf, the renovation transformed the previously dark, low-ceilinged foyer into a bright, open space with clear glass, removed columns, digital HD screens, and new amenities including Bar Giorgio and the Locatelli Italian restaurant. The reopening coincides with 'Wonder of Art', a major rehang of around 1,000 works from the gallery's European painting collection.

Man Ray: When Objects Dream

The Metropolitan Museum of Art in New York will present "Man Ray: When Objects Dream," an exhibition exploring the artist's pioneering rayographs—camera-less photographs created by placing objects on light-sensitive paper. Featuring approximately 60 rayographs and 100 additional works from the Met's collection and over 50 international lenders, the show is the first to situate this technique within Man Ray's broader practice of the 1910s and 1920s, including paintings, sculptures, prints, drawings, films, and photographs.

First look: the ‘once-in-a-lifetime’ rehang at London's National Gallery

On May 10, London's National Gallery will unveil its first full rehang of the collection since the Sainsbury Wing opened in 1991. The wing has been closed for over two years to create a larger entrance foyer. Christine Riding, the director of collections and research, oversaw the rehang, which she calls a "once-in-a-lifetime" opportunity. Nearly 40% of the collection—1,045 paintings—will be displayed, including 919 from the collection and 126 on loan. The rehang is sponsored by Hong Kong-based property developer C C Land and is called "C C Land: The Wonder of Art." Works by female artists have been given greater prominence, and some paintings were conserved or reframed. The chronological arrangement from west to east remains similar, but many pictures have been repositioned to highlight artistic influences across generations.

One Fine Show: “In Creative Harmony, Three Artistic Partnerships” at the Blanton Museum of Art

Observer's "One Fine Show" column highlights "In Creative Harmony: Three Artistic Partnerships" at the Blanton Museum of Art in Austin, Texas. The exhibition examines three distinct artistic duos: José Guadalupe Posada and Artemio Rodríguez, Arshile Gorky and Isamu Noguchi, and mother-daughter team Nora Naranjo Morse and Eliza Naranjo Morse. Spanning different eras, geographies, and mediums, the show explores how creative kinship and mutual influence shape artistic output, from Posada's Day of the Dead imagery to Gorky and Noguchi's Surrealist-inspired abstraction and the Morses' work in Pueblo ceramic and graphic traditions.

10 Must-See Gallery Shows to Catch in New York This May

This article highlights ten must-see gallery shows opening in New York this May, timed to coincide with major art fairs like Frieze and TEFAF. Featured exhibitions include Yu Nishimura's debut U.S. solo show at David Zwirner, Thalita Hamoui's first U.S. solo exhibition at Marianne Boesky, and presentations by Willem de Kooning, Anastasia Komar, Theodora Allen, Ilana Savdie, Rosana Paulino, Alicjia Kwade, Xingzi Gu, and Moffatt Takadiwa. The roundup spans venues across the Upper East Side, Chelsea, and Tribeca, reflecting the city's vibrant gallery scene during a packed season of auctions and fairs.

Celebrating the 2024–25 Academic Year Interns

The Bowdoin College Museum of Art (BCMA) celebrates its 2024–25 academic year intern cohort, highlighting the contributions of six student interns: Audrey Fillion, Pilar Saavedra-Weis, Karime Borrego, Neiman Mocombe, Julia Smart, and Chris Zhang. Interns worked on projects ranging from co-curating the exhibition "John McKee: As Maine Goes" to developing campus engagement surveys, leading gallery tours, and organizing community events. Emily Jacobs, Curatorial Assistant and Manager of Student Programs, authored the piece, noting the interns' diverse academic backgrounds—from art history and English to biochemistry—and their collaborative work with museum staff.

Turner vs Constable: is it time for art historians to choose?

Art historian and author James Hall, writing in The Art Newspaper, reviews Nicola Moorby's new book "Turner and Constable: Art, Life, Landscape" and uses it as a springboard to argue that art historians should not shy away from making value judgments about artists. He compares the legacies of J.M.W. Turner and John Constable, noting that Turner currently dominates popular and institutional esteem—appearing on banknotes, celebrated by Tate Britain as the greatest British artist, and fitting modern conceptions of the artist as a rebellious, eccentric genius. Hall contrasts this with Constable's more conservative image and declining presence in commercial culture.

Art Institute’s Frida Kahlo-Themed Exhibit Highlights Artist’s Paris Years

The Art Institute of Chicago has opened "Frida Kahlo’s Month in Paris: A Friendship With Mary Reynolds," its first dedicated exhibition to the Mexican artist. The show explores Kahlo’s 1939 stay in Paris, where she lived with American bookbinder Mary Reynolds and artist Marcel Duchamp after being hospitalized with a kidney infection. Featuring 100 objects—including seven self-portraits, letters, photographs, and book bindings—the exhibition draws on the Art Institute’s own Mary Reynolds Collection and loans from public and private collections across the U.S., Mexico, and Europe. Curated by Caitlin Haskell, Tamar Kharatishvili, and Alivé Piliado, the display reveals new details about Kahlo’s recovery and creative re-inspiration in the avant-garde hub of Reynolds and Duchamp’s home.

Shirin Neshat: Born of Fire

The Parrish Art Museum in Water Mill, New York, presents "Born of Fire," a major exhibition of Iranian-born artist Shirin Neshat running from April 20 to September 1, 2025. The show features three photographic series—"Women of Allah" (1993–97), "The Book of Kings" (2012), and "Land of Dreams" (2019)—alongside two double-channel videos and a full-length film. Neshat's work explores themes of alienation, repression, and identity, drawing on her experience of living between Iranian and American cultures after the 1979 Islamic Revolution prevented her from returning home.

Newcastle gallery to open new exhibition exploring 'craft' in art

The Laing Art Gallery in Newcastle is opening a new exhibition titled 'With These Hands' from May 17 to September 27, exploring the representation of craft in paintings, drawings, and prints. The show features works produced in Britain and Europe from the 1750s onward, depicting hand-making and mending as domestic pastime, rural labor, semi-industrial work, and war effort. It includes paintings by artists such as Mary Cassatt, G.F. Watts, and Evelyn Dunbar, alongside objects like quilts, embroidery, metalwork, and ceramics from makers including Bernard Leach and Michael Cardew. Loans come from Tate, V&A, Royal Academy of Arts, Imperial War Museums, and regional collections.