The article profiles Marta, a prominent art dealer in Los Angeles, highlighting her recent activities and influence within the contemporary art scene. It details her gallery's program, her relationships with artists, and her specific curatorial approach that has garnered significant attention.
The Getty Center in Los Angeles will close for a full year starting March 15, 2027, to undergo its first major renovation since opening in 1997. The "modernization initiatives" include updates to the galleries, a redesign of the Welcome Hall with a new café, and the replacement of the iconic tram system to increase passenger capacity. During the closure, the Getty Villa in Malibu will remain open and display highlights from the Center’s permanent collection, while additional programming will be held at a temporary space on Sepulveda Boulevard.
Christie's, Phillips, and Sotheby's spring marquee auctions in Hong Kong generated a combined $164.9 million, an 18% increase from the equivalent sales in spring 2025. The auctions, strategically timed to coincide with Art Basel Hong Kong, saw strong demand for trophy works, with Christie's leading the season at $83.8 million. Key sales included a Gerhard Richter painting for $11.77 million and a Sanyu work for $8.17 million, while Sotheby's sold a Joan Mitchell painting for $17.6 million, the season's top lot.
Nonagenarian painter Joan Semmel is experiencing a significant career renaissance, marked by a major survey exhibition at the Jewish Museum and a concurrent solo show at Alexander Gray Associates. At 93, Semmel continues to work from her Soho studio, where she has lived for over fifty years, producing unflinching figurative paintings that explore the female body, aging, and the gaze. The article traces her trajectory from her early education at Cooper Union and a formative period in Madrid to her pivotal role in feminist art history.
The Metropolitan Museum of Art has announced a major summer exhibition titled "Giacometti in the Temple of Dendur," featuring 17 sculptures by the 20th-century Swiss master Alberto Giacometti. The show, organized in collaboration with the Fondation Giacometti, will place the artist's iconic slender bronze figures within and around the first-century BCE Roman Period Egyptian temple. The installation includes significant loans such as "Femme qui marche I" and "Femme de Venise I," marking a rare dialogue between modern existentialist sculpture and ancient architectural history.
Digital art giants Artnet and Artsy have implemented significant layoffs following their recent merger under the investment firm Beowolff Capital. The cuts, which occurred on April 16, impacted dozens of employees across both organizations, including senior editorial staff such as Sarah Cascone and Eileen Kinsella. The restructuring follows a reported 12% revenue decline for Artnet in early 2025 and involves the shutdown of Artnet's German entity as the two companies consolidate into a single team led by CEO Jeffrey Yin.
Acclaimed painter Celeste Dupuy-Spencer has passed away at the age of 46 in Los Angeles, just days before a scheduled solo exhibition at Jeffrey Deitch’s gallery. Known for her visceral and politically charged figurative works, Dupuy-Spencer gained national recognition for her contributions to the 2017 Whitney Biennial and the 2018 Made in LA biennial. Her practice often deconstructed American mythologies, the rise of domestic fascism, and global human rights issues, including a high-profile stance against the conflict in Gaza.
The Solomon R. Guggenheim Museum has appointed Melissa Chiu as its next director, succeeding Richard Armstrong. Chiu joins the New York flagship institution after a twelve-year tenure at the Smithsonian’s Hirshhorn Museum and Sculpture Garden in Washington, D.C., and is expected to assume her new role this coming September.
The Metropolitan Museum of Art has appointed Oluremi C. Onabanjo as its new curator of photographs, bringing her expertise in African and Black diasporic histories from MoMA. This announcement leads a series of industry shifts, including Melissa Chiu’s move from the Hirshhorn to direct the Guggenheim, and the relocation of the influential gallery 47 Canal to Chelsea. Additionally, the New York Foundation for the Arts distributed nearly $500,000 in grants to 129 artists and organizations in Queens.
Materials for the Arts (MFTA), a program of the New York City Department of Cultural Affairs, provides free art supplies and tools to over 4,500 organizations, including public schools, nonprofits, and social justice groups. By diverting millions of pounds of materials from landfills—ranging from film production sets to high-end fabrics—the organization has reallocated over $40 million worth of goods to the creative community. The program's leadership is now advocating for an expansion of this model, envisioning dedicated reuse centers in every borough to meet the growing demand for accessible creative resources.
The Hispanic Society Museum and Library has acquired Wifredo Lam’s 1927 painting "Portrait of a Boy," marking the first time a work by a Cuban artist has entered the institution's permanent collection. Purchased at a Sotheby’s auction after decades in a private collection, the portrait dates from Lam’s formative years in Cuenca, Spain. The work represents a rare, representational style from the artist's early career, predating the Afro-Cuban Surrealism for which he became globally renowned.
The article is an excerpt from the forthcoming field resource 'Curating Engagement,' featuring a first-person reflection by an arts professional. The author outlines nine lessons learned over two decades of practice, moving from engagement-focused roles to institutional leadership. Key lessons emphasize curiosity as a foundational practice, engagement as a form of service to communities rather than extraction, and the importance of site and history as collaborators in curatorial work.
Hyperallergic's April newsletter features a roundup of the best April Fools' jokes from the art world this year, compiled by staff writer Rhea Nayyar. The issue also highlights critic Aruna D'Souza's meditation on the work of abstract painter Kamrooz Aram, who is having a prominent year with appearances from Mumbai Art Week to the Whitney Biennial.
Kamrooz Aram is the subject of multiple major exhibitions in early 2026, including a solo show at Alexander Gray Associates in New York, a presentation at Nature Morte in Mumbai for Mumbai Art Week, and a significant inclusion in the 2026 Whitney Biennial. The artist, known for his work with the grid, uses painting to explore the connections between Western modernist abstraction and non-Western decorative traditions, particularly from Western Asia.
The Museum of Modern Art (MoMA) has opened the exhibition 'Frida and Diego: The Last Dream,' a collaboration with the Metropolitan Opera tied to its upcoming production of the opera 'El Último Sueño de Frida y Diego.' The show, designed by stage and costume designer Jon Bausor, transplants theatrical elements like a tree-of-life set model and blue tarp drapes into the gallery, alongside a reshuffling of key Kahlo and Rivera works from MoMA's collection.
Galleries and museums in Gulf states like the UAE, Qatar, and Saudi Arabia are reopening and projecting normalcy despite the ongoing US-Israel war on Iran, which has entered its fourth week. Major events like Art Dubai have been postponed, and institutions like the Sharjah Art Foundation have delayed gatherings, but many cultural venues are operating with adjusted formats or by appointment.
A guide highlights ten notable art exhibitions opening in Chicago this spring, focusing on shows at smaller, community-focused, and artist-run spaces like Good Weather, Hyde Park Art Center, and the Ukrainian Institute of Modern Art. Featured exhibitions include Hunter Foster's "Involition," which repurposes a Cold War siren to comment on infrastructure and threat, and Alison Ruttan's ceramic installation "The Paradox of Inaction," which visualizes climate disaster.
Jean-Marc Bottazzi, a Japanese bond trader and collector based in Hong Kong, discusses his philosophy of collecting in an interview with The Art Newspaper. He emphasizes deep, focused support of artists rather than acquiring a superficial variety, citing his extensive holdings of over 100 works by the 96-year-old Japanese artist A-Yo and deep collections of Abstract Expressionism, Gutai, and conceptual photography.
I quasi sessant’anni di carriera del leggendario gallerista Enzo Cannaviello. Intervista a tutto campo
Legendary Italian gallerist Enzo Cannaviello reflects on a career spanning nearly sixty years, marked by the opening of his ninth gallery space in Milan. The interview traces his journey from founding his first space in Caserta in 1968 to his influential years in Rome and his ultimate establishment in Milan, which he considers the only true art market in Italy. Cannaviello discusses his unwavering commitment to painting, his pivotal role in promoting the German Neo-Expressionists (Neue Wilde), and the current exhibition dedicated to Mimmo Rotella.
Le mostre da non perdere a Milano durante i giorni dell’Art Week 2026
Milan Art Week 2026 features a series of major solo exhibitions across the city's premier contemporary art institutions. Fondazione Prada is hosting site-specific installations by Mona Hatoum exploring global instability alongside Cao Fei’s multimedia investigation into the technological revolution of agriculture. Meanwhile, Pirelli HangarBicocca presents Benni Bosetto’s architectural exploration of the female body and Rirkrit Tiravanija’s interactive examination of authorship and communal space.
Radiohead has announced a North American tour for "Motion Picture House," a massive 17,000-square-foot immersive audiovisual installation. The project features a 75-minute film titled Kid A Mnesia, directed by Sean Evans, which incorporates art created by frontman Thom Yorke and longtime collaborator Stanley Donwood. Launching at the Coachella festival before traveling to cities like Brooklyn and Mexico City, the experience combines surround-sound studio recordings with physical galleries displaying the original source art from the band's seminal turn-of-the-century albums.
Rare sketches by Surrealist artist Leonora Carrington, created during her 1940 confinement in a Spanish psychiatric hospital, have been reunited and are on display at London's Freud Museum. The exhibition, "Leonora Carrington: The Symptomatic Surreal," features sketchbooks that reimagined the hospital as a mythological underworld and served as preparatory studies for her seminal painting Down Below.
The Toronto Biennial of Art has announced the details for its fourth edition, titled "Things Fall Apart," scheduled to run from September 26 to December 20. Curated by Allison Glenn, the exhibition will feature 30 artists and collectives, including Kent Monkman, Rebecca Belmore, and Dawoud Bey, with a heavy emphasis on new commissions. For the first time, the biennial is expanding its footprint beyond the Greater Toronto Area to include partnerships with institutions across Canada and international sites like Times Square in New York and the Anchorage Museum in Alaska.
The 22nd edition of SP-Arte has opened at São Paulo’s Oscar Niemeyer-designed pavilion, featuring over 180 galleries and design studios. While global art markets face a period of recalibration, the Latin American sector—and Brazil in particular—is reporting significant growth, including a 21% year-on-year increase in sales for Brazilian dealers according to the latest Art Basel and UBS report.
Art historian Sam Smiles has released a comprehensive new book examining J.M.W. Turner’s complex relationship with the slave trade, expanding on his 2007 discovery of the artist's personal investment in a Jamaican cattle farm that utilized enslaved labor. The research traces Turner’s financial ties from his early patronage by wealthy plantation owners to his own speculative ventures, challenging the long-held perception of the artist as a straightforward abolitionist.
Four hooded thieves stole three valuable paintings from the Magnani-Rocca Foundation in Parma, Italy, in a swift nighttime heist. The stolen works include Paul Cézanne's 'Still Life with Cherries,' Henri Matisse's 'Odalisque on the Terrace, 1922,' and Pierre-Auguste Renoir's 'Les Poissons (Fish), 1917,' collectively worth millions of euros. The operation, described as highly structured and organized, took less than three minutes.
The Georgia O’Keeffe Museum has launched Access O’Keeffe, a comprehensive digital catalogue raisonné that makes over 2,000 of the artist’s works available to the public for free. Based on the definitive 1999 scholarship by Barbara Buhler Lynes, the platform includes paintings, sketches, and letters, featuring advanced search tools that allow users to filter by color, medium, and theme. The project was completed despite a significant funding scare when a federal grant was briefly rescinded during the Trump administration before being restored via legal action.
Artist Liza Lou is presenting a new body of work that merges the legacy of Abstract Expressionist brushstrokes with intricate beadwork. Her solo exhibition, 'FAQ,' at Thaddaeus Ropac in London features mixed-media paintings where thousands of glass beads are meticulously placed atop fields of oil paint, creating textured, chromatic topographies that transform gestural marks into sculptural forms.
Kunst als Versuchsanordnung
The influential Berlin-based artist and professor Thomas Zipp has passed away unexpectedly. Known for his immersive installations that blurred the lines between art, science, and madness, Zipp created complex "experimental setups" involving painting, sculpture, and performance. His work often explored dark parallel worlds, notably evidenced in his haunting 2013 Venice Biennale project that transformed a palazzo into a derelict psychiatric ward.
Tout ce qu’il faut savoir sur Henri Matisse, star du Grand Palais ce printemps
The Grand Palais in Paris is hosting a major retrospective focusing on the final masterpieces of Henri Matisse, the pioneer of Fauvism. The exhibition highlights the artist's late-career reinvention between 1941 and 1954, featuring his innovative gouache cut-outs, illustrated books, and stained glass designs created while he was bedridden in Nice.