Feminist art show vandalised at French photography centre

A feminist art exhibition titled 'Cyprine Benzin' at the NegPos art and photography centre in Nîmes, France, was vandalized during the night of 25–26 April. One or more intruders destroyed over 30 of the 40 works on view, spray-painting phalluses and sexual imagery on the walls. The exhibition, by artist Kamille Lévêque Jégo, celebrated women’s pride and empowerment and had opened on 11 April. It was the second attack on the gallery, following a prior break-in that damaged one work. The centre’s director, Patrice Loubon, described the attack as part of a 'masculinist backlash,' and three professional photography networks condemned a 'growing climate of intolerance against female photographers.'

Haarlem Resistance hero commemorated with illicit 'stumbling stone'

Ton Witteman, grandson of Dutch resistance hero Bart Witteman, has laid an unauthorized 'stumbling stone' (stolpersteine) in front of his grandfather's former home in Haarlem, Netherlands. Bart Witteman, a policeman who sheltered two Jewish people during World War II, was arrested, deported, and murdered by the Nazis in 1945. The city council had refused to include non-Jewish resistance figures in its official memorial program, which only covers the 733 murdered Jewish, Sinti, and Roma residents. Witteman obtained the hand-stamped brass plaque from German artist Gunter Demnig's Stolpersteine project and installed it himself with the current homeowners' blessing.

EU Plans Penalty for Russia's Biennale Participation

EU plant Strafe für Biennale-Teilnahme Russlands

The European Union has threatened to cut funding for the Venice Biennale if it allows Russia to reopen its national pavilion at the upcoming exhibition. EU foreign policy chief Kaja Kallas stated that Russia's return is "morally wrong" while the country is bombing Ukrainian museums and destroying cultural heritage. Russia, in coordination with the Biennale foundation, had announced plans to participate this year with works by Russian artists, marking its first appearance since the 2022 invasion.

A New Look at Rabelais and His World

The article examines the philosophical and literary significance of laughter in François Rabelais's work, particularly *Gargantua and Pantagruel*, contrasting his celebratory view with the predominantly negative assessments of laughter in Western philosophy from Plato to Hobbes. It highlights how Rabelais channels a durable tradition of folk humor as a form of affirmative relief from oppression and official solemnity.

Salford Uni’s Energy House 2.0 appoints new Iranian-born artist in residence

Iranian-born artist Omid Asadi has been appointed as the new artist-in-residence at the University of Salford’s Energy House 2.0 research facility. Running from Spring 2026 through the end of the year, the residency will see Asadi collaborate with researchers at the world-leading climate laboratory, which features two massive chambers capable of simulating extreme global weather conditions. The artist plans to create new installations and sculptures in response to the facility's pioneering retrofit research, specifically focusing on a recreated 1930s-era house.

PRESS RELEASE: OCU art exhibit makes use of ‘digital debris’

Oklahoma City University (OCU) is hosting an art exhibition that incorporates 'digital debris'—discarded or obsolete digital materials—into its works. The show features pieces created by artists who repurpose e-waste, old screens, and other technological remnants to explore themes of consumption, memory, and the environmental impact of digital culture.

Sheboygan Visual Artists will welcome community to new gallery March 7

Sheboygan Visual Artists (SVA) is set to open its new 1,200-square-foot Ebenreiter Gallery on March 7 at 534 S. Pier Drive. The new riverfront location features four studio spaces and will serve as a permanent hub for exhibitions, workshops, and artist groups after the organization was displaced from its long-term home at the EBCO Venture Center in 2024. The opening will be marked by a communal painting event featuring local dignitaries rather than a traditional ribbon-cutting.

‘These are dirty funds’: Indigenous Brazilian leader slams Science Museum for oil sponsorship ahead of climate show

Indigenous Brazilian leader Ninawa Huni Kui has condemned the Science Museum in London for accepting sponsorship from BP on the eve of its new exhibition, *Water, Pantanal, Fire*, which highlights climate breakdown in Latin America. The exhibition focuses on the Pantanal wetland, a threatened ecosystem spanning Brazil, Paraguay, and Argentina. Huni Kui called BP's sponsorship "dirty funds stained with blood," and was joined by activists from 350.org and Culture Unstained in criticizing the museum for partnering with a major fossil fuel company while presenting a show about climate impacts.

Art exhibition in Daegu shut down over satire of ex-President Yoon

An art exhibition in Daegu, South Korea, was shut down after featuring works by artist Hong Sung-dam that satirize former President Yoon Suk Yeol. The exhibition, titled "Art for the Future: Daegu, Art, Answer the Zeitgeist," was held at the district-run Bongsan Cultural Center and organized by the Daekyung Art Research Institute. Three paintings—"Donghak-uiguk," "Ddong-gwang," and "Pal-gwang"—depicted Yoon in provocative contexts, including nudity and references to political controversies such as the doctors' strike and his wife Kim Keon Hee. On the first day, the center requested removal of the works; after the institute refused, the center required artists to sign a liability pledge. Ultimately, Ryu Kyu Ha, head of Daegu's Jung-gu District Office, ordered the exhibition hall closed, citing regulations against political works. Two other galleries remain open with about 50 works by 19 artists.

Unesco raises ‘grave concerns’ for Kyiv's Saint Sophia Cathedral after Russian drone strike

Unesco has raised grave concerns for Kyiv's 11th-century Saint Sophia Cathedral, a UNESCO World Heritage site, after its facade was damaged by a Russian drone strike on Tuesday. Ukraine's culture minister Mykola Tochytskyi reported that the plastered cornice of the central apse was hit, and while the interior survived intact, vibration from explosions threatens the monument's structural integrity. Ukrainian President Volodymyr Zelensky condemned the attack, and UNESCO officials have visited to assess damage and discuss emergency conservation. The cathedral, known for its mosaics and frescoes, was added to UNESCO's List of World Heritage in Danger in 2023.