The Hammer Museum in Los Angeles has announced the prize winners for its 2025 Made in L.A. biennial. Ali Eyal received the $100,000 Mohn Award, Carl Cheng won the $25,000 Career Achievement Award, and Greg Breda was selected by public vote for the $25,000 Public Recognition Award. The winners were chosen by a jury of curators from prominent institutions.
Italy's largest contemporary art fair, Artissima, opened its 32nd edition in Turin's Oval Lingotto arena with 176 international galleries from 36 countries. The fair is the first major international art event in Italy since the government slashed VAT on art sales from 22% to 5% in July, a move long sought by galleries and dealers. Early sales included works by João Gabriel, Silvia Capuzzo, and Simon Pasieka, and the fair attracted top curators like Hans Ulrich Obrist and Massimiliano Gioni, as well as prominent Italian collecting families. However, some gallerists noted a lack of American collectors, echoing trends seen at Art Basel in Switzerland.
Art Basel Paris at the Grand Palais has drawn a constellation of satellite fairs across the city, including Paris Internationale and Asia Now, both celebrating their 10th anniversaries. Paris Internationale, founded in 2015 by gallerists Ciaccia Levi, Crèvecœur, and Gregor Staiger, presents 59 galleries and seven non-profit spaces from 19 countries at the Rond-Point des Champs-Élysées, emphasizing independence and artist-centered values. Asia Now, held at the Monnaie de Paris, returns with the theme “Grow,” featuring 68 galleries and focusing on plural, borderless Asian contemporary art. Newcomers 7 rue Froissart and Upstairs Art Fair add community and irreverence, while Detroit Salon launches a three-year global roadshow with its first stop in Paris.
Frieze Seoul returns for its fourth edition from September 3 to 6, 2025, coinciding with South Korea's premier art fair Kiaf. Fair director Patrick Lee highlights the event's role in fostering collaboration among local institutions and its integration with Seoul's cultural ecosystem. Meanwhile, The Armory Show in New York expands its 'Focus' section this year to spotlight artists and galleries from the American South, curated by Jessica Bell Brown, as the fair runs under the full leadership of director Kyla McMillan for the first time since its acquisition by Frieze.
Three art-world professionals—adviser Sarah Galender Meyer, gallerist Yng-Ru Chen, and artist Crystalle Lacouture—have launched Arrival Art Fair, a biannual, invitation-only event in North Adams, Massachusetts, at the Tourists hotel. The fair features 36 exhibitors selected by curators with regional ties, including galleries such as Jane Lombard, Sears Peyton Gallery, Jessica Silverman, Abattoir Gallery, and Wolfgang Gallery. Programming includes outdoor sculpture, museum talks, and an acquisition prize from the Williams College Museum of Art, with booth fees supplemented by philanthropic support to keep the fair free for visitors.
Gallery Weekend Berlin (GWB) expands from 50 to 57 participating galleries in 2025, introducing a new section called Perspectives that features smaller, younger galleries previously excluded from the event. The 20-year-old event, which began with 21 dealers aiming to attract international collectors to Berlin, has grown into a major sales week for galleries. Perspectives includes galleries like Anton Janizewski and Persons Projects, with a reduced participation fee of €4,500 (half the usual €9,000), subsidized by the Berlin Senate. The selection committee invites galleries rather than accepting applications, a process that has faced accusations of elitism.
Artnet News critic Ben Davis analyzed 130 recurring global art events—including biennials and triennials—that opened between the 2022 and 2026 Venice Biennales, tallying over 15,000 participating artists. He identified the most frequently featured artists, with Nolan Oswald Dennis topping the list at 14 biennial appearances. Dennis, a South Africa-based artist born in Lusaka, is known for works like "Black Liberation Zodiac" (2017-ongoing) and was included in the 2026 Venice Biennale curated by the late Koyo Kouoh.
italy acquires caravaggio barberini 2752629
The Italian Ministry of Culture has acquired a rare Caravaggio portrait of Maffeo Barberini, the future Pope Urban VIII, for €30 million ($35 million). The late 16th-century masterpiece, which had been hidden in a private collection for decades, will now reside permanently at Rome’s Palazzo Barberini. The acquisition follows a successful short-term loan and extensive technical analysis that confirmed the work's authenticity.
Across the U.S., artists and organizations have organized over 600 pop-up events, performances, readings, and other creative protests as part of Fall of Freedom, a new artist-led movement launching November 21–22. Initiated by artist, curator, and writer Accra Shepp and Puerto Rican artist Miguel Luciano, the program aims to activate the culture community against growing authoritarian threats. Events range from a participatory art action by ABC No Rio in Madison Square Park to a video installation by Los Herederos in a New York subway station, a roving digital billboard by NYC Resistance Salon, and a benefit concert at Pioneer Works headlined by Sheryl Crow. Participating venues include 601ArtSpace, Jack Shainman Gallery, Cristin Tierney Gallery, Ronald Feldman Fine Arts, El Museo del Barrio, and the Bronx Museum, though major institutions are notably absent.
Sotheby’s London will auction what is believed to be the only known self-portrait by Clara Peeters, a pioneering Flemish still life painter from the early 17th century. The painting, a vanitas still life featuring a presumed self-portrait and a still life of flowers in a glass vase, carries a presale estimate of £1.2 million to £1.8 million ($1.6 million–$2.4 million) and will be offered in the “Old Master and 19th Century Paintings Evening Auction” on July 2. The work was previously downgraded to the artist’s circle but is now accepted as an autograph Peeters, with a provenance dating back to 1767.
Seventy-three artists and curators participating in the main exhibition of the 2024 Venice Biennale have issued an open letter objecting to the organizers' decision to relocate the Israeli national pavilion to the Arsenale. They argue this move creates an intimidating atmosphere contrary to the late curator Koyo Kouoh's vision of "radical solidarity" and will necessitate a heightened security presence. The signatories, which include key curators tasked with realizing Kouoh's exhibition, also call for the exclusion of Israel, Russia, and the United States from the event, citing their governments' alleged commission of war crimes.
The global art fair calendar for 2026 is taking shape with a mix of established blue-chip events and significant new international expansions. Key highlights include the debut of Pavilion in Taipei and Hong Kong, the expansion of Paris Internationale into Milan, and the highly anticipated return of the ADAA Fair to New York's Park Avenue Armory following a strategic hiatus.
At the Bitcoin 2025 conference in Las Vegas, crypto entrepreneur Justin Sun presented Maurizio Cattelan's artwork *Comedian* (2019)—a duct-taped banana that sold for $6.2 million at Sotheby's—to Ross Ulbricht, the founder of the Silk Road online marketplace. Ulbricht, recently pardoned by Donald Trump after receiving a life sentence, accepted the gift and joked about replacing the banana as it perishes. Sun had previously eaten the banana at a press conference in Hong Kong after purchasing it at auction.
Hyperallergic has published its guide to the 2026 Venice Biennale, detailing what to see and do at this year's edition. The guide covers the three main categories of the Biennale—the Giardini with 29 permanent national pavilions, the Arsenale with temporary rented spaces, and collateral events across the city. Key developments include the return of Russia to its permanent Giardini pavilion and Israel's participation with a new contractual stipulation preventing its artist from closing the pavilion, after Ruth Patir's protest in 2024. South Africa withdrew following the cancellation of Gabrielle Goliath's video installation 'Elegy,' which mourns victims of Israel's genocide in Gaza and will now be shown at a historic church. The United States will be represented by Alma Allen after Barbara Chase-Riboud stepped down, and Qatar is set to become the first country in decades to build a new pavilion in the Giardini.
2025 Art21 at the Movies
On October 8 and 10, 2025, Art21 hosted its second 'Art21 at the Movies' event in New York. The two-day program featured film premieres, artist talks, and screenings at venues including the Metrograph and the Museum of Modern Art. It highlighted artists from the 'Art in the Twenty-First Century' series and included discussions with filmmakers and curators.
An Artlyst guide highlights several major art exhibitions opening in London in May 2026. Key shows include 'Zurbarán' at the National Gallery (the UK's first major monographic exhibition of the Spanish master in over 30 years), 'Rising Voices: Contemporary Art from Asia, Australia and the Pacific' at the V&A (a collaboration with QAGOMA featuring 40 artists), a James McNeill Whistler retrospective at Tate Britain (the first major European show in 30 years), and 'Winston Churchill: The Painter' at the Wallace Collection. Photo London is also moving to Olympia this year.
Chicago's cultural institutions are preparing a diverse slate of exhibitions and openings for 2026. Highlights include the Art Institute of Chicago presenting Henri Matisse's complete 'Jazz' book of cutouts for the first time, a survey of Dominican artist Firelei Báez at the Museum of Contemporary Art Chicago, the National Museum of Mexican Art exploring the history of Mexican railroad workers, and a costume design exhibition featuring Paul Tazewell's work at the Griffin Museum of Science and Industry. The year also features the grand opening of the Obama Presidential Center and a Barbara Nessim survey at the DePaul Art Museum.
Art Basel Qatar opened its inaugural edition to VIPs in Doha, featuring an unconventional 'boothless' format with 87 exhibitors each presenting a solo artist. The fair, curated by artist Wael Shawky, is split between two venues in the Msheireb district, with blue-chip galleries in M7 and more emerging to mid-tier galleries in the Design District. The event is heavily subsidized by Qatar, significantly lowering costs for exhibitors and encouraging a focus on market education over immediate sales.
City Gallery Wellington Te Whare Toi has announced a major retrospective of British artist Cornelia Parker, set to open on 10 October 2026 and run through 7 March 2027. The exhibition, which director Charlotte Davy describes as a lifelong ambition, will feature Parker's large-scale immersive installations known for themes of destruction, reconstruction, and transformation—including works that involve exploded and suspended objects. The show follows the gallery's history of presenting landmark exhibitions by female artists such as Yayoi Kusama, Cindy Sherman, and Hilma af Klint. The exhibition is curated by City Gallery Wellington's Senior Curator Aaron Lister and UK-based Andrea Schlieker, former Director of Exhibitions and Displays at Tate Britain and Director at White Cube London.
Art Basel Paris officially opened on October 22, 2024, with a new VIP tier called 'Avant-Première' granting early access to favored collectors. The fair saw a shift in mood from socializing to business-focused transactions, with multimillion-dollar works on offer, including a Gerhard Richter painting reportedly sold for over $20 million by Hauser & Wirth. Pre-fair events included dinners hosted by Marian Goodman for artist Paul Sietsema, gallery openings at Salon 94's new Palais-Royal space, and a VIP evening at the Musée d'Orsay for a Bridget Riley exhibition. American galleries and collectors dominated the week's parties, with events by David Zwirner, Gladstone, and others.
Art Basel Paris 2025, now in its fourth edition, took place from October 22–26 at the restored 1900 Paris Exposition venue, a Beaux-Arts landmark with Art Nouveau iron and glasswork. The fair hosted 206 international galleries and introduced a new 'Avant-Première' V.V.I.P. day on October 21, where each gallery could allocate six guest passes. Blue-chip sales were swift, led by Hauser & Wirth selling Gerhard Richter's *Abstraktes Bild* (1987) for $23 million to a European collector. Other notable sales included Bruce Nauman's neon sculpture *Masturbating Man* for over $4.7 million and Amedeo Modigliani's *Jeune fille aux macarons* (1918) for $10 million at Pace Gallery. The fair also featured curatorial sectors Emergence (16 solo presentations by emerging artists) and Premise (ten historical projects with works predating 1900).
Art Basel Paris 2025 returns to the Grand Palais, with off-site events across the city. For those without fair tickets, galleries throughout Paris are hosting notable shows alongside the fair, including Gerhard Richter at David Zwirner, Robert Rauschenberg's 'Gluts' series at Thaddaeus Ropac, Hans Op de Beeck at Templon, and Heinz Mack at Almine Rech. The article highlights ten must-see gallery exhibitions running concurrently with the fair.
Sophia Penske, founder of Penske Projects and art advisor at Gagosian Art Advisory, presents an insider guide to Frieze London week (October 13, 2025). The article highlights key gallery exhibitions including Ed Ruscha's new linen paintings at Gagosian Davies Street, El Anatsui's wooden sculptures at Goodman Gallery, Danielle Fretwell's still lifes at Alice Amati, Victor Man's dreamlike works at David Zwirner, Danny Fox's colorful paintings at Hannah Barry, and Lenz Geerk's portraits at Massimo De Carlo. It also previews museum shows like Kerry James Marshall's "The Histories" at the Royal Academy of Arts and mentions satellite fairs and auction previews.
Frieze London 2025 has arrived, bringing with it a sprawling public sculpture exhibition and two art-packed tents in Regent's Park, including the historically focused Frieze Masters. Alongside the main fair, London's galleries are hosting a mix of shows ranging from established favorites to emerging talents, with many exhibitions featuring ambitious sculptural works made from unconventional materials like furniture and driftwood. Notable highlights include Sonia Gomes and Kudzanai-Violet Hwami showing bronze sculptures for the first time, Cai Guo-Qiang's controversial gunpowder canvases at White Cube, and Danielle Fretwell's sumptuous oil paintings at Alice Amati. Artsy has curated a list of 10 must-see gallery exhibitions taking place during the fair.
Phillips achieved a 100% sell-through rate at its Modern and Contemporary Art Evening Sale in Hong Kong on 27 September, totaling nearly HK$160 million (US$20.5 million). All 20 lots sold, with six works exceeding HK$10 million. The top lot was Yoshitomo Nara's *Pinky* (2000), which sold for HK$56.64 million (US$7.2 million) after its estimate was lowered from HK$60–80 million to HK$35–55 million. The sale was the first major test of Phillips' new Priority Bidding (PB) system, which offers a reduced buyer's premium to collectors who place written bids at or above the low estimate at least 48 hours before the auction. Seven lots were withdrawn and several estimates revised downward ahead of the sale, contributing to the white-glove result.
Art Basel 2025 opened on June 17 with its VIP preview at Messeplatz in Basel, Switzerland, under intense heat. The 55th edition of the fair features 289 galleries from 42 countries, including 19 newcomers, and introduces a new Premiere section for mid-sized galleries showing recent works. Despite a challenging art market, the VIP day saw packed booths, international crowds, and strong sales of six- and seven-figure works, with dealers expressing optimism. The fair also includes returning sections like Statements and Feature, plus Art Basel Unlimited for monumental works, alongside concurrent events such as Liste Art Fair and museum shows by Jordan Wolfson and Steve McQueen.
Maurizio Cattelan has launched a participatory artwork and sales campaign titled 'The Confessional,' where people can call a hotline to submit their sins for his consideration. Selected participants will be invited to a livestreamed event on April 23 where Cattelan, acting as a priest, will absolve them. The project is tied to the re-release of his controversial 1999 sculpture 'La Nona Ora,' a miniature wax figure of Pope John Paul II struck by a meteorite.
A critical review of the 2026 Whitney Biennial argues that the exhibition is timid and fails to directly confront the urgent political crises of the moment, including domestic authoritarianism, state violence, and immigration policies. The reviewer finds the show somber, fearful, and overly focused on mood and introspection, suggesting it represents a retreat from meaningful political engagement.
The Frank Lloyd Wright Building Conservancy has acquired 11 original pieces designed by Frank Lloyd Wright for the Price Tower in Bartlesville, Oklahoma, including the lobby direction board, an armchair, three copper tables, two stools, and four embossed copper panels. The acquisition, funded by donors, was made to prevent further sale and dispersal of the items after they were sold without the conservancy's permission in spring 2024, despite being protected under a preservation easement. The artifacts are currently stored in the Dallas area, and the conservancy intends to return them to Price Tower.
The past year saw major museum events dominated by high-stakes thefts and political interference. The Louvre in Paris suffered a shocking $102 million jewel heist in broad daylight, leading to arrests and an €80 million security overhaul. Other European museums, including the Drents Museum in the Netherlands, were also targeted, raising fears of an organized criminal network.