'You Must Change Your Life' at GRIMM, New York, United States on 26 Jun–7 Aug 2026

GRIMM gallery in New York presents "You Must Change Your Life," a group exhibition curated by Tom Morton, running from June 26 to August 7, 2026. The show features an international roster of painters and sculptors including Alexander Tovborg, Elinor Stanley, Sophie Ruigrok, Sara Rossberg, Jhonatan Pulido, Ken Kiff, Matthew Day Jackson, Ted Gahl, Gabriella Boyd, Anderson Borba, Kinga Bartis, Mahesh Baliga, and Charles Avery. The exhibition takes its title from the final line of Rainer Maria Rilke's poem "Archaic Torso of Apollo" (1918), exploring themes of how the past speaks to the present, the animation of materials, the fragment as synecdoche, and the transformative power of visual contemplation.

Art and authoritarianism in Auckland

Auckland Art Gallery is presenting 'Forever Tomorrow: Chinese Art Now,' a major survey of Chinese contemporary art featuring 67 works by 42 artists, running from May 2 to August 23, 2026. The exhibition includes Xiao Lu's iconic 1989 work 'Dialogue,' which she famously shot with a gun hours after its opening, an act later linked to the Tiananmen Square protests. Xiao Lu comments on the political resonance of the show in New Zealand amid global shifts in democracy and US-centric world order.

Exhibition | Bùi Thanh Tâm, 'Here on and after' at Eli Klein Gallery, New York, United States

Eli Klein Gallery in New York is presenting "Bùi Thanh Tâm: Here on and after," the Hanoi-based artist's first solo exhibition in the United States. The show features 13 new and recent paintings that explore Vietnam's colonial history, the aftermath of war, and the persistence of memory. Tâm, a leading Vietnamese painter of the postwar generation, incorporates traditional folk woodblock prints—Đông Hồ, Hàng Trống, and Kim Hoàng—into layered, collaged works. The sunflower emerges as a central symbol of resilience and rebirth, influenced by Anselm Kiefer and Francis Bacon, while addressing trauma from French colonialism to Agent Orange. The exhibition includes series such as "Searching for the Sunflower," "Hello. God is here," "Utopia," and "Mutant," each examining themes of healing, endurance, and cultural transformation.

Exhibition | Carlos Garaicoa, 'Rituals and Liberty' at Goodman Gallery, New York, United States

Goodman Gallery presents Carlos Garaicoa's first solo exhibition at its New York viewing room, titled 'Rituals and Liberty.' The show features eight works, including five reliefs that blend painting and photography, and sculptural models incorporating 19th-century French engravings. The exhibition precedes Garaicoa's solo show at Museo La Tertulia in Cali, Colombia, in May. Garaicoa, a Cuban-born artist based in Madrid, explores urbanism and how architecture reflects and shapes society, continuing his long-standing interest in decoding urban infrastructures.

UAE art guide: 13 museum and gallery exhibitions to see, from Picasso to Chilean artist Jorge Tacla

The article presents a curated guide to 13 current museum and gallery exhibitions across the UAE, including shows at Louvre Abu Dhabi, Foundry in Dubai, Sharjah Art Foundation, and Alserkal Avenue. Featured artists range from Pablo Picasso to regional talents like Shamsa Al Omaira, Abdulla Elmaz, and Ahaad Alamoudi, with exhibitions spanning sculpture, photography, and installation art. The guide is published during Alserkal Art Month and ahead of Art Dubai.

When the story has already been told -- ‘Gordon Parks: The South in Color’ at Jackson Fine Art

Gordon Parks: The South in Color, curated by Dawoud Bey, is on view at Jackson Fine Art in Atlanta through June 13. The exhibition celebrates the 20th anniversary of The Gordon Parks Foundation and the 70th anniversary of Parks’ 1956 Life magazine feature on segregation in the South. The show presents a broader selection of Parks’ photographs than the original magazine spread, including iconic works like In-Home Barbershop, Shady Grove, Alabama, 1956. The article, written by a photographer and writer for ArtsATL, reflects on the experience of seeing Parks’ work in person and contrasts the gallery presentation with the editorial framing of the Life feature.

KAWS | Tide, from KAWS: What Party exhibition at Brooklyn Museum (2021)

The auction for KAWS's 2021 print "Tide" has concluded. The work is an offset lithograph originally created for the artist's "What Party" exhibition at the Brooklyn Museum.

Lies, Virtual Reality, and Conceptual Art—Spring/Summer 2026 Exhibitions at PHI

PHI in Montreal presents two spring/summer 2026 exhibitions: "Come See, Lies Lies" by Paola Pivi and "Other Worlds" by Jakob Kudsk Steensen. Pivi's show features surreal installations including wall-mounted shoes, suspended velvet mattresses, and a metal house with TV screens broadcasting false statements, blending fairy tale and satire. Steensen's exhibition comprises six major works from the past decade, using virtual reality, video games, and sound installations to explore ecological themes and digitized environments like Bora Bora and volcanic seabeds. Both exhibitions open April 23, 2026, and run through September 13, 2026.

'Claude Viallat' at Templon, Brussels, Belgium on 22 Apr–6 Jun 2026

Galerie Templon in Brussels is presenting a solo exhibition of Claude Viallat, celebrating the 60th anniversary of his signature bone-shaped motif. The show features around thirty recent experimental canvases and objects from 2024 to 2026, exploring his practice of repetition and variation on diverse fabrics and found materials.

Lake Flato Shapes a Stunning New Art Space in Texas Hill Country

A new art space called Arthouse is opening on April 25, 2026, in Marble Falls, Texas. Designed by the architecture firm Lake Flato, the 2,000-square-foot white building will display works from the personal collection of philanthropists Mickey and Jeanne Klein, including pieces by Mary C. Sloane, Kenturah Davis, Faith Ringgold, Ed Ruscha, James Turrell, and Teresita Fernández. The debut exhibition, "Words Matter," curated by Mickey Klein, explores text and narrative and coincides with the town's Paint the Town Art Festival. The building also features a courtyard designed by landscape designer Sada Uchiyama.

Pilar Corrias: The Woman Who Changed the West End

Pilar Corrias, a London gallerist, opened her eponymous gallery in 2008 during the global financial crisis, defying the trend of closures. She commissioned architect Rem Koolhaas to design the space and built a program with a strong intellectual focus and a diverse roster of artists.

America’s Venice Biennale artist was scorned by tastemakers — he says he’s misunderstood

American sculptor Alma Allen, a self-taught artist with an unconventional background, has been selected to represent the United States at the 2025 Venice Biennale. His selection was made by the American Arts Conservancy, a new nonprofit with no art-world track record, which was awarded the commission through a State Department process that removed diversity requirements and emphasized art reflecting "American values."

A True-to-Life Biennale

Hakim Bishara, editor-in-chief of Hyperallergic, reflects on the 61st Venice Biennale after returning to New York, describing it as historical, political, and thrilling. He counters critics who claimed the Biennale imploded due to boycotts and resignations, arguing it was more alive than ever. The late Koyo Kouoh's main exhibition "In Minor Keys" is praised for reflecting global woes and joys. The article also highlights a major strike by artists and cultural workers that disrupted the pre-opening, the first cultural strike in the Biennale's 131-year history, with 54 artists in the international exhibition and 22 national pavilion teams withdrawing from awards consideration in solidarity with the jury's resignation.

What Does a Booth Cost at a New York Art Fair?

Hyperallergic surveyed 13 New York art fairs about their booth pricing, revealing a wide range of costs from $3,500 at NADA Projects to over $105,000 for large booths at Frieze. The article details specific pricing tiers at Frieze ($31,977–$105,717), NADA ($3,500–$11,000), and Independent ($110 per square foot), noting that Frieze has kept 2025 prices for its 2026 edition and that NADA's costs have remained stable since 2022. The investigation also highlights the debut of the Sherman Family Foundation Acquisition Fund at Frieze and the partnership between Independent and the Henry Street Settlement.

Artist Kader Attia Will Organize 2027 Edition of India’s Top Biennial

Artist Kader Attia, known for his work addressing colonial violence and a winner of France's Prix Marcel Duchamp, has been selected to curate the 2027 edition of the Kochi-Muziris Biennale, India's premier biennial. Attia, who previously curated the 2022 Berlin Biennale, was chosen by a committee led by prominent Indian artist Jitish Kallat. His appointment continues the biennial's tradition of artist-curators, following Nikhil Chopra (2024) and Anita Dube (2018).

In Minor Keys: how Venice's international exhibition was brought to life after the death of artistic director Koyo Kouoh

The 61st Venice Biennale's international exhibition, titled "In Minor Keys," was realized after the sudden death of its artistic director, Koyo Kouoh, in May 2025. A team of five of Kouoh's collaborators, known as "la squadra di Koyo Kouoh," worked with her before her death and finalized the exhibition's themes, artist list, and scenography. The exhibition features 111 invited artists, duos, collectives, and artist-led organizations, with the team emphasizing that this remains Kouoh's vision rather than a replacement.

The Carnegie International Looks Back at Itself

The 58th Carnegie International at the Carnegie Museum of Art in Pittsburgh looks back at its own 130-year history, featuring a gallery dedicated to past iterations. The exhibition includes Chris Ofili's "The Adoration of Captain Shit and the Legend of the Black Stars" (1998), which was originally shown in the 53rd International in 1999, the same year Ofili's more notorious "The Holy Virgin Mary" sparked controversy at the Brooklyn Museum. The article reviews how the current iteration captures the excitement of earlier exhibitions while providing commentary on authoritarianism and militarism.

Artists, Read the Fine Print

Artist Damien Davis writes a critical piece on how so-called 'standard' contracts in the art world systematically undermine artists' power, citing long consignment periods, moral rights waivers, and opaque terms that favor institutions. Separately, the Venice Biennale has scrapped its traditional Golden Lion awards after the awards jury resigned; instead, ticket holders will vote on 'Visitor Lions,' with results announced in November, and notably Israel and Russia remain eligible despite the jury's earlier ban. Other news includes damage to a 1,000-year-old Native American archaeological site by construction crews building President Trump's border wall.

If you show up in a swimsuit, you get free entry to the Cézanne exhibition. It happens in one of Switzerland's most serious institutions.

Se ti presenti in costume da bagno entri gratis alla mostra di Cézanne. Succede in una delle istituzioni più serie della Svizzera

The Fondation Beyeler in Basel, Switzerland, is hosting a major monographic exhibition dedicated to Paul Cézanne, running until May 25, 2026. Curated by Ulf Küster, the show brings together around 80 works focusing on the artist's late career, including portraits, landscapes, variations on Mont Sainte-Victoire, and bather scenes. On May 1, 2026, the museum held a "Bathers Day" promotion inspired by Cézanne's bathers and Maurizio Cattelan's playful approach, offering free entry to visitors who came in swimwear. The event attracted families and individuals, with some even swimming in the foundation's garden pond afterward.

May You Live in Less Interesting Times

The international jury for the Venice Biennale has collectively resigned just before the press preview, following their announcement that countries accused of crimes against humanity—specifically Israel and Russia—would be excluded from award consideration. The jurors did not provide an explicit reason for their resignation. Meanwhile, Russia's return to the 61st Venice Biennale will involve workarounds to comply with international sanctions, including restricted pavilion access. The article also highlights a widely-read essay by Hakan Topal on the financialization and 'administrification' of American art schools and academia.

Opportunities in May 2026

Hyperallergic's May 2026 Opportunities Listings compile residencies, fellowships, grants, and open calls for artists, writers, and art workers. Featured opportunities include the Center for Craft's Craft Archive Fellowship, the Oak Spring Garden Foundation's Fellowship for Distinction in Fine Crafts and Design, the Provincetown Art Association and Museum's Robert Motherwell & Renate Ponsold Fellowship, the Bennett Prize for women figurative realist painters, the Pine Meadow Ranch Center for Arts & Agriculture residency, the Wassaic Project's Haunted Barn Open Call, the Jonathan and Barbara Silver Foundation's Grant for Writing on Sculpture, the Academy of American Poets' James Laughlin Award, and VIA Art Fund's Artistic Production Grants.

The Revolutionary Tapestry of Nigerian Modernism

The exhibition "Nigerian Modernism" at Tate Modern in London is the first show of its kind in the UK, surveying how Nigerian artists forged a postcolonial identity across the 20th century. It features works by pioneers such as Aina Onabolu, Benedict Enwonwu, and members of the radical Zaria Art Society, including Uche Okeke, Jimo Akolo, and Clara Etso Ugbodaga-Ngu, highlighting their break from British artistic traditions and embrace of local visual heritage.

Historic $116M Gift Endows Lending Program at National Gallery of Art

The National Gallery of Art (NGA) has received a historic $116 million donation from the Mitchell P. Rales Family Foundation to permanently endow its 'Across the Nation' lending program. This initiative loans artworks from the NGA's collection to smaller regional museums across the United States, covering all associated costs. In its pilot year, the program reached an estimated 900,000 visitors at ten institutions, bringing works by artists like Georgia O'Keeffe, Rembrandt, and Mark Rothko to communities from Alaska to Michigan.

‘Her crotchless trousers are etched in my brain for ever’: Valie Export remembered by the artists she influenced

Valie Export, the pioneering Austrian feminist artist known for provocative performances like *Tapp-und-Tastkino* (1968) and *Genital Panic* (1969), is remembered by four artists she influenced: Peaches, Florentina Holzinger, Joan Jonas, and Candice Breitz. Each shares personal reflections on Export's radical use of the female body as a political weapon, her confrontational public interventions, and her legacy of civil disobedience against patriarchal structures.

Lubaina Himid has been busy ‘Predicting History: Testing Translation’

Lubaina Himid has been selected to represent the United Kingdom at the 61st International Art Exhibition of La Biennale di Venezia in 2026 with a major solo installation titled 'Predicting History: Testing Translation' at the British Pavilion. The exhibition, running from May 9 to November 2026, features a new series of large, multipaneled paintings in dazzling colors, surreal settings, and a soundscape created in collaboration with artist Magda Stawarska. Himid, a Turner Prize-winning pioneer of the Black British Art Movement and Emeritus Professor at the University of Central Lancashire, explores themes of belonging, migration, and making a home in a new place.

RC Foundation Project Space Exhibition Series 2025–27

The Hayward Gallery in London, in partnership with the RC Foundation in Taiwan, has announced a new exhibition series for its HENI Project Space running from October 2025 to March 2027. The series features five solo exhibitions by artists Val Lee, Samuel Laurence Cunnane, Kulpreet Singh, Musquiqui Chihying, and Andrius Arutiunian, each exploring themes ranging from political violence and surveillance to climate change, ritual, and alternative cosmologies. The exhibitions are curated by a team including Yung Ma, Rachel Thomas, and others.

Valie Export ist tot

Valie Export, the pioneering Austrian media and performance artist, has died at age 85 in Vienna. Born Waltraud Lehner in Linz in 1940, she adopted the name Valie Export in the late 1960s, derived from a cigarette brand, and became internationally known for provocative works such as "Tapp- und Tastkino" (1968) and "Aktionshose: Genitalpanik." Her practice critically examined gender roles, power structures, and the representation of the female body through film, video, photography, and performance. She participated in major exhibitions including Documenta, the Centre Pompidou, and the Museum of Modern Art, and represented Austria at the Venice Biennale in 1980 alongside Maria Lassnig. She also taught as a professor of media and performance art in Berlin and Cologne, and the VALIE EXPORT Center opened in Linz in 2017.

"Wir wollen Rücknahme von Kürzungen"

Berlin's cultural senator Sarah Wedl-Wilson resigned on Friday after the Berlin Court of Auditors ruled that millions in funding for antisemitism prevention projects were illegal. The resignation has sparked a political debate, with CDU general secretary Ottilie Klein defending governing mayor Kai Wegner against opposition criticism, while Franziska Stoff of the Berlin Culture Conference demands stability and a reversal of budget cuts. Thomas Fehrle, director of the Deutsche Oper Berlin, expressed personal regret over Wedl-Wilson's departure, praising her competence and engagement.

Venice Biennale: A Silent US Pavilion

Biennale de Venise : un Pavillon US silencieux

The US Pavilion at the 2026 Venice Biennale, featuring artist Alma Allen, opened to sparse crowds despite a 10% overall attendance increase at the Biennale. The pavilion was embroiled in controversy before opening: Allen was selected by the American Arts Conservancy (AAC), a private entity created in 2025 at the initiative of Donald Trump after the dissolution of the federal committee that previously oversaw the pavilion. AAC head Jenni Parido, a former pet food executive, chose the self-taught, little-known artist who had never had a solo museum exhibition. Major funders the Ford and Mellon Foundations withdrew, forcing the AAC to launch a public donation appeal. The exhibition features 25 abstract bronze, stone, and burl-wood sculptures that the artist describes as biomorphic landscapes, but critics find them pleasant yet silent, lacking the promised political or visceral resonance.

Vanités contemporaines

The article explores the enduring relevance of still life and vanitas in contemporary art, tracing their evolution from the biblical proclamation "Vanity of vanities; all is vanity" through modern masters like Paul Cézanne, Pablo Picasso, and Giorgio Morandi to contemporary practitioners such as Claudio Parmiggiani. It highlights how artists continue to use everyday objects—compotes, skulls, pitchers, apples—as vehicles for formal experimentation and philosophical reflection, with still life serving as a minimalist device that allows infinite plastic research.