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Two New York art galleries run by dueling brothers are locked in a legal battle over the use of the name "Aicon." Projjal Dutta, representing Aicon Contemporary, filed a lawsuit in New York Supreme Court in October against his brother Prajit Dutta and director Harry Hutchison, who run Aicon Art and ArtsIndia.com. The suit alleges that the defendants have misleadingly used the names "Aicon Gallery" or simply "Aicon" instead of the agreed-upon "Aicon Art," causing confusion in the art market. The brothers previously operated the legacy Aicon Gallery together for 20 years before parting ways in 2019, but they still share the same address and phone number at 35 Great Jones Street.

Kathleen Goncharov, influential curator who helped many artists ‘realise their dreams’, has died aged 73

Kathleen Goncharov, an artist and curator who worked at influential US organizations including Just Above Midtown and Creative Time, died on 31 December at age 73. She most recently served as senior curator at the Boca Raton Museum of Art from 2012 until her retirement in 2024, and previously held positions at the Nasher Museum of Art at Duke University, the MIT List Visual Arts Center, and the New School. Goncharov also served as commissioner of the US Pavilion at the 2003 Venice Biennale, curating Fred Wilson's solo project. She had a solo exhibition of her abstract paintings at Olympia gallery in New York in 2022.

Art meets tech: 6 ways to experience both during Miami Art Week

Miami Art Week is featuring a strong intersection of art and technology, with digital art taking center stage at major fairs. Art Basel Miami Beach (Dec. 5–7) debuts Zero 10, a curated section focused on digital art, showcasing works by Beeple (including robotic dogs resembling billionaires), Lu Yang, and others. CONTEXT Art Miami (Dec. 2–7) hosts Blackdove, a Miami-based digital art company, presenting its first fair exhibit titled "Code and Canvas: The Digital Art Genome." Other tech-forward installations include Emmanuel Van der Auwera's thermal video piece and Holly Herndon & Mat Dryhurst's AI-driven digital canvas.

Terrence Sanders-Smith opens art gallery and plans a Miami Basel-style art fest in New Orleans

Terrence Sanders-Smith, a former gallery owner who recently returned to New Orleans, has opened Smith Contemporary at 440 Julia Street in the city's historic Gallery Row. The gallery is one of the few Black-owned galleries in the area's history. Sanders-Smith plans to sell work by racially diverse artists and is organizing a new national art fair, modeled after Miami Basel, to launch as soon as spring 2026. The article also features commentary from former gallery owner Myesha Francis on the importance of Black-owned spaces for artists and audiences of color.

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Jeffrey Deitch has organized a pop-up exhibition in Miami's Design District during Art Basel Miami Beach, titled "That Was Then, This Is Now." The show, running from December 2, 2025 to January 2, 2026, features about two dozen ultra-emerging artists, predominantly from the West Coast. It was organized by American Art Projects, a platform led by Deitch associate director William Croghan and Benno Tubbesing, former director of Ruttkowski;68's New York branch. The exhibition includes paintings, ceramics, clothing, and books, aiming to offer accessible price points for new collectors.

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Munich-based gallery Lohaus Sominsky, founded by Ingrid Lohaus and Sofia Sominsky, will open its first New York space at 62 White Street in Tribeca next month. The inaugural exhibition, featuring new paintings and a site-specific installation by Berlin-based artist Charlie Stein, opens December 11, shortly after the gallery participates in Art Basel Miami Beach for the first time. The expansion follows three years of operations in Munich, where the gallery has mounted over 18 exhibitions with an international roster including Vera Molnár and Phoebe Derlee.

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Haitian-American artist Patrick Eugène has been selected by Dior to reinterpret the iconic Lady Dior handbag for the 10th-anniversary edition of its Dior Lady Art initiative. He is one of ten international participants and one of only two U.S.-based artists in the milestone edition, which will premiere at Art Basel Paris later this month before becoming available at Dior boutiques worldwide. Eugène's design draws on his Haitian roots, incorporating leather and textile patchwork, wooden beads, macramé, raffia embroidery, and straw weaving, with a standout feature of woven leather side panels inlaid with pearls referencing Haiti's historic nickname, the "Pearl of the Antilles." The collaboration will also anchor special activations during Art Basel Miami Beach in December.

An Art-Lover’s Guide to Tunis’ Ground-Up Contemporary Scene

The article profiles Selma Feriani, a Tunisian gallerist who opened a new purpose-built gallery in the industrial El Kram district of Tunis in January 2024. Designed with architect Chacha Atallah, the three-story space features a concrete exterior referencing traditional Tunisian hand-application techniques and a garden of olive, palm, and orange trees. Feriani, who previously ran a gallery in London's Mayfair, returned to Tunisia after the Revolution to contribute to the country's cultural renaissance. The gallery currently hosts simultaneous exhibitions: Nadia Ayari's paintings of menacing plants and Nidhal Chamekh's "Frictions," part of his broader historical project "Et si Carthage…" exploring Mediterranean power dynamics.

Art Basel Hong Kong 2026: Where The World Comes To See

Art Basel Hong Kong 2026 returned to the Hong Kong Convention and Exhibition Centre from March 25–27, featuring 240 galleries from 42 countries and territories. The 13th edition introduced new sectors including Echoes, dedicated to works made within the past five years, and Zero 10, a digital art initiative making its Asia debut. The fair also transformed its Encounters sector with a collective curatorial framework based on the Five Elements, led by Mami Kataoka and three other Asia-based curators. Robb Report India covered the event through the perspectives of Indian artists Siddharth Kerkar and Jayesh Sachdev.

Why Is Beeple So Successful?

The article examines the meteoric rise of artist Mike Winkelmann, known as Beeple, who broke auction records in 2021 by selling an NFT for $69.3 million at Christie's, becoming the third most expensive living artist. His robot dogs, featuring heads of figures like Elon Musk and Mark Zuckerberg, debuted at Art Basel Miami Beach and are now on view at Berlin's Neue Nationalgalerie during Gallery Weekend. The show, titled "Regular Animals," has sparked controversy, with critics like Markus Lüpertz denouncing the works as trivial entertainment unworthy of a museum, while curators Carolyn Christov-Bakargiev and Lisa Botti defend the exhibition.

Robot dogs with Elon Musk's head 'poo' AI art in bizarre exhibition

Artist Beeple (Mike Winkelmann) has installed "Regular Animals" at Berlin's Neue Nationalgalerie, featuring robot dogs with hyper-realistic silicone heads of Elon Musk, Mark Zuckerberg, Jeff Bezos, Andy Warhol, Pablo Picasso, and Beeple himself. The dogs roam the gallery and periodically "poo" printed images of their surroundings that have been transformed by artificial intelligence, with each dog's output reflecting the style of its figurehead—for example, the Picasso dog produces Cubist-style images. The work premiered at Art Basel Miami Beach 2025, where Beeple distributed the prints with certificates reading "100% organic GMO-free dog s**t" and QR codes for free NFTs.

Political statements at Art Basel Miami Beach are sparse but strident

At Art Basel Miami Beach, one year into Donald Trump’s second presidential administration, most galleries are avoiding overt political themes, though a few notable exceptions stand out. The most talked-about piece is Maurizio Cattelan’s marble sculpture *Bones (2025)*, a crashing eagle metaphor for the nation’s state, shown on Gagosian’s stand. Other politically charged works include Nicholas Galanin’s burned totem pole and drone-inspired rug, David Hammons’ *African American Flag (1990)*, and Tim Youd’s typewriter performance of Hunter S. Thompson’s book. Most exhibitors, however, focus on apolitical American iconography or market-driven choices.

This month’s New York auctions could bring up to $2.3bn

New York's leading auction houses, including Sotheby's and Christie's, expect to generate between $1.7bn and $2.3bn during their November sales, driven by major consignments such as 55 works from the estate of Leonard Lauder and 37 works from the collection of Jay and Cindy Pritzker. Sotheby's, which has moved its headquarters into the former Whitney Museum's Breuer Building, leads the season with estimated sales of $863m to $1.175bn, featuring Gustav Klimt's Portrait of Elisabeth Lederer (estimated at $150m) and Frida Kahlo's El Sueño (La Cama) (estimated at $40m-$60m).

‘Everyone benefits’: Art Basel’s chief on the new Paris VVIP slot and the viability of its Qatar fair

Art Basel Paris held its fourth edition with a new VIP preview slot called Avant Première, where galleries nominated six key collectors to enter the fair on Tuesday afternoon before the main opening. Major sales were reported, including a $23 million Gerhard Richter painting at Hauser & Wirth, a Modigliani for nearly $10 million at Pace, and a $7.5 million Ruth Asawa sculpture at David Zwirner. CEO Noah Horowitz discussed the rationale for the exclusive preview, the renaming of the VIP relations team to 'collector and institutional relations,' and the viability of the upcoming Art Basel Qatar fair amid growing competition in the Gulf region.

Art Basel Qatar

Art Basel has announced the launch of Art Basel Qatar, a new international art fair set to debut in Doha. The fair will be held under the patronage of Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani, chairperson of Qatar Museums, and is expected to bring together leading galleries from around the world. The announcement marks a significant expansion of the Art Basel brand into the Middle East, following its existing fairs in Basel, Miami Beach, Hong Kong, and Paris.

Everything to know about David Geffen Galleries as a new LACMA emerges

The Los Angeles Times reports on the upcoming David Geffen Galleries, a new building that will become the centerpiece of the Los Angeles County Museum of Art (LACMA) as it undergoes a major transformation. Designed by architect Peter Zumthor, the structure is part of a long-delayed, multi-billion-dollar renovation project that aims to modernize the museum's campus and consolidate its collection under one roof. The article details the timeline, design features, and the controversies surrounding the project's cost and scope.

Art Week holdovers: Here are some exhibits you can still catch in Miami

Miami Art Week has concluded, but several exhibitions remain on view for locals to enjoy. The article highlights shows at venues including Collective 62, El Espacio 23, Fifth & Biscayne Micro Gallery, KDR Gallery, Spinello Projects, and Locust Project, featuring artists such as Tara Long, Susan Kim Alvarez, and Jennifer Basile. These exhibitions range from text-based art and photography to large-scale installations, with closing dates extending through early 2026.

5 Standout Shows to See at Small Galleries This March

Robert Moore | Lil’ Lucy Figure (2022)

This article presents Robert Moore's "Lil' Lucy Figure" (2022), a mold-injected vinyl sculpture measuring 8 × 3 3/20 × 3 inches, available through APC Gallery in Miami Beach and Los Angeles. The work is hand-signed by the artist, comes with a certificate of authenticity, and is part of Moore's "Lil Lucy" series. Moore, a self-taught multidisciplinary artist born in 1983 in Des Moines, Iowa, creates paintings, sculptures, and installations that explore mental health, Black identity, and social justice, drawing on personal biography, art-historical references, and American iconography.

From politics to painting: works by Albanian prime minister Edi Rama are new art fair favourites

Albanian Prime Minister Edi Rama, a trained artist who studied at Tirana's Academy of Fine Arts and worked in Paris before entering politics, has been added to the roster of Berlin gallery Société. The gallery debuted his colorful pen-and-oil drawings and painted bronze sculptures at Frieze London in October 2025 and Art Basel Paris, where around half of the drawings sold. Rama, who has exhibited at the Centre Pompidou and twice at the Venice Biennale, continues to create art while serving his fourth term as prime minister.

‘I think of immersion as a state of perception’: Lawrence Lek on his exhibition at the Bass Museum of Art in Miami Beach

London-based multimedia artist Lawrence Lek presents his latest work, NOX Pavilion, at the Bass Museum of Art in Miami Beach during Miami Art Week. The installation is part of his ongoing fictional universe NOX ("nonhuman excellence"), which imagines a rehabilitation program for rogue self-driving cars. This year alone, Lek has staged NOX-related works at Tate Modern, the Hammer Museum, and Goldsmiths Centre for Contemporary Art, demonstrating his growing international presence. In an interview, Lek discusses how his practice spans architecture, video, gaming, and music, treating immersion as a critical state of perception rather than mere spectacle.

At the Atlanta Art Fair's second edition, the city showed its strengths

The Atlanta Art Fair returned for its second edition from September 25-28, 2024, at Pullman Yards in the Kirkwood neighborhood, produced by events firm AMP. The fair hosted 75 local, national, and international galleries and arts organizations, drawing around 3,500 attendees to its VIP preview and opening night. Exhibitors and organizers were more acclimated to the space than in the debut year, with a more relaxed and confident atmosphere. The fair highlighted Atlanta's unique cultural identity, emphasizing friendliness, community engagement, and a slower, less pretentious pace compared to art fairs in New York or Los Angeles.

Untitled Art reveals exhibitors for inaugural Houston fair

Untitled Art has announced the 84 exhibitors for its inaugural fair in Houston, set to take place September 18–21 at the George R. Brown Convention Center. Originally planned for around 50 participants, the fair expanded due to overwhelming interest from galleries worldwide. The event will feature a curated, boutique format and will donate a portion of ticket sales to the Rothko Chapel.

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Yu-Chi Lyra Kuo, an entrepreneur, investor, and Harvard-educated lawyer, is profiled for her pioneering work at the intersection of frontier technology and art. A former Princeton academic and one of the youngest board members of the Shed in New York, Kuo began collecting art as a child with a jade gourd from her grandfather's museum of Asian carvings. She was an early entrant into blockchain in 2011, co-founded OpenSea 2.0, and now advises frontier tech companies like Orchid Health. Kuo believes technologies such as AI and robotics can enhance human creativity, enabling individualized artworks, autonomous creations, and robot performances, rather than replacing human cultural meaning.

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The Museum of Contemporary Art, North Miami (MOCA) is celebrating its 30th anniversary in 2026. Founded two decades before Art Basel Miami Beach transformed the city into a global art destination, MOCA began as a small one-room gallery dedicated to contemporary work from South Florida. Under Executive Director Chana Sheldon, who has led the museum since 2018, the institution has fostered connections between local creatives and the international art world, mounting landmark exhibitions such as “AFRICOBRA: Messages to the People” (2018), which later traveled to the Venice Biennale. Current shows include a 15-year survey of Hiba Schahbaz and the first museum exhibition of Diana Eusebio, both curated by women.

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Champagne house Ruinart has commissioned Los Angeles-based artist Sam Falls to create a two-part installation for its Conversations with Nature series at Art Basel Miami Beach. Falls, who grew up in Vermont, used organic materials from Ruinart's Taissy vineyard in France's Champagne region as tools, pigments, and stencils on canvas, with the composition partly inspired by the stained-glass windows of Reims Cathedral. The installation transforms the Ruinart Plaza Bar and Collectors Lounge at the Miami Beach Convention Center, on view through December 7.

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Pérez Art Museum Miami (PAMM) director Franklin Sirmans reflected on his decade-long tenure in an interview with the New York Times during Art Basel Miami Beach. He highlighted the museum's growth, including doubling its endowment (with 10% from the Fund for Black Art), expanding the collection to over 3,500 works, and launching digital initiatives like PAMM TV. Sirmans also criticized Florida Governor Ron DeSantis's 2024 veto of $32 million in arts funding, which left the state with zero arts funding for a period, though some funding was later restored.

Emmanuel Perrotin, the Parisian gallery owner who conquered the world

Emmanuel Perrotin, the founder of the global Perrotin gallery network, reflects on a career defined by disruption and the democratization of contemporary art. From his early days as an outsider without industry connections to managing 160 employees across four continents, Perrotin has utilized high-profile stunts—such as Maurizio Cattelan’s $120,000 taped banana—and celebrity collaborations with figures like Pharrell Williams to build a powerhouse brand. His current focus involves institutionalizing his internal operations through digital tools and employee tutorials to maintain the gallery's momentum.

The Art Market Enters 2026 With Renewed Confidence and a Sharper K-Shape Divide

ArtTactic's Global Art Market Outlook 2026 report reveals renewed confidence in the art market, with 51% of participants expecting growth and 42% anticipating stability. Strong sales in London, Paris, and Miami Beach, along with multi-billion-dollar November auction results, have buoyed sentiment. The recovery is uneven but meaningful, driven by selective demand for established names: Impressionist art rose 80.4%, Modern art 19.4%, and Old Masters 68.7%. The K-shaped divide is sharpening, with robust performance at the top end (above $1 million) and accessible tiers (below $50,000), while the middle market remains sluggish. Top performers include Klimt, Picasso, Rothko, and Calder, while ultracontemporary artists like Nicolas Party and Matthew Wong have seen significant declines.

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Digital artist Beeple, also known as Mike Winkelmann, has deployed a robotic dog featuring the likeness of Elon Musk to the streets of San Francisco. The viral stunt, orchestrated by the Palo Alto-based Node Foundation, serves as a teaser for the artist's upcoming mid-career survey, "INFINITE_LOOP," which opens on April 18. The robot, part of the "Regular Animals" series, interacts with the public by "pooping" printed images generated from its surroundings through an algorithm based on Musk’s visage.