5 Artists on Our Radar in September 2025

Artsy's September 2025 edition of 'Artists on Our Radar' highlights five emerging artists making waves in the art world. The featured artists are Alexandre Diop (b. 1995, Senegal), a Vienna-based mixed-media artist newly represented by Stephen Friedman Gallery with a solo exhibition opening September 19; Ahrong Kim (b. 1985, South Korea), a New Jersey-based ceramic sculptor with a solo show at LaiSun Keane in Boston through September 28; and Marlon Portales (b. 1991, Cuba), a Miami-based painter represented by Spinello Projects. The article profiles each artist's background, recent exhibitions, and notable works, drawing on Artsy's data and curatorial expertise.

Artists Jennifer Packer and Marie Watt receive $250,000 Heinz Awards

Artists Jennifer Packer and Marie Watt have been named winners of this year's Heinz Awards for the Arts, receiving an unrestricted cash prize of $250,000 each. The awards, now in their 30th edition, are bestowed by the Pittsburgh-based Heinz Family Foundation and honor individuals in the arts, economy, and environment. Packer, a painter known for boldly colorful figurative works, and Watt, whose practice spans steel sculpture and textiles rooted in Indigenous traditions, will be honored at a ceremony in Pittsburgh next month.

Best 16 Seattle art exhibits to see this fall

This fall, Seattle's visual arts scene is exceptionally strong, with a curated guide highlighting 16 must-see exhibitions across the city. Notable shows include Matthew Deane Parker's 'Hard Body' at Gallery 4Culture, featuring foam boulders sculpted by an artist with multiple sclerosis; Rob Rhee's 'Crossings' at the Jacob Lawrence Gallery, using dried gourds; and Stefan Gonzales's 'Unclassified Materials' and 'Quarry,' which reimagine land art through a decolonial lens. Other highlights include Rodney McMillian's 'Neighbors' at the Henry Art Gallery, 'Woven in Wool' at the Burke Museum showcasing Coast Salish weaving, and a trio of Indigenous-focused shows at the Frye Art Museum featuring Camille Trautman, Priscilla Dobler Dzul, and a survey of the late Beau Dick.

Emerging artists explore identities and bodies through queer perspectives at Frieze Seoul

Frieze Seoul 2025 is spotlighting queer and female artists through two major exhibitions: “off-site 2: Eleven Episodes” at Kukje Gallery K2, organized in partnership with Art Sonje Center, and “UnHouse” at the new Frieze House space. The former features works by 11 emerging Korean female and genderqueer artists exploring non-normative bodies and identities, including photography by Hong Ji-young, video by duo Yagwang, and an experimental piece by Kwak So-jin. The latter reimagines domestic space through a queer lens with 14 artists such as Anne Imhof, Catherine Opie, and Xiyadie.

Rediscovering Bilgé, the Quiet Master of American Minimalism

Turkish-American artist Bilgé (Bilgé Civelekoğlu Friedlaender), a largely overlooked figure in American Minimalism, is the subject of a new institutional exhibition in New York titled “Torn Time: Bilgé” at the Institute for Arab and Islamic Art (IAIA). The show, curated by IAIA Founding Director Mohammed Rashid Al-Thanion and on view through October, highlights works from the two decades following her 1972 deep-sea dive in the Bahamas, which sparked a period of prodigious creation using delicate paper interventions. Bilgé studied at the Istanbul Academy of Fine Arts and NYU, exhibited at Betty Parsons Gallery and Kornblee Gallery in 1974, and was included in the Smithsonian’s “Paper as Medium” (1978), the International Istanbul Biennial (1989), and the International Biennial of Paper Art (1992). The exhibition draws from her estate, represented by Sapar Contemporary.

Susan Philipsz: East by West | June 13, 2025

Susan Philipsz is presenting a new exhibition titled "East by West" at Tanya Bonakdar Gallery, opening June 13, 2025. The show features the artist's signature sound-based installations, exploring themes of geography, memory, and displacement through audio works that blend field recordings and musical compositions.

Ten Museum Exhibitions Across New England Worth Seeing

Boston Art Review (BAR) has published a curated list of ten museum exhibitions across New England that are currently worth seeing. The article highlights a diverse range of shows, from contemporary art to historical surveys, taking place at various institutions throughout the region.

Sophia Rivera’s Mythology of Everyday New York

The article reviews "Sophie Rivera: Double Exposures" at El Museo del Barrio, the first survey of the late Nuyorican photographer Sophie Rivera, who died in 2021. The exhibition spans her career, including her feminist conceptual series "Rouge et Noir" and "Bowl Study" (c. 1976–78), which depict intimate bodily waste like used tampons and feces, and her socially engaged "Latino Portraits" series from the late 1970s, which countered negative media stereotypes of Puerto Ricans with affectionate, mythologizing portraits. The review highlights a moment where the critic misidentifies abstract toilet photographs as pinhole or double exposures before learning their true subject.

American Folk Art Museum Workers Picket Gala, Calling for Higher Wages

Workers at the American Folk Art Museum in New York City, represented by UAW Local 2110, picketed the museum's annual gala at the Mandarin Oriental in Manhattan on May 6, 2026. They demanded higher wages and better benefits after contract negotiations stalled for nearly two years. Frontline workers earn $19 per hour, about $12,000 below the city's living wage, while the museum's CEO Jason Busch earned $321,882 in 2024. The union requested a three-year contract raising wages to $30 per hour, but management offered only $21.50 and refused to guarantee existing benefits, leading to the protest.

The Carnegie International Makes Its Mark

The 59th Carnegie International opens in Pittsburgh, featuring 61 artists from around the world in the oldest survey of its kind in the United States. Critic Ed Simon reviews the exhibition, noting it captures the excitement of earlier editions while providing vital commentary on authoritarianism and militarism. In other news, activists protested Jeff Bezos's co-chair role at the Met Gala with a costumed action and guerrilla projections on his penthouse; Iran withdrew from its national pavilion at the Venice Biennale; MoMA PS1 announced the first US survey of Mexican artist Teresa Margolles; and Hakim Bishara reflects on MoMA's Marcel Duchamp exhibition.

The Carnegie International Looks Back at Itself

The 58th Carnegie International at the Carnegie Museum of Art in Pittsburgh looks back at its own 130-year history, featuring a gallery dedicated to past iterations. The exhibition includes Chris Ofili's "The Adoration of Captain Shit and the Legend of the Black Stars" (1998), which was originally shown in the 53rd International in 1999, the same year Ofili's more notorious "The Holy Virgin Mary" sparked controversy at the Brooklyn Museum. The article reviews how the current iteration captures the excitement of earlier exhibitions while providing commentary on authoritarianism and militarism.

First US Survey of Mexican Artist Teresa Margolles Coming This Fall

MoMA PS1 in New York City will host the first United States survey of Mexican artist Teresa Margolles this fall. Trained as a forensic pathologist, Margolles creates works using organic and bodily materials from homicide victims, morgues, and crime scenes. The exhibition will feature pieces confronting murder and violence along the US-Mexico border, including a 2026 evolution of her ongoing series "Air" (2003–), where a gallery will be humidified with water carrying degradable material from homicide sites. The Museum of Modern Art will also present a new experiential installation, "Aproximación al lugar de los hechos (Approaching the Scene)" (2026), starting September 17, which drips water carrying evidence of violent death onto heated steel plates.

Elucidating the Esoteric with Hilma's Ghost

The feminist art collective Hilma’s Ghost, founded by artists Dannielle Tegeder and Sharmistha Ray, is reclaiming the role of alternative spiritualities and the occult within art history. Sparked by the 2018 Hilma af Klint retrospective at the Guggenheim, the collective emerged during the COVID-19 pandemic as a research-based project that bridges artmaking with esoteric practices like tarot, witchcraft, and neo-tantric cosmologies. Through workshops and collaborative paintings, the duo explores how women and queer artists have historically been erased from the canon due to their unconventional, mystical methods.

Counterpublic Triennial Names 47 Artists and Collectives for Upcoming Third Edition, Including Glenn Ligon, Rebecca Belmore, Rirkrit Tiravanija

The St. Louis-based triennial Counterpublic has unveiled the artist list for its third edition, titled "Coyote Time," scheduled to run from September 12 to December 12, 2025. The exhibition features 47 artists and collectives, including major figures such as Glenn Ligon, Rebecca Belmore, and Rirkrit Tiravanija, alongside posthumous presentations of works by Juanita McNeely and Benjamin Patterson. Curated by a five-person international team, the triennial will activate various sites across the city, including the Mississippi Riverfront and the historically Black neighborhood of The Ville.

Haroutiun Galentz: The Form of Colour

Haroutiun Galentz: The Form of Colour

A new English-language monograph, *Haroutiun Galentz: The Form of Colour*, repositions the Armenian-Lebanese painter as a major cosmopolitan modernist. The book assembles his work from international collections, arguing his career—spanning formative years in Beirut's pre-war art scene and a later period in the Soviet Union—must be understood beyond national art historical frameworks.

Inside Burger Collection: Tadanori Yokoo: A Visionary Renegade

The article profiles Tadanori Yokoo, the 89-year-old Japanese artist and graphic designer, who remains active despite a recent bout of Covid-19. It details his early life in Nishiwaki, his failed attempts to enter art school and the postal service, and his eventual career in commercial printing, which shaped his innovative approach to graphic design and painting. The piece highlights his ongoing exhibition at Tokyo's Setagaya Art Museum and his enduring influence in Japan's cultural world, including the Yokoo Tadanori Museum of Contemporary Art in Kobe.

The Best Booths at 1-54 Contemporary African Art Fair, From Surrealist Fantasias to Afro-Brazilian Imaginings

The 1-54 Contemporary African Art Fair has returned to the Starrett-Lehigh Building in Chelsea, New York, featuring over 20 galleries from Africa and the diaspora, with a special focus on Brazil and Afro-Brazilian perspectives. The fair, running through Sunday, includes first-time participants from Lagos, São Paulo, Nassau, and New York, and highlights five standout booths: Sulette van der Merwe's surrealist paintings at Blond Contemporary, Modou Dieng Yacine's Senegalese wrestler-inspired works at 193 Gallery, Ekene Ijeoma's Black Forest Library community project, Rommulo Vieira Conceição's aluminum works at Aura, and the curated section "Brazil Beyond Brazil" featuring 10 artists selected by Igor Simões.

Natasha Tontey to Unveil Major New Immersive Installation Exploring Indigenous Resistance During Venice Biennale

Artist Natasha Tontey will unveil a major immersive installation titled "The Phantom Combatants and the Metabolism of Disobedient Organs" during the Venice Biennale at the Ateneo Veneto di Scienze, Lettere ed Arti. Jointly commissioned by Berlin’s LAS Art Foundation and Helsinki’s Amos Rex, the work combines video, sound, light, and sculpture to reimagine the story of Len Karamoy, a combatant in the CIA-supported Permesta movement that fought the Indonesian government from 1957 to 1961 in North Sulawesi. Tontey, a Minahasan Indigenous artist, uses LiDAR, quantum ghost imaging, and other technologies to explore Indigenous identity, ecology, and the blurring of history and myth.

English museums should only charge tourists if digital ID checks in place, UK politician says

Labour peer Margaret Hodge has detailed her proposal to introduce admission fees for overseas tourists at England’s national museums, stipulating that such a move must be preceded by a universal digital ID system. Speaking to a parliamentary committee, Hodge argued that without digital verification, museum staff might resort to profiling visitors based on appearance, which would undermine community cohesion.

frances mcdormand suzanne bocanegra hauser and wirth

Actor Frances McDormand and performance artist Suzanne Bocanegra have debuted a new iteration of their multi-sensory installation, 'CRADLED', at Hauser & Wirth’s downtown Los Angeles location. Developed in collaboration with the Shaker Museum, the exhibition features adult-sized cradles and Shaker furniture designed for care and infirmity. The performance-based installation explores themes of mortality, loneliness, and communal care through the lens of Shaker craft and spiritual tradition.

the hunt edmonia lewis death of cleopatra statue

Edmonia Lewis’s monumental marble sculpture, 'The Death of Cleopatra', debuted to massive acclaim at the 1876 Centennial Exhibition in Philadelphia before vanishing into a bizarre century-long obscurity. After failing to sell, the two-ton masterpiece transitioned from Chicago saloons to a racetrack—where it served as a grave marker for a horse—and eventually sat neglected at a shopping mall construction site, exposed to vandalism and the elements.

yale errata exhibition

Yale University’s Beinecke Rare Book and Manuscript Library is hosting a new exhibition titled "'Beauties of My Style,'" which explores 500 years of printed errors and errata sheets. Curated by Rachel Churner and Geoff Kaplan, the show features approximately 30 artifacts ranging from James Joyce’s error-riddled first edition of Ulysses to the infamous 1631 "Wicked Bible," which accidentally commanded readers to commit adultery. The exhibition highlights how these slips of paper serve as more than just corrections, acting as sites of humor, legal maneuvering, and poetic reinterpretation.

ktx biennial dallas launch

The Katy Trail, a prominent 3.5-mile urban greenway in Dallas, has announced the launch of the KTX Biennial, a new public art initiative set to debut in Spring 2027. Curated by Jovanna Venegas, currently of New York’s SculptureCenter, the inaugural edition will feature site-specific commissions and sculptures installed along the trail for up to 18 months. The project is an evolution of a pilot public art program started in 2021 by the Friends of the Katy Trail, intended to integrate contemporary art into the daily experience of the park's two million annual visitors.

the asia pivot masumi shinohara

Masumi Shinohara, a Japanese-born, French-bred former luxury executive who joined Sotheby's Japan in April 2024 to lead its operations, has been promoted to managing director for Asia within his first year. He succeeded Nathan Drahi, son of majority owner Patrick Drahi, and now oversees Sotheby's expansion across the region amid a recovering global art market. The article features an interview with Shinohara discussing his transition from luxury brands (Valentino, L'Oréal, Ermenegildo Zegna) to the auction world, his childhood immersion in art through his father, and the strategic benefits of Sotheby's new permanent Hong Kong premises, Sotheby's Maison, which allows year-round auctions and thematic sales.

ada lovelace daguerreotypes uk national portrait gallery

The National Portrait Gallery in London has acquired the only surviving photographs of 19th-century mathematician Ada Lovelace, a group of three daguerreotypes that were originally offered at Bonhams in June 2025 with an estimate of £80,000 to £120,000. The lot was withdrawn from auction and the museum secured it via a private treaty sale, a confidential negotiation process that allows institutions to purchase significant artworks directly from private owners. Two of the daguerreotypes were taken by French photographer Antoine Claudet around 1843, the year Lovelace published her foundational paper on Charles Babbage's Analytical Engine, while the third, by an unknown photographer, reproduces an 1852 portrait by Henry Wyndham Phillips showing Lovelace near the end of her life.

uk museums defend corporate funding

A group of officials overseeing major UK cultural institutions, including the British Museum, the Victoria and Albert Museum, and the National Gallery, have signed a public letter defending corporate sponsorship. Published in the Financial Times, the letter calls for an end to "relentless negativity" around private sector partnerships and is backed by ten organizations, including the Science Museum Group. It follows protests over Baillie Gifford's sponsorship of literary festivals due to its ties to fossil fuels and Israel, which led nine festivals to end partnerships in 2023.

about last week an orbit through the highs and sighs of new yorks art fair multiverse

Writer and critic Domenick Ammirati chronicles a whirlwind week in New York during Frieze Week, visiting art fairs, exhibitions, and social events. Highlights include Jeff Koons' Hulk sculptures at Gagosian's Frieze booth, discovering painter Karol Palczak at Emalin gallery, and attending the group painting show "R U Still Painting???" curated by the collective FALCON in a raw Midtown office space. Ammirati notes a subdued, less intoxicated atmosphere compared to previous years, reflecting a broader unease in the art world.

A Senegalese Artist Who Crossed Boundaries Others Didn’t Dare

A major exhibition at the Metropolitan Museum of Art is dedicated to the work of Senegalese modernist painter Iba Ndiaye. The show, "Iba Ndiaye: The Studio of the World," presents a comprehensive look at his career, tracing his journey from Senegal to Paris and his unique synthesis of global artistic traditions.

59th Carnegie International tests the limits of connection and inclusion

The 59th Carnegie International, titled "If the word we," opens at the Carnegie Museum of Art in Pittsburgh, curated by Ryan Inouye, Danielle A. Jackson, and Liz Park. The exhibition emphasizes community and collaboration, featuring immersive installations by artists such as Shala Miller, Jasleen Kaur, and Georges Adéagbo, whose work incorporates local thrift-store finds like Pittsburgh Steelers merchandise. Offsite programming extends to venues including the Mattress Factory and Children's Museum of Pittsburgh.

jen deluna blurred paintings bite dogs pinup

Artist Jen DeLuna creates blurred paintings based on vintage found photographs, primarily of 1970s pin-up girls and aggressive dogs. Working at PLOP residency in East London, she uses a large brush to blur wet paint, creating a hazy, memory-like effect. Her works include portraits like *Rallying Sigh* (2024) and canine pieces like *Hounding* (2024), which she hangs together to create a dialogue between femininity and animal aggression.