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Sotheby's will open its first auction season in the Breuer building this fall with the Pritzker collection, a private cache of paintings never before seen outside a Chicago living room. The collection, built by Cindy and Jay Pritzker, carries an overall estimate north of $120 million, with the lead lot being Vincent van Gogh's 1887 still life *Romans Parisiens (Les Livres jaunes)*, estimated at close to $40 million. Other highlights include works by Paul Gauguin, Henri Matisse, Max Beckmann, Ernst Ludwig Kirchner, Joan Miró, Camille Pissarro, and a 15th-century sea chart by Petrus Roselli.

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The Museum of Contemporary Art Los Angeles (MOCA) has closed its Geffen Contemporary space through the weekend due to nearby anti-ICE protests and increased military activity, including National Guard deployment. The closure affects an Olafur Eliasson exhibition and has postponed a durational performance by Pussy Riot's Nadya Tolokonnikova, who turned part of the venue into a prison cell-like installation. The protests began after ICE raids in Los Angeles, leading to arrests, a curfew, and vandalism of MOCA's facade.

A Centre Pompidou in Korea

Un Centre Pompidou en Corée

The Centre Pompidou has officially announced the opening date for its new satellite branch in Seoul, South Korea, scheduled for June 26, 2026. This international expansion is being developed in partnership with the Hanwha Foundation of Culture, a philanthropic arm of the South Korean conglomerate Hanwha, and will be housed in a space designed by architect Jean-Michel Wilmotte.

Painting Has Entered Its Performance Era

The rise of short-form video platforms like Instagram and TikTok has transformed painting from a static medium into a performative spectacle. To compete with algorithmic preferences for transformation and speed, artists are adopting specific visual grammars such as the "art reveal"—where a canvas is dramatically flipped toward the camera—and "speed painting," which turns the creation process into a high-stakes live event. These trends emphasize the labor and human presence behind the work, often utilizing emotional storytelling and direct engagement to build dedicated fanbases outside traditional gallery structures.

Michelangelo's Pietà Altarpiece for His Own Tomb Restored and Returned to Public View

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The Opera del Duomo Museum in Florence has unveiled the newly restored Bandini Pietà, a monumental sculpture Michelangelo carved for his own tomb between 1547 and 1555. The two-year conservation project, funded by the Friends of Florence Foundation, removed centuries of accumulated dust, wax, and plaster residue from the 5,900-pound marble block, which the artist famously left unfinished after discovering flaws in the stone.

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Artnet News reports that AI-generated artworks are achieving record prices at art fairs and auction houses, with increasing presence in major exhibitions like the Digital Art Mile during Art Basel and a dedicated AI art auction at Christie's. The article features commentary from Artnet's European news reporter Jo Lawson-Tancred, who discusses how artificial intelligence is transforming both the market and business practices in the art world, while noting lingering concerns about market readiness and ethics.

Walter Price at David Zwirner

Artist Walter Price is presenting a solo exhibition titled "Pearl Lines" at David Zwirner’s Hong Kong gallery. Running from March 24 through May 9, 2026, the show features a new body of work that continues Price’s exploration of the boundaries between figuration and abstraction through his signature use of vibrant color and psychological depth.

Dark clouds, protests and resignations dampen start of 61st Venice Biennale

The 61st Venice Biennale opened under grey skies and rain, with political tensions overshadowing the art world's premier event. The Russian pavilion, absent for two editions due to the Ukraine war, reappeared with a party atmosphere, though the Italian ministry of culture confirmed it would not be open to the public. The Ukrainian culture minister called Russia's symbolic presence powerful. The Iranian pavilion withdrew without explanation, and a protest by 60 artists from the In Minor Keys show marched through the Giardini humming in solidarity against Israel's participation. Over 200 artists, including Lubaina Himid and Alfredo Jaar, signed an open letter demanding the Israeli pavilion's cancellation. The event also proceeded without its curator, Koyo Kouoh, who died in May 2025; her curatorial team delivered the exhibition following her plans.

How an Art Event in the California Desert Became a Community

High Desert Test Sites (HDTS), a long-running, itinerant art event in the California desert, is approaching its 25th anniversary. Founded by artist Andrea Zittel, it has evolved from a series of experimental artist projects into a vital, decentralized community network that fosters collaboration and dialogue between artists and local residents.

What Can the New Dib Bangkok Do for Thai Art?

Dib Bangkok, a new contemporary art museum housed in a former steel warehouse, opened in December with its inaugural exhibition, (In)visible Presence. The show features 80 works by 40 artists from the collection of late founder Petch Osathanugrah, including pieces by James Turrell, Alicja Kwade, and Pinaree Santipak. Curated by director Miwako Tezuka, the exhibition emphasizes immersive, sensory experiences over passive observation, with works like Marco Fusinato's sound installation and Hugh Hayden's threshold piece. However, the museum's pan-global focus and sleek, tranquil setting initially distance visitors from the local Thai art scene.

The international gallery bridging contemporary artists and art history masters reopens in Milan: The Interview

Riapre a Milano la galleria internazionale che mette in dialogo artisti contemporanei e maestri della storia dell’arte. L’intervista

The artist-run space Octagon is set to establish a permanent home in Milan at Via Maroncelli 12, officially opening on April 15, 2026, during the city's Art Week. Founded by artist Jacopo Mazzetti in 2018, the gallery is transitioning from a nomadic model that saw recent collaborations in Paris and Athens to a fixed physical presence. The inaugural exhibition will feature works by the French Symbolist master Odilon Redon, maintaining the space's signature curatorial approach of bridging historical art with contemporary perspectives.

Embattled US Venice Biennale Pavilion is Seeking Donations

The American Arts Conservancy (AAC), an organization founded last year by the Trump administration, has launched a crowdfunding campaign to support the United States Pavilion at the Venice Biennale. This comes amid widespread controversy and calls to exclude the US, Russia, and Israel from the event. The AAC website solicits donations starting at $100, claiming a "once-in-a-generation opportunity" to restore America's artistic presence abroad. The US government has already contributed $375,000, but the State Department says the total exhibition cost far exceeds that amount. This year's pavilion will feature sculptor Alma Allen, after Barbara Chase-Riboud and William Eggleston declined to participate.

Mexico’s culture ministry urges eBay to halt sales of pre-Hispanic artefacts

Mexico's Ministry of Culture has identified 195 pre-Hispanic archaeological objects listed for sale on eBay by a US-based seller and has formally demanded the platform halt the sales and return the items. The ministry, through Secretary Claudia Curiel de Icaza, argues the sale is illegal as the export of such cultural heritage has been prohibited since 1827, and their presence abroad results from illicit extraction. Legal action has been initiated with Mexican and international authorities, including Interpol and US Homeland Security Investigations, to secure repatriation.

An Urgent Call From Artists and Curators of the 61st International Art Exhibition of La Biennale di Venezia 2026

A group of seventy-four artists and curators participating in the 61st Venice Biennale have issued an urgent letter to the institution's leadership, including director Pietrangelo Buttafuoco. The signatories are protesting the decision to relocate the Israeli Pavilion to the Arsenale, placing it in close proximity to the central exhibition, "In Minor Keys," which was conceived by the late curator Koyo Kouoh. The group argues that this relocation violates Kouoh’s curatorial vision of radical solidarity and introduces a threatening military and police presence into the exhibition space.

The Fashion-Art Collective Captivating New York, One Furry Bridge at a Time

The New York-based Asian-American art and fashion collective CFGNY has opened a new exhibition, "Puddles into Pond," at the non-profit art space Amant in Brooklyn. The show features an immersive installation with a shaggy fur bridge, kinetic sculptures, and ceramic works, running until August 16. This exhibition is part of a significant season for the collective, which also includes a debut installation at the Whitney Biennial and participation in a group show at Pioneer Works.

Gagosian's Rare Gallery Failures Reveal Art World's Challenges

Larry Gagosian, often considered the most powerful art dealer in the world, has publicly reflected on rare professional setbacks, including a failed 2016 gallery opening in San Francisco and a misunderstood location in Geneva. These admissions coincide with a strategic shift for his empire, marked by the opening of a new street-level gallery at 980 Madison Avenue in New York. The move signals a departure from the exclusive, upper-floor models of the past toward a more accessible physical presence.

[Interview] Scenes of Memory and Modern Life: Sun Yitian x Samsung Art Store

Chinese artist Sun Yitian has partnered with the Samsung Art Store to feature her large-scale painting "Ken" (2023) as part of the Art Basel Hong Kong 2026 digital collection. The work, which depicts Barbie’s male counterpart at a massive three-meter scale, explores themes of mass production, the male gaze, and the hollow nature of modern plastic icons. The collaboration marks a bridge between Sun's physical painterly practice and the digital accessibility of contemporary art on domestic screens.

FIFA World Cup 2022 opening artist launches gallery in heart of historic Edinburgh

Casablanca-born artist Yaniv Edery has opened his first UK gallery in a historic Georgian townhouse at Picardy Place, Edinburgh. The venue, located within a UNESCO World Heritage Site and the birthplace of Sir Arthur Conan Doyle, showcases Edery’s signature bold, immersive artworks characterized by animal portraits, crystals, and metallic finishes.

Five artists announced for India's Venice Biennale pavilion

India is returning to the Venice Biennale after a seven-year hiatus with a national pavilion in the Arsenale. The presentation, titled 'Geographies of Distance: Remembering Home,' will feature five artists: Alwar Balasubramaniam (Bala), Sumakshi Singh, Ranjani Shettar, Asim Waqif, and Skarma Sonam Tashi. The exhibition is curated by Amin Jaffer and is backed by India's Ministry of Culture and two cultural institutions.

Nat Faulkner – interview

Artist Nat Faulkner has opened his first public exhibition, 'Strong water,' at Camden Art Centre in London. The show features large-scale photographic works and installations, including 'Aperture (Iodine),' which uses a light-sensitive iodine solution to filter light through the gallery's Victorian skylights, and a multi-panel silver gelatin print of an Italian scrap facility. Faulkner, winner of the Camden Art Centre Emerging Artist Prize at Frieze 2024, discusses his analogue, process-driven practice, likening the darkroom to a collaborator that introduces elements of chance.

New Community Gallery art show highlights Black artists of New Mexico

A new exhibition titled 'Truth. Memory. Joy. Resistance: Black Expressions in New Mexico' has opened at the Community Gallery at the Santa Fe Community Convention Center, featuring 28 Black artists from across the state. Co-curated by local gallery owner Aaron Payne and multidisciplinary artist Jakia Fuller, the show includes works in a wide range of mediums from artists aged 16 to 80, with participants from Santa Fe, Albuquerque, and Taos. The exhibition runs through the end of February and includes special events such as a poetry reading and panel discussions.

‘I think of immersion as a state of perception’: Lawrence Lek on his exhibition at the Bass Museum of Art in Miami Beach

London-based multimedia artist Lawrence Lek presents his latest work, NOX Pavilion, at the Bass Museum of Art in Miami Beach during Miami Art Week. The installation is part of his ongoing fictional universe NOX ("nonhuman excellence"), which imagines a rehabilitation program for rogue self-driving cars. This year alone, Lek has staged NOX-related works at Tate Modern, the Hammer Museum, and Goldsmiths Centre for Contemporary Art, demonstrating his growing international presence. In an interview, Lek discusses how his practice spans architecture, video, gaming, and music, treating immersion as a critical state of perception rather than mere spectacle.

PEG gallery opens with kaupapa of care and commitment

Peggy Robinson has opened a new contemporary art gallery called PEG on Cuba Street in Wellington, New Zealand. The gallery occupies a historic 1907 industrial building that was originally a mattress factory. Robinson, who has nearly a decade of experience in the arts, founded PEG with a kaupapa (Māori concept of principles) centered on presence, care, and deep commitment to artists. The inaugural exhibition features Reece King's show 'Halfway to the Splits', which explores repetition, labour, and process-based poetics developed during his Frances Hodgkins fellowship.

Why former Sotheby's chief executive Tad Smith is bullish on blockchain art

Former Sotheby's CEO Tad Smith, who led the auction house from 2015 to 2019, has emerged as a prominent supporter of blockchain art. The article traces his connection to artist Robert Alice, who first encountered Smith while working as a porter at Sotheby's. Alice, a pioneer in NFT art, sold the first NFT through a major auction house at Christie's in 2020. Now, his blockchain-based painting BLOCK 1 (24.9472° N, 118.5979° E) from the Portraits of a Mind series is being offered at Sotheby's with an estimate of $600,000 to $800,000. Smith, who owns another work from the series, is not the consignor or guarantor but expresses hope the sale will promote Alice's work, Bitcoin, and Sotheby's, particularly among younger generations.

The New Sotheby's Flagship Sets An Opening Date

Sotheby's has announced that its new flagship auction house and gallery space, located in the iconic Breuer Building on Madison Avenue, will open on November 8. The building, designed by Marcel Breuer in 1966, originally housed the Whitney Museum of American Art and later served as temporary home for The Frick Collection and the Metropolitan Museum of Art. The opening exhibition will feature works for Sotheby's marquee modern and contemporary art auctions, followed by pieces for Luxury Week in December. The building also includes a new restaurant from the team behind La Mercerie, and the galleries will be free and open to the public.

“Where it doesn’t reach” at Lo Brutto Stahl, Paris

Lo Brutto Stahl in Paris is hosting a group exhibition titled "Where it doesn’t reach," featuring the works of Hélène Janicot, Park McArthur, and the late conceptual artist Bas Jan Ader. The show creates a dialogue between contemporary sculpture and installation by Janicot and McArthur and historical lens-based media by Ader. Notably, the exhibition's reach extends beyond the Parisian gallery space to include a presence in Basel.

Watch: Wallace Chan returns to the Venice Biennale with ‘Vessels of Other Worlds’

Wallace Chan returns to the Venice Biennale for the fourth time with 'Vessels of Other Worlds', a two-city exhibition opening at the Chapel of Santa Maria della Pietà in Venice on 8 May 2026 and continuing at the Long Museum West Bund in Shanghai from 18 July, coinciding with the artist's 70th birthday. Curated by James Putnam, the project features large-scale titanium sculptures that explore material transformation, perception, and metaphysical space, including a live video link between the two venues and an inhabitable mirrored sculpture at the Long Museum.

Cambodian Artist Sopheap Pich Shares in an Exhibition how He Conceives Sculptures

Cambodian artist Sopheap Pich is presenting an exhibition at Meta House in Phnom Penh that reveals his creative process, showing how he conceives sculptures from initial drawings and woodblock prints to works in bamboo and metal. Born in Battambang, Pich survived the Khmer Rouge regime as a child and later immigrated to the U.S., earning an MFA from the School of the Art Institute of Chicago before returning to Cambodia in 2002. The exhibition includes early rattan pieces and recent metal sculptures, reflecting his intuitive, memory-infused approach to making art with a team of ten assistants in his Phnom Penh studio.

In Warsaw, “The Woman Question” Dismantles Art History’s Greatest Myth

The Museum of Modern Art in Warsaw presents "The Woman Question 1550-2025," a major exhibition curated by Alison Gingeras that dismantles the myth that women have only recently become artists. Featuring 199 works spanning centuries, the show includes pieces by Lubaina Himid, Alina Szapocznikow, Gina Birch, Macena Barton, Betty Tompkins, and Artemisia Gentileschi, among others. The exhibition is organized into nine chapters examining themes such as Baroque women, motherhood, and war, and is accompanied by a catalogue with contributions from museum director Joana Mytkowska and other scholars.

How Andrea Alvarez’s Long-Overdue Survey on Contemporary Latinx Art at Buffalo AKG Art Museum Came to Be

The Buffalo AKG Art Museum has opened "Let Us Gather in a Flourishing Way," the first major institutional survey of contemporary Latinx painting in the United States. Curated by Andrea Alvarez, the exhibition features 58 living artists in an intergenerational dialogue, spanning an entire museum floor with seven thematic groupings. Alvarez conducted extensive studio visits across the U.S. and Puerto Rico over an unusually long research period, focusing solely on painting to establish a clear curatorial lens while reflecting the diversity of the Latino diaspora.