8 Must-See Solo Gallery Shows in July

Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for July, highlighting exhibitions from New York to California. Featured artists include Nancy Dwyer, whose word-based paintings and sculptures are on view at Ortuzar in New York; Marcel Dzama, showing storytelling drawings and a surreal film at David Zwirner in Los Angeles; Francis Picabia, with a focus on his Art Informal period at Hauser & Wirth in New York; and Igshaan Adams, presenting tapestries and textile works at Casey Kaplan in New York, among others.

Turner vs Constable: is it time for art historians to choose?

Art historian and author James Hall, writing in The Art Newspaper, reviews Nicola Moorby's new book "Turner and Constable: Art, Life, Landscape" and uses it as a springboard to argue that art historians should not shy away from making value judgments about artists. He compares the legacies of J.M.W. Turner and John Constable, noting that Turner currently dominates popular and institutional esteem—appearing on banknotes, celebrated by Tate Britain as the greatest British artist, and fitting modern conceptions of the artist as a rebellious, eccentric genius. Hall contrasts this with Constable's more conservative image and declining presence in commercial culture.

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Artist Tom Price discusses his material-driven practice in an interview with Artnet News. Based in Mallorca, Spain, and a Royal College of Art graduate, Price explores how materials like coal, resin, and tar carry symbolic weight and drive conceptual narratives in his sculptures. His "Meltdown" series and works such as "The Presence of Absence" (2014) demonstrate his focus on material transformation, figuration, and abstraction.

Marilyn Monroe, Iconic Idol

Marilyn Monroe, idole iconique

The Cinémathèque française in Paris is presenting an exhibition dedicated to Marilyn Monroe to mark the centenary of her birth. The show explores her evolution from actress to a globally reproduced image, featuring portraits by renowned photographers and examining her enduring cultural presence.

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The Belarus Free Theatre (BFT), an underground performance group currently in exile, has announced its first major visual art exhibition titled "Official. Unofficial. Belarus." as a collateral event for the 61st Venice Biennale. Staged at the historic La Chiesa di San Giovanni Evangelista, the show features site-specific works by exiled artists including Sergey Grinevich, Vladimir Tsesler, and Nicolai Khalezin. The installations range from paintings functioning as altar panels to a massive sphere of banned books and a crucifix made of CCTV cameras, all designed to critique the surveillance and censorship of the Lukashenko regime.

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A nearly 2,000-year-old Egyptian ceramic vessel, a bucket-shaped situla, was discovered during conservation work at the Thermopolium of Regio V in Pompeii. The faience pot, decorated with Egyptian-style hunting reliefs, was found in the kitchen of a well-preserved fast-food restaurant that served the working- and middle-class residents of the Roman city before its destruction by Mount Vesuvius in 79 CE. The discovery was published by the Pompeii Archaeological Park’s online journal.

At the Venice Biennale there is also Taiwan. With a collateral event on melancholy

Alla Biennale di Venezia c’è anche Taiwan. Con un evento collaterale sulla malinconia

Taiwan will present a collateral event at the 2026 Venice Biennale titled "Screen Melancholy," curated by Raphael Fonseca and featuring artist Li Yi-Fan. The exhibition, organized by the Taipei Fine Arts Museum, will be held at Palazzo delle Prigioni and run until November 22, 2026. It explores anxieties of the digital age through a site-specific installation combining a single-channel video and monumental human sculptures, reflecting on information overload, fragmented perception, and the limits of human knowledge.

Morocco debuts at the Biennale with an exploration of its age-old craft traditions

Morocco is debuting its first national pavilion at the Venice Biennale with a monumental installation titled "Asetta" by artist Amina Agueznay. The 300-square-meter site-specific work, located in the Arsenale, draws on centuries-old Moroccan craft traditions, including weaving, beadwork, and embroidery. Agueznay conducted field research across Morocco and collaborated with over 130 artisans, mostly women, some of whom she has worked with for decades. The installation explores the transmission of traditional craftsmanship and shared memory, and incorporates the concept of the threshold (âatba) from Moroccan vernacular architecture, offering visitors both an immersive experience and functional seating.

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Nick Axel and Daniele Balleri have written a reply to this article. The 2025 Venice Architecture Biennale, organized by MIT professor Carlo Ratti under the theme “Intelligens. Natural. Artificial. Collective.,” features A.I.-generated summaries alongside traditional wall texts for each exhibit. These two-sentence distillations, labeled “A.I. Summary,” are designed to help visitors quickly grasp core ideas and choose their pace through the dense show. An example is Beatriz Colomina, Roberto Kolter, Patricia Urquiola, Geoffrey West, and Mark Wigley's installation *The Other Side of the Hill*, whose 200-word wall text is condensed into a succinct A.I. summary about microbial intelligence and demographic collapse.

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Jonathan Crockett, deputy chairman of Phillips in Asia, reflects on the auction house's 10-year journey in the region, from a small Hong Kong office to a major presence in the West Kowloon Cultural District. He recounts his career path from Christie's and Sotheby's to founding his own advisory firm, then joining Phillips to launch its Asian operations, overcoming brand confusion and building a robust client network.

Pussy Riot Shows Art by Russia’s Prisoners in New Protest Exhibition

Pussy Riot founder Nadya Tolokonnikova co-curated "Resistance Imprisoned," a protest exhibition at Ritsch-Fisch Galerie in Strasbourg, France, featuring artwork created by people currently or formerly imprisoned in Russia, including Ukrainian civilians. The show opened April 19 and runs through May 31, timed to coincide with the first month of the Venice Biennale, which opens May 9. Works include a pen sketch by Lyudmila Razumova, a photojournalist arrested for anti-war graffiti in 2022 and serving a seven-year sentence, alongside pieces by other political prisoners and Ukrainian POWs. The exhibition aims to highlight the human cost of Russia's war and its participation in international cultural events.

Meet the Canadian artists heading to Venice Biennale

Five Canadian artists have been selected for the main exhibition of the Venice Biennale, titled *In Minor Keys*, which opens to the public next Saturday. The participants are Abbas Akhavan (featured in the Canada Pavilion), Manuel Mathieu, Rajni Perera, Marigold Santos, and one additional artist. The exhibition is the first Biennale curated by a Black woman, Cameroonian-Swiss curator Koyo Kouoh, who died suddenly in May last year after a cancer diagnosis, just six months after her appointment. Despite her death, the Biennale proceeded with her plans, with her team completing the work.

Exhibition | 'Human Traces: Presence, Absence, and Material Memory' at Axel Vervoordt Gallery, Antwerp, Belgium

A group exhibition titled 'Human Traces: Presence, Absence, and Material Memory' is on view at the Axel Vervoordt Gallery in Antwerp. It features works by four artists—Ida Barbarigo, William Turnbull, El Anatsui, and Bosco Sodi—who explore themes of memory and transformation through material, shifting focus from the human body to its traces.

A Midwest Frieze: Kate Sierzputowski Takes the Reigns as Director of Expo Chicago From Founder Tony Karman

Kate Sierzputowski has officially stepped into the role of Director at Expo Chicago, succeeding longtime founder Tony Karman following the fair's acquisition by Frieze. As the fair prepares for its April 2025 edition at Navy Pier, Sierzputowski is overseeing a significant transition that includes a streamlined roster of 130 galleries and a more integrated branding presence from the Frieze parent company.

In Pictures: sculpture gets a leg up at Frieze Los Angeles

Frieze Los Angeles 2025 is showcasing a diverse array of sculptural works that emphasize tactile materials and bodily forms. Highlights from the fair include Vincent Pocsik’s architectural mirrors at Nazarian Curcio, Shana Hoehn’s public installation featuring human limbs emerging from a fallen tree, and Alejandro García Contreras’s intricate ceramic spiderwebs. The presentation underscores a trend toward figurative sculpture that blends personal symbolism with physical presence, with several works already finding buyers among notable collectors.

Artist Gerard Byrne opens exciting new exhibition space

Artist Gerard Byrne has opened a new gallery named the Gerard Byrne Gallery at 13 Trinity Street in Dublin's city centre. This marks a homecoming for the Dublin-born artist, who returns after a successful period in the United States that included a debut at the 2025 Hamptons Fine Art Fair and a solo show at Slattery Gallery in Southampton.

Thaddaeus Ropac expands to New York, with Emilio Steinberger at the helm

The international mega-gallery Thaddaeus Ropac announced it is opening a project space in uptown Manhattan, marking its first permanent physical presence in New York. The gallery also appointed Emilio Steinberger, a former senior partner at Lévy Gorvy Dayan, as its new senior director in the US to lead the expansion.

Rediscovered Rubens and a woolly mammoth head star at Brafa fair in Brussels

Brafa, Belgium's premier art and antiques fair, has expanded for its 71st edition, now featuring 147 exhibitors across three halls in the Brussels Expo convention centre. Highlights include a newly rediscovered Peter Paul Rubens painting, *Portrait of an Old Man* (around 1609), priced at over €1 million, and a 50,000-year-old woolly mammoth head from Siberia that sold for €45,000. The fair runs from 25 February to 1 March, with a strong focus on painting from Old Masters to Modern art, and a notable presence of Belgian and early 20th-century French artists.

Southern Guild gallery to close in Los Angeles, open in New York

Southern Guild, a gallery founded in Cape Town, South Africa, is closing its Los Angeles location, which opened in February 2024, and will open a new 4,000-square-foot space in Manhattan's Tribeca neighborhood in March 2026. The gallery is making its debut at Art Basel Miami Beach this week, featuring works by artists including Zizipho Poswa, Marcus Leslie Singleton, Zanele Muholi, Chloe Chiasson, and Ambrose Rhapsody Murray. Director Andréa Delph, who led the LA outpost, will relocate to New York to head the new space.

Stephen Friedman to close New York gallery, two years after opening the Tribeca space

Stephen Friedman, the Canadian-born, London-based dealer, will close his New York gallery in Tribeca at the end of February 2026, less than three years after opening the space in October 2023. The decision is described as a strategic evolution to consolidate operations in London, where several new directors have been hired. The gallery's artist roster will remain unchanged, and Friedman plans to stay active in the US art scene through major fairs. The closure follows a challenging period marked by a £1.7m loss in 2023 due to renovation costs and a downturn in the art market, with cash flow currently tight after slow exhibition sales.

Five must-see shows this Dublin Gallery Weekend

Dublin Gallery Weekend returns from 6–9 November 2025, featuring over 100 artists across 20 venues throughout Ireland's capital. Founded in 2023 by the Contemporary Art Gallery Association, the event connects small, independent galleries with established institutions. The Art Newspaper highlights five must-see shows, including Cecilia Vicuña's 'Reverse Migration' at the Irish Museum of Modern Art (IMMA), Isabel Nolan's 'Look at the Harlequins!' at Kerlin Gallery, Alan Butler's 'Assets' at Green on Red, and a group show 'Kwaidan - Encounters with Lafcadio Hearn' at SO Fine Art Editions, among others.

Johnson Lowe Gallery Opening Reception - Enco... | 09/26/2025 7:00 PM | CL

Johnson Lowe Gallery in Atlanta is opening two exhibitions on September 26, 2025: a solo show of works by the late American artist Todd Murphy (1962–2022) titled "Voyager," and a group exhibition called "Encounters" featuring artists including Ben Steele, Chip Moody, Daniel Byrd, Jamele Wright Sr., Judy Pfaff, and Sam Gilliam. "Voyager" explores Murphy’s engagement with nature as a sacred, animate force, while "Encounters" presents film, photography, sculpture, and painting that challenge passive viewing and demand active presence.

GRIMM Grows Across London with New St James’s Gallery Opening This Autumn

GRIMM, the international gallery founded in 2005, will open a new space in London's St James's district this autumn, timed to Frieze Week. The gallery will occupy the ground and lower floors of a historic late Victorian building at 43a Duke Street, expanding from its current Mayfair location at 2 Bourdon Street. The inaugural exhibition will feature new paintings by German artist Matthias Weischer. Founder Jörg Grimm described the move as a logical progression following the gallery's establishment in London in 2022.

New dealer-run fair aims to fill gap left by Design Miami

A group of 11 mostly French galleries, led by Charlotte Ketabi-Lebard of Parisian gallery Ketabi Bourdet, have launched Maze Design Basel, a new dealer-run design fair to fill the gap left by the cancellation of Design Miami Basel. The fair is held in the 19th-century Elisabethenkirche church next to Basel's Kunsthalle, with stands arranged throughout the nave, mezzanines, chancel, pulpit, and clerestory. The vernissage on June 16 was playful and relaxed, with sales reported by all exhibitors and about 1,000 guests attending the preview.

Jamie Robertson’s soft heat at Houston Center for Photography, Houston

Jamie Robertson’s solo exhibition, "soft heat," at the Houston Center for Photography presents a series of infrared photographs documenting Southern wetlands, including Caddo Lake and the Great Dismal Swamp. Using archival pigment prints and a zine titled "Alligatorwatergreen," Robertson utilizes thermosensational imagery to transform dense marshlands into ethereal, snow-like landscapes. The work incorporates archival figures, such as a liberated formerly enslaved man named Osman, to highlight the historical role of swamps as sites of maroonage and Black resistance.

Gundlach Collection to Remain in the Deichtorhallen Until 2046

Gundlach-Sammlung bleibt bis 2046 in den Deichtorhallen

The Hamburg Senate has announced a 20-year extension of the loan agreement for the F.C. Gundlach Collection at the Deichtorhallen. The prominent photography collection, which has grown to 14,000 works, will remain in the institution's 'Haus der Photografie' until 2046 and will receive a dedicated exhibition area on the first floor.

Shigeo Toya, artist who looked to nature with his wood sculptures, 1947–2026

Shigeo Toya, the Japanese artist renowned for his chainsaw-hewn wood sculptures, has died at age 79. Born in 1947 in a small village in Nagano Prefecture, Toya began his signature Woods series in 1984, carving rough textures into tall lumber and arranging the pieces like a forest. His series Twenty Eight Deaths featured stacked wooden blocks with cavities and burn marks. Toya represented Japan at the Venice Biennale in 1988 and later exhibited at the Asia Pacific Triennial (1993) and Gwangju Biennale (2000). A major survey of his work was held at the Nagano Prefectural Art Museum and The Museum of Modern Art, Saitama, in 2022–23.

Roksana Pirouzmand’s Dual‑Site Meditation on Loss

Roksana Pirouzmand’s dual-site exhibition in Los Angeles, hosted at OXY ARTS and JOAN, features performance-based sculptures and installations that utilize literal erosion to explore themes of loss and displacement. The works include anatomical clay casts of the artist and her mother, which are subjected to water, vibration, and physical interaction, causing them to crack and deteriorate over the course of the show. At OXY ARTS, a kinetic metal floor involves the viewer directly, as their footsteps cause clay hands to collide and break, illustrating the physical impact of movement and presence.

Alexey Morosov to Represent Kyrgyzstan at 2026 Venice Biennale

Kyrgyzstan has chosen artist Alexey Morosov to represent the country at the 61st Venice Biennale in 2026. His pavilion, curated by Geraldine Leardi, will feature a large-scale installation titled BELEK, which explores Kyrgyz nomadic heritage, water as a sacred resource, and the impact of Soviet-era hydro-engineering on the landscape.

The Future Will Be Neither Good Nor Bad, But Strange

"Die Zukunft wird nicht gut oder schlecht, sondern seltsam"

Mike Winkelmann, known as Beeple, has brought his "Regular Animals" series to the Neue Nationalgalerie in Berlin. The works feature digital creatures that blend pop-culture figures like Mark Zuckerberg with art-historical references such as Picasso, continuing Beeple's signature style of satirical, software-generated imagery. The exhibition marks a significant institutional debut for the artist, who rose to fame by selling the most expensive NFT ever and posting daily digital art online.