
Una delle più importanti gallerie del Brasile in queste settimane è a Roma con una mostra. L’intervista
Brazilian gallery A Gentil Carioca has brought the first Italian solo exhibition of artist Miguel Afa to the Fondazione Capitolina in Rome, in collaboration with the Rhinoceros space. Titled "Il tempo che vive in me" (The Time That Lives in Me), the show features works created during Afa's residency in Rome, exploring themes of time, memory, and light through oil paintings that blend Brazilian and Roman imagery.

Riapre a Milano la galleria internazionale che mette in dialogo artisti contemporanei e maestri della storia dell’arte. L’intervista
The artist-run space Octagon is set to establish a permanent home in Milan at Via Maroncelli 12, officially opening on April 15, 2026, during the city's Art Week. Founded by artist Jacopo Mazzetti in 2018, the gallery is transitioning from a nomadic model that saw recent collaborations in Paris and Athens to a fixed physical presence. The inaugural exhibition will feature works by the French Symbolist master Odilon Redon, maintaining the space's signature curatorial approach of bridging historical art with contemporary perspectives.
The historic mansion at 1040 East Broad Street in Columbus’s Olde Towne East neighborhood is being transformed into a new fine art photography gallery. Spearheaded by local photographer and developer Matthew Barnes, the space aims to provide a dedicated venue for high-end photographic works within a restored architectural landmark.

Bucharest-based gallery Arsmonitor is presenting the second installment of a four-part curatorial program dedicated to Romanian artist Florin Mitroi (1938–2002). Titled "Florin Mitroi: Ch.II: Autumn," the exhibition is curated by Erwin Kessler and is anchored by the recent rediscovery of over 600 previously unseen works—files, notebooks, drawings, and pieces on wood and metal—that had been forgotten in storage for nearly two decades. The show frames these recovered materials as foundational, expanding the known oeuvre of an artist who exhibited only a small fraction of his production and later regretted even those works. The program, structured around the four seasons, includes chapters titled "Winter," "Autumn," "Summer" (planned for 2027), and "Spring," aligning with the season of Mitroi's death.

Design duo Stephen Alesch and Robin Standefer, co-founders of the architecture and design studio Roman and Williams, reflect on how their Montauk home, Sea Ranch, has become the creative heart of their practice. Purchased in 2006 as a rustic mid-Atlantic Colonial cottage, the property has evolved from a weekend retreat into a laboratory for furniture prototypes, ceramic experiments, and design ideas that later appear in high-profile projects worldwide—from the Metropolitan Museum of Art’s British Galleries to London’s Maison Estelle. The couple, who met on a film set in 1994, also run the SoHo shop Roman and Williams Guild and a furnishings collection, balancing the intensity of New York with the shaping and forming they do by the ocean.

Cultured magazine's article "Weekend Tournament" reviews a group exhibition at Raisonné Gallery in New York, organized by Raquel Cayre and Ariel Ashe, that explores the intersection of sport, art, and design. The show features 63 works by 27 artists including Paul Pfeiffer, Adam McEwen, Le Corbusier, Cory Arcangel, and Rachel Harrison, with pieces ranging from a graphite replica of a school water fountain to an active ping-pong table and a mini-golf course. The author, Zito Madu, draws parallels between his own background as a professional soccer player turned writer and the exhibition's invitation to engage physically and playfully with art.

Was macht Liebe politisch, Wynnie Mynerva?
Peruvian artist Wynnie Mynerva discusses her exhibition "Volveré y seré millones" at the Société gallery in Berlin, timed to coincide with Gallery Weekend. The artist explores Andean cosmologies, specifically the concept of 'Ayni' or collective reciprocity, as a counter-narrative to Western, capitalist structures of romantic love and individualism. Her work draws from her personal experience as a migrant in Europe and her observations of Berlin’s queer scene, questioning how care and survival function within modern political frameworks.

LACMA's new David Geffen Galleries, designed by Pritzker Prize-winning architect Peter Zumthor, are now open to the public. The building features a single-floor, sculptural form made of architectural concrete and glass, with natural light and transparency that encourages visitors to explore 6,000 years of art and culture. In collaboration with the American Institute of Architects Los Angeles, LACMA is hosting a series of free workshops on May 15-17, including guided walks, drawing sessions, and landscape tours, to help visitors engage with the building's architecture and design.

The Maryhill Museum of Art in Goldendale, Washington, is celebrating the 100th anniversary of its dedication by Queen Marie of Romania. Founded by entrepreneur Samuel Hill in 1907, the museum houses an eclectic collection including over 80 works by Auguste Rodin, French haute couture fashions, and thousands of Indigenous art objects. To mark the centennial, the museum has opened three new exhibitions highlighting Queen Marie's contributions: Russian icons, Romanian embroidery, and folk pottery, alongside her personal items like coronation gowns and gilded furniture.

Indigenous Canadian painter Kent Monkman, a member of the Fisher River Cree Nation, presents his exhibition "Kent Monkman: History is Painted by the Victors" at the Akron Art Museum, on view through August 16. The show features over 30 large-scale paintings that mimic 19th-century landscape works by settler artists like Albert Bierstadt and Frederic Edwin Church, but inserts Indigenous figures who were historically romanticized, stereotyped, or omitted. Monkman uses his two-spirit alter ego Miss Chief Eagle Testickle to challenge colonial narratives and reverse the artistic gaze. The exhibition was organized by the Denver Art Museum and the Montreal Museum of Fine Arts, with co-curators John Lukavic and Léuli Eshrāghi.

The National Gallery of Ireland in Dublin is hosting the first-ever exhibition of William Blake's work in Ireland, titled "William Blake: The Age of Romantic Fantasy." The show features major works such as "The Night of Enitharmon’s Joy" (c. 1795) from Tate, and includes a life mask of Blake painted by Francis Bacon, connecting the Romantic visionary to the 20th-century Irish-born artist. The article explores Blake's radical politics, his arrest for sedition in 1803, and his enduring influence on figures like Bacon and the critic David Sylvester.

The Los Angeles County Museum of Art (LACMA) has opened its new central building, the David Geffen Galleries, to the public. Designed by Swiss architect Peter Zumthor at a cost of $724 million, the 347,600-square-foot structure reorients the museum with a single, flowing second-story floor plan, eschewing a traditional main entrance or atrium to encourage wandering and serendipitous encounters with art. The galleries are named for major oceans and are designed to blend cultures and artworks from different eras.

Tate Britain has launched a major survey dedicated to the visionary artist and poet William Blake, marking one of the most comprehensive exhibitions of his work in London. The show brings together his intricate watercolors, prints, and prophetic books, offering a deep dive into his unique mythological universe and radical political views.

The Metropolitan Museum of Art is set to unveil a massive 12,000-square-foot expansion of its Costume Institute galleries on May 10, 2026. The inaugural exhibition, "Costume Art," will explore the relationship between fashion and the human body by pairing historic garments with fine art from the museum's diverse collection. This high-profile opening will be preceded by the annual Met Gala, co-chaired by global icons including Beyoncé and Anna Wintour.
The Leopold Museum in Vienna, in collaboration with Museum Folkwang in Essen, is hosting a major retrospective titled "Gustave Courbet: Realist and Rebel." Featuring 130 exhibits, including 90 paintings and 20 graphic works, the exhibition traces the artist's journey from his early rejection of academic training to his role as the pioneer of Realism. The show highlights his revolutionary choice to depict everyday life and ordinary people on a monumental scale, a practice previously reserved for heroic or mythological subjects.

Malmö Konstmuseum has announced its annual seminar, "Objekt/Object: An Order of Things and the Construction of the World," scheduled for April 16, 2026. The event features a series of lectures and panel discussions involving international scholars, curators, and artists, including philosopher Roman Krznaric and professor Ariella Aïsha Azoulay. The seminar uses the museum's current exhibition, "An Order of Things," as a case study to examine how historical classification systems and contemporary curatorial choices shape collective memory and societal values.

Southwest Florida’s outdoor art season culminates this weekend with the Sarasota Fine Art Show and the 38th Annual Naples Downtown Art Fair. These regional staples will feature over 200 exhibitors across Sarasota Art Museum’s grounds and Naples’ Cambier Park, offering a mix of commercial vendor stalls and high-caliber fine art.

The Harvard Art Museums have launched "Celtic Art Across the Ages," the first major exhibition of its kind in the United States. Spanning over 2,500 years, the show features nearly 300 objects including ceremonial pony caps, banqueting vessels, and jewelry crafted from amber and jet. The exhibition is organized into four thematic sections—Archaeology, Art, Encounters, and Reception—highlighting the functional nature of these highly decorative objects and their roles in trade and daily life from the first millennium BCE to the present.

Southwest Florida’s museum landscape is featuring a robust schedule this March, with 36 exhibitions on display across institutions from Sarasota to Naples. Key highlights include the Sarasota Art Museum’s centennial celebration of Art Deco through 100 rare posters from the Crouse Collection, alongside contemporary showcases such as Selina Román’s photographic explorations of the human form and Molly Hatch’s massive site-specific ceramic installation, "Amalgam."

Tracey Emin has unveiled her major new exhibition, "Second Life," at Tate Modern, marking a significant departure from the tradition of living British artists showing at Tate Britain. The exhibition, curated by Harry Weller alongside Tate’s Maria Balshaw, Alvin Li, and Jessica Baxter, eschews a traditional retrospective format in favor of a thematic exploration of Emin's personal history. During the press preview, Emin addressed her multicultural heritage—including Turkish Cypriot, Sudanese, and Romanichal roots—and criticized the rise of jingoism and divisive politics in the UK.
The Musée de la Vie romantique in Paris has reopened on February 14th following a €3.8 million renovation. The project, funded by the City of Paris and private donors, restored the 19th-century building—once the home and studio of painter Ary Scheffer—focusing on its timber framework, roof, and façades using traditional techniques. The museum's exhibition has been completely renewed, featuring 300 works from its collection, including 70 recently restored pieces, and incorporates new multimedia elements to immerse visitors in the Romantic period.
A comprehensive list of gallery exhibitions opening and closing in New York City for the week of February 9-15, 2026, has been published. The schedule includes openings at major galleries like Gagosian, Hauser & Wirth, and Matthew Marks, featuring artists such as Michael Heizer, Felix Gonzalez-Torres, and Anish Kapoor, alongside shows at smaller spaces. The list also notes the final weekend to see exhibitions at venues including Tanya Bonakdar Gallery and Alexander Gray Associates.
The National Museum Cardiff is mounting a major survey exhibition of Gwen John (1876-1939), one of the most famous artists in its collection, titled "Gwen John: Strange Beauties." The show marks the 150th anniversary of John's birth in Wales and will be the most comprehensive exhibition of her work in decades, featuring major loans from institutions such as Tate and the Museum of Modern Art in New York. It will travel to Scotland and the US, emphasizing John's interest in form, materials, and color theory, including late watercolours she never sold or exhibited. The exhibition draws on the museum's extensive archive of over 900 drawings, letters, and photographs acquired in 1976, and aims to shift focus from John's biographical narrative—her relationship with Auguste Rodin and reputation as a recluse—to her artistic dedication and technical innovations.

Southwest Florida museums are hosting 39 exhibitions throughout February, with four new openings, three closings, and 32 continuing shows. The lineup includes 'Art Deco: The Golden Age of Illustration' at the Sarasota Art Museum, featuring 100 rare posters from the 1920s and 1930s, as well as solo exhibitions by artists Selina Román and Molly Hatch at the same venue.
A major exhibition tracing the evolution of the European art market from Greco-Roman antiquity to the 19th century is on view, featuring loans from institutions such as the Rubenshuis and the Princely Collections of Liechtenstein, including works by Titian, Rembrandt, Klimt, and Monet. Additionally, a show by Portuguese artist Joana Vasconcelos at PM23 presents her monumental, participatory fabric sculpture *Valkyrie Venus*, created with over 200 contributors from Lisbon and Rome. A dedicated Cézanne exhibition at Fondation Beyeler in Switzerland highlights the artist's posthumous reputation, with early collectors like Rudolf Staechelin and Oskar Reinhart. Other notable exhibitions across Europe include Brancusi in Berlin, Brassaï in Stockholm, Canaletto and Bellotto in Vienna, and Hammershøi in Madrid.

German artist Anselm Kiefer's first major U.S. museum exhibition in 20 years, "Anselm Kiefer: Becoming the Sea," has opened at the Saint Louis Art Museum. The show features 40 works from the past half century, including five towering site-specific canvases in the museum's 1904 Sculpture Hall, with about half the works created in the last five years. Kiefer's Neo-Expressionist pieces blend nostalgia for the Rhine River with homages to the Mississippi, incorporating references to Indigenous Anishinaabe and Wabanaki spirits, Wagner's "Rhinemaidens," and poets Paul Celan and Gregory Corso.

The article reports on the ten most expensive auction lots of 2025, led by Gustav Klimt's 'Bildnis Elisabeth Lederer (Portrait of Elisabeth Lederer)' (1914), which sold for $236.36 million at Sotheby's, making it the second-most-expensive artwork ever sold at auction. The top end of the market rebounded after a quieter 2024, with the 100 most expensive lots totaling $2.13 billion, up from $1.8 billion the previous year. Nine of the top ten lots were sold during the marquee New York sales in November, where Sotheby's, Christie's, and Phillips together generated over $2 billion and set 16 artist auction records. The list includes multiple Klimt works from the collection of American philanthropist Leonard A. Lauder, as well as a Vincent van Gogh still life that sold for $62.71 million.

The Art Institute of Chicago is hosting a special Luminary member event on April 28, 2026, celebrating the exhibition "Matisse's Jazz—Rhythms in Color." The event features curatorial remarks by Emily Ziemba, director of curatorial administration and research curator in Prints and Drawings, followed by exclusive after-hours access to the exhibition. This marks the first time the museum has displayed Matisse's complete Jazz portfolio since acquiring it in 1948, alongside more than 50 paintings, sculptures, and drawings that trace the artist's career-long exploration of color and line.