The Cy Twombly Foundation is presenting six rarely seen early works by Robert Rauschenberg at Gagosian's new Upper East Side gallery in New York. The exhibition includes a fragile 1950 assemblage of twigs and glass, a cyanotype made with his then-wife Susan Weil, a 'Black Painting' from around 1952, and a 1961 assemblage, offering a unique glimpse into a period of the artist's output that he largely destroyed.
Kerry James Marshall's paintings are being offered at Frieze London, with two major works on view at different galleries. Alexander Gray Associates presents Marshall's 1992 painting *A Woman with a Heart of Gold* for $2.9 million, a collage-like work that critiques racial fantasies in mass-market romance. David Zwirner shows the 1990 painting *A Little Romance* priced at $3.2 million, depicting a dreamy reclining figure. Meanwhile, the Royal Academy's exhibition “Kerry James Marshall: The Histories” has drawn enthusiastic repeat visits from dealers and auction-house figures, generating significant buzz during Frieze week.
W magazine's current art issue features Academy Award-winning actress Jennifer Lawrence in a three-part collaboration with French filmmaker and artist Philippe Parreno, American painter Elizabeth Peyton, and German photographer Wolfgang Tillmans. Parreno shot a short film starring Lawrence, Tillmans photographed her at his London studio wearing a T-shirt referencing his Centre Pompidou exhibition, and Peyton painted a portrait of the actress in her signature loose, romantic style. The issue has three different covers, each dedicated to one collaborating artist's work.
Two concurrent exhibitions in New York explore the intersection of art and UFOs, paranormal phenomena, and extraterrestrial life. "Voice of Space: UFOs and Paranormal Phenomena" at the Drawing Center (through February 1, 2026) features some three dozen works from artists including René Magritte and Isa Genzken, with Magritte's 1931 painting "Voice of Space" as the conceptual centerpiece. Meanwhile, "Paintings Made for Aliens Above" at P.P.O.W (through December 20, 2025) presents new works by Romanian artist Hortensia Mi Kafchin, probing technofuturism's promises and failures. The shows include historical pieces like Paulina Peavy's multimedia works co-credited to her personal UFO, and contemporary works by Char Jeré that interrogate technology and consumerism.
The article reports two major developments in the art world. First, the O-1B artist visa in the US is seeing a surge in applications from social media influencers and OnlyFans models, who use follower counts and digital earnings to demonstrate commercial success, a shift that immigration attorneys say is reshaping how artistic merit is defined. Second, the British Museum is hiring a specialist to recover hundreds of stolen artifacts from its Greek and Roman collections, with 654 of an estimated 1,500 missing items already recovered, while a criminal investigation into former curator Peter Higgs continues.
Racquel Chevremont, a model, curator, and reality TV star, has filed a 31-page lawsuit against her former romantic partner, artist Mickalene Thomas, in the Supreme Court of the State of New York. The suit expands on earlier harassment allegations from August, detailing claims of an abusive work environment and financial exploitation. Chevremont alleges that Thomas denied her promised compensation from sales of artworks featuring Chevremont, including a painting that sold for $1.83 million, and that Thomas paid herself significant sums while Chevremont received nothing from their joint company, MT Special Projects (also known as Deux Femmes Noires). Thomas has denied the allegations through a spokesperson, calling them false and a desperate attempt to profit from her reputation.
Artist Colleen Barry presents her exhibition “Iconophilia” at Half Gallery in the East Village, featuring 14 recent paintings that explore motherhood, tenderness, and the complexity of image-making. The works include mythological references like the Capitoline Wolf and juxtapositions of ancient and modern imagery, such as a portrait of Grace Jones combined with the Roman god Janus. Barry, who grew up working class in New York and learned painting from her father, aims to counter contemporary distrust of images—especially among her children—by offering a reverent, iconophilic approach to visual culture.
A new exhibition at London's Barbican Art Gallery, "Dirty Looks: Desire and Decay in Fashion," explores how designers have used dirt, distress, and imperfection as acts of defiance and new forms of beauty. Curated by Karen Van Godtsenhoven, the show features over 60 designers from Alexander McQueen and Maison Margiela to emerging upstarts, tracing anti-fashion movements from the 1980s to contemporary trends like bogcore. It includes a focus on Vivienne Westwood and Malcolm McLaren's 1982 boutique Nostalgia of Mud, which marked a shift from punk nihilism to romantic rebellion.
Kerry James Marshall's paintings are on offer at Frieze London, with two major works appearing on the show floor. Alexander Gray Associates is presenting Marshall's 1992 painting "A Woman with a Heart of Gold" for $2.9 million, a collage built from Harlequin romance novel covers that critiques racial fantasies in mass-market desire. David Zwirner is showing the 1990 painting "A Little Romance" priced at $3.2 million, depicting a reclining figure with floating heads. The sales coincide with the Royal Academy's exhibition "Kerry James Marshall: The Histories," which has generated significant buzz among dealers and collectors, with some attending multiple times.
Lost John Constable Painting Rediscovered in Texas Bound for Auction
A long-lost, large-scale oil study by John Constable for his famous painting *The Cornfield* has been rediscovered and authenticated after decades in a rural Texas museum. Scientific analysis, including pigment tests and infrared reflectography, confirmed the materials and techniques match Constable's own, leading experts to declare it the largest known study for the 1826 masterpiece. The work, which had been mistakenly cataloged as a copy, will now be auctioned by Heritage Auctions in Dallas this June.
Jeffrey Epstein commissioned a large-scale reproduction of Cornelis Cornelisz van Haarlem's 1591 painting 'The Massacre of the Innocents' for the entrance of his New Mexico ranch. The $1,999 copy, depicting Roman soldiers killing infants, was ordered in 2010 from the reproduction company Ocean's Bridge Group and was requested to be shipped by his assistant in 2011.
Journalist Bianca Bosker went undercover as a studio assistant for painter Julie Curtiss and other artists, revealing the gritty, athletic reality behind art-making—a world of blood, sweat, and sleepless nights. The article explores how mounting financial pressures, especially for sculptors and installation artists like Ivana Bašić, Erwin Wurm, and Lindsey Mendick, force tough decisions about studio space and production. Bašić, despite critical acclaim, lost a subsidized Dumbo studio and now outsources production to keep costs down, while a growing number of established artists pass on wisdom through residencies and assistant teams.
This article explores the rediscovery of Roman sculpture during the Renaissance and its profound influence on artists like Raphael, Donatello, Michelangelo, and Leonardo da Vinci. It details how Roman sculptors, inspired by Greek methods after the conquest of Greece in 146 B.C.E., created highly realistic works that served both artistic and political purposes, glorifying emperors and reinforcing imperial power. The piece highlights six iconic Roman sculptures—including the Equestrian Statue of Marcus Aurelius, the Colossus of Constantine, Trajan's Column, and the Augustus of Prima Porta—describing their historical context, artistic features, and enduring legacy.
Annunciati i candidati al Festival di Cannes 2026 (pure qui niente italiani, come alla Biennale)
The 79th edition of the Cannes Film Festival has unveiled its official selection for 2026, scheduled to run from May 12 to 23. Led by President Iris Knobloch and General Delegate Thierry Frémaux, the festival will open with Pierre Salvadori’s 'La Vénus électrique,' a romantic comedy set in 1928 Paris centered on a painter who loses his inspiration. The competition lineup features a global array of heavyweights, including new works by Pedro Almodóvar, Ryusuke Hamaguchi, Hirokazu Kore-eda, and Asghar Farhadi.
Albrecht Dürer’s monumental "Triumphal Arch," a 13-foot-tall woodcut commissioned by Holy Roman Emperor Maximilian I in 1512, is entering long-term storage at the New York Public Library this fall. The work has been a centerpiece of the library’s Polonsky Treasures exhibition since 2021, but its extreme fragility and age necessitate its removal from public view on October 18.
Artist Kara Walker has transformed a decommissioned monument of Confederate General Stonewall Jackson into a new, grotesque sculpture titled "Unmanned Drone" (2023). After curator Hamza Walker secured the bronze statue from Charlottesville, Virginia, the artist reconfigured its parts at a New York foundry to create a 12-foot horse-man hybrid that subverts traditional heroic iconography. The work is currently the centerpiece of the "Monuments" exhibition at the Brick in Los Angeles, co-presented by MOCA LA.
Molly Ringwald joined other notable figures at Paula Cooper Gallery in Chelsea for a reading of Sophie Calle's project "On the Hunt," which excerpts personal ads from the French hunting magazine *Le Chasseur français* (1895–2010). The event, co-hosted by the *New York Review of Books*, doubled as a singles mixer, with attendees wearing dots to signal availability. Ringwald read ads in their original French, while others like Vivian Gornick and Daniel Kehlman read translations. Calle appeared via Zoom from her bed in Paris.
Sophie Calle's latest project, *On the Hunt*, transforms personal ads from the French hunting magazine *Le Chasseur français* (1895–2010) into an exhibition that reveals changing desires and the universality of longing. At Paula Cooper Gallery in Chelsea, the New York Review of Books hosted a reading of these ads, with actress Molly Ringwald, critic Vivian Gornick, and other writers participating. Ringwald read the ads in their original French, while others offered translations, and Calle joined via Zoom from Paris. The event also served as a singles mixer, with attendees wearing dots to signal availability.
Van Doren Waxter in New York is hosting "Portraits," a solo exhibition dedicated to the late American abstract painter Jackie Saccoccio. The show features five paintings and seven works on paper that showcase Saccoccio’s mature style, characterized by a physically demanding process of dragging, pressing, and dripping paint. These works bridge the gap between gestural abstraction and the psychological depth of traditional portraiture, drawing inspiration from both Abstract Expressionism and Roman Baroque aesthetics.
The article presents a curated guide to ten essential artworks in Dresden, Germany, highlighting the city's recovery from World War II devastation to reclaim its status as a Kunststadt (city of art). It focuses on masterpieces housed in the Staatliche Kunstsammlungen Dresden (SKD), including Raphael's *Sistine Madonna* (1512/13) at the Gemäldegalerie Alte Meister, Caspar David Friedrich's *The Great Enclosure* (1832) at the Albertinum, and a tiny cherry pit with 185 carved heads from the Grünes Gewölbe. The piece traces Dresden's golden age under rulers Augustus the Strong and Frederick Augustus II, whose acquisitions built one of Europe's most celebrated art collections.
The Victoria and Albert Museum (V&A) in London has admitted to removing maps and images from two exhibition catalogs following censorship demands from a Chinese printing firm. Documents revealed that C&C Offset Printing flagged content in the catalogs for the exhibitions "Music Is Black" and "Fabergé: Romance to Revolution" as violating Chinese law. The censored items included a 1930s map of British trade routes and a photograph of Vladimir Lenin, which the printer claimed could not be produced under Beijing’s strict regulations.
The British Museum has sent approximately 80 artifacts on long-term loan to the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (CSMVS) in Mumbai, India. The loan includes an ancient Egyptian wooden riverboat model, Sumerian statues from 2200 BCE, a Roman mosaic from London, and a marble bust of Emperor Augustus. It is the largest loan of ancient material to India and the first such deal between the British Museum and a non-Western museum. The exhibition aims to counter "colonial misinterpretation" by emphasizing India's contributions to civilization.
The article reports on three major acquisitions and donations in the art world. The Mississippi Museum of Art and Crystal Bridges Museum of American Art jointly acquired an 'exceptionally rare' portrait of Frederick, an enslaved person in pre-emancipation Mississippi, painted around 1840 by C.R. Parker. The portrait sold for $508,750 at Neal Auction Company. Separately, entrepreneur and collector Hermann Gerlinger donated 42 works by the German Expressionist group Die Brücke to Kunstsammlungen Chemnitz, including a marriage portrait by Karl Schmidt-Rottluff. Additionally, the family of late Korean artist Suki Seokyeong Kang donated around 400 of her works to Ewha Womans University in Seoul, where she studied and taught.
London’s Victoria and Albert Museum (V&A) has come under fire following reports that it altered exhibition catalogues to comply with Chinese government censorship. To reduce production costs, the museum utilized printers in China, which are subject to Beijing’s General Administration of Press and Publication (GAPP) regulations. Consequently, the museum removed historical maps and an image of Vladimir Lenin from publications for the "Music is Black" and "Fabergé: Romance to Revolution" exhibitions after they were flagged by Chinese authorities.
Archaeologists conducting surveys for an offshore wind farm project in Norfolk, England, have discovered a significant Roman villa dating back to the 1st through 3rd centuries C.E. The expansive estate, which measures over 100 feet in length, featured a bathhouse, a covered porch, and ancillary buildings for crop processing. Excavations also yielded high-status artifacts including an ornate bronze door handle, a lion-headed furniture foot, and imported pottery, alongside evidence of a Roman road and two lost medieval villages.
Egypt’s Ministry of Tourism and Antiquities unveiled the newly restored Colossi of Memnon, two monumental quartzite statues of Pharaoh Amenhotep III, at the entrance of his 86-acre Luxor tomb site. The restoration, led by German-Armenian archaeologist Hourig Sourouzian and involving Waseda University, the German Archaeological Institute in Cairo, Johannes Gutenberg University Mainz, and the World Monuments Fund, began in 2006 after decades of damage from earthquakes, floods, and looting. The team cleaned, 3D-scanned, and reassembled the statues using original fragments and new additions, also uncovering nearly 300 other sculptures and fragments. The Colossi now stand 45 feet tall, with the pharaoh depicted in royal regalia alongside smaller figures of his wives.
The Metropolitan Museum of Art has announced a major summer exhibition titled "Giacometti in the Temple of Dendur," featuring 17 sculptures by the 20th-century Swiss master Alberto Giacometti. The show, organized in collaboration with the Fondation Giacometti, will place the artist's iconic slender bronze figures within and around the first-century BCE Roman Period Egyptian temple. The installation includes significant loans such as "Femme qui marche I" and "Femme de Venise I," marking a rare dialogue between modern existentialist sculpture and ancient architectural history.
Art Problems: How Do I Get Gallery Representation?
Paddy Johnson, in a Hyperallergic advice column, demystifies the process for artists seeking gallery representation. She explains that galleries primarily seek artists with proven sales records to mitigate their own high financial risks, such as exorbitant rent and operational costs. Johnson advises artists to build this track record independently by selling work themselves or securing spots in low-pressure group shows, then aggressively promoting those exhibitions to demonstrate market potential to dealers.
Mappatura delle mostre da vedere a Roma durante il periodo di Pasqua 2026
Rome's cultural institutions are presenting a diverse lineup of exhibitions for the Easter 2026 holiday period. Major shows include 'Treasures of the Pharaohs' at the Scuderie del Quirinale, a Hokusai retrospective at Palazzo Bonaparte, 'Flowers. From the Renaissance to Artificial Intelligence' at the Chiostro del Bramante, 'Bernini and the Barberini' at the Gallerie Nazionali Barberini Corsini, a show on Roman villas and gardens at Palazzo Braschi, and 'Impressionism and Beyond' at the Museo dell'Ara Pacis.
Artist Joe Moss presents his installation 'Automated Fantasy Procedure' at Matt's Gallery in London. The work features a squadron of choreographed drones, two-channel videos with actors portraying figures like a Caspar David Friedrich-inspired wanderer, and a Roman-style mosaic, all experienced in scheduled ten-minute replays designed to mimic the overwhelming sensation of scrolling through a smartphone.