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8 Must-See Art Exhibitions in Tokyo This May

This article, published by Tokyo Weekender, lists eight art exhibitions opening in Tokyo during May. The featured shows span a range of venues and styles, including a solo presentation by Yayoi Kusama at the National Art Center, a group show of contemporary Japanese photography at the Tokyo Photographic Art Museum, and an installation by teamLab at their borderless digital art museum. Other highlights include a retrospective of the Gutai movement at the Museum of Contemporary Art Tokyo and a showcase of emerging artists at the Mori Art Museum.

At MAXXI L'Aquila, exhibition dedicated to Ai Weiwei recounts catastrophes and memory

From April 29 to September 6, 2026, MAXXI L'Aquila presents "AI WEIWEI: Aftershock," an exhibition curated by Tim Marlow featuring approximately seventy works by Chinese artist, architect, and activist Ai Weiwei. The show spans his entire career, focusing on themes of earthquakes, wars, political repression, and memory. The centerpiece is the installation "Straight" (2009–2012), made from 150 tons of steel rods recovered from schools that collapsed in the 2008 Sichuan earthquake, displayed across three rooms. The exhibition is held at Palazzo Ardinghelli, a Baroque building that houses MAXXI L'Aquila and was itself restored after the 2009 L'Aquila earthquake, creating a dialogue between the works and the building's history of recovery.

Exhibition | William Turnbull, 'Origins (1946–1959)' at Karma, Chelsea, New York, United States

Scottish artist William Turnbull (1922–2012) is the subject of a new exhibition titled 'Origins (1946–1959)' at Karma gallery in Chelsea, New York. The show surveys Turnbull's early career, focusing on the transformative period after World War II when he moved between Surrealist Paris and Abstract Expressionist New York. It features key works such as the sculpture 'Horse' (1946), inspired by a Parthenon marble at the British Museum, and 'Playground (Game)' (1949), reflecting his interest in phenomenology and movement. The exhibition traces his evolution from an illustrator and Slade School student to a sculptor and painter who engaged elemental forms like the horse, standing figure, and human head.

SWANSEA: British Art Show 10 confirmed for Glynn Vivian next year — the only Welsh stop on a national tour featuring artists from Tracey Emin to Grayson Perry

Swansea has been confirmed as the only Welsh stop on the British Art Show 10 national tour, with the exhibition taking place at the Glynn Vivian Art Gallery from February 12 to May 16, 2027. Titled 'A Chorus of Strangers,' the show will also feature venues including the new home for Elysium Gallery and potentially Y Storfa, and will explore themes of Moments of Being, Ways of Living, and States of Nature across various media. Curated by Ekow Eshun, the tour launches in Coventry in October 2026 before visiting Swansea, Bristol, Sheffield, and Newcastle-Gateshead.

Exhibition | Tristan Unrau, 'Hopes and Fears' at David Kordansky Gallery, Los Angeles, United States

David Kordansky Gallery in Los Angeles presents 'Hopes and Fears,' a solo exhibition of new paintings by Tristan Unrau from March 19 to April 25, 2026. This is the artist's first show with the gallery and his most ambitious presentation to date, occupying three spaces at the venue.

Peter Halley - Jablonka Gallery, Koln vintage poster (Hand Signed by Peter Halley) , 1988

A rare 1988 vintage silkscreen exhibition poster by Peter Halley, published for his show at Jablonka Galerie in Cologne, has surfaced on the secondary market. The work is notably hand-signed and dedicated by the artist to fellow artist Bill Radawec, distinguishing it from standard mass-produced exhibition ephemera. Halley, a central figure of the 1980s Neo-Geo movement, is recognized for his 'cell' and 'conduit' paintings that critique social and technological structures.

Ed Ruscha | A Particular Kind Of Heaven (1983) | Art & Prints

Ed Ruscha's 1983 work "A Particular Kind Of Heaven" is being offered at auction through Tate Ward, with current bidding at £100. The piece is an exhibition poster from the Fine Arts Museums of San Francisco, measuring 61 x 92 cm, and is part of Tate Ward's Urban and Contemporary Art London sale. The listing also shows multiple other Ruscha works available from various sellers, including posters and prints from EHC Fine Art Auction, Blond Contemporary, and Baldwin.

Richard Lewer Wins 2026 Archibald Prize

The Art Gallery of New South Wales (AGNSW) named Richard Lewer the winner of the 2026 Archibald Prize on May 8. Lewer, a New Zealand-born, Melbourne-based artist and six-time finalist, won the AU$100,000 prize for his life-size portrait of Pitjantjatjara elder, senior artist, and traditional healer Iluwanti Ken. The jury of AGNSW trustees selected the work unanimously from 59 finalists culled from 1,034 entries. Additional prizes were awarded: Gaypalani Waṉambi won the Wynne Prize for The Waṉambi tree, Lucy Culliton won the Sulman Prize for Toolah, artist model, and Sean Layh won the Packing Room Prize for his portrait of actor Jacob Collins.

As Her Venice Biennale Opens, Koyo Kouoh Foundation Launches in Memory of Late Curator

The Koyo Kouoh Foundation has launched in Basel, Switzerland, coinciding with the opening of the 2026 Venice Biennale, which features the late curator Koyo Kouoh's main exhibition "In Minor Keys." The foundation aims to continue Kouoh's work supporting contemporary African cultural production globally, including plans for the Koyo Kouoh Prize and a permanent home for the Koyo Kouoh Collection. It is led by her partner, saxophonist Philippe Mall, and includes board members such as artist Alfredo Jaar, curator Adrienne Edwards, and former Kunstmuseum Basel director Josef Helfenstein.

Here’s Why the Venice Biennale Main Show Lost One Artist During the Planning Stages

The Venice Biennale's main exhibition, curated by the late Koyo Kouoh, originally included 111 artists when announced in February, but now lists only 110. ARTnews reveals that the removed artist is Bodys Isek Kingelez, a Congolese sculptor known for his colorful cardboard "extreme maquettes" of fantastical cities. A Biennale spokesperson stated that works initially considered for Kingelez were ultimately unavailable. Kingelez, who died in 2015, was to be one of the few deceased artists in the show, alongside figures like Marcel Duchamp and Issa Samb.

At the Venice Biennale, Koyo Kouoh’s ‘In Minor Keys’ Looks Deeply at Lush Gardens and a Scarred Earth

Koyo Kouoh's exhibition 'In Minor Keys' at the 2026 Venice Biennale centers on the practices of two deceased artists, Issa Samb and Beverly Buchanan, whose ways of thinking animate the show through dedicated 'Shrines' in the Central Pavilion. The exhibition also draws on Marcel Duchamp's legacy, featuring works by over a dozen contemporary artists including Akinbode Akinbiyi, Guadalupe Rosales, Natalia Lassalle-Morillo, Guadalupe Maravilla, Sofía Gallisá Muriente, and Avi Mograbi, whose installation 'Between a River and a Sea' contrasts pre-1948 business directories with a 2023 Gaza Yellow Pages. A section called 'The Schools' highlights artist-run spaces such as Denniston Hill, Guest Artists Space (G.A.S.) Foundation, blaxTARLINES, and the Nairobi Contemporary Art Institute.

Claude Monet’s Market Triumph: 12 Record‑Smashing Paintings That Define an Era

Claude Monet's market dominance is analyzed through twelve record-breaking paintings sold at auction over the past decade, led by *Meules (Haystacks)* (1890), which achieved $110.7 million at Sotheby's New York in 2019—a record for any Impressionist work. The article highlights key sales including *Le Bassin aux Nymphéas* (1919) at $80.45 million, *Nymphéas* (1906) at $54 million, and *Le Pont du chemin de fer à Argenteuil* (1873–74) at $41.4 million, tracing how Monet's serene yet radical landscapes have consistently commanded top prices across Christie's and Sotheby's.

LACMA Responds to Anger Over Pedro Reyes Sculpture, New Louvre President Reveals His Plans, and More: Morning Links for May 6, 2026

A sculpture at LACMA's new David Geffen Galleries has sparked controversy. Pedro Reyes's large stone work *Tlali* (2026) resembles a 2021 project for Mexico City that was canceled because Reyes is not Indigenous. A letter signed by nearly 80 people accuses LACMA of lacking "memory" for displaying the piece. LACMA defends the work as "entirely different in purpose and meaning," and director Michael Govan suggested the figure may be androgynous, not female. Separately, new Louvre president Christophe Leribault outlined plans to reduce contemporary art projects and acquisition spending, while a jury will select an architect for the Louvre-Nouvelle Renaissance renovation. Other news includes Georg Baselitz's final exhibition at Fondazione Giorgio Cini, a planned strike at the Venice Biennale's Israel Pavilion, and the Lucas Museum's first "Star Wars" exhibition.

Ken Griffin Acquires Another Copy of the US Constitution, Union Files Charges Against Kennedy Center for Layoffs, and More: Morning Links for May 5, 2026

Billionaire Ken Griffin has acquired a second original copy of the US Constitution via a private sale for an undisclosed amount, making him the owner of the only two known surviving copies in private hands. The first copy, purchased for $43.2 million in 2021, is on view at the National Constitution Center in Philadelphia, while the second will be exhibited at the South Street Seaport Museum in Manhattan starting May 27 as part of a show on American history for the country's 250th anniversary. Separately, a union for the John F. Kennedy Center for the Performing Arts has filed unfair-labor-practice charges with the National Labor Relations Board, accusing the center of unlawfully firing dozens of employees under the guise of a planned two-year closure for renovations.

Metropolitan Museum of Art Announces $23M. Gift from Top 200 Collectors Jennifer Rubio and Stewart Butterfield

Jennifer Rubio and Stewart Butterfield, both listed on ARTnews's Top 200 Collectors, have pledged $23 million to the Metropolitan Museum of Art. Rubio, founder of Away, and Butterfield, co-founder of Flickr and Slack, made the donation just two months after Rubio became a Met trustee. The gift will fund the museum's internship program, ensuring all undergraduate and graduate internships are fully paid positions, building on a previous $5 million gift from Adrienne Arsht.

Trevor Paglen’s New Book Says AI Is Rewriting What Images Do

Artist Trevor Paglen has published a new book, *How to See Like a Machine: Images After AI*, which argues that generative AI and computer vision are fundamentally changing how images function in culture. Drawing on his decade-long practice, Paglen contends that images are no longer merely representations for human interpretation but have become operational tools—'activations' that trigger automated responses and shape reality. He cites examples such as surveillance cameras at grocery stores, the Samsara navigation system in trucks, and the ImageNet database to illustrate how machine vision systems normalize surveillance in service of capital, a phenomenon he terms 'machine realism.'

Lucas Museum Reveals First Set of Exhibitions Curated by Founder George Lucas

The Lucas Museum of Narrative Art in Los Angeles has announced its inaugural exhibitions, curated by founder George Lucas, ahead of its September opening. The initial hang will feature around 12,000 objects from the museum's collection of over 40,000, displayed across 30 galleries in the 300,000-square-foot building. Thematic galleries will highlight specific artists such as Thomas Hart Benton, Norman Rockwell, and N.C. Wyeth, as well as mediums like cinema, photography, muralism, and comics. Broader themes include "Everyday Life," "Narrative Forms," and "Western Stories."

Advocates Try to Save Brutalist Fountain in San Francisco, José Aparicio Painting Returns to Prado Museum: Morning Links for April 30, 2026

This ARTnews Morning Links roundup covers multiple art-world stories from April 30, 2026. A new Banksy sculpture appeared in London's Waterloo Place, depicting a suited man marching off a plinth with a flag covering his face, though Banksy had not confirmed the work. Italian Culture Minister Alessandro Giuli ordered inspectors to the Venice Biennale headquarters amid intensifying scrutiny over Russia's participation, following internal emails suggesting sanctions were circumvented. Obituaries note the deaths of German 'total artist' Timm Ulrichs at 86 and Japanese sculptor Shigeo Toya at 78. A José Aparicio painting, 'The Year of the Famine in Madrid' (1818), returned to the Prado Museum after 150 years. In San Francisco, a group called Friends of the Plaza filed an appeal to block dismantling of the Vaillancourt Fountain. A feature in Cultured Magazine explores Bucharest's ambitions as a global arts hub through the Romanian Art Dealers fair.

7 Books We’re Looking Forward to in May

ARTnews has published a list of seven art books to look forward to in May 2026, covering a wide range of topics from contemporary theory and AI imagery to historical biographies and the Venice Biennale. Featured titles include Dena Yago's collected writings 'That Figures,' Victoria Johnson's biography of Frederic Church 'Glorious Country,' Trevor Paglen's 'How to See Like a Machine,' Nicholas Fox Weber's 'Anni Albers: A Life,' Massimiliano Gioni's 'High Waters: An Oral History of the Venice Biennale,' Rennie McDougall's 'Nonstop Bodies: How Dance Shaped New York City,' and Paul Elie's 'Last Supper: Art, Faith, Sex and Controversy in the 1980s.'

Whistleblower Complaint Alleges Misconduct at Palm Springs Art Museum, Where an Ex-Trustee Describes a ‘Shattered Moral Compass’

An anonymous whistleblower has filed a complaint alleging misconduct by leadership at the Palm Springs Art Museum, including improper movement of funds between accounts to address cash shortages, the forced resignation of a former director based on fabricated staff complaints, and a failure to properly interview external candidates for the director position. The complaint, forwarded to ARTnews, also references a $3 million discrepancy in the reported endowment value and the departure of several trustees, leaving the board below its required size. The museum has formed a special committee to investigate the allegations, which were first reported by the Los Angeles Times in November 2025.

An Inside Look at Realizing Koyo Kouoh’s Venice Biennale Exhibition and More: Morning Links for April 29, 2026

The article reports on the 2026 Venice Biennale proceeding without its curator Koyo Kouoh, who died last May from liver cancer. Her husband Philippe Mall and son Djibril Schmed agreed with Biennale president Pietrangelo Buttafuoco to continue the exhibition, which opens to the public on May 9. Elsewhere, a Chicago judge sentenced Robert Dunlap to 23 years for a cryptocurrency scam claiming to be backed by artworks by Picasso, Dalí, and van Gogh. A Renoir painting once owned by the Duchess of Alba is returning to Spain, and a robot docent named R1 debuted at Palazzo Madama in Turin.

Aspen AIR Festival to Feature Lucy Raven, Camille Henrot, Los Thuthanaka, Morgan Bassichis, and More

The Aspen AIR Festival returns for its second edition from July 27-31 in Aspen, Colorado, featuring performances, exhibitions, and talks under the theme “Figures in a Landscape.” Returning artists include Matthew Barney, who will present sculptures related to his TACTICAL parallax performance, and Lucy Raven, who will show her film Murderers Bar with a new score by Deantoni Parks. New commissions include Camille Henrot’s operatic work Commedia dell’arte, a performance by Los Thuthanaka blending Andean sounds with electronics, and a piece by Kali Malone and Stephen O’Malley originally created for the Holy See Pavilion at the Venice Biennale. The festival also includes talks by Adrián Villar Rojas, Lyle Ashton Harris, Ivan Cheng, Morgan Bassichis, and a keynote by filmmaker Julie Dash.

A Long-Running Case Centering on Alleged Robert Indiana Forgeries Is Resolved with a $102 M. Settlement

A New York jury has awarded $102.2 million in damages to the Morgan Art Foundation in a long-running copyright and forgery case against art publisher Michael McKenzie. The jury found that McKenzie created unauthorized and altered versions of works by Pop artist Robert Indiana, including multiple iterations of Indiana's iconic LOVE prints and sculptures, as well as works such as *The Ninth American Dream* (2001), *USA FUN* (1965), and a sculpture titled *BRAT*. The lawsuit, which began in 2018 shortly before Indiana's death at age 89, alleged that McKenzie and others sought to isolate the artist and profit from selling forged works. McKenzie's lawyer indicated he may appeal.

How an Artist and Museum Conspired to Give a Delivery Worker What the Apps Won’t: PTO

Artist Fields Harrington, after witnessing a delivery worker get hit by a car in Brooklyn, began photographing the customized bikes of New York City's delivery workers, capturing their gloves, reflective tape, and cultural markers. His series is now featured in MoMA PS1's "Greater New York" exhibition. In a direct act of reciprocity, Harrington convinced the museum to rent a delivery worker's bike and pay its owner, Gustavo Ajche, his usual wage of $21.44 per hour during museum hours. For one week each month, the bike is displayed, and every 21 minutes and 44 seconds, a notification ding sounds, referencing the wage Ajche and his group Los Deliveristas Unidos fought for.

Judd Foundation Taps Copper Hewitt Curator as New Director of Design

The Judd Foundation has appointed Alexandra Cunningham Cameron as its first director of design, a new role overseeing Donald Judd Furniture LLC. Cameron, currently a curator of contemporary design at the Cooper Hewitt, Smithsonian Design Museum in New York, will start on April 27, guiding product development, operations, and strategic growth for the foundation's furniture line, which produces over 70 designs based on Donald Judd's original specifications.

Gladstone Gallery to Relocate in Seoul, Doubling Exhibition Space

Gladstone Gallery is relocating its Seoul location to the Hannam-dong neighborhood later this year, doubling its exhibition space. Designed by architect Minsuk Cho of Mass Studies, the new outpost will occupy two floors of the 739-28 Hannam Building, across from Pace Gallery and near the Leeum Museum of Art. The space is set to open in late summer ahead of Frieze Seoul in September, with a solo exhibition by Ed Atkins—his first in the city—inaugurating the gallery. Gladstone first opened in Seoul's Gangnam district in 2022, joining a wave of Western galleries entering the Korean market.

An Auction Without Bidding: Loïc Gouzer’s Latest Bet on How to Sell Art

Loïc Gouzer's auction app Fair Warning is launching a new sales format called "No Warning." The system eliminates bidding wars; a work is listed with a price, and buyers can either purchase it immediately or submit a single, binding offer. The highest offer is presented to the seller, who decides to accept or reject it, with no public record of the sale unless disclosed by the parties. The first test of the format is a 1999 Elizabeth Peyton watercolor priced at $400,000.

Venice Biennale’s 2026 Golden Lion Jury to Be Led by Videobrasil Founder

The Venice Biennale has announced the five-member jury for its 2026 edition, which will award the prestigious Golden Lion prizes. The jury president is Solange Oliveira Farkas, founder of the Videobrasil Biennial, and she will be joined by curators and academics Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi.

Top 200 Collector Mitchell Rales Gifts $116 M. to National Gallery if Art for Lending Program

Top 200 art collector and National Gallery of Art trustee Mitchell Rales has donated $116 million to permanently endow the museum's 'Across the Nation' lending program. The initiative loans artworks from the National Gallery's collection to regional museums across the United States, covering all associated costs.

The Iran War Is Already Tanking Luxury Sales in the Gulf—Could Art Be Next?

Escalating military conflict between the US, Israel, and Iran, which has included strikes on Gulf states, is disrupting the region's burgeoning art market. Major events like Art Dubai have been postponed and scaled back significantly due to exhibitor withdrawals, and planned fairs like Frieze Abu Dhabi face uncertainty. The instability has also caused a sharp spike in shipping and insurance costs for artworks moving through the region.