Walter Pichler's exhibition "Die Bleche und ich gehen heim" (The Sheets of Metal and I Are Going Home) is being presented at Contemporary Fine Arts in Basel. The show features a significant body of the artist's work, stemming from a long-standing relationship between the gallery and Pichler that began with an invitation in 1994.
Chinese artist Ding Yi, who first appeared at the Venice Biennale in 1993 as part of the inaugural Chinese contemporary art exhibition, has returned to Venice with his first solo show in the city, titled “Cosmotechnics: Ding Yi as a Planetary Code” at Fondazione Querini Stampalia. The exhibition, referencing philosopher Yuk Hui's concept of cosmotechnics, traces Ding Yi's abstract visual language from the 1980s to the present, featuring new and historic works that engage with the modernist architecture of Carlo Scarpa. In an interview with ArtAsiaPacific during the 61st Venice Biennale preview week, Ding Yi reflects on the evolution of his practice, his travels, and the deep perceptual frameworks of ancient civilizations.
Steven Soderbergh discusses his new film *The Christophers* (2025), which follows a cantankerous artist and his young assistant tasked with forging his unfinished works, exploring themes of authorship, originality, and the ethics of art-making. In an interview with ArtReview, Soderbergh also addresses his recent use of AI in a documentary about John Lennon, defending the technology as a creative tool akin to his own filmmaking process, and reflects on his career spanning genres from indie dramas to studio blockbusters.
Ed Ruscha's 1968 exhibition catalogue 'Billy', designed for a show of works by his friend Billy Al Bengston, is being offered for sale. The catalogue features a flocked sandpaper cover, satin ribbon bookmark, and machine screw and hex nut binding, and was published by the Los Angeles County Museum of Art for an exhibition that traveled to the Corcoran Gallery of Art and the Vancouver Art Gallery. The work is listed on an art marketplace platform with a price of €62,600, and the listing includes details about its condition, provenance, and the artist's broader career.
Eileen Harris Norton, a foundational figure in the Los Angeles art scene, is being celebrated with a major exhibition of her collection at Hauser & Wirth. The show, "Destiny Is a Rose: The Eileen Harris Norton Collection," features over 80 works, many from her home, highlighting her five-decade commitment to collecting artists who were often her friends and neighbors, particularly women, artists of color, and Southern California-based artists.
Alex Da Corte has resurrected his inflatable sculpture "Kermit the Frog, Even" for Art Basel Paris, displayed at Place Vendôme through October 26. The work references the 1991 Macy's Thanksgiving Day Parade incident where the Kermit float was deflated by a lamppost or tree, leaving its head sagging. Da Corte first debuted the piece in Buenos Aires in 2018 for the Art Basel Cities exhibition curated by Cecilia Alemani. The artist, known for mining children's media like Mr. Rogers and Sesame Street, also activated the sculpture with performers for the first time in Paris, navigating wind and rain during the performance.
Steve Wilson, founder of 21c Museum Hotels, and his wife Laura Lee Brown share their eclectic art collection in a CULTURED interview. Wilson recounts his early start in collecting with a Picasso poster bought as a college freshman after a discouraging art teacher, and how he and Brown now live with over 100 works in their Kentucky home, including provocative pieces like Kendell Geers’s champagne glasses cast from the artist’s erect penis. The couple’s collection also spans works by Kehinde Wiley, David Hockney, Andy Warhol, and many others, displayed salon-style across their residence.
Artnet News's Talentspotter feature profiles six emerging Asian artists shaping contemporary art. The artists, including Chen Ronghui, Steph Huang, and Cole Lu, explore themes of urbanization, migration, identity, and consumer culture through photography, sculpture, and installation.
Artnet Pro's Talentspotter feature highlights seven Asian artists pushing boundaries in contemporary art through diverse media such as 3D printing, VR, photography, and large-scale installation. The artists include Hà Ninh Pham from Vietnam, who creates speculative topographical works and virtual games, and Heecheon Kim from South Korea, who examines digital cognition and reality using GPS, AR, and VR. The article provides critical and market insights into each artist's practice, background, and recent exhibitions, originally published in the Asia Pivot newsletter.
Gabriel Chaile's adobe sculptures are currently on view at Marianne Boesky Gallery in New York, as part of a world tour that has seen his work exhibited across multiple continents. The artist, who draws inspiration from pre-Columbian communities in northwest Argentina, creates towering, creature-like forms coated in adobe that leave dust everywhere during installation. His career has expanded rapidly since his inclusion in Cecilia Alemani's 2022 Venice Biennale, with recent commissions in Montana, Uruguay, Spain, Saudi Arabia, and Berlin, and an upcoming participation in the Biennale of Sydney.
Louise Fishman (1939–2021), a Queer Jewish abstract painter who deliberately distanced herself from the macho tradition of Abstract Expressionism, is the subject of a new exhibition at New York’s Van Doren Waxter. Titled “Louise Fishman: Always Stand Ajar,” the show features 10 late paintings from 2003 to 2013, all titled after verses by American poets Emily Dickinson and Wallace Stevens. The works, priced from $75,000 to $290,000, are part of an effort by Fishman’s widow, Ingrid Nyeboe, to cement the artist’s legacy as an unsung “Queer queen of abstraction.” The gallery began representing Fishman’s estate in 2024, and this is its first show dedicated to her.
Feminist art collective Hilma's Ghost, composed of artists Dannielle Tegeder and Sharmistha Ray, inaugurated a 600-square-foot mosaic mural titled "Abstract Futures" at the 42nd Street entrance to the 7 train in Manhattan's Grand Central Station. The unveiling, held during Frieze Week, included a ritual where the artists chanted whispers into the colorful glass artwork to charge it with spiritual energy. The collective, which began working together during lockdown, draws inspiration from Swedish spiritual painter Hilma af Klint and debuted at New York's Armory Show in 2021. The mosaic, commissioned by MTA Arts and Design and fabricated by Miotto Mosaic Art Studios, incorporates symbolism from tarot cards.
The New Art Centre at Roche Court Sculpture Park in Wiltshire is presenting “Nao Matsunaga: A Year’s Thought,” a solo exhibition of the Japanese artist’s multidisciplinary work. The show features glazed porcelain sculptures and recent works made from timber sourced from the park itself, continuing a dialogue with the artist that began with his 2017 exhibition “Blue & White” at the same gallery. Matsunaga, who studied at the University of Brighton and the Royal College of Art, is known for his contemplative practice exploring form, material, and finish.
Khaled Sabsabi, the artist representing Australia at the 61st Venice Biennale (2026), will exhibit works both in the Australia Pavilion in the Giardini and in the main Biennale exhibition titled "In Minor Keys." His pieces explore spirituality, migration, and shared humanity through Tasawwuf (Sufi) sensibilities, emphasizing flux and collective experience. Sabsabi is the first Australian artist to have work in both the national pavilion and the main exhibition in the same year, and he honors the curatorial vision of the late Koyo Kouoh.
A Mark Rothko painting, *Brown and Blacks in Reds* (1957), formerly owned by the late influential art dealer Robert Mnuchin, sold at Sotheby’s on Thursday night for $85.8 million. The work hammered at $74 million, falling short of the upper end of its $70–$100 million estimate, but with premium fees it became the second-most expensive Rothko ever sold at auction, narrowly missing the artist’s record of $86.9 million set by *Orange, Red, Yellow* (1961) in 2012. The painting was part of a sale devoted to Mnuchin’s collection, which also included works by Willem de Kooning, Pablo Picasso, Franz Kline, and Jeff Koons.
The Christophers is a new film starring Ian McKellen as Julian Sklar, a once-celebrated 1970s painter who has become a social pariah and reality TV villain. The plot follows a 'reverse art heist' where Sklar’s estranged children hire a restorer and former forger, played by Michaela Coel, to secretly finish a series of nine incomplete portraits of his former lover. The goal is to inflate the works' market value so they can be 'discovered' as masterpieces upon the aging artist's death.
Takashi Murakami’s latest exhibition at Perrotin Los Angeles, titled “Hark Back to Ukiyo-e: Tracing Superflat to Japonisme’s Genesis,” marks a significant return to his academic roots in Nihonga (traditional Japanese painting). The show features 24 compositions, including four monumental canvases that took over three years to complete, blending Edo-period woodblock aesthetics with 19th-century Impressionism and contemporary Pokémon imagery. The artist describes this body of work as a reflection on the non-linear nature of time and the physical manifestation of memory.
Anish Kapoor has announced plans to launch a large-scale sculpture into space, a project he estimates will cost nine figures. While details of the artwork remain secret, Kapoor suggested it might involve mirrors and aims to be a "useless" yet "magical" poetic occupation of the cosmos. He confirmed his backers are "not necessarily American" and explicitly stated Elon Musk is not involved.
Journalist Bianca Bosker went undercover as a studio assistant for painter Julie Curtiss and other artists, revealing the gritty, athletic reality behind art-making—a world of blood, sweat, and sleepless nights. The article explores how mounting financial pressures, especially for sculptors and installation artists like Ivana Bašić, Erwin Wurm, and Lindsey Mendick, force tough decisions about studio space and production. Bašić, despite critical acclaim, lost a subsidized Dumbo studio and now outsources production to keep costs down, while a growing number of established artists pass on wisdom through residencies and assistant teams.
The US Department of State confirmed that Mexico-based artist Alma Allen will represent the United States at the 2026 Venice Biennale, opening next May. Jeffrey Uslip will serve as curator, and the commissioning institution is the American Arts Conservancy (AAC), with its executive director Jenni Parido as official commissioner. Allen, who has had only two museum solo shows in three decades, was approached directly by Uslip in October after the State Department had already approved him. The selection process broke from tradition: the National Endowment for the Arts was not involved due to time constraints and staffing transitions, and a prior proposal by artist Robert Lazzarini and curator John Ravenal fell through after negotiations with the University of South Florida’s Contemporary Art Museum collapsed. Allen’s pavilion, titled "Call Me the Breeze," will feature about 30 works exploring elevation and transformation, framed by the State Department as furthering the Trump Administration’s focus on American excellence.
The article examines the meteoric rise and current cooling of the market for Labubu, the Nordic fanged monster character created by artist Kasing Lung. After a decade of slow development, Labubu exploded in popularity through Chinese toy blind-box manufacturer Pop Mart, leading to record auction sales in 2025. Yongle Auction in Beijing organized the world's first themed Labubu sale, where a mint-green sculpture sold for RMB 1.242 million and a painting, 'Pure' (2021), fetched RMB 1.61 million, setting successive records. The frenzy attracted a diverse range of buyers, from streetwear collectors to traditional ceramics enthusiasts, many of whom share their purchases on social media platforms like Douyin.
The Victoria and Albert Museum in London is presenting the first UK exhibition dedicated to Italian fashion designer Elsa Schiaparelli. Titled 'Schiaparelli: Fashion Becomes Art,' the show features over 400 objects, including 100 ensembles, and traces her work from the 1920s to the present under current creative director Daniel Roseberry. It highlights her collaborations with major 20th-century artists.
Christie's, Sotheby's, and Bonhams held Old Masters auctions in London, with Christie's achieving a record £31.9 million ($43.7 million) sale for Canaletto's *Venice, the Return of the Bucintoro on Ascension Day* (circa 1732), more than half the sale's total of £60.8 million. The painting, once owned by Robert Walpole, set a new auction record for the artist. Sotheby's evening sale brought in £14.5 million, with J.M.W. Turner's rediscovered *The Rising Squall, Hot Wells, from St Vincent's Rock, Bristol* (1792) selling for £1.9 million, seven times its estimate. However, mid-market paintings struggled, and the Bristol Museum and Art Gallery failed to acquire the Turner despite fundraising £109,000.
Phillips’ Modern & Contemporary Art Evening Sale on May 19 achieved a white-glove result, totaling $115.2 million across 41 lots—a 122 percent increase from May 2025. The sale saw strong performances from works by Lee Bontecou, Salman Toor, and Cecily Brown, with Bontecou’s 1985 pastel on canvas setting a record for a two-dimensional work by the artist at $4.2 million. Other top lots included Andy Warhol’s *Sixteen Jackies* (1964) at $16.2 million, a Monet landscape at $9.3 million, and a Joan Mitchell at $6.9 million. Notably, less than half of the lots were guaranteed, with Phillips’ Priority Bidding incentive—offering a 4 percent discount on buyer’s premium—contributing to the strong results, as more than half of the lots attracted such bids.
Vanity Fair art and style correspondents Nate Freeman and José Criales-Unzueta preview the Metropolitan Museum of Art's Costume Institute spring exhibition "Costume Art," which inaugurates the Condé M. Nast Galleries. The exhibition arrives amid controversy over the Met Gala being sponsored by Lauren Sánchez Bezos and Jeff Bezos, leading to boycott calls and New York Mayor Zohran Mamdani skipping the event. Despite this, Anna Wintour and Met director Max Hollein announced the gala raised a record $42 million. Head curator Andrew Bolton presents fashion as art, pairing garments with artworks like Warhol's Skull and Sarah Lucas's Nud Cycladic 9.
An Artlyst guide highlights several major art exhibitions opening in London in May 2026. Key shows include 'Zurbarán' at the National Gallery (the UK's first major monographic exhibition of the Spanish master in over 30 years), 'Rising Voices: Contemporary Art from Asia, Australia and the Pacific' at the V&A (a collaboration with QAGOMA featuring 40 artists), a James McNeill Whistler retrospective at Tate Britain (the first major European show in 30 years), and 'Winston Churchill: The Painter' at the Wallace Collection. Photo London is also moving to Olympia this year.
A hand-signed offset lithograph poster by Ed Ruscha, created for the 2012 "Reading Ruscha" exhibition at the Kunsthaus Bregenz in Austria, is available for sale. The poster features an iconic 1971 photograph of the artist by Jerry McMillan and is noted for its rarity, with Ruscha having signed fewer than 50 copies for the institution.
A rare 1988 vintage silkscreen exhibition poster by Peter Halley, published for his show at Jablonka Galerie in Cologne, has surfaced on the secondary market. The work is notably hand-signed and dedicated by the artist to fellow artist Bill Radawec, distinguishing it from standard mass-produced exhibition ephemera. Halley, a central figure of the 1980s Neo-Geo movement, is recognized for his 'cell' and 'conduit' paintings that critique social and technological structures.
The Cincinnati Art Museum has announced it will host Yayoi Kusama’s immersive installation, "All the Eternal Love I Have for the Pumpkins," from July 17 through October 18, 2026. On loan from the Dallas Museum of Art, the exhibition features one of the artist's signature Infinity Mirror Rooms filled with polka-dotted acrylic pumpkins, accompanied by twelve of her pumpkin paintings created between 1990 and 2004.
Gagosian is set to expand its footprint at 980 Madison Avenue by opening a new ground-floor gallery space on April 25, 2026. The inaugural exhibition features a landmark presentation of Marcel Duchamp’s iconic readymades, including "Fountain" and "Bicycle Wheel." This selection specifically highlights the 1964 editions produced with Arturo Schwarz, returning these works to the exact building where they made their American debut at the Cordier & Ekstrom Gallery over sixty years ago.