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Michaelina Wautier: a ‘compelling’ and revealing exhibition

The exhibition of Michaelina Wautier’s work introduces audiences to a long-overlooked master of the 17th-century Baroque period. Born in Mons around 1614, Wautier operated within the elite circles of the Spanish Netherlands, sharing a studio with her brother Charles and securing patronage from the court of the Archduke Leopold Wilhelm. Despite her technical brilliance and ability to navigate complex historical and religious subjects, her name remained largely absent from the art historical canon until this recent reappraisal.

Secret garden bursts into colour with new art exhibition

The Castle Gardens in Malton has launched its first open-air art exhibition, featuring a collection of paintings and sculptures by local artists. Staged by the community interest company You will be CIC, the artworks are mounted directly onto the landscape's veteran trees to create an accessible cultural trail. The initiative is part of the broader Ryedale Gateway Project Trail, which aims to expand public art across the Malton and Norton areas.

Germany warns Goethe-Institut over exhibition with Palestinian artist

Germany's Federal Foreign Office issued a formal warning to the Goethe-Institut in Ramallah for hosting an exhibition by Palestinian artist Jumana Emil Abboud. The warning, delivered via letter, criticized the institute for displaying Abboud's work, which includes themes related to the Palestinian experience, suggesting it could be seen as endorsing a political position and might violate the institute's mandate of cultural diplomacy.

'The Art Thingy Part 1' imagines world where artists run art markets

Curators Maureen Ragalie and John Brogan have launched "The Art Thingy Part 1," a one-day experimental exhibition at Task Creative in Cudahy, Wisconsin. Featuring works by five artists—Heidi Parkes, Julie Brogan, Meg Lionel Murphy, Anita Ragusa, and Phoenix S. Brown—the show is framed as a "notes-app inspired experiment" that envisions an art market governed by creators rather than traditional institutional gatekeepers.

All Florida Exhibition selections explore identity, history and place

The Alliance for the Arts has launched its 40th Annual All Florida Exhibition, featuring 43 artworks selected from over 450 submissions across the state. Juried by Tim Jaeger, the director and chief curator of galleries at Ringling College, the exhibition showcases a diverse range of media including hyper-realist paintings, abstract works, and free-standing sculptures. The selected pieces by 39 different artists explore cohesive themes of identity, history, and place.

Quilts made by 35 fiber artists on exhibit in Poway through April 4

Thirty-five fiber artists from the Southern California/Nevada region of Studio Art Quilt Associates (SAQA) are showcasing their work in the exhibition “Beyond the Canvas” at the Poway Center for the Performing Arts. The exhibition features a diverse range of styles, including abstract designs, landscapes, and representational pieces, all created using fabric and thread rather than traditional paint or clay. Featured artists such as Kathleen McCabe, Mary Tabar, and Kathy Piper demonstrate the versatility of the medium through works that range from hand-dyed cotton abstracts to nature-inspired imagery.

‘Shaping Community & Shifting Narratives’ art exhibit opening reception to take place March 6

The Flint Institute of Arts Museum & Art School is hosting the opening reception for 'Shaping Community & Shifting Narratives,' an exhibition featuring works by 12 women artists of African descent aged 60 and older. Representing the communities of Flint, Lansing, and Detroit, the show includes a diverse range of media such as ceramics, painting, glass, and fiber arts. A special tribute will be included for the late textile artist Ernestine Bains, whose legacy is being carried forward by her granddaughter, Camille Baines.

Henrike Naumann—selected for this year's Germany pavilion at the Venice Biennale—has died

Artist Henrike Naumann, who was selected alongside Sung Tieu to represent Germany at the 2024 Venice Biennale, has died at age 39. She passed away on February 14 in Berlin after a short, serious illness, which her website specified was a late cancer diagnosis. The Institut für Auslandsbeziehungen (Ifa), which oversees the German Pavilion, confirmed her death and stated that her planned work for the Biennale will be realized posthumously according to her completed vision.

A festival bringing local and international productions and concerts to Liverpool is coming in April

The Angel Field Festival, an annual multi-arts event hosted by Liverpool Hope University, will take place from April 17th to 25th, 2026, at the university's Creative Campus in Liverpool. The festival's program includes theatre, music spanning classical to electronic, free art exhibitions, and storytelling, featuring both local Liverpool talents and international influences.

Harnett Museum of Art at the University of Richmond Opens Spring Season With Immersive Exhibitions and Films

The Joel and Lila Harnett Museum of Art at the University of Richmond has opened its spring season with three new exhibitions centered on themes of lineage, place, and blackness. The shows include a newly commissioned, full-gallery installation by sculptor Abigail DeVille, an exhibition titled 'Black Work: Absence/Absorption' exploring the material and perceptual qualities of blackness, and 'Politics of Place,' a film-focused exhibition examining geography's influence on identity and power.

Corban Clause Williams to debut solo show at Melbourne Art Fair 2026

Emilia Galatis Projects, a Perth-based gallery focusing on Western Australian First Nations artists, will present the first Melbourne solo exhibition by Corban Clause Williams at Melbourne Art Fair 2026, running February 19-22. The show will debut 15 new paintings and design works extending Williams' Manyjilyjarra Country and culture into sculptural and textile forms, accompanied by a Martu Wangka artist talk with Anya Judith Samson. Williams, born in 1994 and based in Parnngurr Community, has gained rapid acclaim for canvases weaving ancestral knowledge with contemporary visual language, and was named an inaugural Creative WA Fellowship recipient in late 2025.

ANTiPODE gallery holds space for any artists’ work to thrive

Two best friends, Amir Amini and Saina Heshmati, founded ANTiPODE gallery in Seattle in September 2025. The gallery prioritizes immigrant and established artists, with 70% of exhibitions dedicated to immigrant artists and 30% to local artists, aiming to act as a cultural bridge between Seattle and cities like Tehran. The founders previously curated a group exhibition called "Postcard from Tehran" at the RailSpur building, which inspired the gallery's mission. ANTiPODE also hosts events such as movie nights and experimental music and dance performances to connect with the local community.

Open Call Announced for Georgetown Art Center 2027 Exhibitions

The Georgetown Art Center (GAC) has issued an open call for its 2027 exhibition season, inviting U.S.-based artists working in any medium to propose monthlong solo exhibitions featuring work created within the past three years. Submissions will be reviewed by a panel of three artists—Caroline Walker, Mark Greenwalt, and Molly Mansfield—each of whom had solo shows at GAC in 2025. Selected artists receive a $500 honorarium, promotional support, and opportunities for an opening reception, artist talk, and masterclass. The deadline for submissions is February 28, 2026, with a $45 fee.

Texart Fair 3.0 holds in Ibadan to create market opportunities for art

Texart Fair 3.0, a three-day art exhibition and cultural exchange, was held in Ibadan by BlackulHeritage Studios in collaboration with the National Museum of Unity, Ibadan. The event, themed “Tapping the Market Potential of Nigerian Art: Bridging the Gap,” brought together artists, collectors, curators, scholars, and students to discuss strengthening the visibility and economic value of Nigerian art. Highlights included a symposium, panel discussions, and Awards of Recognition presented to notable Nigerian art figures such as Tola Wewe, Prince Tunde Odunlade, and Tunde Kelani.

Revolt Art Fair in Miami champions thriving Black art market

The Revolt Art Fair is staging its second edition in Miami at Ice Palace Studios, featuring over 50 Black artists and digital creators. Titled "Dual Currency: Defiance by Design," the fair allows visitors to purchase works via QR code through the Ujamaa art-market app. Curators Amy Andrieux and Zindzi Harley have focused on celebrating Black art in 2025, with highlights including works by Chire “VantaBlack” Regans, Lex Marie, and Daveed Baptiste. A digital open call was announced for an LED presentation during the closing party, reflecting the fair's connection to hip-hop culture through its parent company Revolt.

New exhibition lets ‘cheeky dogs’ run wild in the gallery

Hervey Bay Regional Gallery in Queensland is closing out 2025 with three new exhibitions by local artists, opening November 28. The shows include a solo exhibition by Alywarr artist Dion Beasley, titled "Six Dogs," featuring his playful drawings of camp dogs inspired by his hometown of Tennant Creek and his children's books. Also on view are Brisbane-based Tyza Hart's "Appearing," a decade-spanning installation of ceramics and self-portraits, and the collaborative project "Weeds to Paper" led by papermaker Zela Bissett, which transforms invasive plants into handmade paper artworks in partnership with Butchulla Traditional Custodians.

In bid to diversify KW Institute in Berlin, artist Sung Tieu sells work to fund new board member

Artist Sung Tieu has sold her work *Declaration of Donation* (2025) for €25,000 to fund a new board member at KW Institute of Contemporary Art in Berlin. The work, a contract engraved on four A4-sized mirrors, stipulates that the proceeds cover the five-year term of curator and academic Mi You, whom Tieu nominated to the board. The sale directly challenges KW’s board structure, which requires a €5,000 annual fee from each member—a key revenue stream for the institution amid Berlin’s arts funding cuts. Tieu’s piece argues that such fees perpetuate exclusion and economic gatekeeping, and that institutional change requires structural shifts, not mere declarations of inclusivity.

Heffel’s autumn sales, including auction of art from collection of Canada’s oldest company, tally $22.1m

Heffel Fine Art Auction House held its marquee autumn sales in Toronto on November 19, featuring four auctions that included works from the collection of the Hudson's Bay Company, North America's oldest company, which declared bankruptcy earlier this year. The marathon series of sales also included a single-owner auction of the late collector Lillian Mayland McKimm's holdings and two multi-owner sales of Canadian, Impressionist, modern, post-war, and contemporary art. Over 16 artists' secondary market records were broken, with total sales reaching C$31 million ($22.1 million). Notable highlights included E.J. Hughes' 'Entrance to Howe Sound' selling for C$4.8 million, more than doubling his previous record, and Winston Churchill's painting 'Marrakech' fetching C$1.5 million.

The South River fire’s quiet toll on Atlanta’s printmakers

A fire at South River Art Studios in Atlanta on November 12 destroyed or damaged over 50 works in "En Masse," a group exhibition of 21 regional printmakers that had opened just 11 days earlier in the Gogo Gallery. Curator Chloe Alexander and artists Maurice Evans, Grace Kisa, and Jamaal Barber describe the loss of unique, irreplaceable prints due to soot, smoke, and water damage, with many pieces on paper rendered unsalvageable despite appearing intact.

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SILSILA: Highlights from the Dalloul Collection including Modern and Contemporary Middle Eastern Art at Christie's totals £4,112,260 - Christie's

Christie's London held the 'SILSILA: Highlights from the Dalloul Collection' auction on 6 November 2025, featuring Modern and Contemporary Middle Eastern Art. The sale achieved a total of £4,112,260, with a 93% sell-through rate by value and 85% by lot. The top lot was Saloua Raouda Choucair's 'Poem' (1966-68), which sold for £393,700, setting a world auction record for the artist in the wood medium. Other highlights included Sliman Mansour's 'Untitled' (2014) at £323,850 and Kamal Boullata's 'Nocturne I' (2001) at £165,100. Eight world auction records were set during the evening.

Long-running Azores art festival blossoms into a biennial

The Walk&Talk arts festival on São Miguel, the largest island in the Azores archipelago, has formally transitioned from an annual summer street art celebration into a biennial, running until 30 November with over 80 artists. Founded in 2011 by curator Jesse James, the event now features exhibitions, performances, excursions, talks, and educational programming across nine venues, including historic and architecturally significant sites such as Museu Carlos Machado and a former distillery turned contemporary art museum. The shift to autumn allows local school groups to participate, and the inaugural biennial is co-curated by Fatima Bintou Rassoul Sy, Liliana Coutinho, and Claire Shea under the theme "Gestures of Abundance."

Led by £10.2m cheetah miniature, Aga Khan collection breaks all-time record for South Asian art sale

A single-owner sale of 95 lots from the collection of Prince Sadruddin Aga Khan at Christie's London achieved £45.8m ($61m), shattering the presale estimate of 'in excess of £8m' and setting a new all-time record for any South Asian art sale. The top lot, Basawan's miniature *A Family of Cheetahs in a Rocky Landscape* (circa 1575-80), sold for £10.2m ($13.6m), becoming the most expensive classical Indian or Islamic painting at auction. The sale also featured eight works from the Fraser Album, which together made £6.2m, and a portrait by Dust Muhammad that fetched £2.7m.

LOOK HERE Highlights the Work of Progressive Art Studios Nationwide

The Center for Creative Works (CCW) and Haverford College's Cantor Fitzgerald Gallery have partnered to present LOOK HERE, a multisensory exhibition highlighting the work of neurodivergent artists. The show features six CCW artists—Kelly Brown, Cindy Gosselin, Clyde Henry, Tim Quinn, Brandon Spicer-Crawley, and Allen Yu—and is curated by Jennifer Gilbert alongside CCW artists Mary T. Bevlock and Paige Donovan. The exhibition includes accessible design elements such as braille, ASL videos, touch panels, sensory backpacks, and tours led by neurodivergent artists. Two satellite exhibitions, LOOK THERE at Haverford's VCAM gallery and LOOK EVERYWHERE at Philadelphia's Atelier Gallery, run concurrently, along with the sixth annual Creating Community Symposium, which brings together progressive art studios from across the US.

Sarasota art exhibition features items that are 'Shopliftable'

An art exhibition titled "Shopliftable" has opened at the 502 Gallery in Sarasota, Florida, featuring small-scale artworks that are intentionally easy to steal. The show, organized by co-owner and director Tim Jaeger, includes works by artists such as Nancy Hielscher, who presents a triptych from her "Yardwork" series depicting bromeliads, and Virginia Hoffman, who displays alternative-print photographs in antique negative holders. All pieces are for sale and span a variety of mediums, with many presented in sets.

The Interview: Sea Art Festival 2025

The 2025 Sea Art Festival, titled 'Undercurrents: Waves Walking on the Water,' is co-directed by Keumhwa Kim and Bernard Vienat, who were selected through an international open call. The biennial returns to Dadaepo Beach in Busan, South Korea, focusing on outdoor installations and sculptures that engage with the natural landscape and local communities. Kim, founder of Keum Art Projects, and Vienat, founder of art-werk and leader of the (re)connecting.earth biennial, emphasize collaboration with scientists such as paleontologists and bioacoustic researchers to highlight invisible ecological and social structures.

Now open: Salisbury exhibit meshes visual art with automobiles

The Waterworks Visual Art Center in Salisbury, North Carolina, has opened a new exhibition titled "The Spark That Drives Us," which explores the intersection of visual art and automotive design. Featuring works by five internationally-acclaimed automobile artists—Heidi Mraz, Stefan Johansson, Michael Furman, Dan McCrery, and Richard Pietruska—the show includes watercolor paintings, mixed-media pieces, and sculptures, alongside two rare cars: a 1957 Dawson Ferret from Ray Evernham's collection and a 1954 Martin Stationette from the Lane Motor Museum. The exhibition runs through February 28, 2026.

Louis Vuitton Just Opened an Art Deco Exhibition in Paris

Louis Vuitton has opened a new exhibition in Paris celebrating its influence on the Art Deco movement, staged on the 100th anniversary of the 1925 International Exhibition of Modern Decorative and Industrial Arts. Featuring over 300 objects—many never publicly shown before—the immersive show spans eight themed rooms, including a reconstruction of the brand's original 1925 stand, archival designs, and contemporary pieces by Nicolas Ghesquière, Pharrell Williams, Marc Jacobs, and Kim Jones.

These exhibits spotlight 600 female artists in DC area

Curator and blogger Florencio “Lenny” Campello has organized a series of 18 exhibits featuring 600 female artists from the Washington, D.C. region under the project Women Artists of the DMV. The main exhibition is at American University’s Katzen Arts Center, displaying 63 pieces, with additional shows at venues like Strathmore Galleries in Bethesda and Montpelier Arts Center in Laurel. Campello hand-selected each work, receiving nearly 4,000 inquiries from local artists, and structures the shows in a three-tier pyramid from well-known to emerging artists.

BUAM exhibition explores artists’ interaction with historical movements

The Binghamton University Art Museum (BUAM) has opened its fall semester exhibition, “In the American Grain: Exploring America through Art, 1919-1946,” curated by art history professor Tom McDonough. The show spans the interwar period through World War II, featuring works from BUAM’s collection—many donated by local collectors Gil and Deborah Williams—alongside loans from the BU libraries, the Roberson Museum and Science Center, and the Art Bridges Collection. Originally conceived with Chelsea Gibson of the Binghamton Codes! Program, the exhibition grew from a pandemic-era digital project and includes thematic categories such as Americans Abroad, City Life, Picturing Black Lives, and War Time, with works by artists like Jane Peterson, Chiura Obata, James Lesesne Wells, and Helen Torr.