Major cities across the United States are hosting First Friday events tonight, featuring extended gallery hours, free museum admissions, and live cultural programming. A central highlight is the Natural History Museum of Los Angeles, which is celebrating the 20th anniversary of its after-hours series with a sold-out evening of live music, DJ sets, and science discussions led by experts.
The Museum of the Cherokee People has launched "Unrelenting: Cherokee People and the American Revolution," a landmark exhibition marking the 250th anniversary of the United States. The show juxtaposes 18th-century historical artifacts, such as weaponry and archival treaties, with newly commissioned works by 14 contemporary Cherokee artists. Curated by Dakota Brown, Evan Mathis, and Brandon Dillard, the exhibition challenges traditional American nationalist mythologies by centering Indigenous perspectives on the Cherokee American War and the complexities of sovereignty.
Three museums in the Philadelphia area—the Woodmere Museum, the Maguire Museum at St. Joseph’s University, and the Berman Museum of Art at Ursinus College—have jointly organized a major retrospective of sculptor Syd Carpenter's five-decade career. The exhibition, titled "Syd Carpenter: Planting in Place, Time and Memory," is split across the three venues, each focusing on different aspects of her artistic evolution, from early pottery to recent organic, plant-inspired sculptures.
St. Olaf College students have curated the exhibition 'Let's Talk: Collection Conversations' at the Flaten Art Museum, featuring over a dozen works from the museum's collection. The show, open from February 13 to April 12, is the result of a two-semester, student-led curatorial model where a fall class selected the artworks and a spring class will activate the gallery with dialogue sessions to gather community feedback.
Mexico City is launching a major cultural initiative ahead of the 2026 FIFA World Cup, including over 1,000 murals painted across the city inspired by Mesoamerican ball games, renovations at 12 museums and 46 archaeological sites, and the opening of a new Indigenous textile museum. The Museo Jumex will host the exhibition "Football & Art. A Shared Emotion" curated by Guillermo Santamarina, featuring a participatory installation by the Mexican collective Tercerunquinto using recycled Estadio Azteca seats.
The Joel and Lila Harnett Museum of Art at the University of Richmond has opened its spring season with three new exhibitions centered on themes of lineage, place, and blackness. The shows include a newly commissioned, full-gallery installation by sculptor Abigail DeVille, an exhibition titled 'Black Work: Absence/Absorption' exploring the material and perceptual qualities of blackness, and 'Politics of Place,' a film-focused exhibition examining geography's influence on identity and power.
South African artist Gabrielle Goliath and curator Ingrid Masondo are taking urgent legal action against South Africa's sport, arts and culture minister Gayton McKenzie after he cancelled their project for the country's Venice Biennale pavilion. The pair were selected in December 2025 to present a new iteration of Goliath's decade-long project *Elegy*, which addresses femicide and the murder of LGBTQI+ people, and was also set to include references to the Ovaherero and Nama genocide in Namibia and the death of Palestinian poet Hiba Abu Nada. McKenzie, leader of the right-wing Patriotic Alliance party, described the Abu Nada-related content as "highly divisive" and cancelled the project on 2 January, just days before the submission deadline. The legal team, led by Adila Hassim, will file an application at the high court in Pretoria by 22 January, arguing that McKenzie's interference is unconstitutional.
The Museum of Goa is presenting three new exhibitions that highlight local art and cultural festivals. The shows feature works by regional artists, exploring themes of tradition, community, and contemporary expression through various media.
The Humboldt Arts Council presents an Art Talk Sunday event at the Morris Graves Museum of Art on January 4th, featuring the four artists from the exhibition '10th Street Studio': Carol Andersen, Laura Corsiglia, Peggy Rivers, and Van Shields. The exhibition showcases works by these like-minded artists who recently began sharing a studio space dedicated to creativity and mutual support. Andersen, Corsiglia, and Rivers have over 110 years of combined art-making experience, with works in significant public and private collections, while Shields joins as an emerging artist. The talk will include discussions on their practices, with Andersen focusing on wildlife as metaphor, Corsiglia drawing from nature and her time in Paris, Rivers exploring color theory through series, and Shields reflecting on his post-retirement artistic awakening.
The Asian Art Museum in San Francisco has opened a new exhibition titled "Rave into the Future: Art in Motion," which transforms the gallery into an immersive rave-like experience featuring a copper dance floor, live DJ sets, robot Roombas swirling glitter, and nine distinct "stages" representing the lifecycle of a rave. Curated by Naz Cuguoğlu, the show brings together queer and women artists of West Asian heritage from the Bay Area, New York, and Europe, and will run through January 16.
The Palmer Museum of Art at Penn State has announced a call for entries for a juried exhibition titled "Dreaming American Futures: Invitational 250," running from summer through fall of 2026. The exhibition marks the United States' 250th anniversary and is open to Penn State students, faculty, staff, alumni residing in Pennsylvania, and local artists within 50 miles of State College. Submissions must address themes of activating change, bridging the divide, the pursuit of happiness, and a more perfect union, which were developed from community input gathered during a summer 2025 installation. Digital submissions of up to three works are due by February 15, 2026, with no entry fee, and a jury including artist Folayemi Wilson, curator Janine Yorimoto Boldt, and artist Roberto Lugo will adjudicate the entries.
The Mütter Museum in Philadelphia, known for its collection of medical artifacts including human remains, has been embroiled in controversy since a 2023 ProPublica investigation revealed it held Native American remains without repatriating them as required by NAGPRA. The museum's executive director Kate Quinn and then-president Mira Irons responded by removing digital content mentioning human remains, sparking a petition signed by over 30,000 people accusing them of reactive decisions. High-level staff departed, donors requested their body parts back, and both Quinn and Irons eventually resigned. The museum is now led by science historians Erin McLeary and Sara Ray.
The Center for Creative Works (CCW) and Haverford College's Cantor Fitzgerald Gallery have partnered to present LOOK HERE, a multisensory exhibition highlighting the work of neurodivergent artists. The show features six CCW artists—Kelly Brown, Cindy Gosselin, Clyde Henry, Tim Quinn, Brandon Spicer-Crawley, and Allen Yu—and is curated by Jennifer Gilbert alongside CCW artists Mary T. Bevlock and Paige Donovan. The exhibition includes accessible design elements such as braille, ASL videos, touch panels, sensory backpacks, and tours led by neurodivergent artists. Two satellite exhibitions, LOOK THERE at Haverford's VCAM gallery and LOOK EVERYWHERE at Philadelphia's Atelier Gallery, run concurrently, along with the sixth annual Creating Community Symposium, which brings together progressive art studios from across the US.
Pepperdine University administrators directed the Frederick R. Weisman Museum of Art to shut down a video installation by artist Elana Mann due to its political content, sparking a censorship controversy. After the censorship, over 20 artists in the exhibition "Hold My Hand in Yours" requested their works be removed in protest, leading the university to close the entire exhibition, which had been scheduled to run until March 29.
Pepperdine University, a private Christian university in Malibu, abruptly closed the exhibition "Hold My Hand in Yours" at its Frederick R. Weisman Museum of Art six months early, after at least a dozen artists requested to withdraw their works in protest. The school had removed or altered artworks it deemed "political," including Elana Mann's video "Call to Arms 2015-2025" (2025), which documented performances using megaphone-like sculptural instruments and included footage from a 2017 May Day March with chants supporting immigrants and racial justice. Another work by the group AMBOS, a collaborative sculpture featuring an embroidery reading "Save the Children" and "Abolish ICE," was altered by turning the fabric swatch to hide the text and removing a sign inviting visitor interaction. The school did not explain its decisions to the artists.
Curator and blogger Florencio “Lenny” Campello has organized a series of 18 exhibits featuring 600 female artists from the Washington, D.C. region under the project Women Artists of the DMV. The main exhibition is at American University’s Katzen Arts Center, displaying 63 pieces, with additional shows at venues like Strathmore Galleries in Bethesda and Montpelier Arts Center in Laurel. Campello hand-selected each work, receiving nearly 4,000 inquiries from local artists, and structures the shows in a three-tier pyramid from well-known to emerging artists.
The Lansing area lost the Lansing Art Gallery this year, but the local arts scene remains vibrant with several other venues. The Michigan History Museum offers immersive exhibits on state history, including the special exhibition “Black Bottom Street View” about Detroit’s historic neighborhood. The MSU Museum is undergoing an 18-month renovation but hosts a pop-up exhibition “Physical Spells [The Wor(l)d in the Atom]” featuring artist Violeta López López. The Nelson Gallery in downtown Lansing continues to showcase local contemporary art and plans holiday events, while Struk Studio, founded in 2023 by David Such, offers a contemporary mixed bag of works.
The Woodmere, a museum in Philadelphia, sued the Trump administration after an executive order revoked a $750,000 federal grant from the Institute of Museum and Library Services (IMLS). The museum had already received roughly $195,000 of the funds, but the order targeting "unnecessary" federal bureaucracy cut the remainder. On September 4, the IMLS reinstated the full grant, leading to the dismissal of the lawsuit, which had been scheduled for a first hearing on September 12. The grant, part of the Save America's Treasures program, was intended for conservation, catalog updates, and digitization projects.
The Pat Guthrie Special Exhibitions Teaching Gallery at the University of Wyoming Art Museum is hosting its Fall 2025 exhibition, which integrates artworks from the museum's collection into four university courses: GEOL 1101 on the Anthropocene, ENGL 4999 on place and public memory, HP 3165-04 on Inuit environmental dilemmas, and HP 1020 on dreams and reality. Featured works include prints by Katsushika Hokusai, Martin Stupich, Dana Claxton, and Linda Connor, each paired with course themes to foster interdisciplinary learning.
Diego Montoya, a fashion and costume designer known for his work on RuPaul's Drag Race and HBO's We're Here, has opened a solo exhibition titled 'Resplendent Dreams: Reawakening the Rococo' at the Indianapolis Museum of Art at Newfields. The show, running from June 6, 2025 to March 29, 2026, features costumes created for drag queens including Sasha Velour, Blair St. Clair, Kandy Muse, Jimbo, and Miz Cracker, as well as a new commission 'Rocaille' made for the museum. Montoya worked with exhibition designer Mandie Holden to present the costumes on custom mannequins that evoke drag silhouettes rather than standard fashion displays.
Angel Archives, a Brooklyn-based collective founded in 2025 by Emma Long and Audrey Roloff, will present its group exhibition 'Angels' on July 17 at Studio 45 in East Williamsburg. The show features 18 artists working across various mediums, each reimagining angels as protectors, guides, and spiritual presences. Themes include grief, sacred imagery, purity, and the tension between the unreachable and the real. Featured artists include Audrey Roloff, Ashley Walia, Autumn Kidd, Charlie Rudalavage, Claire Porter Manning, EC Brooks, Eden Weinstein, Emma Long, Fiona Murphy, Jade Groobman, Julia Rose, Kaden Bard Dawson, Megan Liz Smith, Sara Carlsen, Sharon Yalan Li, pszygy, Why? Why Not? Because!, Henry Davis, and Charlotte Davis.
The Museum of Art is planning a grand finale event for its popular current exhibition, as reported by the Springfield News-Sun. The museum aims to celebrate the exhibition's success with a special closing program that will attract visitors and highlight key works on display.
The Tacoma Art Museum presents an exhibition curated by Kenji Stoll that traces the evolution of Japanese visual culture from traditional ukiyo-e woodblock prints to contemporary anime-inspired works. The show features a diverse range of artists, including Roger Shimomura, whose painting "Minidoka No.5 (442)" references the Japanese American 442nd regimental unit in World War II, alongside self-taught artists like VanVan, who contributes manga-style drawings. Stoll himself, a tattoo artist, exhibits a large mural titled "Nikkei Butterfly," which celebrates Japanese diaspora culture through patterns and a samurai warrior motif. Other artists include Ed Augai, Lauren Iida, Hanako O’Leary, and Yoshiko Yamamoto, whose works bridge historical ukiyo-e techniques with contemporary themes of identity, memory, and female empowerment.
The Museum of Fine Arts (MFA) Boston has returned two looted artefacts—a bronze relief plaque and a terracotta and iron head—to the Oba of Benin during a ceremony at Nigeria House in New York City. The works, stolen by British forces during the 1897 punitive expedition against the Kingdom of Benin, were traced to the collection of Augustus Pitt-Rivers and later acquired by investment titan Robert Owen Lehman, who donated them to the MFA in 2013 and 2018. The pieces will be handed over to Nigeria's National Commission for Museums and Monuments and ultimately to His Royal Majesty Omo N’Oba Ewuare II.
Manchester Museum in the UK is asking visitors whether the mummified remains of Asru, an Egyptian woman who lived around 2,700 years ago, should remain on display. The public consultation, running until the end of August, invites comments online or in a box next to her case. The museum notes that Asru's body was acquired in the early 1800s by the sons of a man who profited from slavery, shipped to Manchester, and unwrapped in 1825.
A new exhibition titled XICANA! San Diego has opened at the California Center for the Arts in Escondido, featuring over 250 artworks by more than 100 Chicana artists from Southern California. The show includes sculptures, murals, photography, and lowrider installations, with a centerpiece 14-foot sculpture of the Aztec goddess Tonantzin by guest artist Louis Verdad, and a custom lowrider owned by Rachel Zepeta. The exhibition is curated by Dulce Stein in collaboration with ESMoA and the City Heights Community Development.
The Austin Central Library has issued an open call for exhibition proposals from Texas-based artists, collectives, curators, and creatives for its fall 2026 and spring 2027 seasons. Selected works will be displayed in the library’s 2,700-square-foot gallery for 12-week periods, with opportunities for artists to lead workshops or demonstrations. Applications are due by August 31, 2025, and will be reviewed by juries of local artists, curators, educators, and community leaders, with selected applicants announced in fall 2025.
The Seoul Museum of Art (SeMA) has opened the Photography Museum of Seoul (Photo-SeMA) in Dobong-gu district, marking South Korea's first public museum dedicated to photography. Spanning 7,048 square meters, the new venue draws from SeMA's collection of over 20,000 photographs and archival materials from the 1920s to the 1990s. It launches with two exhibitions themed around 'light obsession'—'Storage Story,' featuring commissioned works by six contemporary artists, and 'The Radiance: Beginnings of Korean Art Photography,' showcasing five pioneering Korean art photographers. The museum will eventually become part of an eight-branch network run by SeMA.
NVIDIA GTC Paris, held June 10-12 at VivaTech, will feature a curated AI art gallery showcasing seven artists and fashion designers who use machine learning to create artwork. Exhibitors include aurèce vettier (Paul Mouginot), whose series 'le travail des rêves' and 'the light that is not seen' train AI on personal childhood photos to generate dreamlike oil paintings, and Senegalese artist Linda Dounia Rebeiz, whose project 'Once Upon a Garden' documents extinct flora from West Africa's Sahel region using AI-generated imagery. The gallery aims to demonstrate how AI can serve as a creative partner rather than just a tool.
A growing number of Indian galleries and institutions are shifting their focus from emerging artists to established and late-career artists. Recent examples include a Himmat Shah retrospective at KNMA, Amitava Das's solo show in New Delhi featuring works from the 1960s to 2015, and Subcontinent gallery's inaugural exhibition of Haku Shah's seven-decade career. These exhibitions are often organized in collaboration with multiple galleries, such as Shrine Empire Gallery and Art Exposure Gallery, and aim to highlight overlooked art histories.